Sentences with phrase «collectionsilver gelatin print»

MALICK SIDIBE, «Jeune Fille avec,» 1970/2004 (silver gelatin print, glass, paint, cardboard, tape, and string).

Untitled # 278, 1950 - 55 Silver Gelatin print Edition 2 of 10 Purchased with funds from the Friends of the Collections Committee, 2004.2

A coinciding special installation of the award - winning film at Photo London (May 18 - 21) is presented alongside large - scale works and silver gelatin prints.

MALICK SIDIBE, «1st Mai — Saute,» 1972/2004 (vintage silver gelatin print, glass, paint, cardboard, tape, and string).

Elizabeth Hayley's silver gelatin prints on steel and brass, seek to trace a record and likeness of the experience of life lived on and surrounded by water, making references to the past and impermanence.

All photographs in the Marking Questions portfolio are selenium - toned silver gelatin prints from 120 film negatives.

Rodriguez sourced these images, which are created to monitor an embryo's health, from a fertility clinic, then transferred the digital files to create photographic negatives, which she then used to produce silver gelatin prints.

MALICK SIDIBE, «Mr. Cissé le pharmacien,» 1973, 2001 (silver gelatin print, Edition 3).

Silver gelatin print from LVT negative, 11.5 × 12.5 inches.

MALICK SIDIBE, Detail of «Vues de dos,» 2003/2004 (vintage silver gelatin print, glass, paint, cardboard, tape, and string).

MF 05 / Infrared 04, 2014, silver gelatin print, 21 x 25 inches.

Not all has been jettisoned — the silver gelatin print seems to be making a comeback — and those portraits set against Photoshopped backgrounds are real people.

Walker Evans, Erosion, Mississippi, 1936, Silver gelatin print, 25 x 20 cm, Library of Congress press photograph, Collection David Campany, Handful of Dust Whitechapel Gallery 2017

Pretend You're Actually Alive, 2000 — 08, Mom Fucking in Mirror, 2002, silver gelatin print, 13 × 9 inches.

20 ″ x 24 ″ silver gelatin print.

Celebrating the National Park Service's centennial year, this exhibition presents Portfolio III: Yosemite Valley, a series of 16 silver gelatin prints by American photographer Ansel Adams (1902 --- 1984).

John Divola, Photographs from The Vandalism Portfolio (1974 - 5) Printed 1993, Silver gelatin prints on 50x40cm paper, © John Divola, Courtesy of Gallery Luisotti

Credit: Horseshoe Falls, Ontario Canada, 1992, silver gelatin print, 45 x 45 in., framed, Collection of the Artist, © Lynn Davis, Photograph Courtesy Artist.

It is, perhaps, an unexpected image to open «Mark Steinmetz: Terminus,» at the High Museum of Art through June 3, a series of more than 60 silver gelatin print photographs taken from

Trisha Donnelly The hand that holds the desert down, 2002 Silver gelatin print 8 1/4 x 7 inches framed Private collection

This silver gelatin print is the latest work in the artist's «Drape» series, created exclusively for the Whitechapel Gallery.

They are Polaroids, silver gelatin prints made with experimental methods: light make them frail.

'' The world is my language», museum archival black & white silver gelatin prints (Korea / Mexico); narrative photography.

Silver Gelatin print onto fibre paper.

The exhibition consists of 35 silver gelatin prints executed on the set of Moon's recent film Circus, based on Hans Christian Andersen's The Little Match Girl.

Silver gelatin print, wood, 48 x 20 7/8 x 33 1/8 inches (122 x 53 x 84 cm).

LYLE ASHTON HARRIS (b. 1965), «Ecstasy # 1,» 1987 - 88 (black and white silver gelatin print, 60 x 40 inches, Edition 3/6).

He also made an important series of photographs of Parisian graffiti in the 1930s, which was exhibited at MoMA in 1956 and is being celebrated in this show featuring a selection of silver gelatin prints and two large and rare tapestries that the artist had fabricated from composites made from his pictures in the late - 1960s.

Ellsworth Kelly, Curve Seen From A Highway, Austerlitz, New York (1970), silver gelatin print, 27.9 cm.

• LeRoy Henderson (American, b. 1936), Boy with Flag, 1989, silver gelatin print.

Carrie Mae Weems (American) May Flowers, 2002 Chromogenic print Untitled (Woman and Daughter with Make - up) from the Kitchen Table series, 1990 - 2010 Hand - printed silver gelatin print

Arnold Newman (American, 1918 - 2006), four silver gelatin prints: • Man Ray, Los Angeles, 1948 • Moses & Raphael Soyer, NYC, 1942 • Grandma Moses, Eage Bridge, NY • Danny Kaye Kathleen Boone Samuels Memorial Fund

The new exhibition will showcase twelve black and white silver gelatin prints, from her new series YOHOHO.

