Not exact matches
The Orphanage's Juan Antonio Bayona directs the opening episodes, his camera
constantly moving through London's streets, always picking out new
shadows to explore.
As we
move we perceive the work differently: new colors, new facets, new forms, new
shadows, as the work is
constantly reinvented.
In the viewing room, Charles Hinman's Sugilite (2013) is a shaped hard - edge minimal painting which as we
move is perceived differently: new colors, new facets, new forms, new
shadows, as the work is
constantly reinvented.
The black and white imagery is
constantly moving, giving shapes to forms and to
shadows that recall an architectural surface, and yet giving sight to undefined shapes.