Hair Combing Cycle -
Collective Performance by P. 4 Artist Satch Hoyt 6PM Xavier University Administration Building 7341 Palmetto Street * Free and open to the Public.
Not exact matches
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performance and realization of the anticipated benefits of advanced technologies and new products and services; (3) the scope, nature, impact or timing of acquisition and divestiture or restructuring activity, including the pending acquisition of Rockwell Collins, including among other things integration of acquired businesses into United Technologies» existing businesses and realization of synergies and opportunities for growth and innovation; (4) future timing and levels of indebtedness, including indebtedness expected to be incurred
by United Technologies in connection with the pending Rockwell Collins acquisition, and capital spending and research and development spending, including in connection with the pending Rockwell Collins acquisition; (5) future availability of credit and factors that may affect such availability, including credit market conditions and our capital structure; (6) the timing and scope of future repurchases of United Technologies» common stock, which may be suspended at any time due to various factors, including market conditions and the level of other investing activities and uses of cash, including in connection with the proposed acquisition of Rockwell; (7) delays and disruption in delivery of materials and services from suppliers; (8) company and customer - directed cost reduction efforts and restructuring costs and savings and other consequences thereof; (9) new business and investment opportunities; (10) our ability to realize the intended benefits of organizational changes; (11) the anticipated benefits of diversification and balance of operations across product lines, regions and industries; (12) the outcome of legal proceedings, investigations and other contingencies; (13) pension plan assumptions and future contributions; (14) the impact of the negotiation of
collective bargaining agreements and labor disputes; (15) the effect of changes in political conditions in the U.S. and other countries in which United Technologies and Rockwell Collins operate, including the effect of changes in U.S. trade policies or the U.K.'s pending withdrawal from the EU, on general market conditions, global trade policies and currency exchange rates in the near term and beyond; (16) the effect of changes in tax (including U.S. tax reform enacted on December 22, 2017, which is commonly referred to as the Tax Cuts and Jobs Act of 2017), environmental, regulatory (including among other things import / export) and other laws and regulations in the U.S. and other countries in which United Technologies and Rockwell Collins operate; (17) the ability of United Technologies and Rockwell Collins to receive the required regulatory approvals (and the risk that such approvals may result in the imposition of conditions that could adversely affect the combined company or the expected benefits of the merger) and to satisfy the other conditions to the closing of the pending acquisition on a timely basis or at all; (18) the occurrence of events that may give rise to a right of one or both of United Technologies or Rockwell Collins to terminate the merger agreement, including in circumstances that might require Rockwell Collins to pay a termination fee of $ 695 million to United Technologies or $ 50 million of expense reimbursement; (19) negative effects of the announcement or the completion of the merger on the market price of United Technologies» and / or Rockwell Collins» common stock and / or on their respective financial
performance; (20) risks related to Rockwell Collins and United Technologies being restricted in their operation of their businesses while the merger agreement is in effect; (21) risks relating to the value of the United Technologies» shares to be issued in connection with the pending Rockwell acquisition, significant merger costs and / or unknown liabilities; (22) risks associated with third party contracts containing consent and / or other provisions that may be triggered
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Meyer was so underwhelmed
by the
performance of his tailbacks in2005 — at the start of spring ball he would describe their
collective efforts as «trash» — that he threatened to go to an offense that didn't useone.
After losing at the Amex stadium - home to Brighton and Hove Albion in the league, the Gunners produced a very good
collective performance to take down AC Milan
by two goals to nil at the San Siro.
on the off chance our
collective karmas may rub off on his
performances and that please god he manages to just get the basics right as far as diabys concerned we really cant keep poundin the guy, he did wel the other night so at least wait until hes underperformed again to criticise, i doubt ul hav to wait long to be fair, hes so inconsistent wolves wont be easy, especially with the dangerous doyle and ebanks - blake up front, you can be sure these 2 will set the tone for a high pressure hard working team effort but i just cant see us being troubled
by any1 in our current mood....
Sock Out Cancer came back for its biggest night at the Broome County Forum Theatre with a special
performance by William Close and the Earth Harp
Collective to help support the journey of cancer recovery for families.
