Sentences with phrase «color field artist»

The newspaper was referring to the then recent demise of Washington Color Field artist Gene Davis (1920 — 1985) and to the earlier death of Howard Mehring (1931 — 1978), as well.

A 1995 Guggenheim Fellow whose work is in collections at, among others, the Whitney Museum of American Art, the Hirshhorn Museum and Sculpture Garden and the Brooklyn Museum, Zakanitch, 82, began painting in the mid-1960s as an Abstract Expressionist and then a Color Field artist.

Realized by Color Field artist Sam Gilliam, this relief monoprint layers color, movement, and other abstract elements — meditating on both the relationship between shapes and colors as well as elements of a harmonious composition.

Realized by Color Field artist Sam Gilliam, this lithograph with intaglio and relief layers color, movement, and other abstract elements — meditating on both the relationship between shapes and colors as well as elements of a harmonious composition.

A Color Field artist associated with the Washington Color School, Gilliam's first solo museum show was at the Phillips Collection in 1967.

«Red Chatterbox» is a hard edge abstract painting by Color Field Artist Gene Davis executed in bright reds, oranges, greens, pinks and blues and depi...

Polly Apfelbaum has transformed two galleries in homage to Morris Louis, the celebrated Color Field artist.

Realized by Color Field artist Sam Gilliam, this unique painted work layers color, movement, and other abstract elements — meditating on both the relationship between shapes and colors as well as elements of a harmonious composition.

(28) What might it be like to teach a survey of art history and, instead of rehearsing the traditional examples of Pollock as a gestural painter and Mark Rothko as a Color Field artist, use Krasner and Fine as the primary examples of the style?

Below is a link to the New York Times obituary on Color Field artist Walter Darby Bannard, who died in October, 2016: http://www.nytimes.com/2016/10/08/arts/design/darby-bannard-dead.html Abstract Expressionist and Color Field artist Walter Darby Bannard was a distinguished professor of art, Hans Hofmann scholar, and longtime friend and scholar of Frank Stella.

Natvar Bhavsar (born 1934) is an Indian - American artist, based in Soho, New York City for nearly 50 years, [1] noted as an abstract expressionist and color field artist.

The Color Field artist Sam Gilliam produced New Movie 3 in an edition of 20 and as part of a series of four prints.

This selection of 15 classic stripe paintings by Davis from the 1960s reveals the ambitious vision and accomplishment of this Color Field artist.

The more than 40 prints by renowned color field artist Jules Olitski parallel his painting styles during his long career.

Gilliam is considered a third - generation Color Field artist (a «generation» in this kind of art history lasts perhaps four or five years), and he came to it obliquely, drawn inby his friend the late painter Tom Downing, who threw down a gauntlet.

The top lot of the morning was Roy Lichtenstein's Modern Painting with Yellow Interweave (1967), which sold for $ 3.43 million, beating out out Kenneth Noland's Heat (1958), which finished at $ 3.37 million, a new record for the Color Field artist.

Mark Rothko, Barnett Newman and other color field artists would take Avery's color experiments further into the non-objective realm.

Interesting to see the genres / styles that made it to the «final» - a lot of great work from the minimal / color field artists of the past year not represented here.

There is no reference as to why Henri Matisse or Joan Miro or Howard Mehring or any of the artists listed under Color Field artists belong to the list.

(1921 — 2004) was an American artist of the mid-20th century; she is associated with both minimalism and Color Field artists like Morris Louis and Kenneth Noland.

Beginning in the 1950s and 1960s, several Abstract Expressionist / color field artists (notably: Barnett Newman, Mark Rothko, Robert Motherwell, Adolph Gottlieb, Theodoros Stamos, Sam Francis, Ludwig Sander, Clyfford Still, Jules Olitski, and others) explored motifs that seemed to imply monochrome, employing broad, flat fields of colour in large scale pictures which proved highly influential to newer styles, such as Post-Painterly Abstraction, Lyrical Abstraction, and Minimalism.

Being around all those people and seeing their careers and their work, which was a very different scene from the Color Field artists, really allowed my work to open up and go in different directions.

David Mirvish opened his gallery in 1963 and focused on exhibitions of Color Field artists.

On one side: the Ashcan School, social realists, abstract expressionists, surrealists, action painters, color field artists, Op Artists, minimalists and postmodernists.

Her pure abstract paintings call to mind the stained canvases of the Color Field artists, but her work embodies a unique elegance that differentiates it from that of her contemporaries.

His work influenced the boys club of minimalist and color field artists like Dan Flavin, Sol LeWitt and Carl Andre.

