Sentences with phrase «collections curator at the museum»

Elissa Auther, Windgate Research and Collections Curator at the Museum of Arts and Design and the Bard Graduate Center.

Not exact matches

Jody Joy, senior curator at the museum, said: «MAA has one of the best collections of Anglo - Saxon artefacts in the British Isles - and we are indebted to Grosvenor for their generosity in allowing this beautiful, mysterious artefact to remain in Cambridge.

Migrating Sandhill Cranes Swoop Through Chicago - CBS Chicago - December 9, 2016 Celeste Troon is the Curator and Director of Living Collections at the Peggy Notebaert Nature Museum in Chicago.

Chicago's Other High - Rise Inhabitants Might Surprise You - DNAinfo.com Chicago - May 26, 2016 Celeste Troon, Curator and Director of Living Collections at Peggy Notebaert Nature Museum, said a wide variety of wildlife besides bugs hangs out on skyscrapers, apartment buildings and other multifloor buildings

Eleven authors contributed to the manuscript that is scheduled to be published in Nature: Dr. Steve Holen, director of research at the Center for American Paleolithic Research; Dr. Tom Deméré, curator of paleontology and director of PaleoServices at the San Diego Natural History Museum; Dr. Daniel Fisher, professor of paleontology and director and curator of the Museum of Paleontology at the University of Michigan; Dr. Richard Fullagar, professorial research fellow at the Centre for Archaeological Science at the University of Wollongong, Australia; Dr. James Paces, research geologist at the U.S. Geological Survey; Kathleen Maule Holen, administrative director at the Center for American Paleolithic Research; Dr. Jared Beeton, professor of physical geography at Adams State University; Dr. Adam Rountrey, collection manager in the Museum of Paleontology at the University of Michigan; George T. Jefferson, district staff paleontologist at

That new DNA evidence «proves the hieroglyphic text [on the mummies» coffins] to be accurate,» at least in saying the mummified men had the same mother, says Egyptologist and study coauthor Campbell Price, curator of the Egypt and Sudan collections at the Manchester Museum in England.

Joe McHugh, curator of the arthropod collection at the museum and professor of entomology at the UGA College of Agricultural and Environmental Sciences, will lead the National Science Foundation - funded effort.

As a curator in entomology at the Natural History Museum in London, Erica McAlister is responsible for everything from maintaining collections to fieldwork.

John Nudds, keeper of geology at the Manchester Museum, has filled the gap with Directory of British Geological Museums (The Geological Society, pp141, # 14.95 pbk) helped by the Geological Curators» Group, an active bunch of enthusiasts, mostly professional, who have been working for years to rescue geological collections from the parlous state they reached during the 1950s.

George McGavin, assistant curator of entomological collections at the Oxford University Museum and a prominent opponent of Bishop's work, says: «If the experiments continue, I'll continue my opposition.»

«This study takes us a step further [than the human microbiome], and tells us about the necrobiome, the collection of microbes on a dead body,» said Dr. Robert DeSalle, Curator of Molecular Systematics at the American Museum of Natural History, who was not affiliated with the CUNY study.

«Museum collections hold hidden treasures of biodiversity,» said co-author Dr. Gavin Svenson, curator of invertebrate zoology at the Cleveland Museum of Natural History and adjunct assistant professor at Case Western Reserve University.

Lloyd DeWitt, Chief Curator at the Chrysler Art Museum, discusses Norfolk's star attraction and their surprisingly robust collection.

Lloyd DeWitt, Chief Curator at The Chrysler Museum of Art, discusses Norfolk's star attraction and their surprisingly robust collection.

All Collector's Circle Member benefits, plus: • Private collections» tours at the homes of New York's top collectors • Artist Studio visits led by the Executive Director • Conversations with Curators receptions, an opportunity to mingle with the Executive Director and curators and learn about upcoming exhibitions and projects • Private Tour of current Bronx Museum exhibitions with the Executive Director (up to twelve guests and by appointment) • One complimentary ticket to the Annual Fall Art Collection Tour • Recognition on the Bronx Museum's website and Annual Report • Sponsorship recognition for an exhibition or program • Two Individual - level gift memberships Curators receptions, an opportunity to mingle with the Executive Director and curators and learn about upcoming exhibitions and projects • Private Tour of current Bronx Museum exhibitions with the Executive Director (up to twelve guests and by appointment) • One complimentary ticket to the Annual Fall Art Collection Tour • Recognition on the Bronx Museum's website and Annual Report • Sponsorship recognition for an exhibition or program • Two Individual - level gift memberships curators and learn about upcoming exhibitions and projects • Private Tour of current Bronx Museum exhibitions with the Executive Director (up to twelve guests and by appointment) • One complimentary ticket to the Annual Fall Art Collection Tour • Recognition on the Bronx Museum's website and Annual Report • Sponsorship recognition for an exhibition or program • Two Individual - level gift memberships to share

