The museum published a catalogue to accompany the exhibition with essays by Nora Atkinson, the museum's Lloyd Herman Curator of Craft; Suzanne Ramljak, curator of exhibitions at the American Federation of Arts and editor at Metalsmith; and Anna Walker, the Windgate Foundation Curatorial Fellow for
Contemporary Craft at the Museum of Fine Arts, Houston.
The artists were selected by Nora Atkinson, the museum's Lloyd Herman Curator of Craft; Suzanne Ramljak, curator of exhibitions at the American Federation of Arts and editor at Metalsmith; and Anna Walker, the Windgate Foundation Curatorial Fellow for
Contemporary Craft at the Museum of Fine Arts, Houston.
The artists were selected by Atkinson; Suzanne Ramljak, curator of exhibitions at the American Federation of Arts and editor at Metalsmith; and Anna Walker, the Windgate Foundation Curatorial Fellow for
Contemporary Craft at the Museum of Fine Arts, Houston.
Between 2008 and 2011 she earned Certificate II and IV in Visual Art and
Contemporary Craft at TAFE, which gave her a boost of confidence in her abilities and talent, and she definitely chose an artistic career.
This March, examining themes of ritual and addiction, Erin M. Riley and Lucien Shapiro set forth a dialog constructed through personal narrative and
contemporary craft at Hashimoto Contemporary in Sa
Not exact matches
Perfect for gin veterans and newcomers alike, the small batch gin was recently awarded a bronze medal for
contemporary gin
at the 2015 American
Craft Spirits Association 2015 Awards.
I'm also sending some work for an exhibition
at the Houston Center for
Contemporary Craft next year, and I'm very excited about that!
The lovely people
at The Great Northern
Contemporary Craft Fair have offered us two pairs of tickets (worth
Her background in non-profit administration also includes serving as an admissions officer
at Columbia Law School, publications coordinator
at the Detroit Grand Opera Association, and public relations assistant
at NYC's Museum of
Contemporary Crafts, as well as sitting on various independent school boards.
This luxuriant leather jacket, made of full - grain premium quality sheep nappa leather, is
crafted to perfection by hand and designed to look
contemporary yet traditional
at the same time.
«Composed by two musicians
at the height of their
craft, the album reveals itself, thus far, as the apex of a limited genre still forming and as one of our finest
contemporary acts of remembrance and ascension.»
«BPM,» «God's Own Country,» and «Call Me By Your Name»: Though the handsomely
crafted, Italian - set «Call Me By Your Name» has gotten all the critical attention, two other films about young gay men coming to terms with themselves in much harsher environments — the French «BPM» is set
at the height of the AIDS crisis in Paris while the
contemporary British drama «God's Own Country» is set in a grim, rural northern England — are both more haunting and powerful.
Artifacts and reflections from Studio H are on display
at the Museum of
Contemporary Craft in Portland, Oregon, through February.
Warm and
contemporary, Bookerly is inspired by the artistry of the best fonts in modern print books, but is hand -
crafted for great readability
at any size.
Try sophisticated tapas
at always - packed Bocanova,
contemporary Japanese
at Ozumo, or charcuterie and
craft cocktails
at Adesso.
Afternoon Go shopping for local
crafts at the Cairns Night Markets before enjoying an adventurous menu featuring native game, herbs and seafood
at the
contemporary Ochre Restaurant.
Run by the team behind Li Bai Cantonese Restaurant
at Sheraton Towers, Singapore, Full of Luck Club dishes out timeless plates like roast meats, fresh noodles and dim sum, alongside
contemporary items including Chinese - inspired salads,
craft beers, and speciality «baos» 包 from its takeaway Bao Bar.
The concept was based around the idea of a traditional ruled notebook, with subtle nuances that hint
at tradition and
craft but with a distinctly
contemporary feel.
Beccy studied
Contemporary 3D
Crafts at the University of York achieving a first class honours degree in 2008.
Gibson blends a classic
contemporary art bio — studies
at the Art Institute of Chicago and the Royal College of Art, current representation by the New York gallery Sikkema Jenkins & Co. — with a deep understanding of indigenous
craft traditions.
