Sentences with phrase «collection wall gallery»

Not exact matches

Here, a colorful collection of wall art mounted on a clean white gallery wall brings fresh pastel accents and plenty of personality to this simple nursery room.

Make a built - in bed nightstand the perfect gallery wall for your art collection and favorite photos.

This eclectic collection of artwork was especially curated to easily create an Americana Gallery Wall.

I love these printables from Chicfetti and the coffee printable from the Palm Leaf Gallery Wall collection from Bloom Daily Planners (I have it above my desk).

that canopy is my favorite element, and i love the gallery wall collection as well!

As I'm changing up my gallery wall in my living room to a more Christmas - y collection, I made a simple printable into a more festive piece of art.

Most of the frames on this gallery wall came from my personal collection and Goodwill.

A collection of indigenous art including paintings and didgeridoos is located in the on - site gallery and are displayed on the lobby and interior walls.

This past winter, Hendricks's triple - portrait masterpiece, all too rarely on view, presided over one of the most bracing permanent collection installations Washington has ever seen, one that filled two galleries behind Jackson Pollock's Mural (1943), a refugee wall - surfing through eleven museums around the world since it was left homeless in 2008 by extreme flooding at the University of Iowa Museum of Art.

At the National Gallery event, Miller says he built a new house, with walls backed by plywood to facilitate the display of his art collection and Golden «did the first hanging.»

She is the second artist to participate in the RSVPmfa series, in which the Museum invites artists to respond to and work among its collections, architecture, and landscape in order to acknowledge that art today often extends beyond traditional gallery walls.

-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?

Work is installed everywhere in the Pittsburgh museum: outdoors, amongst the permanent collections, in the white walled exhibition galleries and the unusual architectural corners and clearings of the building.

But we didn't want to denude the walls of the permanent collection galleries of European and American modern painting and sculpture.

Rituals Since 1851», Triennale di Milano, Italy (2015); «Visual Deception II: Into the Future», The Bunkamura Museum of Art, Shibuya - ku, Japan; touring to Hyogo Prefectural Museum of Art, Kobe, Japan; Nagoya City Art Museum, Nagoya, Japan (2015); «Room by Room: Monographic Presentations from the Faulconer and Rachofsky Collections», The Warehouse, Dallas, Texas, USA (2014); «Study from the Human Body», Stephen Friedman Gallery, London, England (2014); «Seismic Shifts», The National Academy Museum, Manhattan, New York, USA (2013); «Lifelike», Museum of Contemporary Art San Diego, San Diego, USA (2013); «Invisible Art: About the Unseen, 1957 - 2012», The Hayward Gallery, London, England (2012); «Paper», Musée d'Art Moderne et d'Art Contemporain, Nice, France (2012); «All that Glisters», Stephen Friedman Gallery, London, England (2011); «Floor Corner Wall», Fort Worth Contemporary Arts, Fort Worth, Texas, USA (2010); and «Chasing Napoleon», Palais de Tokyo, Paris, France (2009).

A grand staircase takes visitors to a series of gallery spaces, which feature concrete floors with white walls and ceilings to allow the extensive collection to take center focus.

The exhibitions and collections department added vertical walls to some of the very dynamic galleries of the Hamilton Building to honor the lending institutions» requirements for displaying the artworks (see slideshow below).

Come see a rare and comprehensive collection of Sci - Fi Pulp magazines, paperbacks, and hardcover books displayed on the Back Room Gallery walls.

As the wall label pointed out, many of the paintings, which were pulled entirely from MOMA's collection, were exhibited in art galleries that used to be right around the corner from the museum itself.

In the second gallery, a collection of paintings by Mika Horibuchi lines the wall, mirroring the composition of playing cards.

From his precisely gridded works of the 1970s to the three - dimensional panels of the 1980s and his now celebrated Wall of Light paintings from the 1990s, this volume gathers the entire oeuvre of the artist, whose work is held in numerous public collections including the Metropolitan Museum of Art, MoMA, and Solomon R. Guggenheim Museum, New York; the National Gallery of Art, Corcoran Gallery of Art, and Hirshhorn Museum and Sculpture Garden, Washington, DC; Modern Art Museum of Fort Worth, Texas; and the Tate, London.

