Sentences with phrase «color scales show»

Not exact matches

The move, first reported by Bloomberg Law, would scale back a 2013 Obama - era policy, known as Directive 307, which had expanded the DOL's ability to investigate and sanction federal contractors that showed a pattern of paying female workers and employees of color less than their white male colleagues.

To know Elneny's real potential you need to go back to his roots with FC Basel because their he showed his true colors on a very consistent scale which caught Wenger's attention in the first place and I was personally following up him even then that's how I learned what he's really capable of and how much he has been restrained by Wenger's antics!!!!

ANCIENT COLOR Scientists found microscopic texturing on the scales of moths from the Jurassic Period that resembles what's seen today in Micropterix aruncella (shown).

The inset graph shows the surge height (in meters) at the shore in Sandy Hook, N.J., next to Manhattan, and color on the map shows surge height region - wide (scale bar at far right).

The Mars Reconnaissance Orbiter (MRO) Mars Color Imager (MARCI), shown here with a gloved hand for scale, is currently orbiting Mars and taking pictures used to monitor the weather by observing the entire planet every day at 5 visible and 2 ultraviolet wavelengths.

Ballpark «dating value,» where men used the color scale (for showing how often a user replies to private messages) to instead seek hard - to - catch women (red) or disregard women who message too frequently (green).

SID Tablet Display Shoot - Out Galaxy Note II - Optimus G Pro - Nexus 7 - iPad Retina Display An invited feature article on Tablet displays written for the Society for Information Display that examines the performance of four high - end Tablet displays in ambient light, demonstrating how they progressively degrade with increasing ambient light, and then showing how to accurately compensate and correct the on - screen images for these effects by dynamically modifying the Color Gamut and Intensity Scale.

The images are showing significantly reduced color, image contrast, and gray scale accuracy.

The images should show very good color, image contrast, and gray scale accuracy.

Even at a 45 degree Viewing Angle the LG OLED TV shows relatively small changes in both Color and Brightness, and no changes in the Black Level, Contrast Ratio, and Intensity Scale.

Figure 5 shows screen shots of the displays with a DisplayMate Color Scales test pattern at 0, 2000, and 20,000 lux — the latter corresponds to full outdoor daylight that is not in direct sunlight.

Figure 1 from the paper (extracted below) shows 2 year to 16 year regressions for the period 1871 - 2010 (Points are organized in chronological order according to the color scale ranging from dark blue to red passing through light blue, green, yellow, and orange; labels in the top left panel refer to points corresponding to the first month of the specified year.)

It was built by our advance technology group as a teaching tool for developers to author in wide color gamut and high dynamic range, to show how the engine can scale between 4K and 1080p, and we saw it and it's just magical.

Pibal's paintings, unique in their small scale and lovely color, nevertheless allow me to make some visual connections within geometric abstraction: to Miriam Schapiro's famous Ox painting, currently part of the «Wack» show (opening February 17 at PS 1) to Frank Stella's early geometries, and to Warren Isensee's Body and Soul, which I posted recently.

The result is paintings, both large - scale and small, which endeavor to show the «feeling» of place using a full range of color and unrestricted brushwork.

The exhibition, Falkenstein's second large - scale solo show at Michael Rosenfeld Gallery, will be accompanied by a fully - illustrated color catalogue, featuring a reprint of an Archives of American Art oral history interview conducted between the artist and Paul Karlstrom in 1995.

Rhapsody, Bartlett's career - defining work, was first shown in 1976; Bartlett's most recent large - scale work, Recitative (2011), finds the artist still productively working through the possibilities offered by the grid, this time to create an epic exploration of color that references Minimalism and the rule - based systems of Conceptual art.

This will be an interesting chance to get a closer look at the process of a prolific abstract painter in a smaller, gallery setting, as the New Work show will be an assortment of gouache color studies, 2D drawings, and large - scale paintings.

Curated by Jess Frost, the show features Eastman's signature «potholders»: large - scale squares of crisscrossed color in sundry materials including knit, felt, toilet paper (yes, toilet paper) and masking tape.

He moved on to C ¿ zanne - like sketches (a 1932 drawing) and biomorphic art; a 1932 drawing shows his notations on light, shade, texture, scale and color above an image of interconnected bones.

His large - scale watercolors show the intricate patterning and vibrant colors of fish, the result of a lifelong passion for angling that has taken him around the world.

Hung facing the elevators, large - scale paintings by David Salle and Barbara Kruger are set against a backdrop of He Kills Me (1987), an AIDS protest mural by Donald Moffett, showing repeated lithographic images of Ronald Reagan in acerbic, Day - Glo colors.

A good architectural photograph of a very large public housing project, its scale well conveys the monumentality of the building and Gursky's decision to shoot the building with an overcast sky permits the building's excellent use of color to show forth well.

Other telling elements of the show, and of this moment, are a certain preference for densely layered, intricate draftsmanship and a shift to what Sussman terms «nonchromophobia,» the artists» embrace of color and scale in the service of a loose but detectable visual narrative, of the sort found in Lari Pittman's work.

With this latest exhibition, Stanley shows three major paintings that show his ability to extend his vision in scale, as well as a group of intimate studies that feature luscious color combinations and deft paint handling.»

The large - scale, brightly colored pieces show us a vibrant and beautiful Web — that could easily pass for anything else if you didn't know what you were actually looking at.

