Sentences with phrase «contemporary drawing by»

An original pastel and sewn thread contemporary drawing by American female artist Dorothy Fitzgerald.

From exacting works created with traditional media to pieces that employ more experimental approaches and materials, New Work: Drawings Today presents a survey of contemporary drawings by 27 artists based primarily in New York, Los Angeles, and San Francisco.

The Museum Boijmans Van Beuningen presents Contemporary Surrealist Drawings in Paris, on view at the Institut Néerlandais, Paris, 1 March — 13 May 2012 a selection of more than seventy contemporary drawings by seventeen artists from Museum Boijmans Van Beuningen's collection.

Series Drawings juxtaposes historic and contemporary drawings by artists including Georg Baselitz, Joseph Beuys, Marcel Broodthaers, Aaron Curry, André Derain, Peter Doig, Jean Fautrier, Jörg Immendorff, Per Kirkeby, Markus Lüpertz, Henri Michaux, A.R. Penck, Francis Picabia, Sigmar Polke, Eugen Schönebeck, Louis Soutter and Don Van Vliet.

The two - venue group exhibition assembles a dynamic range of contemporary drawings by 14 international artists: ruby onyinyechi amanze, Milano Chow, Nidhal Chamekh, Kate Davis, Karl Haendel, David Haines, Ian Kiaer, Ciprian Muresan, David Musgrave, Wura - Natasha Ogunji, Kathy Prendergast, Massinissa Selmani, Lucy Skaer and Barbara Walker.

Not exact matches

Those numbers were far diminished from what the show drew in its heyday, but they remain respectable by contemporary standards, with delayed viewing and increased competition applying downward pressure on live ratings across television.

Drawn from learning that is both vast and profound, the rich details and frequently exciting flashes of insight provided by this work confirm the stature of Robert Jenson among contemporary theologians» a stature that, it seems to this foreign observer, is not sufficiently recognized in American theology.

His uncompromising sermons on «The Sins of Society» attracted large audiences; they also drew criticism, and he was described by a contemporary as a modern Savonarola.

In this story these characters and their situation are not depicted by analogy but directly, and, in consequence, the hearers are not left to draw their own conclusions, but rather are challenged by the direct statement: «I tell you...» The challenge is the one we have seen throughout this group of parables, the fundamental challenge of Jesus to his hostile contemporaries.

He drew from this memory a lesson for contemporary Christians, namely to invest in their Sunday observance some of the spirit of the Jewish Sabbath (in whose observance, by the way, Jesus was so scrupulous during his life on earth).

This will draw on unrivalled knowledge and resources to provide an open, independent and sharpened focus on contemporary China, informed by a deep engagement with China's history, culture, language and society.

Though it would be foolish to pretend a document drawn up by feudal barons contains the answers, the Magna Carta furnishes a rich tradition of resistance to arbitrary power to inspire and orientate contemporary struggles.

Now, three mathematicians have proposed a purely mathematical technique that requires only a digitized image and shown that they can use it to distinguish authentic drawings by Flemish artist Pieter Bruegel the Elder (ca. 1525 - 1569) from imitations by his contemporaries and followers.

As directed by my generational contemporary Len Wiseman, Live Free or Die Hard shows at least a superficial understanding of what makes Willis» most fiscally successful films tick: a hissable bad guy (Timothy Olyphant as cyber-terrorist Thomas Gabriel), armies of henchmen (and in this case, a henchwoman), and NYPD cop McClane, reluctantly drawn into bruising fistfights and games of chicken with large vehicles and machinery.

Christian Petzold's last film, the masterful Phoenix, drew complex undercurrents of suspicion, psychological unease, and suspense (not to mention one of the greatest endings in contemporary film) out of the noirish story of a disfigured Holocaust survivor who returns to post-war Berlin and is roped into a scheme by the husband who mistakes her for a stranger.

Aside from a few mentions of political buzzword terms such as «Supreme Leader», the script by Abrams and Lawrence Kasdan largely abstains from drawing parallels to contemporary geopolitical history, which should be music to the ears of those who found the Jihadist parable at the centre of Star Trek Into Darkness to be supremely distasteful.

Whilst, slightly more seriously, the British library's highlighting of the last surviving scrap of handwritten Shakespeare script (from the play «Thomas Moore» by contemporary Anthony Munday, with contributions from the bard and others) on its Discovering Literature website drew plenty of comment on its relevance to the current refugee crisis.

