Sentences with phrase «contemporaries exhibition under»

Her work is currently touring nationally in the London Life Young Contemporaries Exhibition under the auspices of the London Regional Art Gallery.

Not exact matches

View an eclectic mix of mediums, styles and works in unique exhibition spaces at the Cairns Regional Art Gallery, Under Art Gallery, KickArts Contemporary Arts, Tanks Art Centre and the Canopy Art Space.

His work has been exhibited in key historical exhibitions such as John Szarkowski's Mirrors and Windows: American Photography since 1960 at The Museum of Modern Art (1978), The Whitney Biennial at the Whitney Museum of American Art (1981) and most recently, Under the Big Black Sun: California Art 1974 - 1981 at the Museum of Contemporary Art, Los Angeles (2010).

He said he was grateful for the opportunities he'd had at the NGV, under its director Tony Ellwood, curating major shows including the institution's landmark Melbourne Now exhibition of works by local contemporary artists and a survey of works by British artist David Shrigley.

His work has been featured in group exhibitions including Bird's - Eye View, Grand Army Plaza New York; Tensionism, Kenny Schacters Rove, New York; Shine, Amnesty International and Downtown Arts Festival, New York; One Planet Under a Groove: Hip Hop and Contemporary Art, Bronx Museum of the Arts, New York, and Bead Body and Soul (Art and Light in the Yoruba Universe), UCLA Fowler Museum, California.

Third Thursday Studios provide unique opportunities to explore techniques and themes of contemporary art inspired by selected artworks in current exhibitions through hands - on experimentation under the guidance of a featured guest artist.

The Contemporary presents an ambitious exhibition with John Armleder and Olivier Mosset, two of the most influential artists working today, and whose work remains under - recognized in the United States.

Her recent exhibitions include «Beatriz Santiago Muñoz: A Universe of Fragile Mirrors,» Pérez Art Museum Miami (2016); «Ce qui ne sert pas s» oublie (what is not used is forgotten),» CAPC musée d'art contemporain de Bordeaux, France (2015); «La Cabeza Mató a Todos,» TEOR / éTica, San José, Costa Rica (2014); «MATRULLA,» Sala de Arte Público Siqueiros, Mexico City (2014); «Under the Same Sun: Art From Latin America Today,» the Solomon R. Guggenheim Museum, New York (2014); «Post-Military Cinema,» Transmission Gallery, Glasgow International (2014); «The Black Cave,» Gasworks, London (2013); «Beatriz Santiago Muñoz / Trinh T Minh - Ha / Gregorio Rocha,» Tate Modern, London (2013); «Ensayos de Geopoética,» Mercosul Biennial VII (2011); and «Capp Street Project: Beatriz Santiago Muñoz,» CCA Wattis Institute for Contemporary Arts, San Francisco (2008).

The Jaar project is being presented as part of Under the Same Sun, an exhibition devoted to contemporary art from Latin America, on view at the Guggenheim museum.

Locust Projects Frances Trombly: Over and Under Celebrating 15 years of exhibiting experimental contemporary art, Locust Projects presents Over and Under, an exhibition by Miami - based artist Frances Trombly in their Project Room and Intethe (Sketch for an Opera) in the main room, a solo exhibition of work by South African sculptor Nicholas Hlobo.

Now in her eighties, Woodman has become one of the most influential figures in ceramic arts, with a Metropolitan of Art solo show under her belt and simultaneous current exhibitions at New York's Salon 94 and London's Institute of Contemporary Arts (ICA).

She has participated in the group exhibitions the Venice Biennale (2011, 2015), New Museum of Contemporary Art, New York (2012); Adventures of the Black Square, Whitechapel Art Gallery, London; Under the Same Sun: Art from Latin America Today, Solomon R. Guggenheim Museum (both 2015).

I AM is a peacebuilding exhibition that premiered in Amman, Jordan under the patronage of Her Majesty Queen Rania Al Abdullah involving 31 of the Middle East's premier contemporary women artists that promotes and celebrates the many accomplishments of Middle Eastern women in shaping our world into a peaceful and harmonious one.

Jess began her career as an independent curator, creating exhibitions that investigated themes of contemporary life by crossing disciplines and featuring often under - recognized work being made in the Northwest.

This exhibition was initiated and produced by the Montreal Museum of Fine Arts (MMFA), under the direction of Director and Chief Curator Nathalie Bondil and the curators, Curator of Contemporary Art Stéphane Aquin, MMFA, and art historian Marco Livingstone, London.

