This past spring we visited the Museum of Fine Arts Houston,
Contemporary Craft Center, Blaffer Museum, Asia Society Texas, Contemporary Art Museum Houston and The Menil Collection.
Not exact matches
I'm also sending some work for an exhibition at the Houston
Center for
Contemporary Craft next year, and I'm very excited about that!
Gold Fest, June 4; Beacon Street Gallery, Uptown
Center Hull House, 4520 N. Beacon St. Blues band, rock band, gospel singers, Salsa bands, Laotian and Mexican dancers, performance of «One Gold Tooth, «ethnic and
contemporary art exhibits,
craft bazaar, children «s games, pony rides, ethnic food, Jesse White Tumblers.
2013 Art Public: Only One Like You, curated by Nicolas Baume, Art Basel Miami Beach, Miami Beach, FL Pataphysics (A Theoretical Exhibition), Sean Kelly Gallery, New York, NY Body is Present, Berrie
Center for Performing and Visual Arts, Ramapo College, NJ Hold on Her, (performance), Cleveland Museum of Art, Cleveland, OH All Good Things, SOMA Arts, San Francisco, CA Remainder, curated by Lauren Ross, Philbrook Museum of Art, Tulsa, Oklahoma The Lobby Project, City
Center, New York, NY Sisyphus: Heroism of the Absurd, Arte Actual, Quito, Ecuador If Color, then also Dimension; If Flatness, then Texture, etc., LMCC at Governor's Island, New York, NY Object Focus: The Bowl, Museum of
Contemporary Craft, Portland, OR Paint Things: Beyond the Stretcher, Decordova Sculpture Park and Museum, Lincoln, MA In Praise of Chance and Failure, Family Business, New York, NY There Is No Place Like Home, Paul Robeson Galleries, Rutgers, Newark, NJ Only as Signal Show, Southern Exposure, San Francisco, CA No Sun Without Shadow, Lu Magnus, New York, NY Unfolding Tales: Selections from the
Contemporary Collection, Brooklyn Museum, Brooklyn, NY
She is currently working on projects for the Caribbean Cultural
Center African Diaspora Institute, New York City; Grounds for Sculpture, Hamilton, NJ; the
Craft and Folk Art Museum, Los Angeles; and the
Contemporary Art
Center, Cincinnati.
SPRAWL Co-curated by former Houston
Center for
Contemporary Craft curatorial fellow Susie J. Silbert and former HCCC curator Anna Walker, SPRAWL explores the urban landscape with works by 16 artists presented in three thematic sections loosely based on the three phases of urban growth.
Through Sept. 7, Houston
Center for
Contemporary Craft.
Through Jan. 19, Houston
Center for
Contemporary Craft.
Noon - 5 p.m. Sunday; Houston
Center for
Contemporary Craft, 4848 Main; free; 713-529-4848, craft houston
Craft, 4848 Main; free; 713-529-4848,
craft houston
craft houston.org.
Next month, Houston
Center for
Contemporary Craft (HCCC) presents CraftTexas 2012, the seventh in a series of biennial juried exhibitions showcasing the best in Texas - made contemp
Contemporary Craft (HCCC) presents CraftTexas 2012, the seventh in a series of biennial juried exhibitions showcasing the best in Texas - made contemporary c
Craft (HCCC) presents CraftTexas 2012, the seventh in a series of biennial juried exhibitions showcasing the best in Texas - made
contemporarycontemporary craftcraft.
Adrian Esparza's site - specific installation «Spectra» is on view at Houston
Center for
Contemporary Craft through May 11.
Through May 11, Houston
Center for
Contemporary Craft.
A serape is the heart of Adrian Esparza's «Spectra,» an installation that closes Sunday at the Houston
Center for
Contemporary Craft.
Graham is primarily a weaver, but she knits, too, and last fall she was one of more than a dozen women attending a two - day workshop with Mably at the Houston
Center for
Contemporary Craft.
Houston
Center for
Contemporary Craft: «In Residence - Work by 2013 Resident Artists,» through Nov. 9, 4848 Main; 713-529-4848, crafthouston.org.
