Sentences with phrase «conceptual works like»

«40 Years: Part 1» features significant Minimal and Conceptual works like Incomplete Open Cube by Sol LeWitt; a Fred Sandback yarn sculpture; Measurement: Wall (1969) by Mel Bochner; a conceptual ruler drawing and a painting by Sylvia Plimack Mangold; Dan Flavin's neon light piece; Wolfgang Laib's Rice House, and two 1960s prints by Donald Judd.

So there is a place in the art world for straight photography to flourish, along with say, conceptual work like a Moyra Davey, or studio work like Eileen Quinlan, or work that is somewhere in between straight and conceptual, like a Roe Ethridge or a Daniel Shea,» Gunhouse adds.

Not exact matches

I often like my work to have conceptual elements but it is really important to me that it's really well made too, and also designed to work if need be.

Among those already using the program with his students is Gerald Smith, who teaches conceptual physics and advanced chemistry at Bishop McNamara High School in Washington and plans to attend the march.Students who completed the print - out activity sheet illustrated how headphones work through physics — among the examples Smith intends to post to Twitter after spring break, the week after the March for Science «The kids definitely like to probe their brains a lot in terms of seeing science in real life, not just something far - reaching for geniuses to dobut as something that we exist in every day,» said Smith.

«Its existence was predicted by the standard model of particle physics and the fact that there's — we got a glimpse of it, it looks like it may very well be there — is a real victory for that model of science where you test, you put forward conceptual models of the way the world or the universe works and test those models against the observations and see the extent to which they can predict new observations and when they do, it gives you increased confidence in the models.

The way he works of late, making beautiful yet simple clothes that make women look beautiful in the most effortless of ways, is refreshing, like going back to elementary school amidst all the needlessly conceptual blah blah.

Like all his work, it's a highly conceptual book with flawless execution — a treat to savor.

The space — and the ambition — was influenced by Charles Saatchi's big gallery in Boundary Road in north London, which opened in the mid-1980s, and initially showed work by pioneering American conceptual artists like Sol LeWitt and Donald Judd, both of whom influenced Hirst.

Consider the conceptual sculptor Cameron Rowland and the object - oriented painter Torey Thornton at Essex Street, and at Josh Lilley, dark tapestry - like works by Tom Anholt, a British painter.

Exhibited across two floors of the gallery, the paintings here range in scale from the tablet - sized Boardwalk Barter a reminiscence from the artist's earlier years selling his work in Venice, California, to one of his signature, immersive flower - like explosions, which can be read as either the conceptual origin or the end point of all other work.

In groundbreaking works from the 1970s like Mary Kelly's Post-Partum Document (1973 — 79) and Martha Rosler's Semiotics of the Kitchen (1975), the tenets of conceptual art — with its integration of language and image, its embrace of photography and the video camera, and its unfolding over time and space — are enmeshed with questions of subjectivity, the body, and indeed, emotional affect, subjects generally avoided by an earlier generation of conceptual artists.

The fashion influence in the work of Argentinian photographer Lucia Fainzilber is immediately apparent, not only due to her striking use of color and theater - like set production, but also in the artist's conceptual focus on the identifying factors of clothing and fabric.

After closing a gallery he ran on 56th Street in Manhattan from 1964 to 1966, where he showed contemporary art and Oriental rugs, Mr. Siegelaub, still in his 20s, presented the work of artists who would become some of the core members of what would be termed conceptual art, like Douglas Huebler, Joseph Kosuth and Lawrence Weiner.

In this excerpt from Phaidon's Mary Kelly monograph, Kelly speaks to renown art historian and AIDS scholar Douglas Crimp (who curated the first Pictures exhibition that introduced appropriation artists like Sherrie Levine and spearheaded postmodern art theory) on how she sees her work in relation to feminism (s) and why the later conceptual or «theoretical» feminism's turn to the psychoanalytic subject is always political.

She looked for materials that were connected to traditional and conceptual forms of women's work, presentation, and behavior, like quilts, stockings, kitchenware, bobby pins, and other materials that could connect to and be a voice for gender roles and women's roles.

«The last Bienal was the first step to making it more engaged with the public,» say Bienal co-founder Nelson Herrera Ysla about the increased number of public - art works throughout the city, from the likes of Havana - based artist Arles del Rio to the Russian conceptual artists Ilya and Emilia Kabakov, who brought their globe - trotting»

Like that other revered conceptual artist Hans Haake, Macuga blurs the boundaries between artist, curator and collector by taking other artists» works and displaying them alongside objects she's found.

JL: l find one of the images that l like - for instance, one is of work by a Conceptual artist from a Spanish gallery who collected hundreds of tourist postcards of sunsets.

While conceptual artists like Damien Hirst, Tracy Emin, Cornelia Parker, and Tacita Dean engaged the public (in one way or another) with cheeky videos and installations, painters were smitten with large - scale figurative work.

The diversity of the medium of the works gives that dynamism to the concepts held within this exhibition and helps the installation «operate like the pieces of a puzzle - with each layered together to create a conceptual topographical map,» according to Sheats.

The Danish conceptual artist Tue Greenfort has enjoyed rising success abroad, with shows at places like SculptureCenter and London's Royal Academy, but for whatever reason he remains underappreciated in his native country, so König Galerie decided to bring a mini exhibition of his work to Code.

Fred Sandback: Renowned for his Minimalist, conceptual sculptures, Fred Sandback's best - known works were made using colored acrylic yarn, like his «leaning» series, which used lengths of yarn, extended between walls and floors, to alter the perception of a space.