Now in its 29th year, the annual award, presented to a contemporary artist under the age of 50 with an outstanding exhibition of work, has come a long way since its early controversies.

Under the direction of the former exhibitions secretary Norman Rosenthal, the Academy has hosted ambitious exhibitions of contemporary art.

2011 Sculpture Now, Galerie Eva Presenhuber, Zurich, Switzerland The Language of Less, Museum of Contemporary Art, Chicago / IL, USA The Art of Narration Changes with Time, Sprüth Magers, Berlin, Germany ILLUMInations (curated by Bice Curiger), 54th International Art Exhibition — La Biennale di Venezia, Venice, Italy The Shape of Things to Come: New Sculpture Part 1, Saatchi Gallery, London, Great Britain Tableaux, Le Magasin, Grenoble, France THE WAY IT WAS N'T, Culturgest, Porto, Portugal After Images (curated by Fionn Meade), Musée Juif de Belgique, Bruxelles, Belgium Isabelle Cornaro, Nikolas Gambaroff, Oscar Tuazon, Eli Hansen, A Palazzo Gallery, Brescia, Italy Fragments Americana (curated by Hedi Slimane), Almine Rech Gallery, Brussels, Belgium Dystopia, CAPC Bordeaux, Bordeaux, France Art In The City, Art Brussels, Brussels, Belgium Under Construction, SAKS, Geneva, Switzerland Light In Darkness, Western Bridge, Seattle, Washington, USA Poste Restante (curated by Eric Fredericksen), Artspeak, Vancouver, Canada You and Now, Balice Hertling, Paris, France

The MATRIX program has served as a leading model for contemporary exhibition practices, inspiring museums across the country to develop project series of their own, under different names, that spotlight leading contemporary artists.

This summer Michelada Think Tank (MTT), a collective of MFA Public Practice students and alumni, will inhabit the Project Room at Los Angeles Contemporary Exhibitions with a humorous and critical exploration of survival under a framework of institutional racism in the arts.

The Elizabeth Firestone Graham Foundation is dedicated to fostering awareness and appreciation of contemporary visual art, primarily through the support of catalogues and other publications that document exhibitions of work by emerging or under - recognized artists.

A joyously crowded exhibition aiming to mingle contemporary artists with so - called «outsiders,» this show also includes pieces that aren't strictly art at all — like a 19th - century Japanese futon cover hung next to (and partially under) a dyed - textile painting by Cheryl Donegan.

Among numerous solo and group exhibitions in the United States and world - wide, Gaines» work was recently included in Blues for Smoke, organized by the Museum of Contemporary Art, Los Angeles, and seen at the Whitney Museum of American Art, New York; Under the Big Black Sun: California Art 1974 - 1981, at the Museum of Contemporary Art, Los Angeles; Human Nature, Los Angeles County Museum of Art, Los Angeles; both exhibitions All of This and Nothing and Now Dig This!

Formerly Director of Kunsthalle Bern and Curator at Kunstmuseum Bern, his exhibitions include «Six Feet Under: Autopsy of our Relationship to the Dead» (2007), «Mahjong: Chinese Contemporary Art from the Sigg Collection» (2005), and «Ai Weiwei» (2004).

«The exhibition highlights the work of two leading contemporary artists who grapple with the under - and misrepresentation of certain minorities in portraiture and American history.

Considered among the most intriguing contemporary painters, Sanya Kantarovsky puts on his curatorial hat for a group exhibition at Metro Pictures, bringing together a group of intergenerational painters under a riveting concept.

Angel Otero: Everything and Nothing, on view at the Contemporary Arts Museum Houston through March 19, 2017, is the artist's first survey exhibition, covering just under a decade of his work.

She has participated in many international exhibitions including: The Arcades: Contemporary Art and Walter Benjamin at the Jewish Museum, New York (2017); Resistance Performed — Aesthetic Strategies under Repressive Regimes in Latin America, at the Migros Museum, Zurich, Switzerland (2016); La No - Historia, Biennial of Mercosul, Porto Alegre, Brazil (2011 — 2015), the 12th Istanbul Biennial, Turkey (2011); the 8th Mercosul Biennial in Porto Alegre, Brazil; the 31st Sao Paulo Biennial, Brazil (2014); The Artistic Experience of History, State University of Rio de Janeiro, Brazil (2013); and Dislocation at the Kunst Museum of Bern, Switzerland (2009), among others.