An opening reception for three new Houston
Center for Contemporary Craft exhibits will be hosted 5:30 - 8 p.m. Jan. 25 at the center, 4848 Main S
Center for
Contemporary Craft exhibits will be hosted 5:30 - 8 p.m. Jan. 25 at the
center, 4848 Main S
center, 4848 Main Street.
Whether shaken or stirred, the fifth annual Martini Madness crowd customized their bottomless beverages - from classics to cosmos to lemon drops - as they strolled through the Houston
Center for
Contemporary Craft.
Houston
Center for
Contemporary Craft: «At Your Service,» «Found Subjects: Works by Sondra Sherman» and «Mixed and Mastered: Turntable Kitsch,» through May 8; 4848 Main; 713-529-4848, crafthouston.org.
He participated in the recent Stop Asking: We Exist exhibition of African - American
craft art at the Society for Contemporary Crafts in Pittsburgh and curated the popular and groundbreaking exhibition Uncommon Beauty in Common Objects: The Legacy of African American Craft Art that toured the United States in the mid-1990's organized by the National Afro - American Museum & Cultural Center in Wilberforce
craft art at the Society for
Contemporary Crafts in Pittsburgh and curated the popular and groundbreaking exhibition Uncommon Beauty in Common Objects: The Legacy of African American
Craft Art that toured the United States in the mid-1990's organized by the National Afro - American Museum & Cultural Center in Wilberforce
Craft Art that toured the United States in the mid-1990's organized by the National Afro - American Museum & Cultural
Center in Wilberforce, OH.
Gary was the Chair and Professor of Metals at the Southwest School of Art in San Antonio and is currently completing a residency at the Houston
Center for
Contemporary Craft (until December 2015).
In addition to teaching, Clara has been a resident artist at The Archie Bray Foundation and The Houston
Center for
Contemporary Craft; she has participated in a number of national shows; she has received grants from the Puffin Foundation and the Elizabeth Greenshields Foundation; and she plays a mean banjo.
Traveled to: Renwick Gallery, National Collection of Fine Arts, Smithsonian Institute, Washington, D.C.; Cooper - Hewitt Museum, New York, 1979 - 1980 «Art from Corporate Collections,» Union Carbide Corporation Gallery, New York, May 9 - 30 «Selections from the Collection of Mr. and Mrs. Eugene Schwartz,» Knoedler Gallery, October 31 - November 28 «Color Abstractions: Selections from the Museum of Fine Arts, Boston,» Federal Reserve Bank Display Area, November 2 - January 31, 1980 1980 «L'Amerique aux Independents,» 91e Exposition, Societe des Artistes, Grand Palais, Paris, March 13 - April 13 «The Washington Color School Revisited: The Sixties,» Fendrick Gallery, Washington, D.C., September 9 - October 4 «Washington Color Painters,» Milwaukee Art
Center, September 1 - December 1981 «Paintings from the United States from the Museums of Washington, D.C.,» Institute of Fine Arts, Mexico City, November 18, 1980 - January 4 1982 «A Private Vision:
Contemporary Art from the Graham Gund Collection,» Museum of Fine Arts, Boston, February 7 - April 4 «Papermaking U.S.A.: History, Process, Art,» American
Craft Museum, New York, May 20 - September 26 «Out of the South: An Exhibition of Work by Artists Born in the South,» Heath Gallery, Atlanta, Georgia, October 1982 1983 «Early Works by
Contemporary Masters: Caro, Francis, Frankenthaler, Gottlieb, Held, Louis, Noland, Olitski,» Andre Emmerich Gallery, New York, September 6 - October 8 «Tapestries:
Contemporary Masters,» Malcolm Brown Gallery, Shaker Heights, Ohio, October 21 - November 30; New York, February 25 - March 7 «American Post-War Purism,» Marilyn Pearl Gallery, New York, May 31 «Recent Paintings by Kenneth Noland and Darby Bannard,» Douglas Drake Gallery, Kansas City, Missouri, June 1 - 30 «Arte Contemporaneo Norteamericans, Collection David Mirvish,» American Embassy in Madrid, January 1985 «Recent Acquisitions,» Museum of Modern Art, New York, February 16 - March 17 «Grand Compositions: Selections from the Collection of David Mirvish,» The Fort Worth Art Museum, Texas, May 1 «
Contemporary Monotypes,» Edith C. Blum Art Institute, Bard College, Annandale - on - Hudson, May 8 - July 10 «Selections from the William J. Hokin Collection,» Museum of
Contemporary Art, Chicago, April 20 - June 16 «American Abstract Painting,» Margo Leavin Gallery, Los Angeles, California, June 19 - August 24
2018 Pageant of Inconceivables, Woodstock Byrdcliffe Guild Kleinert / James
Center for the Arts, Woodstock, NY (forthcoming) Objects Like Us, part of the exhibition series The Domestic Plane: Tabletop Objects from Art and
Craft, curated by Amy Smith - Stewart, the Aldrich
Contemporary Art Museum, Ridgefield, CT 2017
2013 NCECA Biennial Exhibition Houston
Center for
Contemporary Craft January 26 — May 5 Reception Thursday, March 21, 2013 from 5:30 - 9:00 pm
She has been a resident artist at ART342, Vermont Studio
Center, Anderson Ranch, PlatteForum, The Houston
Center for
Contemporary Craft, Caldera and The Oregon College of Art and
Craft.
