Napoleonic Blue takes inspiration from Ultramarine and
Cobalt Blue pigments used for decorative work in neoclassical interiors.
Not exact matches
Cobalt pigment, for example, makes the rare gemstone
blue spinel a deeply saturated
blue, while the Maxixe - type beryl gem may appear dark
blue after exposure to radiation.
Using slanted eyeliner brush, top the gel liner with a brighter -
pigmented cobalt blue shade of eyeshadow, like Maybelline New York Color Tattoo Pure Pigments in Brash B
blue shade of eyeshadow, like Maybelline New York Color Tattoo Pure
Pigments in Brash
BlueBlue.
He daubed the backside of pristine white jeans with masterful strokes of
pigment in
cobalt blue and fuchsia and there are even matching Bonsai bucket bags.
Last but not least I drop in the shadow mixture and allow the
pigments to blend; I then take the rigger and begin to paint in the branches using the mixture of burnt umber and
cobalt blue.
The classical royal
blue was introduced under King Louis XIV of France, based on a
cobalt pigment.
The classical royal
blue was a light green - tinged sky
blue introduced under King Louis XIV of France, based on a
cobalt pigment.
By varying the amount of
cobalt or ultramarine
pigment the Royal
Blue Light is light green - tinged sky blue and the Royal Blue Deep is brilliant medium b
Blue Light is light green - tinged sky
blue and the Royal Blue Deep is brilliant medium b
blue and the Royal
Blue Deep is brilliant medium b
Blue Deep is brilliant medium
blueblue.
Monochrome dust may have you thinking of Yves Klein with his
blue sponge and carpet of
blue pigment, trademarked as «Klein
blue,» or Piero Manzoni painting with
cobalt chloride.
A constellation of blues and grays, each work is a singular array of
pigments, such as ultramarine,
cobalt blue, royal
blue, Scheveningen Warm Gray, and Persian red.
His exquisitely
blue - and - gray paintings — no two alike — actually comprise an array of
pigments — including ultramarine,
cobalt blue, royal
blue, Scheveningen Warm Gray, and Persian red.
The print involved 12 hand pulled colour silkscreens, using ground
pigments from L. Cornelissen, light - fast Altramarine
Blue Dark, Altramarine
Blue Light and
Cobalt Blue.
Each print involved 12 hand pulled colour silkscreens, using ground
pigments from L. Cornelissen, light - fast Altramarine
Blue Dark, Altramarine
Blue Light and
Cobalt Blue.
These paintings are made with Mars Black
pigment, mixed variously with
Cobalt Blue, Cadmium Yellow, Cadmium Red, and Phthalo Emerald.
CATHERINE OPIE
Cobalt Blue Sky, 2015
pigment print 31 x 46 x 2 inches 78.7 x 116.8 x 5.1 cm LM27901 © Catherine Opie.
Its also used as
cobalt blue in paint
pigments.