Sentences with phrase «conical intersect»

Finally, it was not just an engineering feat that was going up behind the punctured pieds - à - terre, but also an archive — a repository for texts, images, and artworks related to projects like Conical Intersect.

1975 Opening Exhibition, Holly Solomon Gallery, New York, USA Artists Make Toys, The Clock Tower, New York, USA Art in Landscape, Travelling exhibition organized by Independent Curators, Inc., Washington D.C., USA (travelled to: Illinois State University; Normal, Fine Arts Gallery; University of California, Irvine; Missoula Museum of the Arts; Earlham College, Richmond, Indiana; Alberta College of Art, Calgary, Canada) Conical Intersect and Cuisse de Boeuf, 9ième Biennale de Paris, France

1975 Conical Intersect, 16 mm, color, silent, 18 min 40 sec Day's End, Camera: Betsy Suster, Super 8, color, silent, 23 min 10 sec

Image: Gordon Matta - Clark working on «Conical Intersect,» 1975, Paris.

Image 5: Gordon Matta - Clark & Gerry Hovagimyan, Conical Intersect, 1975 Photo: Harry Gruyaert © 2017 Estate of Gordon Matta - Clark / Artists Rights Society (ARS), New York et David Zwirner, New York.

He has worked with artist Gordon Matta - Clark on several projects, namely: Days» End, Conical Intersect, Walking Man's Arch, and Underground Explorations.

When Roberto Rossellini was filming, Brion Gysin was investing his photographs of the facade with his hallucinations; and Gordon Matta - Clark had already used the building site for Conical Intersect, in 1977, Melvin Moti was being born, and thirty years later he came up with «No Show» a recreation of a guided tour of a museum containing no artworks.

For the Biennale de Paris in 1975, he made the piece titled Conical Intersect by cutting a large cone - shaped hole through two townhouses dating from the 17th century in the market district known as Les Halles which were to be knocked down in order to construct the then - controversial Centre Georges Pompidou.

My two most recent pieces, Intersect theory and Blocking out the sun both respond to Gordon Matta Clark's Conical Intersect.

Hovagimyan worked with Matta - Clark on several projects namely; Day's End, Conical Intersect, Walking Man's Arch, and Underground Explorations.

Two of Matta - Clark's films, Fire Child and Conical Intersect, are also on view, offering a means to understand better the performance aspect of his art.

In «Conical Intersect,» Matta - Clark and friends hack away at cement and stone by hand as if they were tunneling their way to the outside world.

The dual centerpieces are «Day's End» and «Conical Intersect,» both made in 1975.

left: Cupid, 2013 by Richard Hughes right: Relic from Conical Intersect (Medieval Statue's Hands), n.d. by Gordon Matta - Clark

Gordon Matta - Clark and Gerry Hovagimyan working on Conical Intersect (1975) in Paris.

The most monumental of Matta - Clark's work is saved for last, as the final room contains photos, diagrams and large - scale projections of both Conical Intersect and Day's End, presented back to back with emphasis on the connection between both projects.

Realized the same year as Conical Intersect (and part of the reason Matta - Clark fled to France in the first place) and placed next to it, Day's End saw the artist cutting massive holes in an abandoned warehouse on the Hudson pier.