The Parents Teachers Association (PTA), of the Tsito - Awudome Senior High School (AWUSCO), in the Volta Region, have explained that the decision to levy students despite the implementation of government's Free Senior High School Policy was a
collective resolve
by parents to support the school's efforts to enhance the academic
performance of students.
BINGHAMTON (WBNG)-- Sock Out Cancer came back for its biggest night at the Broome County Forum Theatre with a special
performance by William Close and the Earth Harp
Collective to help support the journey of cancer recovery for families.
Players compete
by selecting teams of individual athletes and earn points based on their
collective statistical
performances.
Dr Andrea Manica, co-author of the paper from the University of Cambridge, added: «Our research reveals that the
collective performance of groups is strongly driven
by their composition, suggesting that consistent behavioural differences among groups could be a widespread phenomenon in animal societies.»
I was planning to do a Top Ten Meryl Streep
performances but I could anticipate the
collective groan
by you fine people.
The standard of political and moral
performance required to consider should be the following: 1) increase of solidarity among the inhabitants of the country; 2) increase in the practice of social justice
by organs of government and civil society; 3) increase in the distribution of income and wealth among the population; 4) increase of measures to preserve and care for nature; 5) increase in policies for integral development of education in accordance with the highest human values; 6) advances in the realization of the
collective will of the citizens; 7) improvement of political institutions; 8) success in combating corruption measured
by its reduction; 9) increase in the exercise of citizenship with the effective participation of citizens in government decisions and fight for expansion of their rights; and 10) increase of contribution of public and private organizations to the political, economic, social and environmental development of the country.
Distributed leadership is about
collective influence - it is not just some accidental
by - product of high performing organisations but, as highlighted earlier, is a contributor to school success and improved
performance (Hargreaves & Harris, 2010; Hargreaves, Boyle & Harris, 2014).
Koppich argues, however, that teacher interests can be protected via reform - oriented
collective bargaining agreements that put student
performance first
by promoting flexibility and collaborative problem solving at the school level.
Some standards, which would be developed
by the Superintendent of Public Instruction and the State Board of Education, may include
collective academic
performance of a charter school, progress in the API yearly growth, as well as comparing individual pupils in similar demographics.
Last year Students Matter filed a lawsuit, Doe v. Antioch, against 13 California school districts, saying
collective bargaining agreements in those districts violated the Stull Act
by explicitly prohibiting the use of student standardized test scores in assessing teacher
performance.
Individual school turnarounds are hard to do because principals usually don't control budgets (which usually means teachers) or personnel decisions (also teachers)-- those are governed
by the central office,
by state laws influenced
by lobbying
by affiliates of the National Education Association and American Federation of Teachers, and
collective bargaining agreements that protect veteran teachers regardless of their
performance.
Indiana passed laws that created an expansive voucher system, made teacher tenure contingent on effectiveness, limited
collective bargaining, ended the process of firing teachers in order of seniority and required teacher evaluations to be «significantly informed»
by student
performance on standardized exams.
In the area of
Collective Responsibility, a component of the Collaborative Teachers essential, Pasteur improved 13 points in just one year while the district's overall
performance decreased
by one point.
The C - Busters: A Tribute to Megaman Classic album is now available Materia
Collective is pleased to present C - Busters: A Tribute to Megaman Classic, a collection heavy metal and rock fusion
performances from NES - era Mega Man games
by arranger Thennecan... http://n4g.com/news/2169137/the-c-busters-a-tribute-to-megaman-classic-album-is-now-available …pic.twitter.com/nyLQxXP2fH
The event will see the
performance by the Game Music
Collective, the first professional game music orchestra in Finland, as well as several other guest performers including Dutch pianist Ramon van Engelenhoven and Japanese acoustic band Meine Meinung.
Tread Softly also features new commission Shame Chorus (2017)
by Jordan McKenzie, a work originally conceived as a live
performance that explores memory, sexuality, community and catharsis though
collective action and singing.
Chicano conceptual
performance collective ASCO's Asshole Mural, 1975 (2013) presented
by Nottingham Contemporary, U.K.
By transforming public places into theaters and arenas for
performances and
collective actions, artists mobilize a kind of
collective voice of the people.