Industrial boxes lining the gallery walls make jibes at big brands and even recreate the ideal collection of art with a Picabia here and a Klein there.

In celebration of a pledged gift of 33 photographs from this important collection and the reopening of the East Building galleries, seminal works by Thomas Demand, Thomas Struth, Hiroshi Sugimoto, and Jeff Wall, among others, will be on view.

Coney Island Visions of an American Dreamland, 1861 — 2008 WNPR, Feb. 13, Coney Island and Bushnell Park's Carousel Artistry by Mallory O'Donoghue The Boston Globe, Feb. 12, Atheneum assembles a first - rate installation by Sebastian Smee WNPR, Feb. 12, Wadsworth Explores Coney Island, the «Microcosm of the American Experience» by Ray Hardman The Modern Art Notes (MAN) Podcast, Feb. 12, No. 171: Dennis V. Geronimus, Robin Jaffee Frank by Tyler Green WNPR, Feb. 11, Where We Live, An Arts Wheelhouse Examines Connecticut Museums The Boston Globe, Feb. 10, Coney Island comes to the Wadsworth Atheneum by Mark Feeney Apollo Magazine, Feb. 10, Five favourites from the Wadsworth Atheneum's new galleries The New Yorker, Feb. 9, Change Artist: The works of Piero di Cosimo by Peter Schjeldahl The Art Newspaper, February 2015, Wadsworth Atheneum restores spaces it very nearly lost by Julia Halperin The Hartford Courant, Feb. 2, «Coney Island On the Silver Screen» Series at Atheneum by Susan Dunne The New York Times, Feb. 1, Wadsworth Atheneum's New Spaces for Contemporary Art by Susan Hodara The Guardian, Jan. 30, Wadsworth Atheneum: oldest public museum in US comes back from brink by Martin Pengelly The Hartford Courant, Jan. 25, Three Satellite Shows Compliment Dynamic «Coney Island» Exhibit at Wadsworth Atheneum The Hartford Courant, Jan. 18, Renovated Wadsworth Galleries Show Off Contemporary Collections by Susan Dunne The Wall Street Journal, Jan. 17, Coney Island Comes Alive in Art Show by Ellen Gamerman The Art Newspaper, January 2015, Return of Wadsworth's LeWitt Elle Decor, January / February 2015, Boardwalk Empire ARTnews, January 2015, Editors» Picks American Art Review, January 2015, Coney Island: Visions of an American Dreamland by Robin Jaffee Frank The Art Newspaper, The Year Ahead 2015, Museum Openings

Curators researched the collections, finalized new storylines and layouts for the galleries, and collaborated with educators to rewrite every wall text and object label in ways that deepen your engagement with the artworks on view.

On the back wall of the gallery is a group of works hung salon - style which includes works by exhibited artists as well as additional artists featured in the Smither collection.

For Which We Can, Pendleton has created a collection of 30 silkscreen on Mylar works that will be installed in a grid formation stretching from floor to ceiling across the largest wall of the gallery.

Drag and drop works from the collection onto virtual gallery walls to create your own exhibition

In the CAC's first - floor gallery, digitally collaged snippets of these same spray - painted words cover the walls, a collection of abstracted gestures.

At The Aldrich, Wurtz will cover three walls of the Leir Gallery, salon style, with more than 200 of his pan paintings and showcase selections from the collection of familiar domestic objects he's acquired over the years.

Since 1965, LeWitt has been extensively collected and exhibited by a number of major museums and galleries, with collections and exhibitions covering over 1,100 works ranging from works on paper, to wall drawings, photography, and 3D installations made from geometric shapes.

Certain walls from museum shows, galleries, country houses and collections remain in the memory with or without the aid of photographs or notes.

