Sentences with phrase «coast area artists»

The Lawndale Artist Studio Program is part of Lawndale's ongoing commitment to support the creation of contemporary art by Gulf Coast area artists.

As a new program for the Foundation, our goal is to provide Gulf Coast area artists with financial and supplementary assistance necessary to take advantage of New Orleans based opportunities that will have a significant positive impact on their artistic careers.

Not exact matches

It also features ceremonial Chilkat Robes, the iconic west coast favourite - the Cowichan sweater, and beyond to the ingenious Gill Net rugs of Sointula; as well as contemporary pieces from area artists.

Casa Roland's Villas Lirio is located in the Quepos Manuel Antonio area on the Central Pacific Coast of Costa Rica Our secluded hotel is decorated with fine furnishings and unique art created by local artists...

Like artists as diverse as David Park in the Bay Area and Wallace Berman and William Claxton in L.A., however, Altoon's interest in the cool, seductive rhythms of West Coast jazz informed his work.

Women of Abstract Expressionism also sheds light on the unique experiences of artists based in the Bay Area on the West Coast where they were on a more equal footing with their male counterparts than those working in New York.

As the artist's first West Coast presentation, the exhibition is an unprecedented opportunity for Bay Area audiences to immerse themselves in the work of an artist whose singular contributions to twentieth - century modernism anticipate today's renewed interest in the sculptural and material qualities of abstract painting.

Alternative Figures in American Art, 1960 to the Present, Curated by Dan Nadel, Matthew Marks, New York, NY 1995 Pacific Dreams: Currents of Surrealism and Fantasy in Early California Art 1934 - 1957, Oakland Museum, UCLA Hammer Museum of Art and Nora Eccles Harrison Museum of Art, UT 1993 Selections from the Permanent Collection - California: Art from the 1930s to the Present, San Francisco Museum of Modern Art 1989 Forty Years of California Assemblage San Jose Museum of Art, Fresno Art Museum and Joslyn Art Museum 1986 California Sculpture: 1959 - 1980, San Francisco Museum of Modern Art 1985 Art in the San Francisco Bay Area 1945 - 1980, Oakland Museum 1984 Contemporary American Wood Sculpture, Crocker Art Museum, University of Arizona Museum of Art, Huntsville Museum of Art and Chrysler Museum The Dilexi Years 1958 - 1970, Oakland Museum 1982 100 Years of California Sculpture, Oakland Museum Northern California Art of the Sixties, De Saisset Museum, University of Santa Clara 1976 California Painting and Sculpture: The Modern Era, San Francisco Museum of Modern Art and National Collection of fine Arts, Smithsonian Institution 1975 Masterworks in Wood: The Twentieth Century, Portland Art Museum First Artists» Soap Box Derby, San Francisco Museum of Modern Art 1971 Continuing Surrealism, La Jolla Museum of Art 1969 An American Report on the Sixties, Denver Art Museum American Sculpture of the Sixties, Grand Rapids Art Museum 1968 On Looking Back: Bay Area 1945 - 62, San Francisco Museum of Art The West Coast Now: Current Work from the Western Seaboard, Portland Art Museum, Seattle Art Museum and De Young Museum 1967 FUNK, University Art Museum, Berkeley, and Institute of Contemporary Art, Boston American Sculpture of the Sixties, Los Angeles County Museum of Art and Philadelphia Museum of Art 1966 Twenty Drawings: New Acquisitions, Museum of Modern Art, New York Two - Dimensional Sculpture, Three - Dimensional Painting, Richmond Art Center, CA 1964 Annual Exhibition of Contemporary American Sculpture, Whitney Museum of American Art 1962 Fifty California Artists, Whitney Museum of American Art, Walker Art Center, Albright Knox Art Gallery and Des Moines Art Center Public Collections

The artists associated with these galleries were largely West Coast transplants who drew on the revolutionary music of John Cage and on the Bay Area's radical reinvention of poetry and dance to develop a new approach to visual art to be presented in a new kind of cultural space.

