In recent years, New Yorkers have chosen to don the laurels of our own artistic past by embracing new renditions of some of the hometown greatest hits: Minimalism, process - based or
Color Field abstraction.
She arrived at the school in the mid-1970s, when it was at the center of
color field abstraction.
Ranging from thick paint to airbrush, from
Color Field abstraction to a joking (possibly Hairy Who) representation, she forces everything into carefully orchestrated collisions, taking considerable joy in celebrating her medium's potential for visual artifice.
Her style suggests an intense shimmer of light over the landscape, a reinterpretation of
color field abstraction and impressionism.
She applied this to the processes of art - making: Frankenthaler defied rules about painting as well as printmaking, most consequentially when she thinned her paint with turpentine and poured it directly onto raw canvas, in a manner that radically redirected so - called
Color Field abstraction.
Eventually, Saito abandoned his theater work to focus on developing his particular style of
Color Field abstraction, often featuring calligraphic characters drawn from an alphabet of his own creation.
Stained
Color Field Abstraction was pioneered by Helen Frankenthaler.She diluted her paints and poured them onto canvases often lying on a floor or table.
American artist Alex Katz is primarily known for his portraiture that synthesizes a kind of
color field abstraction with realism; however, nature is a subject the artist has depicted consistently since the early 1950s.
1972 Abstract Paintings in the 70's: A Selection, Museum of Fine Art, Boston, MA Masters of the 1960's, Edmonton Art Gallery, Winnipeg, Canada Color Field Painting to Post
Color Field Abstraction, Nelson - Atkins Museum of Art, Kansas City, MO Post 1945 Paintings, Norton Simon Museum, Pasadena, CA Giant Paintings; Monuments and Murals, Knoedler & Co., New York, NY
Tellingly, Mason is known for
her color field abstractions; it would appear that in these portraits of her fellow artists, Marcus captured not only their likenesses, but also something of their artistic identities.
Moyer fuses painted canvas and reclaimed fragments of granite, marble, and limestone — stones used in capacities ranging from classical sculpture to kitchen design — into
color field abstractions that address ideas of labor, luxury, and beauty.
In part due to the lasting influence of powerful critics like Clement Greenberg, Abstract Expressionist sculpture has yet to earn the same level of recognition in the art - historical canon as, say, Pollock's splattered canvases or Rothko's
color field abstractions.
Melissa Dickenson's works utilize a repetitive process of stretching thin sheets of fragile plastic creating
color field abstractions where each superimposed stratum creates depth and spatial perspective.
Dickenson's work utilizes a repetitive process of stretching thin sheets of fragile plastic, creating
colored field abstractions where each superimposed stratum creates depth and spatial...
Using thinned out paint and working from the reverse of the canvas, Hood's painting technique recalls Van Gogh's painterly strokes and
Color Field abstractions.
Photographed over a period of ten years and spanning the globe, Andric's painterly,
color field abstractions reveal an ambiguous, meditative cityscape.
Color field abstractions by Helen Frankenthaler and Morris Louis help us recognize the humorous nod to «post-painterly abstraction» in Alex Katz's huge seascape «Marine 2» (1997).
Showcasing
the Color Field Abstractions of Carl Holty alongside sculpture by modern and contemporary American and Italian masters George Rickey, Tony Rosenthal, Antoine Poncet, Deborah Butterfield, and Joseph Goethe.
Montana - based Anne Appleby creates
color field abstractions that embody life cycles of plants growing on her property.
Gridded pictures such as «Grate Outdoors» (1998) and «Enter / Do Not Enter» (1998) recall the «plaid»
color field abstractions of Kenneth Noland from a generation ago, except that Oropallo's grids are more than ruled stripes.
In her work, the artist fuses painted canvas and reclaimed fragments of granite, marble, and limestone — stones used in capacities ranging from classical sculpture to kitchen design — into
color field abstractions that address ideas of labor and beauty.
Not exact matches
Although firmly rooted in
color -
field abstraction, Jones» paintings consistently register as «pictures» - their spatial organization hints at a window space of varying depths even while the physicality of the paint asserts the surface.
Curated by Paul Schimmel, the show charts Guston's progress as he played with
Color Field painting, moved into grid - like
abstractions, and came gradually closer to figuration, combining the visual languages of Abstract Expressionism and Minimalism.
Concerned with political injustice and civil rights, Jones painted his recent No Parasan paintings, which combined the process of
color -
field abstraction with anti-fascist flags.
Poons, Christensen, Davis, Landfield, Seery, Lipsky, Zox and several others created paintings that bridge
Color Field painting with Lyrical
Abstraction and underscore a re-emphasis on landscape, gesture and touch.
Refining a technique, developed by Jackson Pollock, of pouring pigment directly onto canvas laid on the floor, Ms. Frankenthaler, heavily influencing the colorists Morris Louis and Kenneth Noland, developed a method of painting best known as
Color Field — although Clement Greenberg, the critic most identified with it, called it Post-Painterly
Abstraction.