Houston
Center for
Contemporary Craft (HCCC) is pleased to present Treachery of Material: The Surrealist Impulse in
Craft, featuring Michael Crowder and Julia Maria Künnap, two artists who use surrealist strategies and references in their work.
About Houston
Center for Contemporary Craft Houston Center for Contemporary Craft (HCCC) is a nonprofit visual arts center dedicated to advancing education about the process, product, and history of
Center for
Contemporary Craft Houston Center for Contemporary Craft (HCCC) is a nonprofit visual arts center dedicated to advancing education about the process, product, and history of c
Craft Houston
Center for Contemporary Craft (HCCC) is a nonprofit visual arts center dedicated to advancing education about the process, product, and history of
Center for
Contemporary Craft (HCCC) is a nonprofit visual arts center dedicated to advancing education about the process, product, and history of c
Craft (HCCC) is a nonprofit visual arts
center dedicated to advancing education about the process, product, and history of
center dedicated to advancing education about the process, product, and history of
craftcraft.
His work has been included in numerous group exhibitions at venues such as the Baltimore Museum of Art, 2004; Hyde Park Art
Center, Chicago, 2007; Museum of
Contemporary Craft, Portland, Oregon, 2009; Greg Kucera Gallery, Seattle, 2010; Lehmann College Art Gallery, New York, 2010; Tanya Bonakdar Gallery, New York, 2011; University Art Museum, Albany, 2011; Oakville Galleries, Ontario, 2013; 601 Artspace, New York, 2013; and Grazer Kunstverein, Graz, Austria, 2013.
La Luz Jesus Gallery in Los Angeles, Fergus Fernandez Gallery in Houston, and Milagros
Contemporary Art, San Angel Gallery and the Southwest
Crafts Center in San Antonio have mounted solo exhibitions of de Leon's work.
But the enthusiastic response to several recent high - profile exhibitions, at the Institute of
Contemporary Art / Boston, the Fuller
Craft Museum in Brockton, Massachusetts, and the Drawing
Center in New York, suggests that interest in fiber art hasn't waned.
Selected & Group Exhibition 2017 Cheongiu International
Craft Biennale (Cheongiu) 2016 14 +15 = 29 designers del gioiello contemporano (Cremona / Italy) 2015, 2016 Japan - Italy
Contemporary Jewelry exchange exhibition - Dialogue -(Japan / Italy) 2015, 2013, 2009, 2004, 2005 Itami International
Craft Exhibition — Jewelry 2013 Cheongju International
Craft Biennale (Cheongju) 2014, 2012, 2008, 2004 Japan Jewelry Art Competition JCDA member's Exhibition (Paris) 2011 Taipei World Design Expo (Taipei) Solo Exhibition - Symbiotic -(HCMC) 2010 CCDO Design award (Nagoya) DIAMETRIC A two - persons exhibition (Ho Chi Minh) 2009 JJDA Exhibition Armory Art
Center (Florida) 2006 Metal Element Beyond (Seoul / Korea) 2005 — Artists From Asia - Contemporary art center (Delaware) 2004 JJA Jewelry Design Competition (Tokyo) 2002 From The Rising Sun (Brussels / Be
Center (Florida) 2006 Metal Element Beyond (Seoul / Korea) 2005 — Artists From Asia -
Contemporary art
center (Delaware) 2004 JJA Jewelry Design Competition (Tokyo) 2002 From The Rising Sun (Brussels / Be
center (Delaware) 2004 JJA Jewelry Design Competition (Tokyo) 2002 From The Rising Sun (Brussels / Belgium)
Feb. 7 - May 11, Houston
Center for
Contemporary Craft.
