Sentences with phrase «color field painting through»

Not exact matches

Although there are five generations of M3s to choose from here today, we quickly filter through to the brand - new GTS, which is painted fire orange — the same color used by the long - defunct Jagermeister racing team that fielded all kinds of fast BMWs from the 2002 to the 3.2 CSL.

A late group of paintings from the mid -»40s, the «Pelvis Series,» depicts a color field, often sky blue, through the outlines and sockets of carcasses.

Sites, subjects, and methods of observation are critical to each artist's visual language: planted fields, elevations seen from an airplane window, gradations of color in a sky reflected on a watery plane, shapes glanced at through apertures between buildings, or the puzzle of shapes in a tapestry - like world are some of the inspirations for the paintings shown here.

Associated with Op Art, Hard - edge painting, Color Field painting, Lyrical Abstraction and Abstract Expressionism, Poons has challenged critical expectations throughout his career, transitioning through several distinct phases of work.

At the same time, her almost decorative technique of making human and animal figures components of formal composition, through the arrangement, or insertion, of color fields within the pictorial space, credits Kudo as an aspiring successor of the modernist formal painting championed by Matisse»

[33] Lyrical Abstraction, Conceptual Art, Postminimalism, Earth Art, Video, Performance art, Installation art, along with the continuation of Fluxus, Abstract Expressionism, Color Field Painting, Hard - edge painting, Minimal Art, Op art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through thPainting, Hard - edge painting, Minimal Art, Op art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through thpainting, Minimal Art, Op art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through the 1970s.

-LSB-...] This attainment of emotional symbolism through the use of color fields places Kudo in the tradition of expressionistic painting exemplified by Paul Gauguin and Edvard Munch.

Worldwide recognition followed, though Stella's style, materials and affinities through color - field painting, prints, wall reliefs and free - standing sculpture remained.

Through the incorporation of materials culled from the everyday, she is able to address numerous artistic traditions including abstract expressionism, minimalism, and color field painting.

A fascinating 1972 documentary, directed by Emile de Antonio, examines the development of abstract expressionism through Hard Edge and Color Field painting to Pop Art.

However, where Kelly's shapes are cold and solidly rooted in color field and minimalism, Valdez's paintings are the contemporary response, letting feminism and craft show through the artist hand.

Through a process of applying many translucent layers of oil paint onto canvases lying on the floor random expressionistic color fields are created sometimes with broken geometric structures floating on the surface.

«Color as Field: American Painting, 1950 - 1975» is at the Smithsonian American Art Museum, Eighth and F Streets, NW, Washington, [phone], through May 26.

The continuation of abstract expressionism, color field painting, lyrical abstraction, geometric abstraction, minimalism, abstract illusionism, process art, pop art, postminimalism, and other late 20th - century Modernist movements in both painting and sculpture continued through the first decade of the 21st century and constitute radical new directions in those mediums.

One of the pioneers of Color Field Painting, Rothko's abstract arrangements of shapes, ranging from the slightly surreal biomorphic ones in his early works to the dark squares and rectangles in later years, are intended to evoke the metaphysical through viewers» communion with the canvas in a controlled setting.

Manny Farber's monumental color field paintings created in New York and California during the years 1967 through 1975 were cut, stained, saturated, sliced, wet, glued, painted, folded, collaged, pleated, pasted, layered, dripped, brushed, glazed, bled, marked, colored, tinted, textured, smeared, pierced, trimmed, slit, creased, buffed, wiped, varnished, washed, graphed, drawn, scraped, burnished, rubbed, scoured, soaked, coated, veiled, and wrapped.

Kenneth Noland: «Handmade Paper Compositions,» by a master of color field painting, through Oct. 18; Meredith Long and Company, 2323 San Felipe; 713-523-6671, meredithlonggallery.com.

Artists now process information rather than material or even constructed experiences; viewed through this theoretic lens, even if an artist paints color - field paintings in 2014, the resulting paint strokes are the consequence of reprocessed information.

Through Avery's trademark fields of color, the painting radiates comfort and feeling.

He is also interested in the emblem's formal connections to hard - edge abstract painting of the 1950s and 60s through its color fields and emphasis on shape and dimension.

Californian art from the 1950s through the 1970s is a particular strength, with artwork by Sam Francis, Richard Diebenkorn, Jay DeFeo, Ronald Davis, Larry Bell, Edward Ruscha, Kenneth Price, Charles Arnoldi, and Ed Moses, Color Field painting and Lyrical Abstraction are represented by Ronald Davis, Sam Francis, Kenneth Noland, Ronnie Landfield, Frank Stella, Helen Frankenthaler, and Kenneth Showell.