They included Carlos Garaicoa, Los Carpinteros (then a three - man
collective), Alexis Leiva Machado (who goes
by Kcho and is a superstar in Cuba), and the
performance artist Tania Bruguera, a cause célèbre since her arrest and detainment for creating a public disturbance days after Obama's pronouncement, when she attempted to stage a free - speech rally in Revolution Square.
The
collective mind of Art F City critics suggest that you will quite enjoy yourself visiting and chatting with artists Carla Gannis (digital and fan of emojis and Wonder Woman), Nicholas Cueva (who probably knows more about spiritual archaeologist Klaus Dona than any other artist), and Liliya Lifanova (who's had one of her
performances presented
by the World Chess Hall of Fame).
His involvement in the early 1960s with Judson Dance Theater, New York, an experimental
collective that included dancers as well as visual artists, resulted in
performances free of narrative, emphasizing instead the purity of movement — sometimes conventionally dance - like, but also mundane movements, allowing untrained performers to participate side
by side with professional dancers.
Home Visit USA, a participatory
performance by internationally - renowned German artist
collective Rimini Protokoll is part of the exhibition Rimini Protokoll: City as Stage.
18th Street Arts Center throws its highly - anticipated Summer ArtNight featuring the opening receptions for Jerri Allyn's and Inez S. Bush's Debating Through the Arts: Exhibition &
Performance 3 project and York Chang's second life project; accompanied by a guest performance from the Tijuana - based visual / audio arts collective, Los Roor, on 18th Street's out
Performance 3 project and York Chang's second life project; accompanied
by a guest
performance from the Tijuana - based visual / audio arts collective, Los Roor, on 18th Street's out
performance from the Tijuana - based visual / audio arts
collective, Los Roor, on 18th Street's outdoor stage.
By creating artworks ranging from multimedia installations to
performances, public events, and workshops, the
collective has enriched, inspired, and provoked the imaginations of viewers and participants both locally and internationally.
Founded as an artist
collective in 1971
by Woody and Steina Vasulka, The Kitchen is a non-profit, interdisciplinary organization that provides innovative artists working in the media, literary, and performing arts with exhibition and
performance opportunities to create and present new work.
Stuart Comer (formerly Curator: Film at Tate Modern, London, now Chief Curator of Media and
Performance Art at MoMA) commented that his section of the Biennial «acknowledges the complexity of contemporary art practice
by including many types of cultural producers: editorial
collectives, artist - curators, activists, musicians, poets, dancers, filmmakers, painters, sculptors and photographers.
1639 18th Street, off of Olympic Blvd, Santa Monica, CA - On Saturday, June 18th, from 6 pm to 10 pm, 18th Street Arts Center throws its highly - anticipated Summer ArtNight featuring the opening receptions for Jerri Allyn's and Inez S. Bush's Debating Through the Arts: Exhibition &
Performance 3 project and York Chang's second life project; accompanied by a guest performance from the Tijuana - based visual / audio arts collective, Los Roor, on 18th Street's out
Performance 3 project and York Chang's second life project; accompanied
by a guest
performance from the Tijuana - based visual / audio arts collective, Los Roor, on 18th Street's out
performance from the Tijuana - based visual / audio arts
collective, Los Roor, on 18th Street's outdoor stage.
Her multi-disciplinary practice often incorporates
performance, sound, and sculpture and questions the fixed nature of identity
by placing institutionalized constructions of difference in contrast with
collective memory and personal histories.
On view from September 8 - October 14, 2017 in the Stamps Gallery (201 S. Division St., Ann Arbor), Vital Signs for a New America is a group exhibition including work
by Dylan Miner, Sheryl Oring, and the
performance collective The Hinterlands.
The opening will feature a special
performance by Legacy Fatale, an interdisciplinary
performance art
collective born in New York under the direction of artist Coco Dolle and co-leader Shawn Bishop.
A leading
performance artist, Tania Bruguera (MFA 2001) researches relationships between art and politics, specifically transformations of social affect into political effectiveness and institutional structures of
collective memory, education, and politics, and some of her
performances interrogate the Cuban Revolution's failed promises and evoke the realities masked
by propaganda and mass - media interpretation.