This unusual, dramatically lit, dark - walled show comes from inviting Laurent Grasso (well - known in France as winner of the Turner - equivalent Marcel Duchamp prize in 2008) to combine his own work with choices from the gallery's secondary market collection: Ernst, Picabia, Picasso, Magritte, Brauner... Grasso immerses us in gazes echoing the myth of Argos Panoptes, a giant covered with a myriad of eyes.

Pavel Acosta's site - specific artwork, «Wallscape,» was installed directly upon a wall in El Museo del Barrio's permanent collection gallery.

Ann Temkin, the Museum of Modern Art's chief curator of painting and sculpture, is changing the walls of the permanent — collection galleries, on the fourth and fifth floors, from stark white to a grayish putty color, Benjamin Moore's Big Bend Beige.

The New Jeff Koons 1980 duratran, fluorescent lightbox 42 x 32 x 8 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT New Hoover Celebrity IV, New Hoover Convertible, New Shelton Wet / Dry 5 - Gallon, New Shelton Wet / Dry 10 - Gallon Doubledecker Four vacuum cleaners, 1985 plexiglas, fluorescent lights 99 x 53 1⁄2 x 28 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Aqualung 1985 bronze Edition 1 of 3 27 x 17 1⁄2 x 17 1⁄2 inches Private collection One Ball Total Equilibrium Tank (Spalding Dr. J Silver Series) 1985 glass, steel, sodium chloride reagent, distilled water, basketball Edition 1 of 2 64 3⁄4 x 30 3⁄4 x 13 1⁄4 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Three Balls 50/50 Tank (Wilson Aggressor, Wilson Supershot, Dr. J Silver Series) 1985 glass, steel, distilled water, three basketballs Edition 2 of 2 60 1⁄2 x 48 3⁄4 x 13 1⁄4 inches Private collection Jim Beam - J.B. Turner Train 1986 stainless steel, bourbon Artist's Proof 11 x 114 x 6 1⁄2 inches Stefan T. Edlis collection I Assume You Drink Martell 1986 oil inks on canvas Edition 1 of 2 45 x 60 inches Private collection Italian Woman 1986 stainless steel Edition 1 of 3 30 x 18 x 11 inches Courtesy Leo Castelli Gallery Rabbit 1986 stainless steel Edition 3 of 3 41 x 19 x 12 inches Sonnabend collection Buster Keaton 1988 polychromed wood Edition 2 of 3 65 3⁄4 x 50 x 26 1⁄2 inches C&M Arts Michael Jackson and Bubbles 1988 porcelain / ceramic blend Edition 2 of 3 42 x 70 1⁄2 x 32 1⁄2 inches San Francisco Museum of Modern Art, purchased through the Marian and Bernard Messenger Fund and restricted funds Pink Panther 1988 porcelain Edition 3 of 3 41 x 20 1⁄2 x 19 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT St. John the Baptist 1988 porcelain Edition 3 of 3 56 1⁄2 x 30 x 24 1⁄2 inches Courtesy Sonnabend Gallery Ushering in Banality 1988 polychromed wood Edition 2 of 3 38 x 62 x 30 inches Private collection Vase of Flowers 1988 mirror 72 1⁄2 x 53 x 1 inches Collection of Michael Crichton, courtesy of Christie's Wild Boy and Puppy 1988 porcelain Edition 1 of 3 38 x 39 1⁄2 x 23 1⁄2 inches C&M Arts Winter Bears 1988 polychromed wood Edition 2 of 3 48 x 44 x 15 1⁄2 inches Anthony d'Offay, London Woman in Tub 1988 porcelain Edition 3 of 3 23 3⁄4 x 36 x 27 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Bourgeois Bust - Jeff and Ilona 1991 marble Artist's Proof 44 1⁄2 x 28 x 21 inches Anthony d'Offay, London Dirty - Jeff on Top 1991 oil inks silkscreened on canvas 60 x 90 inches Collection of Rachel and Jean - Pierre Lehmann Wall Relief with Bird 1991 polychromed wood Edition 2 of 3 72 x 50 x 27 inches C&M Arts Balloon Dog (Orange) 1994 - 2000 high chromium stainless steel, mirror - polished finish with transparent color coating 120 x 144 x 45 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Bread with Egg 1995 - 1997 oil on canvas 128 x 108 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Play - Doh 1995 - 2004 oil on canvas 131 5⁄16 x 111 1⁄16 inches Private collection Auto 2001 oil on canvas 102 x 138 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Lobster 2003 polychromed aluminum, steel, vinyl Edition 1 of 3 57 7⁄8 x 17 1⁄8 x 37 inches (plus variable length chain) Private collection, courtesy Thea Westreich Art Advisory Services Elvis 2003 oil on canvas 108 x 93 inches Stefan T. Edlis collection

