Sentences with phrase «collaborative work becomes»

Collaborative work becomes an invaluable approach to improving school performance — provided that schools have designed these teams for learning.

This collaborative work became a system known as ISOTYPE — International System Of TYpographic Picture Education — and thousands of pictographs were developed.

Not exact matches

If the work was a collaborative effort between several authors, each author becomes a co-owner of the copyright.

With a lot of offices beginning to take the «collaborative» approach to working, noise can become a significant problem, and studies have shown that more noise leads to higher degrees of stress, and less productivity as a result.

Through their collaborative dedication and hard work, Lennar has become the largest and most profitable homebuilder in the country.

So this all becomes a very interesting view of the world: once we get to that level, contracts become like rudimentary AIs working on your behalf, [and] we begin to enter into the collaborative economy where true peer - to - peer nature can emerge.

She aspires to become a midwife who works alongside the obstetric and doula communities for collaborative maternity care.

Children who participate in collaborative group work to learn about significant social issues become better decision - makers than their peers who learn the same curriculum through teacher - led discussions, a new study finds.

We study protein folding and dynamics, and our work has become very collaborative.

• Working with a functional medicine collaborative care team • Where to start when physician expectations are high and client motivation is low • How to keep coaching simple to prevent clients from becoming overwhelmed • Self - care in coaching • Review of functional medicine lab testing • Corporate wellness

NOAH BAUMBACH: Well at different points in my life it's been different people and I — as an adolescent, I sort of had that experience in movies that Walt had with Pink Floyd, this kind of vicarious, sort of collaborative feeling in that listening or watching became sort of a work in progress: a journey you were taking along with an artist to create something new.

How can I build my working relationship with the teachers I serve to become collaborative and trusting?

Class becomes the place to work through problems, advance concepts, and engage in collaborative learning.

Pupils are proving to better engaged during lessons and have become more confident thanks to collaborative working.

Our writing becomes a collaborative process as we prepare to showcase our work, whether it's for a class blog, a social media platform, or a national writing contest.

The Reflective Educator: A Collaborative Approach to Building Teachers» Capacity with Pete Hall and Alisa Simeral profiles teachers working with administrators and coaches to take charge of their professional growth and move along the path to excellence by becoming reflective practitioners

And if students develop confidence in their ability to work with others because of their positive school experiences in cooperative learning groups, they'll probably become the team players and collaborative leaders so sought after by today's employers.

«As more programs are being taken up in schools and districts, there becomes this greater demand to assess them, to see if they're working, to see if students are, in fact, learning the skills that are being taught,» said Lindsay Read, manager of research at the Collaborative for Academic, Social and Emotional Learning, or CASEL.

It also takes leadership examples, dedicated team planning time and a willingness as an individual to open your classroom to others and to work closely with other teachers and then — and then the hard part — to put your adult ego «on hold» to become a good collaborative teacher with your students.

Over time, we support our teacher leaders in assuming responsibility for leading and sustaining the collaborative inquiry communities we have established at their sites, with the aim of teacher leaders becoming independent drivers of the work by Year 3 and beyond.

At the Department of Transportation we are working hard to become more participatory, collaborative and transparent.

After subsequent discussions, Sakaguchi firmly understood the message and eventually assigned Mitsuda to score most of the collaborative Square and Enix collaboration Chrono Trigger after Koichi Sugiyama became too busy to work on it.

Drawings created will become a collaborative work - on - paper collage installed in the Happy Valley LaunchBox.

-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?

Mehretu's works, made in the wake of the recent American election, are frenetic yet contemplative, as her gestures become characters in their collaborative performance.

I have a fantasy in which we all agree that Hannah Black's letter and the protesters in the museum and all of the discussions and Dana Schutz choosing to heed the call to destroy her painting — all of this - becomes a new collaborative relational aesthetics work of art.

In 1967 he co-founded the independent magazine 0 to 9, through which his own work transitioned to intermedia while the magazine became a model for future collaborative journals.

Graduating from the collaborative degree program of the Pennsylvania Academy of the Fine Arts and the University of Pennsylvania in 1937, Andrade would later become a celebrated professor at the Philadelphia College of Art (now University of the Arts) where she influenced generations of students — providing a lucid example of the expressive and creative potential to be found in an unapologetic exploration of the formal properties that comprise a work of art.

