Not exact matches
Documentary Joslyn Barnes — «The House I Live In,» «Trouble the Water» Danielle Renfrew Behrens — «Kurt Cobain: Montage of Heck,» «The Queen of Versailles» Joe Bini * — «Tales of the Grim Sleeper,» «Encounters at the End of the World» Douglas Blush — «The Hunting Ground,» «The Invisible
War» Rachel Boynton — «Big Men,» «Our Brand Is Crisis» Irene Taylor Brodsky — «The Final Inch,» «Hear and Now» Margaret Brown — «The Great Invisible,» «The Order of Myths» Nancy Buirski — «Afternoon of a Faun: Tanaquil Le Clercq,» «The Loving Story» Maro Chermayeff — «Marina Abramovic The Artist Is Present,» «The Kindness of Strangers» Ramona S. Diaz — «Don't Stop Believin»: Everyman's Journey,» «Imelda» James Gay - Rees — «Amy,» «Senna» Haile Gerima — «Teza,» «Ashes and Embers» Laurens Grant — «The Black Panthers: Vanguard of the Revolution,» «Freedom Riders» Richard Hankin — «Art and Craft,» «God Loves Uganda» Kazuo Hara — «A Dedicated Life,» «The Emperor's Naked Army Marches On» Thomas Allen Harris — «Through a Lens Darkly: Black
Photographers and the Emergence of a People,» «Twelve Disciples of Nelson Mandela» Matthew Heineman — «Cartel Land,» «Escape Fire: The Fight to Rescue American Healthcare» Judith Helfand — «The Barber of Birmingham: Foot Soldier of the
Civil Rights Movement,» «Blue Vinyl» Amy Hobby — «What Happened, Miss Simone?
Anyway, it's been a shame not to see things come together on that front, but I'm glad Mann has found a nice outlet to get his Spanish
Civil War groove on, and perhaps a better opportunity overall, with Columbia's acquisition of «Waiting for Robert Capa,» a biography of the war photographer and Mann's next g
War groove on, and perhaps a better opportunity overall, with Columbia's acquisition of «Waiting for Robert Capa,» a biography of the
war photographer and Mann's next g
war photographer and Mann's next gig.
He advocated Pan-Africanism, traveled to Africa, and even embedded himself as an observer and
photographer in the Mozambique
civil war.
Past, present and future collide in glorious ways in these art and photography books, whether it's a modern
photographer witnessing history come alive on
Civil War battlefields or a discussion of why the Yellow Brick Road was yellow in The Wizard of Oz.
Armstrong tracks the influence of Mathew Brady, who changed the course of
war photography, and whose stable of photographers shaped our vision of the Civil W
war photography, and whose stable of
photographers shaped our vision of the
Civil WarWar.
«The
Civil War and American Art» and «Photography and the American
Civil War» show painters like Winslow Homer and
photographers like Mathew Brady caught up in events more than they ever knew — and Hale Woodruff in his murals evoked them for the next century.
Photographers Among Us charts the evolution of documentary photography, from the
Civil War through the late 20th century, providing an opportunity for visitors to follow technological developments in the field.
For more than 30 years he built a career as a documentary
photographer with series on the genocide in Rwanda,
civil war in Haiti und homeless people in the US.
When Turkish
photographer Furkan Temir was just a teenager, he saw a huge influx of Kurdish people, fleeing
civil war in neighbouring Syria.
In the digital age, we've become accustomed to photographs manipulated through Photoshop, but
photographers have been altering images, through cropping, dodging and burning, and manipulating subject matter since the
Civil War era.
The earliest works, taken by
photographers such as George Bradford Brainerd and Irving Underhill, document the resort from the post —
Civil War period through the turn of the twentieth century.
With Melissa Mboweni as curator of the project and collaborations with
photographer Jurie Potgieter and singers Thandiswa Mazwai and Zaki Ibrahim, Chiurai references child soldiers, African liberation movements, and
civil wars.