The Vancouver Art Gallery has added major works by renowned Vancouver - based artist Jeff Wall, Chinese artist Song Dong and noted First Nations artist Lawrence Paul Yuxweluptun to its permanent collection.

, Light Museum, Eindhoven, The Netherlands Gadgetry and Rites, Yuz Museum, Jakarta, Indonesia 2009 Entrance — Li Hui Solo Exhibition, Beijing Art Now Gallery, Beijing, China Dialects of Void & Substance, Tang Contemporary Art Center, Hong Kong, China Between Dimensions, Kuandu Museum of Fine Arts, Taipei, Taiwan 2008 Shiny Li Hui, A Art Contemporary Space, Taipei, Taiwan Samsara, Bund18 Creative Center, Shanghai, China 2007 Spin, Tang Contemporary Art Center, Beijing, China GROUP EXHIBITIONS 2015 Myth / History II: Shanghai Galaxy, Yuz Museum, Shanghai, China Future, Now, SomoS, Berlin, Germany 2014 Outside the Lines, New Work From China, RH Contemporary Art, New York, NY Sharks & Humanity, Musee Oceanographique de Monaco, Monaco, Monaco Re-View — Opening Exhibition of Long Museum West Bund, Long Museum West Bund, Shanghai, China the 8 Paths, Ufferhallen Berlin, Berlin, Germany MYTH / HISTORY - YUZ COLLECTION OF CONTEMPORARY ART, YUZ Museum, Shanghai, China Welcome to Parkview Green - Parkview Contemporary Art Collection, Parkview Green Exhibition Hall, Beijing, China Sensorium 360, Singapore Art Museum, Singapore, Singapore By Destiny, Arario Museum Tapdong Cinema, Jeju, Korea 2013 @WHAT: Selected Works of Contemporary Chinese Art, Arko Art Center, Seoul, South Korea Artificial Natures, Maubeuge Espace Sculfort, Maubeuge, France Artificial Natures, Maison des Arts de Creteil, Paris, France Artificial Natures, Lille St Sauveur, Lille, France Uneasy Trip in Asia, Star Gallery, Beijing, China 2012 CHIMERA - THE COLLECTORS SHOW, Singapore Art Museum, Singapore Licht Linien Light Lines (un) wirklich (un) real, Centre for International Light Art, Unna, Germany Water Stains on the Wall - The Carrier of Formation, Zhejiang Art Museum, Hangzhou, China I Light Marina Bay 2012, Marina Bay, Singapore Lust and Love of the Young and Liberated, 798 Space, Beijing, China Modern @ Modeng - Gallery Hotel Art Project, Gallery Hotel, Beijing, China Future Pass, Today Art Museum, Beijing, China Future Pass, National Taiwan Museum of Fine Arts, Taichung, Taiwan Open Sky, Changjiang Art Centre, Chongqing, China 2011 Dual Senses and Dynamic Views - Contemporary Art Exhibition across the Taiwan Straits of 2011, National Art Museum of China, Beijing, China Dual Senses and Dynamic Views - Contemporary Art Exhibition across the Taiwan Straits of 2011, National Taiwan Museum of Fine Arts, Taichung, Taiwan Matière - Lumière Matter - Light, Béthune 2011 Capitale Régionale de la Culture, Béthune, France CAR CULTURE.

Organized in collaboration with South Hampton High School, this group exhibition was framed by themes (Emerging, Assumed, Missing, Encoded, Local and Tribal Identity) and engaged students in the process of making studio and gallery visits, writing interpretive wall labels and catalogue entries, as well as selecting works from the museum's permanent collection.