From the renowned Performa Commissions program — with ambitious new work
by Paweł Althamer, Rosa Barba, Boris Charmatz, Raqs Media
Collective, Subodh Gupta, Florian Hecker, Rashid Johnson, Joan Jonas, Ryan McNamara, Eddie Peake, Alexandre Singh, Marianne Vitale, and Tori Wraanes — to the inaugural Pavilions Without Walls, in which the biennial explored the character of contemporary art in Norway and Poland, and including special thematic focuses on ideas of Citizenship, the Voice, and the historic anchor of Surrealism, Performa 13 is an exhilarating look at the state of artists»
performance today.
The opening featured a special
performance by Legacy Fatale, an interdisciplinary
performance art
collective born in New York under the direction of artist Coco Dolle and co-leader Shawn Bishop.
SIM SMITH is pleased to announce a new
performance event and installation
by British artist Jonathan McCree and dance company New Movement
Collective.
Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera, (June 6 — August 30, 2015), featuring new works from the Berlin - based artist's recent body of abstract paintings for which he selected small books from flea markets, manipulating and altering the found objects; Machine Project — The Platinum Collection (Live
by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series of interventions,
performances, and happenings created for the Tang
by Skidmore alumnus Mark Allen in collaboration with his Los Angeles - based
collective Machine Project; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work of this influential but sometimes - overlooked artist in the first museum survey of her work since 2001.
More than a third of the works in Declaration will premiere at the ICA, including site - specific installations
by Paul Rucker, Stephen Vitiello, and Peter Burr with Porpentine Charity Heartscape; new works in a range of media
by Autumn Knight, Deb Sokolow, Lily Lamberta and All the Saints Theater Company, Sonya Clark, Andrea Donnelly, Edie Fake, Cannupa Hanska Luger, and Geof Oppenheimer; and
performances and participatory works at the ICA in collaboration with the Richmond community
by Winter Count
Collective, Tania Bruguera, and Amos Paul Kennedy Jr., among others.
Recent solo exhibitions include Some Were Caught Up, and Some Were Not, Loock Galerie, Berlin; The Invert, Tops Gallery, Memphis; Self Evidence, a
performance presented by The University of the Arts, Philadelphia, in association with Pig Iron Theatre Company and New York Performance Art Collective; and a solo project at NADA NYC, presented by 1 / 9unosu
performance presented
by The University of the Arts, Philadelphia, in association with Pig Iron Theatre Company and New York
Performance Art Collective; and a solo project at NADA NYC, presented by 1 / 9unosu
Performance Art
Collective; and a solo project at NADA NYC, presented
by 1 / 9unosunove, Rome.
The gallery will host new
performance works
by; The Baltimore Experimental Dance
Collective, Erica Magrey and BFFAEAETDDUP for three different evenings in December.
Next week's benefit — called FADA: House of Madness, after Le Corbusier's building La Maison du Fada (the Nutter's House)-- will also feature
performances by Pussy Riot, the Russian punk - rock protest group; Anohni, the songwriter and singer formerly known as Antony Hegarty; and Bruce High Quality Foundation, an artists»
collective.
Featuring inventive documentation
by the 100 artists who made the first PERFORMA so extraordinary, it offers an exhilarating view into contemporary visual art
performance and «performs» as a
collective artists» journal might.
Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera (through August 23, 2015), featuring new works from the Berlin - based artist's recent body of abstract paintings for which he manipulated small books found at flea markets; Machine Project — The Platinum Collection (Live
by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series of interventions,
performances, and happenings created for the Tang
by Skidmore alumnus Mark Allen in collaboration with his Los Angeles - based
collective Machine Project; Affinity Atlas (September 5, 2015 — January 3, 2016), inspired
by the work of pioneering cultural theorist and art historian Aby Warburg, charts an exploratory path built upon idiosyncratic treasures and contemporary art culled from the Tang's and Skidmore's collections; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work of this influential but sometimes overlooked artist in the first museum survey of her work since 2001.
A free wine and cheese reception will be followed
by a highlights tour with Educator Alexandria Wailes and an ASL - interpreted live
performance by artist
collective My Barbarian.
Visual Arts
Collective Visual Arts
Collective creates opportunities to explore, engage, and interact with artists
by providing subsidized space to artists and organizations working in visual and
performance art, film, music and theater.
While the
collective has previously worked mainly in video and
performance, this show includes both collaborative installations and individual sculptural pieces
by the two members.