Many of his early works took the form of conceptual photography, though Johnson eventually expanded his practice to include wall - based works that engage the legacy of painting, sculptural installation, and assemblage using manufactured materials like shea butter, books records, and incense.

Although it sounds like a pun, or the finale of someone's talk THIS THEN THAT means to create an atmosphere of meaningful diversity to artists» works that are somehow connected to each other but not necessarily coming from a common conceptual or aesthetic background.

It is more accurate to speak of her affinity with the likes of Gerhard Richter and Luc Tuymans: conceptual artists who happen to work with paint.

Kelley brings to these projects an ironic sensibility and stringent conceptual processes, tending to layer the accepted high - art practices like painting with craft, working class and popular culture references.

Conceptual artist Elaine Sturtevant's work looks like Jasper Johns's.

Like Dutch painting of the 17th century, Yvoré's work is also deeply self - reflective and conceptual.

Like Noguchi, Paris - based, Austrian designer Robert Stadler (b. 1966) is a category - defying artist whose work comes from a place where conceptual, aesthetic, functional, and material considerations meet.

The artist explains the work's conceptual meaning: «It is like you are spiritually excluded or something, you are getting into the space, and then there is nothing on the other side -LSB-...] the whole thing traps you and keeps you trapped.»

In New York in the early 1990s, the dominant art conversations were still circulating around the work of grand male conceptual artists like Sol LeWitt, Carl Andre, and Donald Judd — «the guys we were studying at school».

Asked about it today, Mason de-emphasizes the power that any conceptual scheme could have over her work process: «Yes, analogous color is real, but I don't think like that, in terms of systems — I just do.

The two pieces by Julie Torres are both conceptual works about capital - p Painting: «Room with a View» is a small canvas on which super-thick layers of acrylic paint make something that appears, all at once, like a window, a picture inset into photo corners, the back of a stretched canvas.

However, Stezaker is, in fact, an inspiration for many of the exhibitors; like Ballard, the English conceptual artist spent the 1970s and 1980s looking forward to what is our current «now» and made work which almost prepared generations to come for the issues which he expected them to have to deal with in the future.

Ellen and Michael Ringier started to collect works on paper by the early Russian and Western European avant - garde in the «80s and has been consistently extended over the past 20 years by collecting body of works spanning from early Conceptual Artists like: John Baldessari, Douglas Huebler, Vito Acconci, Robert Barry, Joseph Kosuth, or Alighiero Boetti to leading contemporary artists like: John Armleder, Peter Fischli & David Weiss, Matt Mullican, Urs Fischer, Jim Shaw, Richard Phillips, Mike Kelley, Karen Kilimnik, Jack Pierson, Joe Bradley, Wade Guyton, Trisha Donnelly, Lutz Bacher and Rosemarie Trockel among many others.

John Baldessari has profoundly, hilariously expanded the boundaries of what can be considered art, having made conceptual works out of simple gestures like, say, hitting stuff with a golf club, waving at ships, and most famously, putting dots over the faces in old Hollywood film stills.

«I love magazines because they are like pop songs,» he once explained about his early conceptual magazine works, «easily disposable, dealing with momentary pleasures.»

The ontological practice seemed to assert: «Here I am, at this time and place» - much like the work of conceptual artist On Kawara, who made this textual declaration in postcards decades before.

Like the work of his digital native peers, Constant Dullaart's often conceptual work manifests itself both online and off.

In the»70s, artists like Sol LeWitt and On Kawara began to co-opt painting in works that, while technically painting, were primarily conceptual and thus transcended physical categorization.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

The included works were all exemplary of post-minimalist strategies, growing out of conceptual practices like Italian Arte Povera, Process Art, and Land Art.

Across the work that constituted Minimalism — including that by other artists associated with the sensibility, like Walter De Maria (land art), Robert Smithson (land art), Sol LeWitt (conceptual art), Tony Smith, and Frank Stella (painting)-- the key attributes could be boiled down to three elements: shape, size, and material.

There's an earnestness at the Supper Club, the artist working through conceptual and painterly dilemmas, processing semi-recognizable portions like a bored tween mixing the flavored foams at a trendy, yet politically savvy molecular gastronomy joint.

Performative, Poetic, Powerful Examining the various aesthetic and conceptual turns that typify César's practice, the show at Luxembourg & Dayan will present historically significant examples from his Compression, Human Imprint, and Expansion series, as well as such early figurative works as the Venus - like welded iron sculpture Torso (1954), on loan from the permanent collection of The Museum of Modern Art.

His work links him not only with Photorealists like Richard Estes and Audrey Flack, but also to Conceptual Art.

The conceptual underpinnings of Rockburne's work draw from the world of thought and investigation, from the vision of artists like Leonardo da Vinci who struggled in their own times to hone the clearest understanding of the forces that determine our universe.

This latter body of work, which stretched throughout her career, can today be seen resonating in the work of conceptual photographers like Elad Lassry and Roe Ethridge, and is highly coveted by collectors.

«Like the Minimalist artists before him, Gonzalez - Torres was interested in the conceptual as well as the aesthetic, yet unlike his predecessors, the artist did not alienate his audience by distancing them physically from his works.

In 2008, Doeringer began making larger, more faithful recreations of works of Conceptual art by artists like Sol LeWitt, Lawrence Weiner, Edward Ruscha, and On Kawara.