Sentences with phrase «collaged archival prints»

Collaged archival prints on paper.

Main image: Andrea Geyer, Constellations (Hester Thrale after John Singleton Copley), 2018, (detail), collaged archival prints on paper, 99 x 77 cm.

Andrea Geyer, Constellations (A'Lelia Walker), 2018, collaged archival prints on paper, 99 x 63 cm.

Not exact matches

Tragedy (Sissi at the Great Gallery II), 2007 Archival inkjet print on watercolor paper with watercolor and collage 59.5 in.

Rapture (Jerry, Cherries in the Snow), 2007 Archival inkjet print on watercolor paper with watercolor and collage 62 x 52.75 in.

Dan Devining, «Untitled», 2013, archival pigment print, acrylic on paper, collage, 40 x 30 inches, courtesy Phil Peters.

FRED TOMASELLI Mar. 3, 2009 2013 Collage, gouache, marker, and archival inkjet print on watercolor paper 10 3/4 x 12 1/8 in.

Among the works that Flatland will present is a unique hand painted photography and collage archival inkjet print by Paolo Ventura, who is a true creator of a poetic narrative in today's world dominated by merely «photo - pictures».

The images are compiled from collages of torn and cut paper which are scanned, further layered and manipulated in the digital environment and printed onto canvas with archival pigment inks.

Archival inkjet prints with hand painting and collage, 36 x 36 inches each.

«sound series,» 2016 digital prints from original collage on archival cold press paper printed by Furthermore, Brooklyn edition of 25, 4 prints per edition 16 x 12 in.

432 Photographs of Nefertiti 2015 Collaged UV coated archival pigment prints mounted to Plexiglas and Dibond 54 x 43 x 7/8 inches (137.2 x 109.2 x 2.2 cm) ARG # CWS2015 - 001.2

The images are developed from collages of torn and cut paper which are scanned and manipulated in the digital environment and printed onto canvas with archival pigment inks.

Untitled # 1 from the series New Forms, digital collage, 2014 - 15 archival pigment print on fiber - based paper mounted on dibond, 45 x 35 inches (detail)

Like its sister prints, this work is the product of an involved process whereby the artist combines wood veneer, digital and relief prints, collaging them onto a sheet of 4 - ply archival mat board.

Wayne Bertola (Chicago, IL), Untitled (3), cut & paste paper collage, 14 x 11 in.; Bridgette Broughman (Alexandria, VA), Specimen 13, archival pigment print, 32 x 24 in.

Instead, they take their own culture and heritage as primary sources of inspiration and combine photography with other techniques such as collage, silk - printing, painting, and images that use cultural ephemera and archival documents.

Exhibition Checklist Main Gallery (Clockwise from entrance) Robert Arneson Splatt, 1983 bronze with unique ceramic base 71 x 21 x 21 inches RAs 130.01 Robert Arneson Elvis II, 1978 conte, pastel on paper 41 5/8 x 29 7/8» RAd 04 Joan Brown Self - Portrait at Age 42, 1980 enamel on canvas 71 3/4» x 60» JBRp 19 Steven Campbell Men Insulting Nature and the Notion of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd 52

Brian Bress, Nicks» Other Knickknacks, 2012 Collage on archival inkjet print, 19.5 x 13 inches Cherry and Martin, Los Angeles

Negerhosen2000 / The Travel Albums, 2003, From a series of forty digitally printed images, pigmented inks, and pencil on archival paper with mixed media collage, 11 3/4 x 8 1/4 in.

From a series of 40 digitally printed images, pigmented inks, and pencil on archival paper with mixed media collage.

Sandy Litchfield Opening Scene, 2014 collage and acrylic on archival digital print on rag paper 22 x 30 inches

25 / 29 — David Maljković, Temporary Projection, 2012, inkjet print on archival paper with collage element, 100 x 150 x 40 cm

Digital archival inkjet prints, collage and acrylic, 12 x 17 inches.

«Reunion» will span six decades of Richard Smith's artistic practice, including drawings, paintings, collages and prints alongside a series of archival books, photographs and interviews.

30» x 50» Archival Pigment print, collage, and 20 second projected video loop.

An internationally known surrealist artist, Janice Hathaway transforms her photographs into multi-image collages as archival prints.