It will include a collection of approximately 30 sculptural Soundsuits in the main gallery, offset by a room of seven newly commissioned artworks surrounded by a wall - based tapestry inspired by Cave's childhood watching the night sky.

1999 Strengthening Wind from Changing Directions: The Paul Maenz Collection, Kunst zu Weimar Sammlungen - Neues Museum Weimar, DE Entrevoir, Villa du Parc, Annemasse, FR oLdNEWtOWn, Casey Kaplan, New York, US Kirsten Ortwed, Lawrence Weiner, Barry Le Va, Kunsthalle, Malmö, SW Zeichnen ist eine Andere Art von Sprache: Neuere Amerikanische Zeichnungen aus einer New Yorker Privatsammlung, Akademie der Künste, Berlin, DE Til Mertz, Vestsjœllands Kunstmuseum, Sorø, DK Heroines and Heroes: an Idiosyncratic Anthology of International Art (1943 - 1999), Cynthia Broan Gallery, New York, US Hogar TV Hogar: Guía de Televisión (Canal 3: La Cocina), Museo Nacional - Centro de Arte Reina Sofía, Madrid, ES Bookmarks7, Northern Illinois University Art Gallery, Chicago, Illinois, US Art at Work: Forty Years of the Chase Manhattan Collection, Museum of Fine Arts and Contemporary Arts Museum, Houston, Texas, US Proliferation, Museum of Contemporary Art, Los Angeles, California, US Positionen / Posizioni, Museum für Moderne Kunst, Bolzano, IT L'Art et l'Écrit, Espace Sculfort, Maubeuge, FR Parkett, Parkett Viewing Room, New York, US Mach's Gut, Mensch: das Letzte Jahrtausend des Homo Sapiens geht zu Ende, Kunstverein, Schwerte, DE Drawn from Artists» Collections, Drawing Center, New York, US A Piece of Furniture..., Galerie Anselm Dreher, Berlin, DE Conceptualism: Points of Origin, 1950s - 1980s, Queens Museum of Art, New York, US; Walker Art Center, Minnesapolis, Minnesota, US; Miami Art Museum, Miami, Florida, US Scripta Manent, Esso Gallery, New York, US Wallpaintings, Helga Maria Klosterfelde, Hamburg, DE Audrey Hepburn: una Donna, lo Stile, Museo Salvatore Ferragamo, Florence, IT Wände / Walls, Konrad Fischer Galerie, Dusseldorf, DE Troublespot.Painting, MUHKA & NICC, Antwerp, BE Save the Day: Eine Aktion anlässlich des 60.

Like a collection of distilled memories, Syms» Pop collages climb the walls of the gallery like a teenager's poster choices gone mad.

2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR

which it's said to be in gallery wall text and descriptions from the museum's online collection catalog.