Drips, gestures, and splatters of paint in his work have led many critics to identify him as a second - generation Abstract Expressionist, but Francis has also been compared to Color Field artists on the basis of large, fluid sections of paint that seem to extend beyond the confines of the pictorial surface.

Writing about her last one - woman show at the gallery in A.i.A. «s Jan. 2002 issue, Joe Fyfe described Thomas's painterly language as «at once more worldly in its eclecticism and more homespun in its intimacy» than the Washington Color Field artists in her circle.

Bill and Larry were always close to Clem and the young Color Field artists, but they stuck with me when I bolted from the fold.

Just because their careers fell apart, Color Field artists did not abandon their practice.

Your last exhibition at Altman Siegel included really gorgeous painterly photographs that reference Rothko or the Color Field artists, and there were even references to Muybridge, too.

It's one thing for contemporary color field artists to imitate Rothko's visual style.

Over the following decades, his work would be acknowledged as an important influence for Abstract Expressionist and Color Field Artists, including such famous masters as Alexander Calder, Robert Motherwell, Jackson Pollock, Mark Rothko, Helen Frankenthaler and many others.

In some ways, Louis's immersive works seem to have more of an affinity with paintings by other Color Field artists like Newman and Rothko than they do with Frankenthaler's stains; they evoke sublime, magisterial experiences of caves and grottos (as in the somber «Curtain,» with its stalactitelike points) or waterfalls (in the luscious «Tet,» on loan from the Whitney Museum of American Art).

Like Robert Motherwell, Reginato does feel not compelled to overthrow his predecessors, which includes early modernists such as Paul Klee, Wassily Kandinsky and Joan Miró, as well as the Abstract Expressionists and Color Field artists.

Not exact matches

She pictures and explains the development, facts, goals, and meaning of American Color Field and its artists, including their very characteristic painting technique.

Because chronologically the images become real visual quotes; they illustrate very clearly the start, developments and ending - including all moves and changes - of this american artist in Color Field.

Kenneth explains in his quotes the characteristic way of Color Field painting art style which started with their important visit to the studio of the woman - artist Helen Frankenthaler.

Hofmann was one of the first theorists of color field painting, and his theories were influential to artists and to critics, particularly to Clement Greenberg, as well as to others during the 1930s and 1940s.

These artists are acting like industrious junior postmodernist worker bees, trying to crawl into the body of and imitate the good old days of abstraction, deploying visual signals of Suprematism, color - field painting, minimalism, post-minimalism, Italian Arte Povera, Japanese Mono - ha, process art, modified action painting, all gesturing toward guys like Polke, Richter, Warhol, Wool, Prince, Kippenberger, Albert Oehlen, Wade Guyton, Rudolf Stingel, Sergej Jensen, and Michael Krebber.

As disparate as the artistic approaches appear to be in Rothko to Richter, what united the painters throughout the period was a commitment to process, as artists explored a range of brushwork techniques, from audaciously gestural ribbons of built - up paint to vibrating fields and soft washes of color to hard - edged geometries.

Additionally, Tyler's paintings are reminiscent of the work from past artists such as the simplified geometric grids of Piet Mondrian's later work, color field paintings of Mark Rothko and the early abstract expressionistic work by Philip Guston.

Surprisingly few artists used the spray gun technique to create large expanses and fields of color sprayed across their canvases during the 1960s and 1970s.

Unlikely as it seems, this artist, known for many decades as a Pop painter whose canvases throng with violent, sensual imagery amid bright fields of color, began her career working exclusively as a sculptor.

Another artist whose best known works relate to both abstract expressionism and to color field painting is Robert Motherwell.

At the time Bennington was a bastion of Color Field painting and Greenbergian formalism, and although Mueller rejected many of its tenets, he was also deeply marked by the work of artists like Helen Frankenthaler and Kenneth Noland whose influence, he remarked to an interviewer much later, was «shoved down your throat» at the Vermont college.

A painter associated with the Washington School of Color Field Painters, Davis was a self - taught artist whose early work represented several phases of experimentation, including Abstract Expressionism, Neo-Dada, and Proto - Pop.

The best of color field meets an emotionally charged imagination of an artist at work.

To achieve his luminous effects, the artist placed a variety of colored filters between lens and subject to introduce intense fields of color, transforming the image at the moment of exposure.

Associated with movements as diverse as Abstract Expressionism, Color Field painting, Minimalism, Op art, and Postmodernism, the artists featured in Rothko to Richter were at the forefront of debates about the changing priorities and imperatives of painting after World War II, each seeking to redefine abstraction for new social and cultural milieus.