Sentences with phrase «college museum studies»

Guest speaker on media and PR, Mesa College Museum Studies Program, March 2016, October 2015, May 2015, September 2014, October 2013

For the Mesa College Museum Studies Program, I collaborated with other students to develop a week - long pop - up show held in a private home.

Not exact matches

Teams of female rats representing different colleges face off as part of the museum's studies of operant and classical conditioning.

Shaw and colleagues from the British Museum, University College London, University of Manchester and the University of Wales studied stone tools and bone fragments found in layers of sediment dating back to more than 240,000 years ago until after 40,000 years ago - when Neanderthals went extinct.

I studied anthropology and linguistics in college and have a masters in museum anthropology.

I am a big art fan (I studied art history at Hunter college) so I love to go to Chelsea to check out the latest shows and my son loves the family programs at the museums here in NYC.

Brought up in Washington DC, Bander Al Saud has a bachelor of arts in Museum Studies from Mount Vernon College of George Washington University.

The money will give pupils a range of cultural opportunities including training at the Royal Ballet School in London, film - making classes at the BFI Film Academy and free opportunities to study art and design at their local college or university; and visits to museums and galleries, using quality resources to support their classroom teaching.

On a more local level, Harshman has worked with his colleague in social studies education, Greg Hamot, social studies professor and director of the International Office in the UI College of Education to lead professional development on human rights education at the Czech and Slovak Museum in Cedar Rapids, Iowa.

To accomplish this, the college offers both two and four year degrees in creative writing, Indigenous liberal studies, museum studies, new media arts, and studio arts.

The Peary - Macmillan Arctic Museum is a segment of Bowdoin College's Arctic Studies program.

2009 Revisiting Histories: A conversation between Sanford Biggers, Andrea Geyer and Simon & Simon J. Ortiz, Lambent Foundation, New York, NY, Curated by Niels von Tomme Harvard Art Museum / Fogg Museum, Conversation with Dr. Steven Nelson and Helen Molesworth, Cambridge, MA Harvard University Department of Visual and Environmental Studies, Cambridge, MA Rhode Island School of Design, Providence, RI Maryland Institute College of Art, Baltimore, MD Anderson Ranch, Snowmass, CO Gelman Lecturer.

Work / Study Opportunities for Purchase College Students Work / Study, a Federal program administered through Financial Aid Department, provides opportunities in various departments of the Neuberger Museum, i.e. education, marketing, development, curatorial, visitor services, exhibition assistant and museumMuseum, i.e. education, marketing, development, curatorial, visitor services, exhibition assistant and museummuseum shop.

Select Group Exhibitions 2017 Monarchs: Brown and Native Contemporary Artists in the Path of the Butterfly, Bemis Center for Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe, NM

She studied at Central Saint Martins College of Art and Design, London (2000 — 1), and took part in The Whitney Museum of American Art Independent Study Program (2003 — 4).

Two exhibitions opening on Saturday, June 24, at the conjoined Center for Curatorial Studies and Hessel Museum at Bard College in Annandale - on - Hudson, N.Y., promise unfamiliar artists and revisionist viewpoints.

Previous group exhibitions include: The Rabbit as King of the Ghosts, Mitchell - Innes & ash, New York; Uncertain States of America, The Astrup Fearnley Museum for Modern Art, Oslo, The Center for Curatorial Studies, Bard College, and Serpentine Gallery, London; Plain of Heaven, Creative Time and Friends of the Highline, New York.

Recent exhibitions include the Santiago de Compostello, Spain, the Weatherspoon Art Museum, Greensboro, NC, the Institute of Contemporary Art, Cleveland, OH, the Miami Art Museum, FL, the Institute of Contemporary Art, Boston, the Kempner Museum of Contemporary Art, Kansas City, Site Santa Fe, New Mexico, the Fabric Workshop and Museum, Philadelphia, the Center for Curatorial Studies, Bard College, NY, P.S. 1 Contemporary Art Center, Long Island City, NY, the Whitney Museum, NY, MASS MoCA, North Adams, Mass., the Worchester Museum of Art, Worchester, MA, the Portland Institute for Contemporary Art, Portland, OR, the Museum of Modern Art, NY, the San Francisco Museum of Art, CA, the Hirschhorn Museum and Sculpture Garden, Washington, DC, the Virginia Museum of Fine Arts, Richmond, VA, the Centre d ¹ Art Contemporain, Geneva, Switzerland, the Bellevue Art Museum, Bellevue, WA, and the Museum of Contemporary Art, Los Angeles, among many others.

She received a B.A. in Art History from Mount Holyoke College in 1958, studied sculpture at the School of the Museum of Fine Arts, Boston, and received an M.F.A. in Sculpture from Columbia University in 1965.

Vivid images from the exhibition permeate the entire volume giving visual heft to essays by Jones; Carbone; Connie H. Choi, research associate in the Arts of the Americas and Europe at the Brooklyn Museum; and Cynthia A. Young, director of the African and African Diaspora Studies Program and associate professor of English at Boston College.