Edge of Arabia, a pioneering travelling exhibition that has shed new light on the largely unknown contemporary art culture of Saudi Arabia, is coming to Dubai this March during the Sharjah Biennial and in partnership with Art Dubai, and under the global tour sponsorship of ALJ Community Initiatives.

The exhibition takes under consideration the concerning rise of political populism in contemporary society, and the increasing spread of populist aesthetics in...

Selected exhibitions consist of Frances Trombly: Over and Under at Locust Projects, Miami (2013), included in Americana: Formalizing Craft, Perez Art Museum Miami (2013) and united states, The Aldrich Contemporary Art Museum, Ridgefield, CT (2012).

The exhibition brings together fourteen artists, mostly born in the 70's under the one - child policy, who are all active in the renewal of Chinese Contemporary Art Scene.

Under the leadership of Mary Ellen Goeke, Executive Director of FotoFocus; Raphaela Platow, Director of Contemporary Arts Center; and curated by Kevin Moore, Artistic Director of FotoFocus, the program will include an international roster of curators, critics, artists, and art world professionals who will meet for a two - day event on October 23 and 24, 2015, at the CAC, to discuss the significance and implications of the exhibition and Mapplethorpe's career and legacy as these have evolved over the past 25 years.

The Institute of Contemporary Art, Miami today announced its dynamic exhibition schedule for 2016, featuring a full season of major solo American and international museum presentations that champion highly influential and under - recognized contemporContemporary Art, Miami today announced its dynamic exhibition schedule for 2016, featuring a full season of major solo American and international museum presentations that champion highly influential and under - recognized contemporarycontemporary artists.

«The exhibitions planned for 2016 reflect the museum's role as an important resource for contemporary art in the Miami region and its critical voice in advancing new scholarship on under - recognized contemporary artists.»

Recent group exhibitions include; «Study from the Human Body», Stephen Friedman Gallery, London, England (2014); «Lifelike», Museum of Contemporary Art San Diego, San Diego, USA (2010); «Seismic Shifts», The National Academy Museum, Manhattan, New York, USA (2013); «Now Here is also Nowhere: Part 1», Henry Art Gallery, Seattle, Washington, USA (2013 - 2012); «Invisible Art: About the Unseen, 1957 - 2012», The Hayward Gallery, London (2012); «Floor Corner Wall», Fort Worth Contemporary Arts, Fort Worth, Texas (2010); «Slash: Paper Under the Knife», Museum of Arts and Design, New York (2010); «Chasing Napoleon», Palais de Tokyo, Paris (2009); «The Shapes of Space», Solomon R. Guggenheim Museum, New York (2007); «Art in America», Now, MOCA Shanghai, Shanghai (2007); «Mapping the Self», Museum of Contemporary Art Chicago (2007); «Into me / Out of me», P.S. 1 Contemporary Art Center, Long Island (2006).

In 2007, the Station Museum of Contemporary Art in Houston, Texas, organised a major exhibition under the title «The Late Paintings of Norman Bluhm» [1].

The latest exhibition at the Perth Institute of Contemporary Arts (PICA) draws the spectator into the realm of animistic beliefs wherein ghouls lurked in dark corners and under beds.

This year, though, under artistic director Massimiliano Gioni, the New Museum hit the bullseye again and again with first - rate exhibitions of Camille Henrot, Paweł Althamer and Laure Prouvost, plus an important summer show of Arab contemporary art that no other institution in New York could have mounted.

The outcome is an eclectic exhibition of art and artist ideas made up of disparate, at times conflicting elements that somehow coagulate under the notions of contemporary artwork as gesture, curation as process and communication as value.

2015 Twentieth Anniversary Exhibition, Stephen Friedman Gallery, London, England 56th International Art Exhibition - All the World's Futures, Venice Biennale, Venice, Italy Invitation to Travel, Central for Contemporary Art, Brussels, Belgium Atopolis, Mons 2015, Mons, Belgium Selections from the Permanent Collection, Museum of Contemporary Art, Los Angeles, USA Scenes for a New Heritage: Contemporary Art from the Collection, Museum of Modern Art, New York, USA Art Station Dubulti, Riga, Latvia Under the Clouds, Serralves Museum, Porto, Portugal Jaffa Port, Tel Aviv, Israel Fotofestival, Manheim - Ludwigshafen - Heidelberg, Germany True Story, Proyectos Monclova, Mexico City, Mexico Reasonable Sized Paintings, Mana Contemporary, Jersey City, USA

Major group shows include; «56th International Art Exhibition - All the World's Futures», Venice Biennale, Venice, Italy (2015); «Scenes for a New Heritage: Contemporary Art from the Collection», Museum of Modern Art, New York, USA (2015); «Under the Clouds», Serralves Museum, Porto, Portugal (2015); «MANIFESTA 10, The European Biennial of Contemporary Art», Saint - Petersburg, Russia (2014); «The Human Factor», Hayward Gallery, London, England (2014); «1984 - 1999.

