Executed in 1961, Helen Frankenthaler's Untitled coincided with the development of her unique
Colour Field technique, solidifying her position as a leading figure of post-war New York painting.
Not exact matches
She uses a variety of lab and
field techniques, including behavioural experiments, spectrophotometry, theoretical visual modelling, and
colour pattern measurements.
Alluding to Buddhist masks and the journey to nirvana, the recent Spring Poppy Fields (2014) series employs an almost pointillist
technique that allows the artist to transmute the canvas into a
field of psychedelic
colours and motifs.
Frankenthaler's innovative «soak - stain'
technique was influential in the development of the later
Colour Field painters such as Morris Louis.
This
technique was central to Bacon's ability to create flat
colour fields rather than a more painterly, brushstroke - laden canvas.
While he is an artist known for his painterly
technique and his use of
colour, with his new series of charcoals he reveals his skills as a draughtsman and introduces a new
field for expression.
In fact, Straine suggests, it was other artists who first applauded the work: artists like Helen Frankenthaler, known collectively as the
colour field painters, picked up Pollock's
techniques in the following years.
This
technique, known as the stain
technique, strongly contrasted with the use of impasto that characterized most Abstract Expressionist painting, and it seriously influenced the
colour -
field painters Morris Louis and Kenneth Noland.
As he began to move towards abstraction, his works began to evoke the visual effects of the
Colour Field artists, in particular the staining
techniques of Morris Louis and Helen Frankenthaler.
That spirit is kept alive also via the incorporation of other
techniques: airy, expressive
fields of stained painting evoking his light - filled
colour fields, stencilled patterns and outlined shapes recalling the seminal Map Paintings, an underlying geometric rigour and structural complexity which has encompassed his career in the interplay between rectangular and circular forms.
Another important figure in the development of
Colour Field painting was Helen Frankenthaler (b. 1928), who began as a Cubist before exploring Abstract Expressionist styles in the early 1950s, making a significant development of Pollock's «drip»
technique.