Through Jan. 19, Houston
Center for
Contemporary Craft, crafthouston.org.
2001 Jim Hodges, Camargo Vilaca, Sao Paulo, Brazil 2000 Subway Music Box, Tecoah Bruce Gallery of the Oliver Art Centre, California College of Arts and
Crafts, Oakland, California, USA Anthony Meier Fine Arts, San Francisco, California, USA 1999 Miami Art Museum, Miami, Florida, USA Marc Foxx Gallery, Los Angeles, California, USA Every way, Museum of
Contemporary Art, Chicago, Illinois; touring to Institute of
Contemporary Art, Boston, Massachusetts, USA 1998 CRG Art, New York, USA Jim Hodges: Welcome, The Kempner Museum of
Contemporary Art, Kansas City, Missouri, USA 1997 Galerie Ghislaine Hussenot, Paris, France Site Santa Fe, Santa Fe, New Mexico 1996 Yes, Marc Foxx, Santa Monica, California, USA States, The Fabric Workshop & Museum, Philadelphia, USA 1995 CRC Art, New York, USA
Center for Curatorial Studies, Bard College, Annandale - on - Hudson, New York, USA 1994 Evervthinq For You, Interim Art, London, England A Diary of Flowers, CRC Art, New York, USA
The Holocaust and
Contemporary Arts Museums, and the
Center for
Contemporary Craft, as well as many alternative art spaces and galleries focus on traveling exhibitions.
Undergraduate and Graduate students with a Studio Art GPA of 3.0 or higher are eligible for internships in area museums, alternative spaces and galleries including DiverseWorks Artspace, Lawndale Art
Center, the
Contemporary Arts Museum, the Museum of Fine Arts, Houston, and the Houston
Center for
Contemporary Crafts.
Recent exhibitions include the Museum of
Contemporary Art, Chicago, The Elmhurst Biennial, the Hyde Park Art
Center, The Heilbronn Kunstverein in Germany, The Huguenot House in Kassel, Germany, The Portland Museum of
Contemporary Craft, The Devos Art Museum in Michigan.
The momentum continues with CraftTexas opening at the Houston
Center for
Contemporary Craft.
[35][34][36] The Lunder
Center has five conservation laboratories and studios equipped to treat paintings, prints, drawings, photographs, sculptures, folk art objects,
contemporary crafts, decorative arts, and frames.
Recognizing that Asheville and the surrounding area has been a destination and hub for
craft in the United States since the late 19th Century, the Center for Craft is actively working to retain and strengthen the contemporary craft community in the re
craft in the United States since the late 19th Century, the
Center for
Craft is actively working to retain and strengthen the contemporary craft community in the re
Craft is actively working to retain and strengthen the
contemporary craft community in the re
craft community in the region.