«American Vanguards: Graham, Davis, Gorky, de Kooning, and their Circle, 1927 - 1942,» a traveling exhibition now at the Neuberger Museum of Art of Purchase College, is an old - fashioned and expertly edited study in artistic influence during the Depression.

She received her BFA in photography from Bard College, and completed the Whitney Museum of American Art Independent Study Program in Studio Art while also completing a two - year actor training conservatory with The Maggie Flanigan Studio.

Myra Greene's work has been featured in nationally exhibitions in galleries and museums including The New York Public Library, Duke Center for Documentary Studies, Williams College Museum of Art, Spelman College Museum of Fine Art in Atlanta, Museum of the African Diaspora in San Francisco, and Sculpture Center in New York City.

This week new exhibition openings included «Julie Mehretu: Hoodnyx, Voodoo, and Stelae» at Marian Goodman Gallery in New York; «30 Americans» at the Tacoma Art Museum in Washington State; and «Willie Cole: On Site» at The David Driskell Center for the Study of Visual Art and Culture of African American and the African Diaspora at the University of Maryland, College Park.

Honoring Marieluise Hessel collector and philanthropist with the Distinguished Service to the Visual Arts Award Read more about our honoree here Presented by Tom Eccles executive director Center for Curatorial Studies and Hessel Museum of Art Bard College Also recognizing Sara Raza Guggenheim UBS MAP curator Middle East & North Africa Solomon R. Guggenheim Museum with the 2016 New Leadership Award Read more about our NLA awardee here Featuring mother and daughter Keynote by Mariko Silver president Bennington College Introduced by Joan Shigekawa former acting chairman National Endowment for the Arts Read more about our keynote presenters here

Honoring Marieluise Hessel, Collector and Philanthropist, with the 2016 Distinguished Service to the Visual Arts Award Presented by Tom Eccles, Executive Director, Center for Curatorial Studies and Hessel Museum of Art, Bard College Recognizing Sara Raza, Guggenheim UBS MAP Curator, Middle East and North Africa, Solomon R. Guggenheim Museum Keynote Address by Mariko Silver, President, Bennington College and introduced by Joan Shigekawa, Former Acting Chairman, National Endowment for the Arts.

Honoring Marieluise Hessel collector and philanthropist with the Distinguished Service to the Visual Arts Award Presented by Tom Eccles executive director Center for Curatorial Studies and Hessel Museum of Art Bard College Also recognizing Sara Raza Guggenheim UBS MAP curator Middle East & North Africa Solomon R. Guggenheim Museum with the 2016 New Leadership Award Featuring mother and daughter Keynote by Mariko Silver president Bennington College Introduced by Joan Shigekawa former acting chairman National Endowment for the Arts Read the Program Journal To view our week of events, click here To watch videos of the event, click here.

Xaviera Simmons (b. 1974, New York, NY) Lives and works in New York, NY 2005 Whitney Museum Independent Study Program, New York, NY Maggie Flanigan Studio, 2 - Year Actor Training Conservatory, New York, NY 2004 BFA, Bard College, Annandale - on - Hudson, NY

After graduating from Smith College with a BA in Art History and African - American Studies, in 1987 she became a curator at the Studio Museum.

His work is held in the permanent collections of the Museum of Modern Art in New York, the Department of Cinema Studies of New York University, Bard College, Smolny Insitute in St. Petersburg, the City University of Hong Kong, the Centre de Cultura of Barcelona, SUNY / Buffalo, The Rochester Institute of Technology and the University of Sussex.

Tags: California, Center for Maine Contemporary Art, Cincinnati Art Museum, Concept Center for Visual Studies, Don Voisine, Gregory Lind Gallery, Joel and Lila Harnett Museum of Art, Maine, Maine College of Art, McKenzie Fine Art, Metaphor Contemporary Art, P.S. 1 Contemporary Art Center, Peabody Essex Museum, Portland School of Art, PP Projects, RMIT University, University of Richmond

Kimberly Drew received her B.A. from Smith College in Art History and African - American Studies, with a concentration in Museum Studies.

Dugan holds an MFA in Photography from Columbia College Chicago, a Master of Liberal Arts in Museum Studies from Harvard University, and a BFA in Photography from the Massachusetts College of Art and Design.

Center for Curatorial Studies, Bard College, Reykjavik Art Museum, Herning Art Museum, Annandale - on - Hudson, Reykjavik, Herning

Opening reception of We are the Center for Curatorial Studies, Hessel Museum of Art, Center for Curatorial Studies, Bard College.

The first comprehensive museum exhibition in the United States about the experimental liberal arts college where influential artists such as Robert Rauschenberg, John Cage, Josef and Anni Albers, and Merce Cunningham studied and taught.

Thelma Appel was born in Tel Aviv Israel and studied art at Central St. Martin's School of Art & Hornsey College of Art in London before emigrating to the United States, where she settled in Vermont, teaching at Bennington College and Parsons School of Design and exhibiting in museums and galleries throughout the region.