Seph Rodney, Editor at Hyperallergic Roderick Schrock, Director at EyeBeam Arden Sherman, Curator and Director at Hunter East Harlem Gallery Nathalie Arglés, Executive Director at Residency Unlimited Katie Fuller, Independent Curator Max Durón, Photo Editor at ArtNews Ysabel Pinyol, Curatorial Director MANA Contemporary Joey Lico, Curator and Director at The Cultivist Elisabeth Larison, Program Director at APEX Art Larry Ossei - Mensah, Independent Curator Amara Antilla, Assistant Curator at the Guggenheim Anne Barlow, Director, Art in General Laura Welzenbach, Program Manager, Eyebeam Dexter Wimberly, Independent Curator Alex Jovanovich, Associate Editor, Artforum.com Benjamin Sutton, Writer, Hyperallergic Brian Droitcour, Associate Editor and Online Editor, Art in America Nat Trotman, Curator, Performance and Media, Solomon R. Guggenheim Museum, New York Helga Christoffersen, Assistant Curator, New Museum Sharon Matt Atkins, Vice Director, Exhibitions and Collections, Brooklyn Museum Christopher Y. Lew, Associate Curator, Whitney Museum of American Art Rujeko Hockley, Assistant Curator of Contemporary Art, Brooklyn Museum Joeonna Bellorado - Samuels, Director, Jack Shainman Gallery

Prior to this, he was Associate Director for Art and Exhibitions and Curator of Modern Art at the Seattle Art Museum between 1987 and 1996, and was the first curator designated to oversee the permanent collection of the Whitney Museum of American Art, where he worked from 1976 tCurator of Modern Art at the Seattle Art Museum between 1987 and 1996, and was the first curator designated to oversee the permanent collection of the Whitney Museum of American Art, where he worked from 1976 tcurator designated to oversee the permanent collection of the Whitney Museum of American Art, where he worked from 1976 to 1987.

Jennie Goldstein is assistant curator at the Whitney Museum where she works closely with the permanent collection.

The panelists who selected the 2018 - 2019 Studio Artists were: Connie H. Choi, Associate Curator, The Studio Harlem's permanent collection; Carmen Hermo, Assistant Curator, Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum; Gabriel de Guzman Curator and Director of Exhibitions, Smack Mellon.

Connie H. Choi, currently the associate curator of The Studio Harlem's permanent collection since February 2017 previously the assistant curator of American art at the Brooklyn Museum.

Dr. Jones comes to the DMA from the University of Texas at Austin, where she was curator of the Art and Art History Collection, the cultural collections manager at the Texas Memorial Museum, and a lecturer on art and art history.

-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?

In addition to an art - historical overview by Laurence Madeline, the catalog includes essays by Bridget Alsdorf, Associate Professor, History of Art, Princeton University; Jane R. Becker, Collections Management Assistant, Metropolitan Museum of Art; Joëlle Bolloch, former Head of Research, Musée d'Orsay; Vibeke Hansen, Curator, Nasjonalmuseet, Oslo; and Richard Kendall, former Curator at Large, Clark Art Institute.

Presided over by Willy Merz, the Fondazione makes use of the collaboration of a scientific committee comprising Frances Morris (Head of Collections, International Art, Tate Modern, London), Beatrice Merz (Director Castello di Rivoli, Museo d'Arte Contemporanea, Torino), Richard Flood (Director of Special Projects & Curator at Large of the New Museum of Contemporary Art, New York) and Vicente Todolí (Artistic Advisor HangarBicocca, Milan).

Rocío Aranda - Alvarado is the curator at the Jersey City Museum where she organizes exhibitions of historical and contemporary art, drawing on the permanent collection and work by established and emerging American artists.

Erin was a curator at The Bronx Museum of the Arts from 2005 — 2009 where she curated collection based and annual Artist in the Marketplace (AIM) exhibitions.

