Classic scholar materials such as ink, stone, ceramics and bronze find contemporary interpretations in new combinations and dimensions.
Not exact matches
Selections from Albers's own writings, including
classic texts such as «On My Painting,» «Color» and «On My Homage to the Square,» mingle with essays by well - known Albers
scholars Nicholas Fox Weber («Minimal Means, Maximum Effect») and Jeannette Redensek («On Josef Albers» Painting
Materials and Techniques»); meditations by Norwegian artist Dag Erik Elgin («Preparing for Painting to Happen»), Eva Diaz («Jailbreaking Geometric Abstraction,») and Doug Ashford («Dear Josef»); and a collage sequence by Andrea Geyer that pays homage to Albers's prints.
Selections from Albers» own writings, including
classic texts such as «On My Painting,» «Color» and «On My Homage to the Square,» mingle with essays by well - known Albers
scholars Nicholas Fox Weber («Minimal Means, Maximum Effect») and Jeannette Redensek («On Josef Albers» Painting
Materials and Techniques»); meditations by Norwegian artist Dag Erik Elgin («Preparing for Painting to Happen»), Eva Diaz («Jailbreaking Geometric Abstraction») and Doug Ashford («Dear Josef»); and a collage sequence by Andrea Geyer that pays homage to Albers» prints.