UCLA Hammer Museum, Los Angeles; The Center for Curatorial Studies Museum, Bard College, Annandale - on - Hudson, NY

«Museums are here to show works that are difficult, uncomfortable, provocative,» said Tom Eccles, executive director of the Center for Curatorial Studies at Bard College.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

Museum Studies The Philip and Muriel Berman Museum of Art at Ursinus College Collegeville, PA January 27 - April 3, 2015 Richard Artschwager at the Berman Museum

About The Speakers Series: Each semester the Center for Curatorial Studies at Bard College hosts a regular program of lectures by the foremost artists, curators, art historians, and critics of our day, situating the school and museum's concerns within the larger context of contemporary art production and discourse.

After studying at the Royal College of Art (London) and HAK (Vienna), Greig Burgoyne has embarked in various projects and exhibitions, most recently Slipstream a solo show at Five Years (London, 2011), Back to the Future (Hastings Museum and Art gallery, 2010), The Future of Nostalgia (Jerwood Project Space, 2009).

Art Institute of Chicago, Chicago, IL California Museum of Photography, University of California, Riverside, CA Colorado Mountain College, Breckenridge, CO The Detroit Institute of Arts, Detroit, MI Free Library of Philadelphia, Philadelphia, PA Haggerty Museum of Art, Marquette University, Milwaukee, WI Illinois State Museum, Springfield, IL James A. Michener Art Museum, Doylestown, PA Madison Art Center, Madison, WI The Metropolitan Museum of Art, New York, NY The Milwaukee Art Museum, Milwaukee, WI Museum of Contemporary Photography, Chicago, IL Philadelphia Museum of Art, Philadelphia, PA The Pinhole Resource, San Lorenzo, NM Research Center, Visual Studies Workshop, Rochester, NY Woodmere Art Museum, Philadelphia, PA

Gagosian Gallery, «Fit to Print», New York NY Radio Bologna, «Radio Danièle», Bologna, Italy Hessel Museum of Art, Center for Curatorial Studies, Bard College, «Exhibitionism: An Exhibition of Exhibitions of Works from the Marieluise Hessel Collection», Annandale - on - Hudson NY Museum of Contemporary Art, «Sympathy for the Devil: Art and Rock and Roll Since 1967», Chicago IL Peres Projects, «Beyond Zero», Athens, Greece Mireille Mosler, Ltd., «Tease», New York NY Zentrum fur Kunst und Medientechnologie, «Between Two Deaths», Karlsruhe, Germany Roberts & Tilton, «Other Scenes», Los Angeles CA

Kasper Pincis studied at Camberwell College of Art, Goldsmiths, and the Royal Academy Schools, and his work has been shown nationally and internationally, being acquired by collections such as the Victoria & Albert Museum and the Sackner Archive of Concrete and Visual Poetry (Miami, Florida).

The Center for Curatorial Studies & Hessel Museum of Art, Bard College, Annandale - on - Hudson, New York.

2012 African American Art in the 20th Century, Smithsonian American Art Museum, Washington, DC Successions: Prints by African American Artists from the Jean & Robert Steele Collection, David C. Driskell Center at the University of Maryland, College Park, MD Blues for Smoke, The Museum of Contemporary Art, Los Angeles, CA; Whitney Museum of American Art, New York, NY; Wexner Center for the Arts, The Ohio State University, Columbus, OH After Tanner: African American Artists since 1940, Pennsylvania Academy of Fine Arts, Philadelphia, PA... On Paper, Michael Rosenfeld Gallery LLC, New York, NY African American Art Since 1950: Perspectives from The David C. Driskell Center, organized by Smithsonian Institute of Traveling Exhibition Services (SITES), The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Susquehanna Art Museum, Harrisburg, PA; Polk Museum of Art, Lakeland, FL; Figge Art Museum, Davenport, IA; The Harvey B. Gantt Center for African - American Arts + Culture, Charlotte, NC; Taft Museum of Art, Cincinnati, OH INsite / INchelsea, Michael Rosenfeld Gallery LLC, New York, NY

Anderson Ranch Art Center, Snowmass Village, Colorado Art Center School of Design, Pasadena California Institute of the Arts, Valencia Claremont Graduate School Los Angeles County Museum of Art The Museum of Contemporary Art, Los Angeles Otis College of Art and Design, Los Angeles Rancho Santiago College San Bernardino Valley College Santa Barbara Museum of Art Santa Monica Museum of Art University of California, Los Angeles University of California, Santa Barbara, College of Creative Studies Whitecliffe College of Art and Design, Auckland, New Zealand

1996 Three Generations of African American Women Sculptors: A Study in Paradox, African American Historical and Cultural Museum, Philadelphia, PA; The Equitable Gallery, New York, NY Explorations in the City of Light: African - American Artists in Paris, 1915 - 1965, The Studio Museum, Harlem, NY; Chicago Cultural Center, Chicago, IL; New Orleans Museum of Art, New Orleans, LA Bearing Witness: Contemporary African American Women Artists, Spelman College Museum of Fine Art, Atlanta, GA; Tuskegee University Art Gallery, Tuskegee, AL