The museum's photography curator at the time, Hugh Edwards, purchased 30 photographs from this now - legendary series for the permanent collection, and in 2000, the artist generously gifted a further 38 photographs — works that were openly personal and very different from his chronicling of the state of the country in The Americans.

Disorderly Conduct is organized by the Orange County Museum of Art and curated by Karen Moss, curator of collections and director of education & public programs at OCMA and co-presented by the haudenschildGarage, La Jolla.

He brings to deCordova extensive administrative and curatorial experience, having served as President of the Association of Art Museum Curators (AAMC), and having held curatorial positions at the Philadelphia Museum of Art and at the Wadsworth Atheneum, where he worked on the museum's first showing of the Sol LeWitt colleMuseum Curators (AAMC), and having held curatorial positions at the Philadelphia Museum of Art and at the Wadsworth Atheneum, where he worked on the museum's first showing of the Sol LeWitt colleMuseum of Art and at the Wadsworth Atheneum, where he worked on the museum's first showing of the Sol LeWitt collemuseum's first showing of the Sol LeWitt collection.

The exhibition will coincide with the launch of a book written by the director of collections management at the Finnish National Gallery, Riitta Ojanperä; the writer Agneta Rahikainen PhD; the museum director, Susanna Pettersson; the chief curator, Anna - Maria von Bonsdorff; and the curator, Anu Utriainen.

Join ArtTable for an exclusive curator - led tour of The Long Run at the Museum of Modern Art, with Paulina Pobocha, associate curator, and Cara Manes, assistant curator, who organized this collection exhibition in consultation with their department head, Ann Temkin, chief curator of painting and sculpture.

Seven pieces from Earl's series Late Night Polaroids were selected by Assistant Curator of Photography at the High Museum of Art Gregory Harris to be included in their permanent collection.

Curated by Noguchi Museum Senior Curator Dakin Hart, Self - Interned, 1942 brings together about two dozen works from the Museum's collection, dating from before, during, and after Noguchi's time at Poston, along with a substantial selection of archival documents.

Cara Manes is Assistant Curator in the Department of Painting and Sculpture at The Museum of Modern Art, where she works extensively on the ongoing displays in the collection galleries and sculpture garden, as well as on temporary exhibitions and special installations.

Co-curated by Sylvie Patry, Consulting Curator at the Barnes Foundation and Chief Curator / Deputy Director for Curatorial Affairs and Collections at the Musée d'Orsay, Paris, and Nicole R. Myers, The Lillian and James H. Clark Curator of European Painting and Sculpture at the Dallas Museum of Art, Berthe Morisot: Woman Impressionist will both illuminate and reassert Morisot's role as an essential figure within the impressionist movement and the development of modern art in Paris in the second half of the 19th century.

Jones comes to Dallas from the University of Texas at Austin, where she was curator of the art and art history collection, the cultural collections manager at the Texas Memorial Museum, and a lecturer of art and art History.

In conjunction with the ongoing exhibition habitus, The Fabric Workshop and Museum presents a gallery talk by textile scholar Dr. Linda Eaton, the John L. & Marjorie P. McGraw Director of Collections and Senior Curator of Textiles at the Winterthur Museum.

Elizabeth Abston, Curator of the Collection at the Museum, notes that, «Bringing these remarkable acquisitions into the permanent collection allows us to further mine the historical and contemporary issues that affect us as both Mississippians and members of a global society.

Its other prongs include an artist residency at her home in Sonoma, California, for living artists in her collection, as well as scholars and curators whose work extends the canon and relates to the artists in her collection; sitting on the boards of museums like the Art Institute of Chicago; publishing critical scholarship, beginning with the 2016 book Four Generations: The Joyner Giuffrida Collection of Abstract Art; and collecting and gifting major works by black artists to institutions.

Highlights include a day at the Guggenheim Museum Bilbao to view our Still paintings on exhibition there; stops at private modern and contemporary collections not open to the public; and curator - led tours of Barcelona's top galleries.

«As Curator of Programs at the New Orleans Museum of Art, I look forward to working with NOMA staff and community collaborators to develop dynamic, interdisciplinary programs that celebrate arts and culture and embrace the rich diversity of our collections and region's inhabitants,» said Greenwald.