«Isn't it fair to say that after Still leaves the area, that these artists on the West Coast are part of a broader view of Abstract Expressionism?»

(If I have mentioned a few Midwest and West Coast artists here, it is not only to remind New York - centric readers of their existence but also to underscore the fact that Murray's artistic life began in contrarian Chicago and shifted to the anarchistic Bay Area scene long before taking shape and flourishing in downtown Manhattan.)

[In addition to those working in New York City,] Women of Abstract Expressionism also sheds light on the unique experiences of artists based in the Bay area on the West Coast where they were on a more equal footing with their male counterparts than those working in New York.

«On view at the Luggage Store Gallery through July, «Rehistoricizing Abstract Expressionism in the San Francisco Bay Area, 1950s - 1960s» attempts to compensate for the fact that some artists, due to their race or gender, weren't given the recognition they deserved at the movement's height on the West Coast.

It's ironic that SFMOMA's 50 West Coast Artists did not include even one of the artists on view in the current Bay Area Abstraction 1945 - 1965 at David Richard Contemporary, featuring artists who shared in common their creative genesis at the San Francisco Art Institute (then the California School of FineArtists did not include even one of the artists on view in the current Bay Area Abstraction 1945 - 1965 at David Richard Contemporary, featuring artists who shared in common their creative genesis at the San Francisco Art Institute (then the California School of Fineartists on view in the current Bay Area Abstraction 1945 - 1965 at David Richard Contemporary, featuring artists who shared in common their creative genesis at the San Francisco Art Institute (then the California School of Fineartists who shared in common their creative genesis at the San Francisco Art Institute (then the California School of Fine Arts).

New York City (February 28, 2014)-- Presenting more than 125 works by five artists who launched their careers in a gritty San Francisco neighborhood in the early 1990s, ENERGY THAT IS ALL AROUND / Mission School is the first East Coast museum exhibition to highlight these artworks that have achieved cult - like status in the Bay Area and beyond.

The intense color and sunlight of the west coast, along with the influence of the Society of Six, Bay Area Figurative painters, and other contemporary northern California artists, gives her art its singular character.

Susan Landauer's «The Advantages of Obscurity: Women Abstract Expressionists in San Francisco» is remarkable for its assertion that in the Bay Area, women artists did not suffer from significant gender - based discrimination and that they, like their male counterparts, ironically benefited from the relative paucity of galleries and patronage for contemporary art on the West Coast.

The artists will address these topics in relation to their own photographs, which have captured often marginalized communities on the East Coast and in the Southern U.S., among other areas.

The artists focus our attention on a number of unique and remarkable geological places on earth: the area between the Euphrates and the Tigris; an uninhabited workers» village in Tuscany; the coast of Ireland; and protected areas in the Philippines.

Brown's alliance with New York's Parasol Press in the early»70s brought a roster of East Coast minimalist and conceptual artists to the Bay Area to make their first prints and helped Brown gain the reputation and connections to publish editioned works by artists of national and international renown, including LeWitt, Kounellis, Ed Ruscha, Richard Tuttle, John Baldessari and Helen Frankenthaler.

The title of the show refers to the Aztec god of the arts; each of the show's four participating artists lives in the Gulf Coast region, the area once inhabited by worshippers of the deity.

The show titled West Coast Women will feature new and recent works by San Francisco Bay Area female artists Deborah Oropallo, Inez Storer and Jenny Honnert Abell.

The event will feature an immersive experience created by many area artists, as well as a guest appearance by Chicago based Third Coast Percussion, an ensemble steeped in the music and aesthetic of John Cage, BMC College artist.

As an artist based in New York and temporary guest on the West Coast, Rodriguez follows a personal line of inquiry into everyday life in the Bay Area as it is purportedly being reorganized around the interests of technology industries and their constituents.