Recent group exhibitions include Learn to Read, Tate Modern, London, UK (2007); Momentary Momentum, Parasol unit foundation for contemporary art, London, UK (2007) and Under Gods Hammer: William Blake versus David Shrigley, Art Gallery of Western Australia, Perth, WA (2006).

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chrisexhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, ChrisExhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chrisexhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chrisexhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

Lubaina Himid: Warp and Weft, Firstsite, Colchester 2017 Turner Prize nominee Lubaina Himid, a key figure in the British Black Arts Movement, first came to prominence in the 1980s when she began organising exhibitions of work by her peers who were under - represented in the contemporary art scene.

With an inclusion in the summer exhibition at the Museum of Contemporary Canadian Art (MOCCA) under his belt as well, this solo showing serves as a captivating conclusions to a banner year for the visionary artist.

Her recent exhibitions include Under One Roof, New York, Laura Tack & Leyla Aydoslu, NVT Galerie, Ghent, These Things Take Time, Ghent, War of the Senses Tank # 16, Entrepôt, Brugge, Miami Art Basel, Select Fair, Miami, Habitat, Franklin Arts Center Resident Artists Gallery, Brainerd, Minnesota, Curation Kick - Off Kunst Kotroute, Museum of Contemporary Art (SMAK), Ghent, Members Only, CultureFix, New York, and Problematic, Brooklyn Fire Proof Gallery, New York.

The other spaces of the exhibition fall under the title of The [Absent] Museum, where the works offer a blueprint or suggestion for the type of art practice that could define the art - historical program of a future museum of contemporary art in Brussels.

