Collaging old drawings, antique photographs and lithographs into the work gives her a path to directly and physically embrace the past.
Not exact matches
12/17/2010 in 12 + years
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07/15/2009 in 12 + years
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His ambitious pursuits stretch across a vast range of media, from photographic
collages to full - scale opera stagings and from fax
drawings to an intensive art historical study of the optical devices of
Old Masters.
His ambitious pursuits have stretched across a vast range of media, from photographic
collages to full - scale opera stagings, fax
drawings to an intensive art historical study of the optical devices of
Old Masters.
[4] In the late 1970s, she embarked on a series of
collage works, Eleven Ways to Use the Words to See (1976 - 1977), «this time using the medium to reflect directly upon her past,» [5] by cutting up
old drawings that she used as compositional elements in new paintings, in ways similar to what she had done in the 1950s.
Having studied photography, his earliest works were two - dimensional
collages that combined his own
drawings, geometric shapes and found images with antique etchings of volcanic landscapes, employing the
old fashioned technique of photo etching to create the final — distinctly uncanny — images.
If There Ever Was One is full of
collages, in the widest sense of the word: Andro Wekua assembles objects,
old and new, discarded and valued, in installations, paintings,
drawings, sculptures, videos and texts.
Through encaustic,
collage and
drawing, we see items like wallpaper test strips, knot tying diagrams, and
old monument maps of Paris, London, and Rome peeking through the graphical details.
Reveling in the ways this visual clutter rhymed with her own layered, dense aesthetic, Kozloff paired these images with
collages incorporating
drawings of
old maps, imagery from the internet, and Chinese characters and motifs.
Then, finally, follows her highly Conceptual and radical reconstruction of
old drawings from Hans Hoffman's class: «Eleven ways to use the words to see» (1976 — 1977) is a series of monumental
collages that evoke the collision between what Krasner had been taught and had known about modernism and her keen insight and openness to the pervasive significance of postmodernist dogma from the»60s onwards.
The participant must be 18 years of age or
older working in any still art medium: painting,
drawing,
collage, photography, digital art, fiber -LSB-...]
It presents ten
older collages and
drawings along with two new large - scale installations.
Nordström (Swedish, b. 1963) makes delicate
collages and graphite
drawings that evoke a fragile almost sinister universe, populated with
old school sailors, jazz musicians, wildlife, plants, ships and noblemen from past epochs.
SOLO SHOWS 2014 EBK Gallery, Hartford, CT Amy Simon Fine Art, Westport, Ct, Out of Line William - Scott Gallery, Provincetown, MA, TRASHED 2013 The Orison Project, Essex, CT, TRASHED 2012 Garrison Art Center, Garrison, NY, Recent Paintngs William - Scott Gallery, Provincetown, MA, STICK IT 2011 Sarah Doyle Gallery, Brown University, Providence, RI, HOSE ME EO Art Lab, Chester, CT, STICK IT 2010 William - Scott Gallery, Provincetown, MA 2009 EO Art Lab, Chester, CT, Hose Me 2007 EO Art Lab, Chester, CT, Laid Rubber Diane Birdsall Gallery,
Old Lyme, CT, Tie Me Down 2006 Diane Birdsall Gallery,
Old Lyme, CT, Leaners and Hangers 2004 University of Connecticut, Avery Point, Alexey Von Schlippe Gallery of Art, Landscape 2002 University of Connecticut, Avery Point, Alexey Von Schlippe Gallery of Art, New Paintings 2000 University of Connecticut, Avery Point, Alexey Von Schlippe Gallery of Art, The C Word 1995 Viridian Gallery, New York, NY, Mixed Landscape 1991 Queens College Art Center, Queens, NY, Between Something and Nothing Pump House Gallery, Hartford, CT, Between Something and Nothing 1988 Bratton Gallery, New York, NY, Yesturday I Found My Soul 1986 Cummings Art Center, Connecticut
Collage, New London, CT, Illuminated Paintings Artworks Gallery, Hartford, CT, Illuminated Paintings MUSEUM EXHIBITIONS 2011 Housatonic Museum of Art, SLASH, group exhibition 2000 Stamford Museum and Nature Center, Stamford, CT (Juror: Lauren Ross, White Columns Gallery, NY, NY, NEW ART ANNUAL 2000) 1997 Stamford Museum and Nature Center, Stamford, CT Solo Show Award (Juror: Ann Philbin, Director of The
Drawing Center NY, NY, New Art Annual 1997) 1996 Stamford Museum and Nature Center, Stamford, CT 4 Winners Stamford Museum and Nature Center, Stamford, CT (Juror: Jill Snyder, Director of the Aldrich Museum of Contemporary Art in Ridgefield, CT, New Art Annual 1996) Stamford Museum and Nature Center, Stamford, CT (Juror: Dorothy Mayhall, Director, Stamford Museum and Nature
Folklore is a series of «kerchiefed
old world ladies»
drawn, painted, and
collaged onto used cardboard envelopes Fayet has collected from friends all over the world.