, 300 New York at Chelsea Piers, New York, US French Kiss, curated by Rob Wynne, JGM Galerie, Paris, FR The Shapes of Space (Phase II), curated by Nancy Spector, Guggenheim Gallery, New York, US Held Together With Water: Art From the Sammlung Verband, curated by Gabriele Schor, MAK, Vienna, AT; Istanbul Museum of Modern Art, Istanbul, TR A Theater Without Theater, MACBA, Barcelona, ES MARTa Is Silent - The Art of Silence from Duchamp to the Present, The Mystery of the Etruscans, curated by Jan Hoet and Michael Kröger, MARTa Herford, DE 52nd International Art Exhibition: Think with the Senses - Feel with the Mind, Art in the Present Tense, curated by Robert Storr, La Biennale di Venezia, Venice, IT Guggenheim Collection: 1940s to Now, National Gallery of Victoria, Melbourne, AU Monument of Sugar, curated by Lonnie van Brummelen, Siebren de Haan, Argos Centre for Art and Media, Brussels, BE À propos de Carl Andre..., Espace d'Art Contemporain, Saint Restitut, FR Verzameling Roger En Hilda Matthys - Cole, curated by Joost Declerq, Museum Dhondt - Dhaenens, Deurle, BE On Fait le mur, flux + territoires + frontières = multimedia, Espace de L'Art Concret, Mouans - Sartoux, FR Visiting Card, Brigitte March Galerie, Stuttgart, DE Iceland, curated by Tony Trehy, Bury Art Gallery, Bury, UK Grey Water, Institute of Modern Art, Brisbane, AU The Showroom Talks: I Can't Live Without..., The Showroom, London, UK Beyond the Wall, curated by Haus Lieberman, the Brandenburger Tor Foundation, Nationalgalerie im Hamburger Bahnhof, Berlin, DE A Second Quarter, screening Bodypoliticx, curated by Florian Waldvogel, Thomas Edlinger, Witte de With, Rotterdam, NL Art Protects, Yvon Lambert, Paris, FR 30/40 A Selection Of Forty Artists From Thirty Years At Marian Goodman Gallery, Marian Goodman Gallery, New York, US Herb & Dorothy, New York, US 25 Years Crone Gallery, Galerie Crone, Berlin, DE Pawnshop, e-flux, New York, US Chez Dominique Perrault Architecture, des œuvres de la collection Billarant, Dominique Perrault Architecture, Paris, FR Art & Project Bulletins: 1968 - 1989, Specific Object, New York, US Fiac!

In Haze (2003), a work recently acquired for MCASD's collection through a grant from The Annenberg Foundation, Donovan assembled thousands and thousands of clear plastic drinking straws against the walls, turning a gallery into an undulating space of indeterminate color.

The inaugural exhibition, Some Place Like Home, is a group show that is as diverse in the mediums shown as the artists involved, Rumney Guggenheim curating a collection of work that coaxes audience participation in a way that is far from the customary white wall gallery style programing.

Von Heyl's inspiration for this commissioned mural, part of the Museum's Wall at WAM series, was Ellsworth Kelly's Orange White, a 1961 abstract painting in the Museum's collection (which will be on view beginning February 17 in the new late 20th Century galleries).

Una aproximación al arte norteamericano del siglo XXI, Eutopía 08, Sala museística de Cajasur, Córdoba; curated by Alejandro and Mario Martín Pareja 2007 POPcentric, Gering & López Gallery, New York 2006 Info Babble, Richard & Dolly Maass Gallery, Purchase, New York Ugly Winners, Galerie Du Juor Agnes B., Paris New York's Own, Fuse Gallery, New York 2005 Highmath, V1 Gallery, Copenhagen 2004 Beautiful Losers, Le Tri Postal, Lille; curated by Aaron Rose & Christian Strike; travelling until 2008: Circleculture Gallery, Berlin; Palazzo Dell «Arte, Milan; USF Contemporary Art Museum, Tampa, Florida; Contemporary Museum, Baltimore, Maryland; Orange County Museum of Art, Newport Beach, California; Yerba Buena Arts Center, San Francisco, California; CAC - Contemporary Arts Center, Cincinnati, Ohio 2003 SK8 on the Wall, Parco Gallery, Tokyo 2002 Session The Bowl, Deitch Projects, New York ALIFE Shop, Deitch Projects, New York Coded Language, City Gallery Chastain, Atlanta, Georgia 2001 Shortcuts, Nicosia Municipal Arts Centre, Athens Pierides Museum of Contemporary Art, Athens New Acquisitions from the Dakis Joannou Collection, Deste Foundation, Athens Public collections City Museum, San Louis, Misouri High Museum, Atlanta, Georgia Modern Art Museum of Fort Worth, Fort Worth, Texas Museum of Contemporary Art, San Diego, La Jolla, California Nerman Museum of Contemporary Art, Overland Park, Kansas Pizzuti Collection Rosenblum Collection, Paris Zabludowicz Collection, London

On January 21, 2016, and in anticipation of the Guerrilla Girls Twin Cities Takeover, the Walker will present a monumental wall installation in its collection galleries specifically conceived of and designed by the Guerrilla Girls.