2012 LA Raw: Abject Expressionism in Los Angeles, 1945 - 1980: From Rico Lebrun to Paul McCarthy, Pasadena Museum of California Art, Pasadena, CA African American Art Since 1950: Perspectives from The David C. Driskell
Center, organized by Smithsonian Institute of Traveling Exhibition Services (SITES), The David C. Driskell
Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Susquehanna Art Museum, Harrisburg, PA; Polk Museum of Art, Lakeland, FL; Figge Art Museum, Davenport, IA; The Harvey B. Gantt
Center for African - American Arts + Culture, Charlotte, NC; Taft Museum of Art, Cincinnati, OH Breaking in Two: Provocative Visions of Motherhood, Santa Monica Art
Center, Santa Monica, CA Against the Grain: Wood in
Contemporary Art,
Craft and Design, Museum of Arts and Design, New York, NY; Mint Museum of Art, Charlotte, NC; Museum of Art in Fort Lauderdale, FL Successions: Prints by African American Artists from the Jean & Robert Steele Collection, David C. Driskell
Center at the University of Maryland, College Park, MD Regarding Warhol: Fifty Artists, Fifty Years, The Metropolitan Museum of Art New York, NY From Nothing to SOMEthing: Assemblage, Collage and Sculpture, Tobey C. Moss Gallery, Los Angeles, CA To be a Lady: Forty - five Women in the Arts, 1285 Avenue of the Americas Art Gallery, New York, NY Full Spectrum: Prints from the Brandywine Workshop, Philadelphia Museum of Art, Philadelphia, PA African American Art Since 1950: Perspectives from the David C. Driskell
Center, David C. Driskell
Center at the University of Maryland, College Park, MD African American Visions: Selections from the Samella Lewis Collection, Ruth Chandler Williamson Gallery, Scripps College, Claremont, CA Baila Con Duende: Group Art Exhibition, Watts Towers Art
Center, Watts, CA We the People, Robert Rauschenberg Project Space, New York, NY The Female Gaze: Women Artists Making Their World, Pennsylvania Academy of the Fine Arts, Philadelphia, PA INsite / INchelsea: The Inaugural Exhibition, Michael Rosenfeld Gallery LLC, New York, NY
Wendy Maruyama: The wildLIFE Project is organized by Houston
Center for
Contemporary Craft and is curated by Elizabeth Kozlowski.
Reimer is a longtime Chicago artist whose work has been exhibited nationally and internationally in numerous spaces including the Memphis College of Art, Museum of
Contemporary Craft (Portland), Kohler Art
Center, De Appel Art
Center (Amsterdam) and locally at the Chicago Cultural
Center and Museum of
Contemporary Art (Chicago) to name a few.
Professor Chad Curtis will be exhibiting in The Tool at Hand at the Philadelphia Art Alliance in Philadelphia from February 1 to April 28, 2013 before the exhibition travels on to the Museum of
Contemporary Craft in Portland, Oregon, and the Houston
Center for
Contemporary Craft in Texas.
10 October — 27 October 2017,
Contemporary Masters from Britain, Jiangsu Arts and
Crafts Museum, Artall Arts
Center, Nanjing, China
The
Center for
Craft is a historic 1912 building on Broadway Street in downtown Asheville, NC featuring a contemporary craft gallery on the first floor with a unique mix of functional spaces to support your work and event n
Craft is a historic 1912 building on Broadway Street in downtown Asheville, NC featuring a
contemporary craft gallery on the first floor with a unique mix of functional spaces to support your work and event n
craft gallery on the first floor with a unique mix of functional spaces to support your work and event needs.
The Nude Man in Art from 1800 to the Present Day Musèe d'Orsay, Paris, France «Eye to I... 3,000 years of Portraits» Katonah Museum of Art, Katonah, NY 30 Americans, Milwaukee Art Museum, Milwaukee, WI Through the Eyes of Texas: Masterworks from Alumni Collections, The Blanton Museum of Art, Austin, TX 2012 Looped, Utah Museum of
Contemporary Art, Salt Lake City, UT The Human Touch: Selections from the RBC Wealth Management Art Collection, RedLine Gallery, Denver, CO The Soul of a City: Memphis Collects African American Art, Memphis Brooks Museum of Art, Memphis, TN 30 Americans, Chrysler Museum of Art, Norfolk, VA All I Want is a Picture of You, Angles Gallery, Los Angeles, CA BAILA con Duende: Group Art Exhibition, Watts Towers Arts
Center and Charles Mingus Youth Arts
Center, Los Angeles, CA The Bearden Project, The Studio Museum in Harlem, New York, NY The Human Touch: Selections from the RBC Wealth Management Collection, The Scottsdale Museum of