2017 Talking Pictures: Camera Phone Conversations Between Artists, The Metropolitan Museum of Art, New York, NY Person of the Crowd: The
Contemporary Art of Flânerie, The Barnes Foundation, Philadelphia, PA DRAW / Boston, MassArt, Boston, MA Southern Accent: Seeking the American South in
Contemporary Art, Speed Art Museum, Louisville, KY Uptown, The Wallach Art Gallery
at Columbia University, New York, NY Maker, Maker, Children's Museum of the Arts, New York, NY No burden as heavy, David Castillo Gallery, Miami Beach, FL Jacob Lawrence: Lines of Influence, SCAD Museum of Art, Savannah, GA The Legacy of Lynching: Confronting Racial Terror in America, Brooklyn Museum, New York, NY Victory over the Sun: The Poetics and Politics of Eclipse, Kentucky Museum of Art and
Craft, Louisville, KY Detroit 67: Perspectives, Detroit Historical Society, Detroit, MI ProjectArt Presents: My Kid Could Do That, Kimpton Eventi Hotel, New York, NY
2013 Art Public: Only One Like You, curated by Nicolas Baume, Art Basel Miami Beach, Miami Beach, FL Pataphysics (A Theoretical Exhibition), Sean Kelly Gallery, New York, NY Body is Present, Berrie Center for Performing and Visual Arts, Ramapo College, NJ Hold on Her, (performance), Cleveland Museum of Art, Cleveland, OH All Good Things, SOMA Arts, San Francisco, CA Remainder, curated by Lauren Ross, Philbrook Museum of Art, Tulsa, Oklahoma The Lobby Project, City Center, New York, NY Sisyphus: Heroism of the Absurd, Arte Actual, Quito, Ecuador If Color, then also Dimension; If Flatness, then Texture, etc., LMCC
at Governor's Island, New York, NY Object Focus: The Bowl, Museum of
Contemporary Craft, Portland, OR Paint Things: Beyond the Stretcher, Decordova Sculpture Park and Museum, Lincoln, MA In Praise of Chance and Failure, Family Business, New York, NY There Is No Place Like Home, Paul Robeson Galleries, Rutgers, Newark, NJ Only as Signal Show, Southern Exposure, San Francisco, CA No Sun Without Shadow, Lu Magnus, New York, NY Unfolding Tales: Selections from the
Contemporary Collection, Brooklyn Museum, Brooklyn, NY
Sara Gallo and Barbara Baur will not be showing work
at Open Studios, as they will be
at the Philadelphia Museum of Art
Contemporary Craft Show showing their work that afternoon.
Kate has exhibited extensively in solo and group exhibitions across Australia including
at Daine Singer,
Craft Victoria, Gertrude
Contemporary, West Space, Conical, Centre for
Contemporary Photography, Melbourne Art Fair, Silvershot,
Contemporary Art Space of Tasmania, Chalk Horse Gallery, Nellie Castan Gallery, First Draft, MOP, Perth Institute of
Contemporary Art, and Canberra
Contemporary Art Space.
The Wolf Down Weekender
at Nottingham
Contemporary, will be hosting a family friendly street food party.Look out for street food, a gin bar, cocktail bar,
craft beer bar,...
Sherman's paintings have been included in solo and group exhibitions
at DC Moore Gallery, New York; Kavi Gupta Gallery, Chicago; Houldsworth Gallery, London; DCKT, New York; Aurobora, San Francisco; Hof and Huyser Gallery, Amsterdam; the
Contemporary Jewish Museum, San Francisco; Gallery Seomi, Seoul; The New Gallery, Austria; the Neuberger Museum of Art, Purchase, N.Y.; and the Kentucky Museum of Art and
Craft, Louisville.
Bailey has been artist - in - residence
at Pittsburgh's Society for
Contemporary Craft,
at the Studio Museum in Harlem, and the Marie Walsh Sharpe Art Foundation in New York City.
[iv] In 1962, these woven forms were featured in a solo exhibition
at the Art Institute of Chicago, and the following year, the Museum of
Contemporary Crafts (later the American
Craft Museum and now the Museum of Arts and Design) used her phrase for the title of a traveling exhibition, that included work by Tawney, Dorian Zachai, Claire Zeisler, Sheila Hicks, and Alice Adams.
Juried by Kate Lydon, director of exhibitions
at the Society for
Contemporary Craft.
Lucky Plush Marina Abramovic Institute MDW Fair Milk Studios Museum of
Contemporary Photography Renegade
Craft Fair Richard Meier Roots & Culture Gallery School of the Art Institute of Chicago The Public Media Institute The Nexus Project threewalls Tumblr Umm el - Fahem Art Gallery University of Illinois
at Chicago School of Art and Architecture University of Wisconsin Madison Version Festival Zabludowicz Collection Zemack
Contemporary Art
Adrian Esparza's site - specific installation «Spectra» is on view
at Houston Center for
Contemporary Craft through May 11.
Mixed Reviews
at New Istanbul Fair — Reports from exhibitors and collectors
at the new All Arts Istanbul fair revealed a bit of puzzlement
at the combination of traditional Turkish
crafts and classical artworks, which sold well overall, and edgier
contemporary art.
Earlier solo institutional presentations include concurrent presentations
at the University of Louisville, Kentucky and the Kentucky Museum of Art and
Craft, Louisville, KT in 2013; Luettgenmeijer, Berlin; La Conservera, Murcia, Spain; Artpace, San Antonio, TX; and Parasol Unit Foundation for
Contemporary Art, London.
Currently she serves on the board of the
Contemporary Craft Council
at CAFAM and also the Acquisitions Committee for MOLAA, both since 2012.
A serape is the heart of Adrian Esparza's «Spectra,» an installation that closes Sunday
at the Houston Center for
Contemporary Craft.