Its authors include David Anfam, author of the seminal book Abstract Expressionism (1990); Susan Davidson, Senior Curator, Collections and Exhibitions, at the Solomon R. Guggenheim Museum, New York; Edith Devaney, Contemporary Projects Curator, Royal Academy of Arts; Jeremy Lewison, former Director of Collections at the Tate; Carter Ratcliff, author of Fate of a Gesture: Jackson Pollock and Postwar American Art (1996); and Christian Wurst, researcher for The Catalogue Raisonné of the Drawings of Jasper Johns (forthcoming).

The exhibition is co-curated by Sylvie Patry, Consulting Curator at the Barnes Foundation and Chief Curator / Deputy Director for Curatorial Affairs and Collections at the Musée d'Orsay, Paris, and Nicole R. Myers, The Lillian and James H. Clark Curator of European Painting and Sculpture at the Dallas Museum of Art.

We were fortunate to see the Birmingham Museum of Art and meet Ron Platt, curator of modern and contemporary art, visit Space One Eleven and meet with Cheryl Lewis, program manager, visit the private collection of Michael Strauss, conduct studio visits with artists Clayton Colvin and Sonja Rieger, artist talk and tour of the exhibition Diegesis by artist John Fields at beta pictoris, and visits to the Sloss Furnaces, the 16th Street Baptist Church, Joe Minter's African Village, and the Vulcan.

Co-curated by Sylvie Patry, Chief Curator / Deputy Director for Curatorial Affairs and Collections at the Musée d'Orsay, Paris and Consulting Curator at the Barnes Foundation, and Nicole R. Myers, The Lillian and James H. Clark Curator of European Painting and Sculpture at the Dallas Museum of Art, Berthe Morisot, Woman Impressionist will both illuminate and reassert Morisot's role as an essential figure within the Impressionist movement and the development of modern art in Paris in the second half of the 19th century.

The exhibition is curated by Amy G. Moorefield, Deputy Director of Exhibitions and Collections at the Taubman Museum of Art and Mark Sloan, Director and Chief Curator of the Halsey Institute of Contemporary Art with special assistance from Andrea Pollan, Curators Office, Washington, D.C.; Saltworks Gallery, Atlanta, Georgia; and Ryan Lee Gallery, New York, New York.

Elizabeth Rooklidge, Associate Curator, Katonah Museum of Art Boshko Boshkovic, Program Director, Residency Unlimited Adele Eisenstein, Independent Curator & Research Assistant, Alma on Dobbin Jovana Stokic, Art Historian, Curator Ming - Jiun Tsai, Independent Curator, Taiwan Lisa Varghese, Senior Director, Luhring Augustine Zuzana Jakalova Artist, Curator, MeetFactory, Prague Jenny Jaskey, Director and Curator, The Artist's Institute Joshua Decter, Independent Curator & Critic Rachel Reese, Associate Curator of Modern and Contemporary Art, Telfair Museums in Savannah GA Zuzanna Foggt, Co-founder & President of the Contemporary Art Foundation In Situ, Sokołowsko, Poland Liz Blum, Artist & Curator Stamatina Gregory, Curator & Associate Dean, School of Art at Cooper Union Alise Tifentale, Art Historian, CUNY Grad Center Leah Dixon, Visual Artist and Co-Owner of Beverly's NYC Julia Geerlings, Independent Curator & Writer, Netherlands Sharon Matt - Atkins, Vice Director, Exhibitions and Collections Management Brooklyn Museum Asya Geisberg, Owner, Asya Geisberg Gallery Sebastian Sans de Santamaria, Director of Operations, Residency Unlimited Gu Chenlin, Director of Artistic Department & Curator, Shanghai Photographers Association, China He Guyian, Deputy Director of Department of Art History & Director of the Contemporary School of Arts, Sichuan Fine Arts Institute, China

This latest installment of SFMoMA's ongoing New Work series is organized by Alison Gass, assistant curator of painting and sculpture, and gathers approximately 20 sculptures from public and private collections worldwide, marking both artists» first exhibition at a major U.S. museum.

At LACMA, the presence of leading curators of color on the museum staff has had its most visible impact by way of acquisitions to the permanent collection.

«It has been an outstanding opportunity to collaborate with Christy and Bill Gautreaux as we identified thematic threads unique to their collection,» states Erin Dziedzic, curator and head of adult programs at the Kemper Museum.