Sentences with phrase «colored flat forms»

Not exact matches

In Eastern Maryland and Virginia its pulled pork mixed with a slightly tangy, slightly sweet tomato based sauce, in Kansas its pulled pork drenched in a super sweet, dark colored molasses based sauce, in North Carolina its pulled pork in a shockingly sour vinegar based sauce, and in Alabama... well in Alabama they live under the delusion that the best BBQ in the world comes in the form of a flat, dry, piece of plain pork on a bun paired with a mystery sauce in a squeeze bottle... I kid you not, they really think its great.

Please record when you have a bowel movement each day and also include whether or not you see undigested food in your stools, and / or if your stools are poorly formed (flat, loose), and / or if your stools are light in color (yes, you should be looking at your stools).

it's illustrated with great classic art (Degas, Manet, Velasquez) showing how each very different beauty highlights her individual body using color, pattern, shape, line, volume, contrast, etc. it's a crash course in art appreciation and how that applies to flattering the human form.

You can choose Greek style, multi-stranded, without stones, with flat parts, a little childish and touchy necklace with charms, like colored semi-precious stones around the perimeter of chain necklace with massive links or a thin chain with elegant or fancy pendants in the form of animals, flowers and other stuff.

My skirt features a wide brown band at the waist to flatter my form as it acts as the perfect border next to the colors and stripes of the sweater.

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The illustrations echo traditional textile art forms: bright, flat colors with intricate outlined details adding texture to the waves of the river Ganges and the tails of the flying fish that leap out of it.

With no voltage applied, the (colored) oil forms a flat film between the water and a hydrophobic (water - repellent) insulating coating of an electrode, resulting in a colored pixel.

These small motels are idiosyncratic examples of the period's Modernist style, with their elementary forms, flat roofs, large windows, and primary colors.

The Fauves were influenced by painters such as Cezanne, Gauguin, and van Gogh, who also simplified their paintings into either planes or flat forms, or used energetic and expressive bright colors.

Their art was characterized by geometrical content and clearly defined forms, worked out in flat, clear colors.

Diebenkorn's practice is unique in that he deftly marries the flat color and planes of brushwork so lauded by the Abstract Expressionists with representational subjects that are influenced by some of Matisse's visual tropes and his dynamic creation of space through form and color rather than perspective.

The painting has been likened to Ingres for simplicity of line and smoothness, to Egyptian Funerary art for pose, to Cézanne for flat planar composition, to Picasso for form and color.

The color contrasts are startling, as in «Yellow Half» (1963), a canvas nearly six feet square with a solid V of vibrant red bordered by lemon yellow and then a more subtle red, the whole set on a stark black ground; that is, the ground forms two right triangles on either side of the V. Characteristically, Mr. Noland later went back to these V's, as in «Songs: Indian Love Call» (1984), but this time with very painterly effects, crumpling the flat surfaces with broken strokes of thick pigment.

Although his early works can be considered a form of Op art, as he depicted ovals and circles on flat surfaces of paint, he developed in his later years a style that is more linked with hard - edge and color field painting.

Jackson, who had begun as a landscape painter, returned to color at the end of the decade, generating a series of vibrant, deeply hued paintings throughout the «70s that play with flat, often - veil like forms, offbeat arrangements, and, often, a sense of lateral or even forward movement, as if projecting off the canvas.

Heavy Water (2015) uses lighting to transform a flat pool of water into a bulbous form, while Knife, Sole, Feather, Scrubbers (2015) playfully substitutes a photographer's color chart with vibrant scrub sponges.

He has always painted with a very hard edge, and with very flat colors, but after graduation and moving to New York, he gradually began eschewing both form and color, aside from black and white.

Flat, two dimensional surfaces and the simplicity of forms and colors define his aesthetics.

Conscious of the different moods that the combination of colors would evoke, Ding superimposes layer upon layer of the motifs, forming elaborate patterns that resemble the flat surfaces of traditional cloth weaves, fields of green and yellow, or even the pixelated grids of digital art.

Throughout, relief - like flat blocks of color give the works dimensionality and form.

These clean edge forms are presented in uniform, flat colors running border to border.»

Flat in color and form, the figurative painting of Alex Katz is considered a precursor of Pop art for its representational approach to the daily and the mundane.

Denis later explained the effect Le Talisman had on his fellow Nabi, «Thus was introduced to us for the first time, in a paradoxical and unforgettable form, the fertile concept of a flat surface covered with colors assembled in a certain order.

In Imprint (2006), within which two women seem to meld into one, malleable form, Yuskavage interprets the flat, illusionistic space of bas - relief sculpture through the use of close color and punctuations of extreme contrast at the points of human contact.

Typically spare and often including simple biomorphic forms or words, his compositions are flooded with flat color.

