Sentences with phrase «color photography did»

Color photography didn't get much respect until the Museum of Modern Art gave William Eggleston a show in 1976, but this sweeping survey spans the medium's history, from daguerrotypes to digital images.

Not exact matches

Other photography note — I did ZERO color editing on these photos, yes, the sauce really was BRIGHT red!!

I was about 12, and you know they didn't have color photography at that time, or at least it wasn't very available.

I got it in Brazil and the beautiful colors remind me of the gorgeous country I got to call home last Summer.When the same dream team for hair styling, make up, and photography from this shoot reached out to me about doing a casual shoot featuring these Skechers sandals, I was all in.

Commentary 3 — The Picture - Director of Photography Darius Khondji, Prodcution Designer Arthur Max, Editor Richard Francis - Bruce, Richard Dyer and David Fincher talk about the look of the film itself, the color processes used on the print, the locations scouted for the various shots, the detail used in the studio backlot constructions, the style David wanted to achieve and succeeded in doing, the clothing, the grittiness, the absolute black Fincher always wanted in Alien 3 but could achieve until now and more.

Much as Michael Mann's Public Enemies created a disconnect by looking like home video at certain points, the period simply requires film, or at least it does for right now with digital photography still figuring out how to look good with the entire color spectrum.

Recently distributed on a limited - edition Blu - ray from Twilight Time, the transfer not only does justice to the stereoscopic effects, but the colors pop, most of them emanating from Reed's wardrobe, and the gritty, dusty textures are palpable (conversely, the shadowed nighttime photography may be realistic, but it is often so dark that the action is barely visible).

It's actually a lament for another lost American value replaced by digital second - rateness, this time the cherished Kodachrome color film process by which photography used to look 100 times better than it does now.

This doesn't necessarily mean he was always ahead of his time: one of the best things about Eyes Wide Shut — evident in such artisanal qualities as the old - fashioned sound track, the grainy photography, and the exquisite color balances (such as the dark blue lighting of a bathroom behind one of Kidman's monologues)-- is that it isn't a film of the 90s in most respects but something closer to what movies at their best used to be.

I have a fair number of volumes on art and photography, and when the point to discussion of an artist is their * use * of color, illustrative work rendered in monochrome just doesn't cut it.

Full color stunning photography was done by none other than Tina Quatroni from Petcha Pphotography was done by none other than Tina Quatroni from Petcha PhotographyPhotography.

I don't have much knowledge about photography but as I do see these pictures are too attractive and have perfect color combination.

And a booth for Jan Groover, with Janet Borden, will have to do until a museum gets around to showing how she put color photography center - stage.

In recent years, Thompson's work has also been exhibited regularly in group exhibitions worldwide, including Il Secolo del Jazz: Arte, Cinema, Musica e Fotografia da Picasso a Basquiat (The Jazz Century: Art, Cinema, Music and Photography from Picasso to Basquiat) at the Museo di Arte Moderna e Contemporanea in Rovereto, Italy, which traveled to the Musée du Quai Branly in Paris France and the Centre de Cultura Contemporània in Barcelona, Spain (2009); Blues for Smoke at the Museum of Contemporary Art in Los Angeles, CA, which traveled to the Whitney Museum of American Art and Wexner Center for the Arts of the Ohio State University in Columbus, OH (2012); Witness: Art and Civil Rights in the Sixties at the Brooklyn Museum, Brooklyn, NY, which traveled to the Hood Museum of Art, Dartmouth College, Hanover, NH and the Blanton Museum of Art, Austin, TX (2014); Beat Generation at the Centre Pompidou in Paris, France (2016); and The Color Line: African American Artists and Segregation at the Musée du Quai Branly (2016).

Until January 8, 2017 NO MAN»S LAND: WOMEN ARTISTS FROM THE RUBELL FAMILY COLLECTION National Museum of Women in the Arts, Washington DC Until January 14, 2017 BEDAZZLED Lehman College Art Gallery, Bronx, NY Until January 16, 2017 FIRST LIGHT: A DECADE OF COLLECTING AT THE ICA ICA Boston, MA October 4, 2016 - January 22, 2017 THE COLOR LINE: AFRICAN - AMERICAN ARTISTS AND THE CIVIL RIGHTS IN THE UNITED STATES Musée du quai Branly, Paris Until January 22, 2017 BELIEF + DOUBT: SELECTIONS FROM THE FRANCIE BISHOP GOOD AND DAVID HORVITZ COLLECTION NSU Art Museum, Fort Lauderdale, FL Until January 31, 2017 COLLECTED Pier24 Photography, San Francisco, CA

One might think that black and white photography would have little to do with Abstract Expressionism, a movement characterized by bold colors and sharp lines that developed in New York City during the 1940s and -LSB-...]

One might think that black and white photography would have little to do with Abstract Expressionism, a movement characterized by bold colors and sharp lines -LSB-...]

Gilbert has been working with digital photography for the past ten years, sometimes exploring color, sometimes focusing on black & white imagery as he did in his last solo show at Viridian.

He has done some digital manipulation, film photography and collage, but his prime interest is painting with acrylics in an imposto manner and also with the use of colored pencils and sponge to achieve texture.

He worked for the likes of Royal Court Theatre, Glyndebourne, La Scala and the Metropolitan Opera in New York City, leaving permanent marks in all these prestigious ballet and opera locations and adjusting synesthetic colors in response to musical stimuli — this feat does not appear in his painting or photography artworks, but is a common underlying principle in his designs for stage sets.

I transferred to Cooper Union on an exchange program and finished my last year there and was doing photography, and that's where I learned to do color and things like that.

One might think that black and white photography would have little to do with Abstract Expressionism, a movement characterized by bold colors and sharp lines that developed in New York City during the 1940s and 1950s.

With «Richard Misrach: On the Beach» and «Alec Soth: Black Line of Woods,» we saw some of the great large - scale color photography being done with film.

Pulling inspiration and reflection from One Place Understood: Photographs from The Do Good Fund Collection, this color photography workshop will teach participants how to make aesthetic choices to create visual themes, convey emotions and tell stories within their images.

While bold colors, stunning photography or trend - forward textures are a good start for grabbing the eye, what your slider communicates and how it does it will determine most whether someone will take the time to interact with it longer than a few seconds.

I do a lot of phone photography and having a screen that produces perfect 100 % accurate colors, and the best camera in a phone, this is the upgrade for me!

For example, if you owned your own photography company and now wish to move into marketing, you can highlight all of the work you did to market your own company using bullet points showing how you produced original and interesting advertising copy, used social media to market the business digitally, and used bold colors on marketing materials with a distinct brand logo to draw attention.

I dig typography and all things monogrammed, gray, painted furniture, pops of bright color, plaid, photography, white, clean lines, old cameras, black, topiaries, gingham, bold graphics, red, wreaths, chevron, orbs, paisley, natural fiber rugs, green, board and batten, mercury glass, stripes, wooden plank walls / ceilings, buffalo check, and ceramic animals (that don't look too realistic)-- I could ramble on for a while...