Entries will be judged by a range of leading experts, journalists, artists and business leaders including Editor of ITV News Rachel Corp, Sponsor of the Wildlife / Animal Painting and Drawing Award and Creator of the Virry Art Book Svetlana Dragayeva, Main Partner Whatson4 Director Debbie Bird, Award winning Children's Author Peter Johnson and British Contemporary Artists Toby Ray and Yvonne Coomber.

Gridded drawings from historical African masks, fact sheet to support initial research and an artist annotation planning sheet for the artist Marcos Roman (a contemporary artist influence by African art).

Commenting on the school's contribution to the project, Rye St Antony's Head of Art and Design Jenny White said,» Each of these panels will seek to draw connections between the story of creation in Genesis and the contemporary challenge to overcome hostility and division by caring for the planet.

It covers the following National Curriculum learning objectives: - develop pleasure in reading, motivation to read, vocabulary and understanding by: listening to, discussing and expressing views about a wide range of contemporary and classic poetry, stories and non-fiction at a level beyond that at which they can read independently - becoming increasingly familiar with and retelling a wider range of stories, fairy stories and traditional tales - drawing on what they already know or on background information and vocabulary provided by the teacher - making inferences on the basis of what is being said and done - answering and asking questions - predicting what might happen on the basis of what has been read so far - using dictionaries to check the meaning of words that they have read - checking that the text makes sense to them, discussing their understanding, and explaining the meaning of words in context

Roesch and the Talbot 14/45 — Nick Baldwin discusses the importance of this remarkably advanced model and recalls his enjoyment of his own example / Napiers in Australia — A fascinating selection of period photographs of Napiers «down under» has been discovered by Bill Bishop / Derby Bentleys — On their 60th anniversary Martyn Nutland re-assesses the first Rolls - Royce - produced Bentleys / Car badges — In part 2 of his article Michael Worthington - Williams reveals further examples of motor car heraldry / Evolution of the car up to 1904 — Bryan Goodman explains how the design of the earliest cars developed from that of contemporary horse - drawn vehicles / 1931 Morris Minor — The Editor experiences William Morris's somewhat belated but technically advanced answer to the Austin Seven / Acetylene lighting Part 2 — Dr. C. Brooks continues his history of the development of acetylene lighting for vehicles / Hillman light car mystery — Some doubt remains as to the precise age of this beautifully preserved 1919 Hillman.

MacGregor's contemporaries have also drawn attention to this issue: Timandra Whitecastle — whose grimdark debut Touch of Iron aims to redefine «strong» female characters — recently expressed similar views about the frustrations caused by those who insist upon such a divide.

My favorite, which was released recently is Archaeology, Anthropology and Interstellar Communication and edited by SETI Director of Interstellar Message Composition Douglas Vakoch, the document draws on «issues at the core of contemporary archaeology and anthropology» to prepare us «for contact with an extraterrestrial civilization, should that day ever come.»

Drawing inspiration from the island's natural beauty and vast historical influences, the suites are awash in a fresh, clean palette punctuated by shades of blue, billowy fabrics, contemporary furnishings and unique decor to create a spacious and peaceful place to sleep, relax and simply be.

That's not to say that Sundered can necessarily go toe - to - toe with the likes of Horizon Zero Dawn or Uncharted 4, but the hand - drawn art, the quality of the animation, and the game's visual fluidity are unmatched by its contemporaries.

Featuring an all new re-imagined contemporary art style, hand - drawn and presented in 1080p, complete voice over by members of the original Monkey Island ™ franchise cast, a re-mastered musical score using live instruments, plus scene - for scene - hot swap to seamlessly transition between Special Edition and Classic modes at anytime.

New York Real estate Modern and contemporary Latin American and international art; drawings and paintings by architects, especially Le Corbusier Top 200 appearance: 2017

Modern and contemporary Latin American and international art; drawings and paintings by architects, especially Le Corbusier

In addition to these are about a dozen of the artist's preparatory drawings, an etching, an etching and engraving made after him, and a handful of drawings and paintings made by his contemporaries Jean - Baptiste Joseph Pater and Nicolas Lancret, and a predecessor, Philips Wouwerman, whose Cavalry Camp, 1683 - 68, also belongs to the Frick.