Hamish Fulton, BOULDER A FIFTEEN DAY WALKING JOURNEY ON PAVEMENTS ROADS AND TRACKS FROM AND TO CABO MAYOR AT SANTANDER BY THE ATLANTIC COAST VIA RIBADESELLA JOU DE LES BOCHES PICOS DE EUROPA POTES LIEBANA SIERRA DE PENA LABRA AND FONTIBRE DURING THE SEVENTH DAY OF THE SEVENTH MONTH SPAIN 2006, Silver gelatin print, acid - free cardboard with text, wood frame, unique, 46.5 x 53 inches framed

Hamish Fulton, UNTITLED, 1970 - 1971 (ENGLAND - SCOTLAND), 1970 - 1971, Silver gelatin print, acid - free cardboard with text, wood frame, vintage photographs, unique, 4 photographs: 3 x 4.5 inches each, 12.25 x 16 inches framed

Photography Collection of 26 silver gelatin prints by Hungarian and American photographers.

Malick Sidibé, Les trois amis avec motos (Three Friends with Motorbikes), 1975, silver gelatin print, 1 x 1m.

Title: Gabrielle Chanel Print Type: Silver Gelatin Print.

Malick Sidibé, Nuit de Noël (Christmas Night), 1963, silver gelatin print, 1 x 1 m. Courtesy: Collection Fondation Cartier pour l'art contemporain, Paris © Malick Sidibé

Featured images: Milly, Tom Butler, Goauche on Albumen Print, 2014 Courtesy Charlie Smith, London Where Is It Now, Marie Navarre Film positive, book page, glass, steel, 1998 Courtesy Lisa Sette Gallery, Phoenix, Arizona Slip 17, Farrah Karapetian, unique photogram, 2014 Courtesy Von Lintel Gallery Alison Rossiter Nepera Chemical Company Carbon Velox, shipped from works November 8, 1897, processed 2014 (# 1), Courtesy Yossi Milo Gallery Broadway, New York City in the Rain, Edward Anthony, Albumen Print Courtesy Metropolitan Museum of Art Church Gate, Sebastao Salgado, Silver Gelatin Print Courtesy Peter Fetterman Gallery Dinka Camp, Sebastian Salgado, Silver Gelatin Print Courtesy Peter Fetterman Gallery Fred W. McDarrah Robert Kennedy in Slum Apartment, May 8, 1967 Vintage gelatin silver Courtesy Steven Kasher Gallery Reclining Odalisque, Roger Fenton, Salt Print, 1858 Courtesy Metropolitan Museum of Art Der Fotograf, Willi Ruge, Silver Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B Gallery

(His recent retrospective at the Jewish Museum had only silver gelatin prints.)

Estimated to sell for up to $ 8,000, Muniz's 1998 silver gelatin print of a tree, from an edition of five, sold for $ 23,750, leaving the ex-Lehman banker outbid.

Vera Lutter, Pepsi Cola, Long Island City, X: July 10, 1998, unique silver gelatin print, 87 1/2 x 168 inches.

Louise Nevelson, 1986 silver gelatin print image: 19 1/4 x 19 1/4 inches (48.9 x 48.9 cm) paper: 24 x 20 inches (61 x 51 cm) edition of 10 with 2 APs MAP - 1630

Louis Faurer Champion (Man in Times Square Staring), New York City, 1950 Silver Gelatin Print, printed 1980 11 x 14 in

Mary Beth Edelson, «Monday's Prayer: Dinner Party (Woman Rising series)», 1973, Oil, ink, china marker, and collage on silver gelatin print, Image Dimensions: 10 x 8 inches, 25.4 x 20.3 cm, Framed Dimensions: 17 x 15 x 1 3/4 inches, 43.2 x 38.1 x 4.4 cm, MBE466

Mary Beth Edelson, «Hounds of Hell (Woman Rising series)», 1973, Oil, ink, and china marker on silver gelatin print, Image Dimensions: 10 x 8 inches, 25.4 x 20.3 cm, Framed Dimensions: 17 x 15 3/4 inches, 43.2 x 40 cm, MBE462

Mary Beth Edelson, «Sheela's Secret Weapon (Woman Rising series)», 1973, Oil, ink, china marker, and collage on silver gelatin print, Image Dimensions: 10 x 8 inches, 25.4 x 20.3 cm, Framed Dimensions: 17 x 15 x 1 3/4 inches, 43.2 x 38.1 x 4.4 cm, MBE474

The exhibition includes twenty vintage silver gelatin prints which capture a wide range of social circles in early downtown New York.

Mary Beth Edelson, «Giving Birth to Myself», 1975, Ink and china marker on silver gelatin print, Image Dimensions: 6 x 6 inches, 15.2 x 15.2 cm, Framed Dimensions: 12 1/2 x 12 1/2 x 3/4 inches, 31.8 x 31.8 x 1.9 cm, MBE019