Sentences with phrase «color field painting began»

Along with John Hoyland, Walter Darby Bannard, Larry Zox, Ronald Davis, Ronnie Landfield, John Seery, Pat Lipsky, Dan Christensen [29] and several other young painters a new movement that related to Color Field painting began to form; eventually called Lyrical Abstraction.

Not exact matches

Among a new generation of abstract painters who emerged combining color field painting with expressionism, the older generation also began infusing new elements of complex space and surface into their works.

Rothko is most well - known for his color field paintings, which he began painting in the late 1940s.

Before I began my fifteen series paintings, 9» x 6», large open fields with 4» borders I made a group of nine or ten large hard edge paintings in mostly primary colors and some smaller ones a few of which were in black and white.

As much as he wrote about art during his lifetime, as in his book, The Artist's Reality: Philosophies on Art, written about 1940 - 41, he began to stop explaining the meaning of his work with his color field paintings, claiming that «Silence is so accurate.»

During the summer of 1966 Dan began his series of 100» square, bar paintings that were generally in two colors; fields of rich earthy colors and bars which were usually green, black, brown or gray.

During the later phases of Color Field painting; as reflections of the zeitgeist of the late 1960s (in which everything began to hang loose) and the angst of the age (with all of the uncertainties of the time) merged with the gestalt of Post-Painterly Abstraction, producing Lyrical Abstraction which combined precision of the Color Field idiom with the malerische of the Abstract Expressionists.

In the late 1960s Richard Diebenkorn began his Ocean Park series; created during the final 25 years of his career and they are important examples of color field painting.

And there was also a change in Helen's work at the beginning of the 1960s, moving it toward the Color Field painting with which she would become most associated.

Still & Art begins with Still's acknowledgment of Old Masters he admired (among them Leonardo da Vinci, Rembrandt, J.M.W. Turner, and Vincent van Gogh); progresses to his interrogation of near - contemporaries such as Max Ernst and Pablo Picasso; and concludes with epic canvases, pastels, and photographs that reveal the artist meditating on his own past production as well as the spirit of color - field painting, minimalism, and comparable avant - garde movements of the 1960s and»70s.

You then came to New York in 1954, at a time when Abstract Expressionism was hitting its late peak and beginning to transition into Color Field painting, Pollock was gone, and de Kooning was leaving for the Springs.

In his later years, this interest was more important for the artist, who began to paint in smaller strokes, building the decorative surface of the canvas with broad fields of color.

The heavy materiality of Mountains of the Moon had enabled a diaphanous chromatic lightness, but around this time he began to explore much subtler interfusions of hue in paintings like Snow Morning (1959) and Golden Day (1960), which seem to anticipate color - field paintings such as Jules Olitski's works of the mid -»60s.11

Painted within the logics and systems of color field paintings, the works» repeated motifs, when seen all together, begin to mimic the designs of Dutch wax - printed fabric.

Works such as Yodel Me Back to Orville Overhaul (1998) extends the vocabulary that Wirsum began in the 1970s, which combined motifs from graphic illustration and comics with hard - edged geometric patterns and designs that spoke to the flat horizontality of Color Field Painting as well as the intricate patterns and rhythms of Latin American and Oceanic folk art.

Hard - edge painting, geometric abstraction, appropriation, hyperrealism, photorealism, expressionism, minimalism, lyrical abstraction, pop art, op art, abstract expressionism, color field painting, monochrome painting, neo-expressionism, collage, intermedia painting, assemblage painting, digital painting, postmodern painting, Neo-Dada painting, shaped canvas painting, environmental mural painting, traditional figure painting, landscape painting, portrait painting, are a few continuing and current directions in painting at the beginning of the 21st century.

Abstract, Color Field, and Minimalist painter whose most famous pieces include Beginning (1958) and Bridge (1964), Kenneth Noland has been recognized as one of the most important figures of post-abstract-expressionist painting.