In his intricately detailed series Arcane, UK - based illustrator and designer Joshua Bale created a range of illustrations heavily influenced by medieval drawings and art, as well as more contemporary sources.

1986 Art on Paper, Weatherspoon Art Gallery, UNC Greensboro, NC Romanticism & Cynicism in Contemporary Art, Haggerty Museum of Art, Marquette Univ., Milwaukee, WI First Impressions, Allan Frumkin Gallery, New York, NY Ten From The Drawing Center, Paine Weber Art Gallery, New York, NY Senza Paura, Wessel O'Connor Gallery, Rome, Italy Inaugural Exhibition, Curt Marcus Gallery, New York, NY Notes From the Underground, Allan Frumkin Gallery, New York, NY 57th Between A & D, Holly Solomon Gallery, New York, NY EL Arte Narrativo, PS 1, Long Island University, New York, NY Alumni Exhibition, Pratt Institute, Brooklyn, NY New Art, Modernism Gallery, San Francisco, CA New York, NY / Seattle, Seattle Center on Contemporary Art, Seattle, WA Outline, Cutout, Silhouette, Allan Frumkin Gallery, New York, NY Avenue C By The Sea, Tower Gallery, East Hampton, New York, NY East Village Collection, Palladium, New York, NY Summer Pleasures, Nancy Hoffman Gallery, New York, NY

Organized by the Museum of Contemporary Art San Diego in collaboration with the San Diego African American Museum of Fine Art, Dimensions of Black traces the legacy of UC San Diego's MFA program by drawing from the museums» permanent collections.

In this exhibition, artist Stephen Hannock's recent gift to the Albright - Knox, The Great Falls; for Xu Bing (MassMoca # 180), will be joined by additional historical and contemporary interpretations of the natural wonder drawn from the museum's collection.

2017 — LOG at LUMP Gallery, Raleigh, NC, curated by Maria Britton — AWKWARD MOMENTS, Lesley Heller Workspace, New York, NY 2015 — SACRED PLACES, Smithy Center for the Arts, Cooperstown, NY 2014 — MEMENTO MORI, Field Projects, New York, curated by Deborah Brown — CROWD, curated by Andrea Brown for The Outsider's Studio Collective, Liberty, NY 2013 — NYFA@GOVERNORS, curated by New York Foundation For The Arts for Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jackson

P.S. 1 Contemporary Art Center presents a selection of paintings and drawings by John Tweddle organized in memory of collector Robert C. Scull.

1999 AC Project Room, New York, N.Y. Staff USA Gallery «Goldberg, Kamitaki, Beckett» New York, N.Y. Galerie Albrecht Minimal.Emotional» (Goldberg, Hofmann, Mills, Su) Munich, Germany Parsons School of Design Galleries «Drawing in The Present Tense» curated by Roger Shepherd and George Negroponte (catalogue) New York, N.Y. Zeitgeist «Monotypes» (Glenn Goldberg, Will Berry) Nashville, TN 1998 Hill Gallery Birmingham, MI 20th Century Art L.I.C., N.Y. 1997 20th Century Art L.I.C., N.Y. Galerie Albrecht Munich, Germany Rose Art Museum «Works From The Collection» Waltham, MA 1996 Knoedler & Co., New York, N.Y. Hill Gallery, Birmingham, MI 1995 Hill Gallery, Birmingham, MI The Work Space «Wacko» New York, N.Y. Galerie Albrecht «Gosewitz / Goldberg» Munich, Germany Edward Hopper House «Goldberg / Wiley» (videotape) Nyack, N.Y. 1994 Hill Gallery Birmingham, MI The Academy of Arts & Letters «46th Annual Academy Purchase Exhibition» New York, N.Y. Baxter Gallery of Art «Intimate Observation» curated by Jennifer Gross Portland, ME Castle Gallery «Toys / Art / Us» curated by Lori Friedman New Rochelle, N.Y. 1993 New York Studio School «Formative Past: Present Form» New York, N.Y. Galerie Albrecht «Baechler, Goldberg, Hofer, Roiter» Munich, Germany Robert Morrison Gallery «Goldberg, Humphrey, Koorland» New York, N.Y Castelli Gallery «Drawings: Foundation of Contemporary Performance Arts» New York, N.Y. 1992 Germans Van Eyck Gallery «Play Between Fear And Desire» curated by Jennifer Gross New York, N.Y. Rosenthal Fine Art «Glenn Goldberg - Josef Ramaseder» Chicago, IL Angles Gallery «Numbers» Santa Monica, CA David Beitzel Gallery «Paper Houses» New York, N.Y. Betsy Senior Gallery «Goldberg, Mangold, Row, T. Winters» New York, N.Y. Galerie Theuretzbacher «Against The Grain» (catalogue) Vienna, Austria 1991 Bellas Artes Gallery «Masterworks of Contemporary Painting, Sculpture and Drawing: The 1930's to the 1990's» Santa Fe, New Mexico Hill Gallery Birmingham, MI Museum of Contemporary Art «The Scott Spiegel Collection» Los Angeles, CA 1990 Wetterling Gallery (catalogue) Stockholm, Sweden Madison Art Center «Intimate Inventions / Gestural Abstractions» Madison, WI.