Museum of Contemporary Art San Diego and the Timken Museum of Art, San Diego, CA, November 10, 2012 - February 9, 2013 «Inaugural Exhibition by Gallery Artists,» Los Angeles, CA, September 22 - October 27, 2012 «Letters from Los Angeles: Text in Southern California Art,» Jack Rutberg Fine Art, Los Angeles, CA, November 17 - December 22, 2012 2011 «The Lord & The New Creatures,» Nye + Brown, Los Angeles, CA, September 10, 2011 - TBD «Arsenale: Graphics from the Museion Collection,» Museion - Museum of modern and contemporary art Bolzano, Bolzano, Italy, July 1 - November 6, 2011 «Zwei Sammler: Thomas Olbricht and Harald Falckenberg,» Deichtorhallen, Hamburg, Germany, June 24 — August 21, 2011; catalogue «The Air We Breathe: Artists and Poets Reflect on Marriage Equality,» San Francisco Museum of Modern Art, San Francisco, CA, November 5, 2011 - February 20, 2012 «Under the Big Black Sun: California Art 1974 - 1981,» The Geffen Contemporary at The Museum of Contemporary Art (MOCA), Los Angeles, CA, October 1, 2011 - February 13, 2012 «For a Long Time...» Roberts & Tilton, Los Angeles, CA, June 4 — August 6, 2011 «The Last First Decade,» Elllipse Foundation, Portugal, April 3 — December 18, 2011 «Blankness Is Not a Void: Scott Campbell, Steven Parrino and Raymond Pettibon,» Marc Jancou Contemporary, April 29 - June 4, 2011 «CLAP,» Hessel Museum of Art, CCS Bard College, Annadale - on - Hudson, NY, March 27 — May 22 «Collecting Biennial,» Whitney Museum of American Art, New York, NY, January 16 — Contemporary Art San Diego and the Timken Museum of Art, San Diego, CA, November 10, 2012 - February 9, 2013 «Inaugural Exhibition by Gallery Artists,» Los Angeles, CA, September 22 - October 27, 2012 «Letters from Los Angeles: Text in Southern California Art,» Jack Rutberg Fine Art, Los Angeles, CA, November 17 - December 22, 2012 2011 «The Lord & The New Creatures,» Nye + Brown, Los Angeles, CA, September 10, 2011 - TBD «Arsenale: Graphics from the Museion Collection,» Museion - Museum of modern and contemporary art Bolzano, Bolzano, Italy, July 1 - November 6, 2011 «Zwei Sammler: Thomas Olbricht and Harald Falckenberg,» Deichtorhallen, Hamburg, Germany, June 24 — August 21, 2011; catalogue «The Air We Breathe: Artists and Poets Reflect on Marriage Equality,» San Francisco Museum of Modern Art, San Francisco, CA, November 5, 2011 - February 20, 2012 «Under the Big Black Sun: California Art 1974 - 1981,» The Geffen Contemporary at The Museum of Contemporary Art (MOCA), Los Angeles, CA, October 1, 2011 - February 13, 2012 «For a Long Time...» Roberts & Tilton, Los Angeles, CA, June 4 — August 6, 2011 «The Last First Decade,» Elllipse Foundation, Portugal, April 3 — December 18, 2011 «Blankness Is Not a Void: Scott Campbell, Steven Parrino and Raymond Pettibon,» Marc Jancou Contemporary, April 29 - June 4, 2011 «CLAP,» Hessel Museum of Art, CCS Bard College, Annadale - on - Hudson, NY, March 27 — May 22 «Collecting Biennial,» Whitney Museum of American Art, New York, NY, January 16 — contemporary art Bolzano, Bolzano, Italy, July 1 - November 6, 2011 «Zwei Sammler: Thomas Olbricht and Harald Falckenberg,» Deichtorhallen, Hamburg, Germany, June 24 — August 21, 2011; catalogue «The Air We Breathe: Artists and Poets Reflect on Marriage Equality,» San Francisco Museum of Modern Art, San Francisco, CA, November 5, 2011 - February 20, 2012 «Under the Big Black Sun: California Art 1974 - 1981,» The Geffen Contemporary at The Museum of Contemporary Art (MOCA), Los Angeles, CA, October 1, 2011 - February 13, 2012 «For a Long Time...» Roberts & Tilton, Los Angeles, CA, June 4 — August 6, 2011 «The Last First Decade,» Elllipse Foundation, Portugal, April 3 — December 18, 2011 «Blankness Is Not a Void: Scott Campbell, Steven Parrino and Raymond Pettibon,» Marc Jancou Contemporary, April 29 - June 4, 2011 «CLAP,» Hessel Museum of Art, CCS Bard College, Annadale - on - Hudson, NY, March 27 — May 22 «Collecting Biennial,» Whitney Museum of American Art, New York, NY, January 16 — Contemporary at The Museum of Contemporary Art (MOCA), Los Angeles, CA, October 1, 2011 - February 13, 2012 «For a Long Time...» Roberts & Tilton, Los Angeles, CA, June 4 — August 6, 2011 «The Last First Decade,» Elllipse Foundation, Portugal, April 3 — December 18, 2011 «Blankness Is Not a Void: Scott Campbell, Steven Parrino and Raymond Pettibon,» Marc Jancou Contemporary, April 29 - June 4, 2011 «CLAP,» Hessel Museum of Art, CCS Bard College, Annadale - on - Hudson, NY, March 27 — May 22 «Collecting Biennial,» Whitney Museum of American Art, New York, NY, January 16 — Contemporary Art (MOCA), Los Angeles, CA, October 1, 2011 - February 13, 2012 «For a Long Time...» Roberts & Tilton, Los Angeles, CA, June 4 — August 6, 2011 «The Last First Decade,» Elllipse Foundation, Portugal, April 3 — December 18, 2011 «Blankness Is Not a Void: Scott Campbell, Steven Parrino and Raymond Pettibon,» Marc Jancou Contemporary, April 29 - June 4, 2011 «CLAP,» Hessel Museum of Art, CCS Bard College, Annadale - on - Hudson, NY, March 27 — May 22 «Collecting Biennial,» Whitney Museum of American Art, New York, NY, January 16 — Contemporary, April 29 - June 4, 2011 «CLAP,» Hessel Museum of Art, CCS Bard College, Annadale - on - Hudson, NY, March 27 — May 22 «Collecting Biennial,» Whitney Museum of American Art, New York, NY, January 16 — November 28.

Here in Austin, Texas, under the direction of Louis Grachos, The Contemporary Austin has equipped staff to register museumgoers to vote over the course of an exhibition of work by Los - Angeles - based artist Rodney McMillian.