Sentences with phrase «conceptual practice since»

Conceptual practice since Marcel Duchamp's Readymades and Andy Warhol's factory has generated new forms and sites of creative endeavor that often exceed the limits of the studio proper.

Not exact matches

Since faith does not arise through rational conviction of a superior conceptual system, but instead through the memory of past events and especially the passion of Jesus, its embodiment in practice does not depend on any overview — only on the effective power of the memory.

For academically at - risk students who have been enrolled in U.S. schools since kindergarten and who have experienced educational opportunities that are basically similar in design and practice, research suggests that a classroom - wide, universal approach focused on building up academic vocabulary and conceptual knowledge would be appropriate.

Ordinary Pictures Featuring works by some 45 artists, Ordinary Pictures surveys a range of conceptual picture - based practices since the 1960s through the lens of the stock photograph and other forms of industrial image production.

Works by Vicente Butron September 23 — October 2, 2010 Vicente Butron artist born in Manila, the Philippines in 1959 migrated to Australia during political upheavals in 1973 attended Sydney College of the Arts from 1981 to 1984 exhibited locally and internationally since the mid-1980s not too many solo exhibitions not too many collections lives in Sydney works whenever he can exhibits when he wants His interest in conceptual art and exhibition practice is evident -LSB-...]

From iconic photo series to early sculpture and large - scale installation, the works included in this presentation represent the foundations or conceptual departure points that have defined practices and broader dialogues in contemporary art since the 1990s.

Since the late 1960s, Adrian Piper has forged a unique artistic practice that infused classical Minimal sculptural form with explicit political content and introduced issues of race, gender and identity politics into the vocabulary of Conceptual art.

Scrambling one's creative practice and domestic life, as conceptual painter Michelle Grabner has done since the mid-1990s, carries forward feminist critiques while opening up the contradictory poles of intimacy and circulation inherent in the artist's studio.

A conceptual framework, paired with a meticulous attention to detail, has characterized his practice since the early 1990s.

Legally blind since 1994, his practice has grown to explore the qualities of sensory perception and conceptual concerns in the broad range of media he incorporates.

Since the rise of conceptual art practices within the ever - changing terrain of contemporary art, one often encounters the silly assertion that art making has become a market of ideas as opposed to objects.

[ENG] The third exhibition by Peter Downsbrough at àngels barcelona focuses on the conceptual photographic work that the artist has been consistently producing since 1978 and that has been of major relevance in his multidisciplinary artistic practice which includes sculpture, works on paper, photographs, films and books.

Her areas of expertise include conceptual, performance and intermedia art since the 1960s, public and social practices and experimental pedagogies.

Living and working under the pseudonym «Lutz Bacher» since the 1970s, the artist's diverse conceptual practice spans photography, film, video and sculpture, often using found material, objects and images recontextualized from contemporary culture.

Featuring works by some 30 artists, Ordinary Pictures surveys a range of conceptual image - based practices since the 1960s through the lens of the stock photograph, an under - researched yet pervasive aspect of our visual culture.

Unique in its formal diversity, frequently polemical subjects, and conceptual rigor, Uklański's body of work has emerged since the mid-1990s as one of the most intriguing and original art practices of his generation.

Since the early 1970s his work bridged the gap between conceptual art and documentary practices, focusing on economic and social themes ranging from family life, work and unemployment, to schooling and the military industrial complex.

Since the late 1970s, his audio work has explored digital and analog recording devices, and his conceptual art practice has combined performance art, light - and sound installations, and photography.

However, many argue that he is a conceptual artist as well, since his art practice is deeply based on clear concepts.

The significance of the fabric has provided a conceptual underpinning in Shonibare's practice since its beginnings.

Yet, ideas that were prevalent from the start of mail art have remained significant in artistic practice since: networking, access to information, free movement, distribution, participation, collaborative work procedures and sharing are at the core of the conceptual framework for this exhibition.