Sentences with phrase «conceptual art sought»

Conceptual art sought to work outside of the gallery and the art world.

Not exact matches

Nicole Furman: «I think that the content of the work I create is unique, as I seek to challenge a lot of societal preconceptions and ruling institutions through common «symbols» (from gender preconceptions, to the mere existence of innocence, to historical construction and reconstruction), which is conceptual, yet always maintaining aesthetic priorities (which conceptual art seems to disregard, and which for me define art).»

In all these ways, art sought to combine public gestures and conceptual rigor.

Known as the Godfather of Pop Art, New York based multi-disciplinary artist Larry Rivers sought to continually redefine formal and conceptual artistic boundaries for over half a century.

He established himself as a major artist of the movement in Italian figurative painting known as the Transavanguardia, a Neo-Expressionist movement that sought to re-emphasize color and representation in reaction to the Conceptual Art of the times.

Calling himself «the painter of space», Klein «sought to achieve immaterial spirituality through pure color» and concerned himself with the «contemporary notions of the conceptual nature of art «1.

Bringing together approximately 150 highlights from the Museum's permanent collection and many recent acquisitions, Art and Resolution includes works across media, with a focus on print and photography portfolios, which visualize resolution and its conceptual underpinnings and seek to act as agents of reconciliation through visual culture.

Upon returning to Boston, he sought to create a space where people could view conceptual art and to showcase the work of young artists whose work he felt needed to be seen.

Utilizing the erotic tension of surrealism and the stylish veneer of Pop Art, Brooklyn - based artist Emily Mae Smith is constantly seeking new ways to place her painting into both conceptual art and the history of painting itseArt, Brooklyn - based artist Emily Mae Smith is constantly seeking new ways to place her painting into both conceptual art and the history of painting itseart and the history of painting itself.

Seeking to define African American art practice as more than theater or folk art, Cassel Oliver has opted to locate recent art by black artists within a conceptual framework.

With a president that draws lines between «them» and «us,» there is a great need for art work that looks beyond over-wrought conceptual concepts and seeks a greater truth.

Szeemann described how his highly influential show, which included post-minimalist and conceptual art works, sought to transform the gallery space into a «laboratory».

It is in this breakdown of artistic and scientific thinking that she aims to evaluate the volatile space in between, to examine the reciprocity within conceptual systems and to validate a communal passage that seeks to filter art through a scientific idiom.

Artists from the 50s and 60s who moved to the UK from the commonwealth, conceptual artists who considered themselves «stateless» global citizens rather than tied any one place, and groups such as the Black Audio Film Collective, whose work sought to unearth the possibilities of being both «Black» and «British» in the 1980s, will show how British art has, directly or indirectly, come to reflect a much wider international stage over time.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

They seek the conceptual or the handmade — or conceptual art in abstraction.

Along with Francesco Clemente and Enzo Cucchi, Chia was a central figure in the Italian Transvanguardia movement, a Neo-Expressionist group who sought to re-emphasize color and representation in their work in reaction to the Conceptual Art of the 1980s.

As part of an expanded artistic practice, Quaytman was from 2005 to 2008 the director of the collectively run gallery in New York known as Orchard — a loosely knit collective of artists, filmmakers, and art historians widely admired for its innovative conceptual framework that sought to «put the diversity of its members» practices into discursive motion.»

The ideas of «Conceptual Art» introduced by Sol LeWitt in the1960s sought to set art free from the shackles of formalism, and his radical practice had a profound and widespread influence on the artists of his generation and beyoArt» introduced by Sol LeWitt in the1960s sought to set art free from the shackles of formalism, and his radical practice had a profound and widespread influence on the artists of his generation and beyoart free from the shackles of formalism, and his radical practice had a profound and widespread influence on the artists of his generation and beyond.

She also sought out and supported some of the most noncommercial and challenging Conceptual, new - media, and performance - based art of the 1970s.

ORGASMIC STREAMING — ORGANIC GARDENING — ELECTROCULTURE — «a group exhibition looking at practices that emerge between text and performance, the page and the body, combining a display and events program of historical and contemporary works — seeks an alternative framework to look at the influence of conceptual procedures as well as experimental writing within contemporary feminist performance practices across visual art, sound and text.»

This exhibition, which brings to life the book of the same name published by NSCAD's first president, Garry Neill Kennedy, seeks to examine a pivotal 10 - year period of art production in Halifax with the intention of positioning the art college as, according to the press release, «the epicentre of art education — and to a large extent of the post-Minimalist and Conceptual art world itself — in the 1960s and 1970s.»

With its program, the gallery seeks to engender aesthetic and conceptual creativity in all audience members and to foster a sustained conversation and debate in the Miami art scene.

From an art historical point of view, this noteworthy find, in which the artist has acted on the playful aesthetic potential in iconic Soviet images, confirms once more the conceptual links between Rajangu's early work and Sots Art, which mixed the approaches of socialist realism and pop art and, according to Boris Groys, sought to analyse the all - encompassing aesthetico - political Soviet projeart historical point of view, this noteworthy find, in which the artist has acted on the playful aesthetic potential in iconic Soviet images, confirms once more the conceptual links between Rajangu's early work and Sots Art, which mixed the approaches of socialist realism and pop art and, according to Boris Groys, sought to analyse the all - encompassing aesthetico - political Soviet projeArt, which mixed the approaches of socialist realism and pop art and, according to Boris Groys, sought to analyse the all - encompassing aesthetico - political Soviet projeart and, according to Boris Groys, sought to analyse the all - encompassing aesthetico - political Soviet project.

His works seek to connect with a basic thread of humanity that runs through each of us, and to create a place where people can be transformed and restored through grappling with the conceptual, aesthetic and power of art.

His daughter Gabrielle says in a 2014 interview that while he «came out to Berkeley just as Pop and Conceptual Art were ascending on the East Coast,» Selz turned away from these popular movements and instead «identified with the irreverence of styles like Funk art,» seeking to highlight the work of «ceramic artists like Peter Voulkos [who] were barely considered fine artists then» or Nathan Oliveira, «a figurative artist who did not follow the prevailing east coast trends.&raqArt were ascending on the East Coast,» Selz turned away from these popular movements and instead «identified with the irreverence of styles like Funk art,» seeking to highlight the work of «ceramic artists like Peter Voulkos [who] were barely considered fine artists then» or Nathan Oliveira, «a figurative artist who did not follow the prevailing east coast trends.&raqart,» seeking to highlight the work of «ceramic artists like Peter Voulkos [who] were barely considered fine artists then» or Nathan Oliveira, «a figurative artist who did not follow the prevailing east coast trends.»

With the expansion of conceptual art during the mid-60s, as well as the purist ethic of minimalism, which sought to reduce art to its bare essentials, new and more neutral forms of text art began to emerge.

But, rather than focusing on works that fitted with the urban art cliché, Johann Haehling von Lanzenauer was always pushing the artistic boundaries of the gallery, seeking works that one would not automatically associate with urban art: rather than merely showing graffiti, instead, abstract works, highly conceptual murals and installations were also on display.

Seeking to explore the relationship between language and the page, Mayer and Acconci brought together the pioneers of 1960s experimental poetry and conceptual art.

This search for authenticity provoked a shift toward art that sought to forge connections to the everyday, whether through materials, subject matter, process, or conceptual orientation.

Sarah Charlesworth was a conceptual artist and photographer whose work sought to bridge the gap between fine art and a critical practice of photography.

As an accomplished Art Director / Graphic Designer, I seek a position in Branding and Graphic Design to utilize my exceptional teamwork, conceptual and artistic abilities.