You could also throw in Hayley Squire in Ken Loach «s «I, Daniel Blake,» and Emma Suarez and Adriana Ugarte in Pedro Almodovar «s «Julieta,» and Marion Cotillard for «Mal de Pierres,» the most conventional of the three Cannes
competition films directed by women, and Adele Haenel in the Dardenne brothers» «The Unknown Girl,» and Jaclyn Rose in Brilliante Mendoza's gritty «Ma» Rosa,» and Elle Fanning for gamely surviving Nicolas Winding Refn «s «The Neon Demon»...
With 33 percent of the Official
Competition films directed by women, the 2017 BFI London Film Festival is set to showcase far more work from female filmmakers than many of this year's most prestigious film festivals.
Not exact matches
Organizers say that 43 % of the
competition films in this year's festival were
directed by women and that 38 % were
directed by people of color.
We've discovered a lot of great
films directed by women at Cannes — just not in the Official
Competition.
Three of this year's 21
films in
competition were
directed by women.
Of the 21
films in
Competition at Cannes this year, only three are
directed by women.
In a series of firsts for the festival, there were 51 rookie filmmakers represented, and eight of the 16
films in official
competition were
directed by women.
The dearth of opportunities for female filmmakers is one of Hollywood's biggest problems these days, so it's cheering to note that fully half of the
films in the U.S. Dramatic
Competition were
directed by women, including Stacie Passion's Concussion, Lake Bell's In A World..., Jill Solloway's Afternoon Delight, Cherien Dabis's opening - night selection, May in the Summer, and...
Yet again, the festival will not evade criticism for its historically gender - imbalanced selection, with only three
films in the 2016
competition slate directed by women (one more than last year), two in the Un Certain Regard sidebar (the lowest since 2012), and one Out of C
competition slate
directed by women (one more than last year), two in the Un Certain Regard sidebar (the lowest since 2012), and one Out of
CompetitionCompetition.
It's one of three
films directed by women (15 %) in the
Competition lineup.
Eva Husson's Girls in the Sun premiered at Cannes on Saturday, one of only three
films in
competition directed by a
woman.
Tribeca are particularly proud to announce that 46 % of the 96
films in and out of
competition, including 75 World Premieres, are
directed by women.
Long criticized for the lack of
women directors represented, this year Cannes will see the Coppola and Ramsay
films, as well as Naomi Kawase's Radiance premiering in
competition, a short
film directed by Kristen Stewart, the Campion series, and seven
films directed by women in the independent - minded Directors» Fortnight section.
For the 2018 edition of the festival, 37 percent of the 122 feature
films premiering are
directed by women, a slight uptick from last year when 34 percent of all
films were helmed
by female directors (in years past, the average has hovered around 25 percent), and their contributions were prominent across all sections, with
women debuting
films in not just the
competition sections, but also in the forward - thinking NEXT section, the wild Midnight category (which played home to the long - gestating anthology «XX,» featuring four shorts
directed by women), and even the starry Premieres docket.