But the handmade - ness that makes printed catalogs a terrific work of
craft doesn't always make them an ideal vehicle for distributing information,
at least in the
contemporary era.
Graham is primarily a weaver, but she knits, too, and last fall she was one of more than a dozen women attending a two - day workshop with Mably
at the Houston Center for
Contemporary Craft.
Chris Natrop's hand - cut paper forest
at the
Craft & Folk Art Museum is part of the exhibition «Paperworks,» which features sculptures, collages and large - scale installations by 15
contemporary artists working in unusual ways with paper.
An opening reception for three new Houston Center for
Contemporary Craft exhibits will be hosted 5:30 - 8 p.m. Jan. 25
at the center, 4848 Main Street.
At no other time in our
contemporary history have the boundaries between art,
craft and design been more obsolete than now.
The «Paperworks» exhibition
at the
Craft and Folk Art Museum features sculptures, collages and large - scale installations by 15
contemporary artists working with paper in unusual ways.
Houston Center for
Contemporary Craft: «
At Your Service,» «Found Subjects: Works by Sondra Sherman» and «Mixed and Mastered: Turntable Kitsch,» through May 8; 4848 Main; 713-529-4848, crafthouston.org.
He participated in the recent Stop Asking: We Exist exhibition of African - American
craft art at the Society for Contemporary Crafts in Pittsburgh and curated the popular and groundbreaking exhibition Uncommon Beauty in Common Objects: The Legacy of African American Craft Art that toured the United States in the mid-1990's organized by the National Afro - American Museum & Cultural Center in Wilberforce
craft art
at the Society for
Contemporary Crafts in Pittsburgh and curated the popular and groundbreaking exhibition Uncommon Beauty in Common Objects: The Legacy of African American
Craft Art that toured the United States in the mid-1990's organized by the National Afro - American Museum & Cultural Center in Wilberforce
Craft Art that toured the United States in the mid-1990's organized by the National Afro - American Museum & Cultural Center in Wilberforce, OH.
Gary was the Chair and Professor of Metals
at the Southwest School of Art in San Antonio and is currently completing a residency
at the Houston Center for
Contemporary Craft (until December 2015).
In addition to teaching, Clara has been a resident artist
at The Archie Bray Foundation and The Houston Center for
Contemporary Craft; she has participated in a number of national shows; she has received grants from the Puffin Foundation and the Elizabeth Greenshields Foundation; and she plays a mean banjo.
She has been a resident artist
at ART342, Vermont Studio Center, Anderson Ranch, PlatteForum, The Houston Center for
Contemporary Craft, Caldera and The Oregon College of Art and
Craft.
Wilke has also participated in a large number of significant group exhibitions including the forthcoming exhibition Virginia Woolf: an exhibition based on her writing, Tate St Ives (2018); Delirious: Art
at the Limits of Reason, 1950 - 1980, Met Breuer, New York (2017); Body Talk, Rose Art Museum, Waltham (2017); Feminist Avant - Garde of the 1970s, ZKM, Karlsruhe (2017), travelling to Stavanger Art Museum, Norway and The Brno House of Arts, Brno (2018); I Remember Not Remembering, Scottsdale Museum of
Contemporary Art (2017); The Beguiling Siren is Thy Crest, Museum of Modern Art in Warsaw (2017); Performing for the Camera, Tate Modern, London (2016); Revolution in the Making: Abstract Sculpture by Women, 1947 - 2016, Hauser & Wirth & Schimmel, Los Angeles (2016); Americana: Formalizing
Craft, Perez Art Museum, Miami (2013); Aquatopia: The Imaginary of the Ocean Deep, Nottingham
Contemporary (2013); Human Nature, Los Angeles County Museum of Art (2012); Naked Before the Camera, Metropolitan Museum of Art, New York (2012); Elles: Women Artists from the Centre Pompidou, Seattle Art Museum (2012); The Body as Protest, Albertina Museum, Vienna (2012); Ourselves, Australian Centre for
Contemporary Art, Melbourne (2012); The Original Copy: Photography of Sculpture, 1839 to Today, MoMA, New York and elles@centrepompidou, Centre Pompidou, Paris (2010).
Opening April 3rd
at EFA Project Space, Common J ive presents a spectrum of
contemporary artists who summon up vernacular and traditional
craft approaches in their art - making practice.
The group exhibition «Entangled: Threads & Making «
at Turner
Contemporary brings together 40 international female artists from different generations and cultures, who challenge established categories of
craft, design and fine art.
His work has been included in numerous group exhibitions
at venues such as the Baltimore Museum of Art, 2004; Hyde Park Art Center, Chicago, 2007; Museum of
Contemporary Craft, Portland, Oregon, 2009; Greg Kucera Gallery, Seattle, 2010; Lehmann College Art Gallery, New York, 2010; Tanya Bonakdar Gallery, New York, 2011; University Art Museum, Albany, 2011; Oakville Galleries, Ontario, 2013; 601 Artspace, New York, 2013; and Grazer Kunstverein, Graz, Austria, 2013.