Renée Cox (MFA 1992 Photography and Related Media) Fine art photographer; Yo Mama's Last Supper (1996) piece raised the ire of Mayor Guiliani when it appeared in the Brooklyn Museum of Art's exhibition, «Committed to the Image:
Contemporary Black Photographers» (2001)
His work is also featured in the books Inside the L.A. Riots (1992), New York: A State of Mind (2000), and Committed To The Image:
Contemporary Black Photographers (2001).
His work has been published in The Self in Black and White: Race and Subjectivity in Postwar American Photography (Dartmouth, 2010), Committed to the Image:
Contemporary Black Photographers (Brooklyn Museum of Art, 2001), Nueva Luz: A Photographic Journal Volumes 5 - 8 (En Foco, 1997), Reflections in Black: A History of Black Photographers (W.W. Norton, 2000) and An Illustrated Bio-Bibliography of Black Photographers, 1940 - 1988 (Garland, 1989).
His photographs were highlighted in the exhibition, Committed to the Image:
Contemporary Black Photographers at the Brooklyn Museum of Art in 2001.
Not exact matches
Recognized for her large - scale, rhinestone - embellished paintings of powerful
black women and pattern - rich interiors, this volume, produced conjunction with the exhibition «Muse: Mickalene Thomas: Photographs,» gathers the photography of Mickalene Thomas for the first time — portraits, prints and Polaroids — and features a nod to fellow
contemporary African American
photographers who inspire her.
Group Shows include: Adventures of the
Black Square, Abstract Art and Society, 1915 - 2015, Whitechapel Gallery, 2015; Perspectives on Collage, The
Photographers Gallery, London (2013); Marbled Reams, The Modern Institute, Glasgow (2012); Modernikon:
Contemporary Art from Russia, Fondazione Sandretto Re Rebaudengo, Turin.
If we think of Photoshop and the scanner as
contemporary tools of the
photographer, with Richard Prince, for example, as a precedent, those images are protected on an intellectual level from copyright: their ability to be appropriated is epistemologically
black and white.
Exhibitions include: Canadian Pavilion, Venice Biennale, Venice, IT (2017); Geoffrey Farmer, The Institute of
Contemporary Art, Boston, USA (2016); A Brief History of the Future, The Louvre, Paris, FR (2015); The Surgeon and the
Photographer, The Curve Gallery, Barbican, London, UK (2013); Let's Make the Water Turn
Black, Migros Museum of
Contemporary Art, Zurich (2013), Nottingham
Contemporary, UK (2013); dOCUMENTA 13, Kassel (2012); Stage Presence, San Francisco Musuem of Modern Art, San Francisco, USA (2012).
While early
photographers pushed the boundaries of the medium to represent a
Black world of hope and dignity,
contemporary artists celebrate and extend that legacy, engaging in a dialogue about the nature of memory and photographic representation in relation to personal history.
198
Contemporary Arts and Learning (198 Railton Road, Herne Hill, London, SE24 0JT), December 1, 7 - 10 pm, screening and conversation with Ajamu / Fine Art
Photographer and Marc Thompson, Brixton based activist and co-founder of
Black OUT UK and Prepster.info, leading campaigner for HIV prevention and sexual health.
The new exhibition revisits the original concept with
contemporary photographers considering what the African American experience looks like today, after the historic presidency of Barack Obama and in the age of
Black Lives Matter, alternative facts and supposed «fake» news.
An American constituency was also key at Nathalie Obadia, a Paris and Brussels gallery that had a beautiful, austere selection of
black - and - white photographs by the late Malian
photographer Seydou Keïta, who Obadia noted was a major influence on popular
contemporary American artists such as Mickalene Thomas and Kehinde Wiley.
Books Hannah
Black, Vernacular Loneliness Kency Cornejo,
Contemporary Art of El Salvador, 1977 - 2017 M. Neelika Jayawardane, Comrades with Cameras: The Afrapix
Photographers» Collective and the Anti-Apartheid Movement Janet Kraynak,
Contemporary Art and the Digitization of Everyday Life Shaka McGlotten,
Black Data Amber Musser, Brown Jouissance: Feminine Imaginings Nada Shabout, The Dialectics of the Decorative in Iraqi Art Greg Youmans, Something New Under the Sun: Bay Area Queer Filmmaking Across the 1970s