The front room of KADIST will become the State's headquarters, its parliament, functioning as the core of the exhibition, and hosting discursive events: a new collaborative work by Jonas Staal and Laure Prouvost, The Aube's cure Parle Ment, (Prouvost's proposition for a new phonetic pronunciation of «Obscure Parliament», typical of her play with words throughout her practice, wishes to highlight in French the words «speak» and «lie»).

Thesis is regarded as individual work, but the School's pedagogy fosters collaborative group formation as research topics become clear.

In the works My Best Thing (2011), Nothing Is Enough (2012), and Osservate, Leggete Con Me (2012), online sex chats become the raw material for a collaborative form of storytelling, as recurring characters gain depth over time through exposure and incorporation into Stark's process.

Works become compositions for four hands, offering encounters between projections and objects that mimic the spontaneous and complex collaborative process.

Beginning as a collaborative effort to explore the hands - on practice of curatorial work and exhibition design, the Curatorial Lab became

In another sense the paintings became new again, as collaborative works, with Hurricane Katrina having had the last word.

Paul's exhibition at Spike Island evolves around La Perma - Perla Kraal Emporium, a collaborative work that invites visitors to sit around a long table and make clay beads, thereby becoming the work at the same time as creating it.

In 2010 she became co-director of A.D. Projects, a curatorial collaborative dedicated to presenting the work of emerging contemporary artists in alternative spaces in New York City.

Over the course of their marriage and collaborative working relationship, Edward and Nancy Reddin Kienholz became widely recognised for their assemblage works and large - scale tableaux that distinguished them amongst the most important artists of the post-war era.

Initially recognized in the 1980s as a painter, she became a pioneer in the digital / new media / web based field from the beginning of the 1990s, making work about emerging technologies, developing fictional worlds and international collaborative organisations.

This exhibition will showcase the work of adults with developmental disabilities, born out of a collaborative project by YAI Arts — an open studio program that helps these people become working artists — and the Museum of Modern Art's Access Programs.

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York anCollaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York ancollaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

«Acting as an artist, orchestrator, collaborator, curator, and / or director of a range of projects including films, processions, historical reenactments, demonstrations, exhibitions, and publications, the collaborative and social aspects of a project or place often become a central medium of his work.»

His most recent shows include Telepathic Improvisation, a multi-partnered project that marks the first US solo exhibition for the collaborative duo Pauline Boudry / Renate Lorenz, which he co-curated at CAMH with Alhena Katsof; Atlas, Plural, Monumental, a 25 - year survey of sculpture, video and photography, drawing, and interactive artwork by the inimitable Paul Ramírez Jonas; A Traveling Show, in which individual artworks and the display of a decade - old visual correspondence project between Matt Keegan and Kay Rosen spoke to a long - standing friendship and shared interests in humor and language; and THE INTERVIEW: Red, Red Future — a solo exhibition of commissioned works by the artist MPA that traveled to the Whitney Museum of American Art — in which a live performance and sculptures became vehicles through which to imagine the future of the red planet and notions of colonization.

His work became increasingly collaborative and conceptual: instead of performing actions himself, his new works focused on documenting experimental work processes that involved multiple participants.

Now, after years of hard work and persistence from the collaborative Sahara Forest Project team, this large scale concept is going to become a big reality.

Stephensons becomes the fourth large criminal defence firm to be a member of CrimeDiary, using the bespoke software to better manage their current diary requirements and opening up the potential benefits of more collaborative styles of working through the shared database of appointments.

And while many of our interviewees came to McDermott with a specific practice in mind, Coleman will be pushing a more collaborative model of specialization: «If you want to be good you've got to be a specialist, but you also need to learn to work in teams as our clients» problems are becoming increasingly complex and cross all kinds of practice groups.»

This will not only help you become a more effective team so that you can work through the inevitable difficult discussions more easily, but it will also make the collaborative process a much more enjoyable and professionally - fulfilling experience.

If you are already working in this area or considering becoming a collaborative professional, these webinars are a great way to learn more about how collaborative practice can add value to your work.

If you consider collaborative divorce, you child custody battle becomes a prolonged therapy session in which you learn how to cope with the other parent and work together to «co-parent» your child — which is the way it should be.

We have become the destination firm for discerning clients who demand the highest quality work delivered in an innovative, collaborative, agile and transparent way.