These artists are acting like industrious junior postmodernist worker bees, trying to crawl into the body of and imitate the good old days of
abstraction, deploying visual signals of Suprematism,
color -
field painting, minimalism, post-minimalism, Italian Arte Povera, Japanese Mono - ha, process art, modified action painting, all gesturing toward guys like Polke, Richter, Warhol, Wool, Prince, Kippenberger, Albert Oehlen, Wade Guyton, Rudolf Stingel, Sergej Jensen, and Michael Krebber.
Some of the new styles and movements that appeared in the early 1960s as responses to abstract expressionism were called: Washington
Color School, Hard - edge painting, Geometric
abstraction, Minimalism, and
Color Field.
Although
Color Field is associated with Clement Greenberg, Greenberg actually preferred to use the term Post-Painterly
Abstraction.
The Multiforms are Rothko's first true
abstractions, while their palette foreshadows the palette of the
color field paintings to come.
Matisse and Miró, as well as Pablo Picasso, Paul Klee, Wassily Kandinsky, and Piet Mondrian directly influenced the Abstract Expressionists, the
Color Field painters of Post-Painterly
Abstraction and the Lyrical Abstractionists.
Along with John Hoyland, Walter Darby Bannard, Larry Zox, Ronald Davis, Ronnie Landfield, John Seery, Pat Lipsky, Dan Christensen [29] and several other young painters a new movement that related to
Color Field painting began to form; eventually called Lyrical
Abstraction.
In my work of 1967 - 1968 using
colored lines across thick, rolled
colored fields, and painterly
abstractions with allusions to nature I articulated where I thought advanced painting should go.
Angelina Gualdoni's works on canvas take patterns, interiors and
abstraction as their main focus, locating the rhythm of the everyday sublime in the language of
color field painting.
During the late 1950s and early 1960s Frank Stella was a significant figure in the emergence of Minimalism, Post-Painterly
Abstraction and
Color Field painting.
With encouragement from Greenberg, Bush became closely tied to two movements that grew out of the efforts of the abstract expressionists:
Color Field Painting and Lyrical
Abstraction.
Color field painters efface the individual mark in favor of large, flat, stained and soaked areas of color, considered to be the essential nature of visual abstraction along with the actual shape of the canvas, which Frank Stella in particular achieved in unusual ways with combinations of curved and straight e
Color field painters efface the individual mark in favor of large, flat, stained and soaked areas of
color, considered to be the essential nature of visual abstraction along with the actual shape of the canvas, which Frank Stella in particular achieved in unusual ways with combinations of curved and straight e
color, considered to be the essential nature of visual
abstraction along with the actual shape of the canvas, which Frank Stella in particular achieved in unusual ways with combinations of curved and straight edges.
Associated with movements as diverse as Abstract Expressionism,
Color Field painting, Minimalism, Op art, and Postmodernism, the artists featured in Rothko to Richter were at the forefront of debates about the changing priorities and imperatives of painting after World War II, each seeking to redefine
abstraction for new social and cultural milieus.
With a career spanning over six decades, this film presents Mason as a shy yet innovative figure in American art, a pioneer in the
field of lyrical
abstraction, and a master of the so - called «poetry of
color».
Piero Dorazio (Rome, June 29, 1927 - Perugia, May 17, 2005) was an Italian painter, whose work was related to
Color field, Lyrical
Abstraction and other forms of abstract art.
[27][28] When in 1967 he returned to
abstraction his works were parallel to movements like the Color Field movement and Lyrical Abstraction but he remained independe
abstraction his works were parallel to movements like the
Color Field movement and Lyrical
Abstraction but he remained independe
Abstraction but he remained independent of both.
Color Field painting is related to Post-painterly
abstraction, Suprematism, Abstract Expressionism, Hard - edge painting and Lyrical A
abstraction, Suprematism, Abstract Expressionism, Hard - edge painting and Lyrical
AbstractionAbstraction.
During the later phases of
Color Field painting; as reflections of the zeitgeist of the late 1960s (in which everything began to hang loose) and the angst of the age (with all of the uncertainties of the time) merged with the gestalt of Post-Painterly
Abstraction, producing Lyrical
Abstraction which combined precision of the
Color Field idiom with the malerische of the Abstract Expressionists.
Associated with Op Art, Hard - edge painting,
Color Field painting, Lyrical
Abstraction and Abstract Expressionism, Poons has challenged critical expectations throughout his career, transitioning through several distinct phases of work.
Color -
field painters can take on the scraps of
abstraction or traces of figuration, like Seth Price and his enigmatic silhouettes, Ellen Berkenblit with horses and women, or Elliott Green between
abstraction and landscape.
Abstract Expressionism preceded
Color Field painting, Lyrical
Abstraction, Fluxus, Pop Art, Minimalism, Postminimalism, and the other movements of the 1960s and 1970s and it influenced the later movements that evolved.
His paintings were closely aligned with Post-Painterly
Abstraction,
Color Field painting and Lyrical
Abstraction.
With the exception of Kelly, all of those artists developed their versions of painterly
abstraction that has been characterized at times as lyrical
abstraction, tachisme,
color field, Nuagisme and abstract expressionism.
Her work erodes the boundaries between mediums, echoing
color field painting and post-painterly
abstraction even as they defy flatness.
In the 1970s, as many artists rebelled against
color -
field abstraction, they appeared to be denying modern art itself.