Through these positions, Diller influenced countless artists and encouraged the public to embrace abstraction including color field painting, minimalism and geometric abstraction.

2008 Text / Messages: Books by Artists - Walker Art Center, Minneapolis, MN Inspired by Literature: Art and Fine Books - Jane Voorhees Zimmerli Art Museum, New Brunswick, NJ PEGGY GUGGENHEIM E LA NUOVA PITTURA AMERICANA - Peggy Guggenheim Collection, Venice Collector's Eye - Gana Art Gallery, Seoul Blake to Kahlo to Warhol: Masterworks from the Harry Ransom Center - El Paso Museum of Art (EPMA), El Paso, TX 1945 - 1949 Repartir à zéro, comme si la peinture n'avait jamais existé - Musée des Beaux - Arts de Lyon, Lyon Action / Abstraction - Saint Louis Art Museum, Saint Louis, MO Contemporary Masters: Print Selections - Amy Simon Fine Art, Westport, CT REFLECTIONS ON LIGHT - 30 years Galerie Bernd - Galerie Klüser, Munich Tilted Balance - Collectors Contemporary, Singapore From Abstract Expressionism to Pop Art: Johns, Rauschenberg and the Aesthetic of Indifference — Sonoma Valley Museum of Art, Sonoma Nuances of Printmaking - Koehnline Museum of Art, Des Plaines (IL) The sight of music - Mississippi Museum of Art MMA, Jackson, MS Abstraction: Summer 2008 - Thomas McCormick Gallery, Chicago, IL Philadelphia Collects: Works on Paper - Delaware Center for Contemporary Arts - DCCA, Wilmington, DE Ganz schön ART - ig - LECKERBISSEN III - Fischerplatz Galerie, Ulm Paper Trail II: Passing Through Clouds - The Rose Art Museum, Waltham, MA Modern and Contemporary Prints - Osborne Samuel, London, United Kingdom Action / Abstraction: Pollock, de Kooning, and American Art, 1940 - 1976 - The Jewish Museum of New York, New York City, NY Blood on Paper - the Art of the Book - Victoria & Albert Museum - V&A, London, United Kingdom Die Hände der Kunst - MARTa Herford, Herford Side By Side Docents» Choice: Works On Paper - Mount Holyoke College Art Museum, South Hadley, MA Color as Field - American Painting, 1950 — 1975 - Smithsonian American Art Museum, Washington, DC Far Out!

They were selected by Dr. Roger Ward, the Museum's Deputy Director and Chief Curator, to illustrate the trajectory of Wardlaw's artistic development from his roots in Abstract Expressionism through the era of Color Field painting, Pop Art, and Minimalism to the individualistic and personally expressive character of his contemporary work.

Botero and Ed Ruscha are everywhere, and filling in the gaps, it looks like Modernism just marched on through the 2000s; Abstract Expressionism from Grace Hartigan, color field painting by Wolf Kahn, sexy pop art updates of Modernist paintings by Mel Ramos, new expressionist squeegee painting by Ricardo Mazal.

Exploring the intricacies of color, Apfelbaum weaves her way, both literally and conceptually, through ideas of Minimalism, Pop aesthetics, and Color Field painting to blur the lines between two and three - dimensional art macolor, Apfelbaum weaves her way, both literally and conceptually, through ideas of Minimalism, Pop aesthetics, and Color Field painting to blur the lines between two and three - dimensional art maColor Field painting to blur the lines between two and three - dimensional art making.

Appleby's luminous, oil and wax paintings communicate through the formal language of color - field abstraction.

DEPTH OF FIELD explores the techniques of six painters whose works create a unique viewing field of illusionary abstraction through layering, deep paint, brush or droplet patterns and a variety of optical effects wherein color and shape are reinterpreted in vieFIELD explores the techniques of six painters whose works create a unique viewing field of illusionary abstraction through layering, deep paint, brush or droplet patterns and a variety of optical effects wherein color and shape are reinterpreted in viefield of illusionary abstraction through layering, deep paint, brush or droplet patterns and a variety of optical effects wherein color and shape are reinterpreted in viewing.

This series echo the «Color Field Painting» of the 1950s American painters as well as the minimal gesture of Minimalism; an aesthetic that Rouillard consciously absorbed to regenerate them through vernacular objects.

And many of today's painters combine high and low sources: in her case, soft porn filtered through Baroque and Color Field painting.

The three - night program (Wednesday, May 30 and June 27) will feature edgy interpretations of color - field painting through multimedia, sound and performance pieces curated by artists Richard Chartier and Brandon Morse.

Named for a Greek island in the Aegean, Stamos's Infinity Field paintings express the warmth of the sun and the rocky coast through their intense color and irregularly contoured forms.