Her work has been exhibited around the country, most notably at the 2017 LBIF Annual Drawing Exhibition, juried by the Whitney Museum's Jane Panetta; the Allentown Museum of Art, PA; Delaware Art Museum, DE; and the Center for Contemporary Art in Santa Fe, NM.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

Surface Truths, drawn from the Museum's holdings, presents seminal and seldom - seen work by these artists who blazed an important trail through the contemporary art world.

2006 Art LA, represented by Linda Warren Gallery, Los Angeles, CA Urban Institute for Contemporary Art, Grand Rapids, MI Drawing No Conclusions, curated by Dominic Molon, Associate Curator, Museum of Contemporary Art Chicago, IL Judith Racht Gallery, Layer on Layer: a collage show, Harbert, MI

Bringing together four contemporary African artists living in the United States this group show engenders a discussion about history, fact, and fiction through paintings, drawings, and sculptural works by ruby onyinyechi amanze (b. 1982, Nigeria), Duhirwe Rushemeza (b. 1977, Rwanda), Sherin Guirguis (b. 1974, Egypt), and Meleko Mokgosi (b. 1981, Botswana).

Journey from figuration to abstraction through a sequence of drawing, collage, stenciling, and painting in this afternoon studio workshop taught by contemporary artist Yevgeniya Baras.

Her first museum retrospective, curated by Dan Byers at the Institute of Contemporary Art, Boston, will include fifteen sculptures and twelve drawings made between 1980 and 2014.

The first major museum exhibition to explore graphite as a medium in works beyond drawings, Graphite includes sculpture, drawing, and installation works created over the past decade — including several newly commissioned works — by emerging and established contemporary artists.

Exhibition of paintings and drawings by London - based contemporary artist Bella Easton, curated by Paul Carey - Kent

And Jhaveri Contemporary from Mumbai, will introduce you to the luscious semi-abstract figurative paintings of Mohan Samant (1924 - 2004), whose motifs are sometimes reinforced by delicate bent wires that float above the canvas, resembling drawing in ink.

Traveled to the Finch College Museum of Art, New York (October 16 — November 25) and the Albright - Knox Art Gallery, Buffalo, New York (January 8 — February 2, 1974) Visual R&D: A Corporation Collects — the Ciba - Geigy Collection of Contemporary Paintings, University Art Museum, University of Texas at Austin (June 10 — August 12) American Drawings, 1963 — 1973, Whitney Museum of American Art, New York (May 25 — July 22) National Invitational Exhibit: The Explosive Decade, University of Wisconsin at Milwaukee Fine Arts Galleries (May 2 — 20, 1973) Women Choose Women (organized by Women in the Arts), The New York Cultural Center, New York (January 12 — February 18) 1973 Biennial Exhibition: Contemporary American Art, Whitney Museum of American Art, New York (January 10 — March 18) Contemporary American Painting from New York Galleries, Wilmington Society of Fine Arts, Wilmington, Delaware (April 20 — May 27)

Sculptors» Prints and Drawings, Pangolin's annual exhibition of works on paper by modern and contemporary sculptors.

This exhibition will present 30 paintings, sculptures, drawings, and quilts by self - taught contemporary African American artists to celebrate the 2014 gift to The Metropolitan Museum of Art of works of art from the Souls Grown Deep Foundation.