An innovative colorist, Kenneth Noland began his career as an Abstract Expressionist, became one of the first practitioners of Color Field painting as part of the Washington Color School, and ultimately embraced a Minimalist approach that comprised vivid color and simple geometric shColor Field painting as part of the Washington Color School, and ultimately embraced a Minimalist approach that comprised vivid color and simple geometric shColor School, and ultimately embraced a Minimalist approach that comprised vivid color and simple geometric shcolor and simple geometric shapes.

Within twelve years after her first class at American, she began creating Color Field paintings, inspired by the work of the New York School and Abstract Expressionism.

Originally from Louisiana, Benglis moved to New York in the mid-1960s and began her career as a painter influenced by Minimalism and Color Field painting.

Gina began making abstractions in the studio and I began making large collages in acrylics; the colors I added became less about enhancing the colors in the subject and more about making new relationships emerge from the field — in this sense I see myself going back to the way I worked in «Night», although now including work from observation (I start the collages with painting outdoors).

Shortly after leaving Shanghai, Tobey began painting little fields of white calligraphic marks on colored backgrounds.

The late 1940s marked the beginning of his color field paintings or «multiforms», works for which he is known.

This shift broke into movements of minimalism, color field painting and op art, which began to reference each other.

Well known for her approach situated in Color Field painting, Gualdoni begins her paintings by pouring acrylic paint directly onto the canvas, creating overlapping layers of capricious and unpredictable ground.

This exhibition explores the highly formulated and transitional status of geometrical abstraction in the work of women artists from three generations: beginning with (Neo) concrete works on paper from the 1950s by Lygia Pape, to Minimal and Color Field paintings from the 1960s by Rosemarie Castoro and Gina Pane, the 1960 - 80s Pop Art influenced pattern paintings by Barbro Östlihn, to post-Concretist installations, structural and systemic experiments and text pieces from the 1970s and 80s by Lydia Okumura, Lenora de Barros, Martha Araújo, Dóra Maurer and Samia Halaby, to the original contemporary formulations of this history by Paloma Bosquê.

Working large and painting on the floor, Clark's works have been compared to color field and post-abstract painters and have remained true to the influences of his Abstract Expressionism beginnings throughout his career.

Zox began to receive attention in the 1960s, when he was included in several groundbreaking exhibitions of Color Field and Minimalist art, including Shape and Structure (1965), organized by Henry Geldzahler and Frank Stella for Tibor de Nagy, New York, and Systemic Painting (1966), organized by Lawrence Alloway for the Guggenheim Museum.

It began as a large color field painting, an experiment with color.

I stopped doing the Color Field paintings and began making monochromatic encaustic work.

It is a startlingly harmonious expansion that extends beyond the boundaries of each individual canvas to other Spot Paintings on adjacent walls and in adjoining rooms, as each colored circle begins to take on a different value when viewed in relation to the others within one's field of vision.

While it was around this time that Frankenthaler's canvases began to achieve a lightness — a kind of openness that allowed the composition to breathe — it was in the 1970s that the artist had moved away from the literal and figurative landscapes seen in her early work, such as the celebrated Mountains and Sea from 1952, and towards a more emotional and expressive representation of Color Field paintings where she developed a new sumptuousness and sensuality characterized in the present work.

Towards the end of the 1960s, against the backdrops of Minimalism, Conceptualism and Color Field painting, British artist Alan Uglow (born 1941) began emptying out the pictorial surfaces of his paintings.

A 1995 Guggenheim Fellow whose work is in collections at, among others, the Whitney Museum of American Art, the Hirshhorn Museum and Sculpture Garden and the Brooklyn Museum, Zakanitch, 82, began painting in the mid-1960s as an Abstract Expressionist and then a Color Field artist.

Frankenthaler's paintings began to gain attention at galleries and her most well - known work, Mountains and Sea, had a profound influence on other artists, like Color Field painter, Morris Louis, who said that Frankenthaler was, «a bridge between Jackson Pollock and what was possible.»

Back in Washington, Noland and Louis began experimenting with the «soak - stain» technique, pouring pigment into schematic patterns that reduced painting to a single element - color - and helped usher in the «color - field» school of painting.

In the early 1970s, Goodnough began shifting toward Color Field painting, usually executed in acrylic and oil, to which he added his own idiosyncrasies.