Kenneth Noland: «Handmade Paper Compositions,» by one of the masters of color field painting; opens Thursday, through Oct. 18; Meredith Long and Company, 2323 San Felipe; 713-523-6671, meredithlonggallery.com.

Mark Rothkoâ $ ™ s search to express profound emotion through painting culminated in his now - signature compositions of richly colored squares filling large canvases, evoking what he referred to as â $ the sublime.â $ One of the pioneers of Color Field Painting, Rothkoâ $ ™ s abstract arrangements of shapes, ranging from the slightly surreal biomorphic ones in his early works to the dark squares and rectangles in later years, are intended to evoke the metaphysical through viewersâ $ ™ communion with the canvas in a controlled painting culminated in his now - signature compositions of richly colored squares filling large canvases, evoking what he referred to as â $ the sublime.â $ One of the pioneers of Color Field Painting, Rothkoâ $ ™ s abstract arrangements of shapes, ranging from the slightly surreal biomorphic ones in his early works to the dark squares and rectangles in later years, are intended to evoke the metaphysical through viewersâ $ ™ communion with the canvas in a controlled Painting, Rothkoâ $ ™ s abstract arrangements of shapes, ranging from the slightly surreal biomorphic ones in his early works to the dark squares and rectangles in later years, are intended to evoke the metaphysical through viewersâ $ ™ communion with the canvas in a controlled setting.

The path forward in art - historical terms was split between those artistic movements more aligned with deeper investigations into the increasingly essential properties of a particular medium or reductive practices (e.g., Abstract Expressionism, Color Field painting, Minimalism) and those movements that actively sought an expansion of the arts into a plurality of new forms, hybrid media, and interactive experience (e.g., expanded cinema, intermedia, installation art, performance).13 Of these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic art.

As with Noland's earlier work, he continued to apply color as a physical material substance, but unlike his earlier hard edged paintings which rely on fields of dense color, for Into the Cool he used color through subtle tone and transparency.

Through this technique Frankenthaler emphasized the painting's flat surface of the canvas; her methods proved influential among her contemporaries including Morris Louis and Kenneth Noland and led to her association with Color Field painting.

«For a long time he (Avery) was revered especially for his impact on the development of abstraction and Color Field paintings, which came about through his friendship with Mark Rothko and Adolph Gottlieb,» states Robert Wolterstorff, Executive Director of Bennington Museum.

Lister's love for geometric abstraction, color field painting and old school digital graphics led him to reinterpret the iconic images in the 8 - bit inspired vocabulary through the watercolor medium.

Another work painted the same year titled «Third,» measuring eight feet across, continues a gesture that runs broadly over the length of the canvas weaving through a field of golden color.

Mr Kelly evaded critical attempts to classify him as a Color Field, hard - edge, or Minimalist painter, has redefined abstraction in art, establishing himself through his drawings, paintings, sculptures, and prints as one of the most important artists working today.

When São Paulo's ban on outdoor advertising went into effect in 2007, it left the city's billboards looking something like Jessica Mein's paintings: sun - blanched color fields with the scaffolds showing through, like perspective grids held up to the sky.

A practitioner of color - field painting, Louis was noted for soaking poured paint through unsized and often unstretched canvas.

Yet, Parasnis» use of geometric color fields and his nontraditional ordering of physical space also owe a great deal to a less obvious source: 16th through 19th century Indian miniature paintings in which artists conveyed depth through stacked imagery rather than fixed - point perspective.

The result is a condensed and effortless journey through the main painting movements of the last century - from 1960s color field painting, to Latin American geometric abstraction, minimalism, pop, and street art, depending on the day - to - day order of business at the shop.

His most recent work, which returns to the blue color fields of the sky paintings are panels of honeycombed fiberglass which are then damaged, sawed through, again disrupting the Rothko - like sublime of the painted panels and revealing their texture.

Smaller in scale than those paintings of her 2014 debut exhibition, the new work matches in surreal ebullience their predecessors, praised by Roberta Smith as «big, boisterous semi-abstract canvases (that) exude an impressive confidence... like close - ups of billboards or a tour through some outsize undergrowth in which nature has merged with several brands of abstraction, from early American Modernism to Color Field painting... (Silva) is already is tackling a lot with an astuteness and aplomb that make her a painter to watch.»

Wright's paintings, whether abstract expressionistic or color field, have bold colors and compositions, gestural strokes and the essence of drawing — through his generous use of the formal elements of line and the color black.

While I have seen paintings of his in many exhibitions over the years, my introduction to his work came through a show of Color Field painters organized by the curator Kenworth Moffett at the Museum of Fine Arts in Boston in 1972.

Underneath these lines, Theodore plays with the tension between man and machine by hand - painting delicate color fields that glow through the machine made line work.