Comprised of richly colored and delicately scaled oil paintings on panel, the show runs from March 28 through May 2, with an opening night reception on Thursday, March 28.

The solo show presents the Mexican artist's richly textured and vividly colored large - scale paintings.

Robinson presented his earliest paintings at the historic Times Square Show organized by Colab in 1980 at an abandoned building on West 41st Street, and within two years was exhibiting modestly scaled but brashly colored paintings of pulp romance cover illustrations at the seminal Metro Pictures gallery.

On Saturday, May 12, downtown Los Angeles» Corey Helford Gallery (CHG) will proudly premiere 17 new large - scale oil paintings by Polish artist Ewa Prończuk - Kuziak, in her Gallery 2 solo show, True Colors.

Other highlights include Edgar Arceneaux's nine - channel video installation «The Alchemy of Comedy... Stupid» (2006), featuring a performance by comedian David Alan Grier; Tammy Rae Carland's «I'm Dying Up Here» (2011), a series of large - scale color photographs of female stand - up comedians captured mid-act, emphasizing the vulnerability of performance; Stanya Kahn's absurdist, pathos - filled video «Lookin Good, Feelin» Good» (2012), shown alongside a selection of her humorous line drawings; and an installation of Sara Greenberger Rafferty's visceral photographic works, for which she manipulates images from the history of late 20th century comedy.

It's unusual to see the medium deployed with the forceful colors and monumental scale of these works, ten of which, all about forty by sixty inches, were on view in this recent show.

Dale Jackson will show an installation of works on paper that takes the form of large - scale text drawings made with markers on colored sheets of poster board.

Featuring nearly twenty large - scale color photographs taken between 2011 and 2014, the exhibition marks Graham's second solo show with the galleries and will be on view at 510 West 25th Street from September 5 through October 4, 2014.

Opening: «Robert Swain: Color Energy» at Minus Space Minus Space inaugurates its new ground floor gallery in Dumbo with a solo show of large - scale geometric abstractions by the venerable Robert Swain.

The exhibition, Falkenstein's second large - scale solo show at Michael Rosenfeld Gallery, is accompanied by a fully - illustrated color catalogue, featuring a reprint of an Archives of American Art oral history interview conducted between the artist and Paul Karlstrom in 1995.

This is a great show, at once fresh and knowing, the concept of rendering commercial imagery into abstraction beautifully served by Simon's razor - sharp sense of line, color, and scale.

This display, presenting 10 large - scale paintings that were originally shown the year the Berlin Wall fell at the Musée d'Art Moderne de la Ville de Paris, encapsulate his minimal style through brushily laid - down swaths of light colors that seem to lead a rhythmic procession around the room, fusing monumental architecture, decor, and Abstract Expressionism.

Nathlie Provosty created for the show two paintings of intimate scale and one large corner work, each of them sharing the same interest in color, surface, forms, intimacy of material and attention to the edges that define her painting.

, Piotr Uklański's current show at Gagosian Gallery, fourteen vibrantly colored large - scale paintings hang unusually close together on walls covered in equally dynamic wallpaper.

Brett Baker's new small - scale paintings at Elizabeth Harris are a little bigger than the ones in his last show, and they continue his exploration of line, thickly layered paint, and color.

For the show — the museum's first monographic exhibition of a single artist at the sculpture park, and this artist's first exhibition in Austin in 10 years — Bove «interprets a classical sculpture garden, reinventing it in a multitude of abstract forms in varying shapes, colors, and scales.»

Other works include Christoph Büchel's video projection originally created for the Sydney Biennale in 2008, showing rehearsals of a punk song performed by senior ladies; African - American artist Kara Walker's installation Darkytown Rebellion, a theater of silhouette and colors dealing with race, gender, and identity; 2000 Turner Prize winner Wolfgang Tillmans» work Rachel Auburn & son and Bulgarian artist Nedko Solakov's large - scale installation The Truth (The Earth is Plane, The World is Flat).

Rooted in her belief that «a unified style is not preordained,» Semmel pushes beyond traditional notions of scale, as well as color, as shown in Crossed Limbs (2016), in which she depicts her figure in naturalistic tones, and crops the composition to the point that the forms of her body become a landscape.

And so among the several large - scale paintings in this latest show, perhaps the most handsome are his dramatic «Brown Landscape,» which comes closest of all to Turner, and his «Blue Landscape, No. 41,» which is shaded in a variety of colors that can bring to mind one of Monet's paintings of waterlilies.

Known for his richly colored and intimately scaled abstract paintings, Nozkowski began exhibiting in group shows in 1973 and made his solo debut in 1979.

Nickson, who has shown in New York since the mid 1970s, is particularly identified by his highly saturated color, his clear, structured drawing and the heroic scale of his paintings.

Only two paintings in the show are horizontal, and they are the exceptions that prove the rule — the large - scale Number 88, 1950 (Blue)(1950) has beautifully vibrating color, but feels less individual to Reinhardt, maybe because it evokes landscape in a way that the square and vertical formats avoid.

The show all but hums with an electric current of correspondences and divergences relating to scale, perspective, color, and medium.

The scope, scale, and deceptive, disturbing beauty of our fate are both visible and to be sought in the very large color photographs by Edward Burtynsky that were shown at Howard Greenberg Gallery and Bryce Wolkowitz Gallery this past fall.