By printing a flat color plate beneath the form, Moser was able to explore the possibilities for altering positive / negative space, balancing the form in a tight relationship with the space it inhabits.

Primarily wielding acrylic, ink, graphite, and collage materials, Gaffney achieves a delicate linework, flat colors, and rounded organic forms that together explore the coexistence of the natural and man - made.

In 1923, there was a big change in Miró's art, moving toward more sign - like forms where flat shapes and lines, mostly black or strongly colored, suggest the subjects, sometimes quite cryptically.

For example, in a painting on paper from c. 1946 - 1949 inscribed and gifted to Anni Albers, Asawa uses subtle modifications in color and form to create a sense of depth and motion within the otherwise flat picture plane.

Over the decades, modeling disappeared from his forms almost completely and his color became progressively flatter.

Through the precise and exact painterly science that Newman mastered in which the flat color of the surface of his paintings is formed in direct proportion to the impressive scale of his works, Newman forged a visual language that aimed to provoke an existential sense of awe and wonderment in the viewer.

Hafif, who has engaged for decades with monochrome painting, recalls painting a still life while studying with Richards Ruben: «I began using a single color and digging into it and making a kind of radiating form, treating it plastically rather than as flat.

Ms. Marcus painted the human form in flat color with a muted affect.

Despite the frenzied composition and garish, heavily saturated colors, every form is exceptionally neat, crisp, and flat, faintly reminiscent of Gorky's melding of synthetic cubism and surrealism.

In this group of small paintings, individual colors and their arrangements evoke particular emotional responses and provide a tipsy interplay between creation and destruction, linear and volumetric forms, flat and dimensional spaces.

The artist was known for black - outlined abstract forms on flat grounds of hot color, sort of like Lichtenstein if the puckish Pop genius had gone abstract and rather nasty.

Formally, her distinctive work combines textures, forms and colors in flat, patterned paintings with collage on paper in order to suggest cultural overlay.

Depicting everyday scenes of domestic, city, and country life, painter and printmaker Milton Avery favored simplified forms and the flat application of color, inspired by Henri Matisse and Pablo Picasso.

The small photograph Night Jam, 2013, is a study in color contrast, depicting gently creased strips of variously hued photographic paper arranged on top of a paper guillotine, bringing to mind series such as «Lighter,» 2005 — , for which Tillmans turns flat pictures into three - dimensional objects by bending, folding, or creasing photographic prints and exhibiting them in Plexiglas boxes; or the famous «paper drops,» 2001 — , for which he takes pictures of photographic paper gently furled into drop - like forms.

The range of textures — slick, matte, flat, chunky — cause the background to step out from the pictorial field into actual space, while the color slicks pool into biomorphic forms.

In these seminal works, Katz was already developing his unique artistic voice — a vocabulary of elemental forms, aesthetic efficiency and flat color.

Many of these seemingly jovial paintings incorporated sculptural elements, which created a clever juxtaposition with the flat application of color and form.

Double Gray Scramble continues his exploration of the tension between the arrangement of color on the flat surface and the optical effect of the advancing and receding forms.

His signature style consisted of flat fields of color and sharp perspectives, utilizing a vocabulary of road signs, corporate logos, electrical wires and freeway underpasses to form a graphic, stylized American landscape.

His gradient bands of color become uniform and flat, in some works forming a linear pattern, and the black and white grounds move fluidly between foreground and back.

That language consists of flat areas of varying colors and sizes; the interruptions of paint drips, stains and abrasions; moments where the stripes transmute into volumetric planes and forms; and the addition of trompe l'oeil supports and prosthetics to prop up or balance the whole.

«Lit,» Oil and Acrylic on 2 Panels, 48 x 61 Inches Susan Sharp is an outstanding abstract painter of biomorphic and linear forms, flat planes, vivid color and highly glossy surfac...

Artists representing various movements and geographical backgrounds are all there: Cubist, Dada, and Russian avant - garde artists of the 1910s and 1920s, with their images of flat, intersecting planes and floating shapes; artists associated with Minimalism, Op art, and hard - edge abstraction in the 1960s and 1970s, whose primary interest lay in the investigation of reductive form and color; and contemporary artists who continue to exploit the infinite potential of simple geometries.

With their evocative, bodily forms, transparent veils of aqueous color and flat surfaces, Moyer's paintings forge distinct traces of 20th century art — Surrealism, Color Field painting, Pop and 1970s Feminist art — into a contemporary vision uniquely hercolor and flat surfaces, Moyer's paintings forge distinct traces of 20th century art — Surrealism, Color Field painting, Pop and 1970s Feminist art — into a contemporary vision uniquely herColor Field painting, Pop and 1970s Feminist art — into a contemporary vision uniquely her own.