Contemporary Art, Scottsdale, AZ 2011 Parallel Perceptions, NYC Opera, New York, NY Who, What, Wear: Selections from the Permanent Collection, Studio Museum Harlem, New York, NY Capital Portraits: Treasures from Washington Private Collections, National Portrait Gallery, Smithsonian Institution, Washington, D.C. Becoming: Photographs from the Wedge Collection, The Nasher Museum of Art at Duke University, Durham, NC Human Nature:
Contemporary Art from the Collection, Broad
Contemporary Art Museum (BCAM) at Los Angeles County Museum of Art, (LACMA) Los Angeles, CA Beyond Bling: Voices of Hip - Hop in Art, Ringling Museum of Art, Sarasota, FL 30 Americans: Rubell Family Collection, Corcoran Gallery of Art, Washington, D.C.. For a Long Time, Roberts & Tilton, Culver City, CA RE-Envisioning the Baroque, I.D.E.A. at Colorado College, Colorado Springs, CA 2010 Size Does Matter, FLAG Art Foundation, New York NY Passion Fruits, Collectors Room, Berlin The Global Africa Project Exhibition, Museum of Arts and Design, New York, NY Personal Identities:
Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, CA Patter ID, Akron Art Museum, Akron, OH Wild Thing, Roberts & Tilton, Culver City, CA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, PA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, ND The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the
Contemporary African American Experience, Kentucky Museum of Art and
Craft, Louisville, KY The Gleaners:
Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, CO From Then to Now: Masterworks of
Contemporary African American Art, Cleveland Art Museum, Cleveland, OH 2009 Enchantment, Joseloff Gallery, Hartford, CT Reconfiguring the Body in American Art, 1820 - 2009, National Academy Museum, New York Creating Identity: Portraits Today, 21C Museum, Louisville, KY Other People: Portraits from Grunwald and Hammer Collections, Curated by Cindy Burlingham and Gary Garrels, Hammer Museum, Los Angeles, CA 2008 30 Americans, Rubell Family Collection, Miami, FL Recognize: Hip Hop amd
Contemporary Portraiture, Smithsonian Institution National Portrait Gallery, Washington, D.C. Macrocosm, Roberts & Tilton, Culver City, CA 21:
Contemporary Art at the Brooklyn Museum, The Brooklyn Museum, Brooklyn, NY Selected Drawings, Museum of
Contemporary Art, Cleveland, Cleveland, OH Down, Museum of
Contemporary Art, Detroit, Detroit, MI
artscope proudly sponsors the region's culture and art institutions, including: Amherst Biennial Arts Affair 9th Annual Artists for Humanity Greatest Party on Earth 12th Annual Marina Bay Boardwalk Arts artistprojectny / Architectural Digest Home & Design Show Asian Cultural
Center of Vermont Boston Public Library Brattleboro Gallery Walk Breast Cancer Research Burlington Open Studios Bristol Warren Art Night Cambridge Arts Council Cambridge Open Studios Cambridge River Festival Chelsea, NY High Line Development Project Copley Society of Art Fresh Paint Auction Danforth Museum Fountain Street Open Studios International Encausitc Conference Karla Little Fine Furnishings Light Up the Arts Lowell Folk Festival Lyric Stage Company Make Speak:
Contemporary Craft MassArt Auction Montserrat College of Art, Artrageous!
«Artadia New York Artist Residency,» International Studio & Curatorial Program, New York, NY, July 1 — September 30, 2010 «Gestures of Resistance,» Museum of
Contemporary Craft, Portland, OR, June 18 — 19, 2010 «Hand + Made
Contemporary: Just a Closer Walk With Thee, Toward a Legendary Black Clay Superhero,»
Contemporary Arts Museum, Houston, TX, May 15 — July 25, 2010 «To Speculate Darkly: Theaster Gates and Dave, the Slave Potter,» Chipstone Foundation, Milwaukee Art Museum, Milwaukee WI, April 16 — August 1, 2010 «Pushing the Archive, Art History Archive and a Mover's Uniform,» performance at The Armory Show, New York, NY, 2010 «Cosmology of Yard,» installation and performance at «2010 Whitney Biennial,» Whitney Museum of American Art, New York, NY, February 25 — May 30, 2010; catalogue «Theaster Gates: Arts / Industry Residency, Pottery,» John Michael Kohler Arts
Center, Chicago, IL, January 3 — March 27, 2010
She has exhibited most recently in the group exhibition «The Freedom Principle: Experiments in Art and Music, 1965 To Now» at the Museum of
Contemporary Art Chicago and The Institute of
Contemporary Art Philadelphia, and in group exhibitions at the Kentucky Museum of Arts and
Crafts, The Logan
Center of the Arts at The University of Chicago, and in a solo presentation at the Soccer Club Club.