Group exhibitions include Objects Like Us, The Aldrich Contemporary Art Museum, Ridgefield, CT, curated by Amy Smith - Stewart and David Adamo (2018); Galerie Eva Presenhuber, Zurich, Switzerland (2018); and Rodin and
the Contemporary Figurative Tradition, Frederik Meijer Gardens & Sculpture Park, Grand Rapids, MI (2017), among others.
Not exact matches
Insistently
contemporary, they nevertheless recall classical
figurative traditions across a range of cultures and historical periods, typifying a strand of neo-primitivism that has arisen in the past decade.
Through her use of subtly articulated line and negative space, Ku references East Asian artistic
traditions, while her focus on
figurative representation through a predominantly female - centric subject matter, suggests a more
contemporary Western perspective.
A meeting of
tradition and innovation, connoisseurship and humour, «Study from the Human Body» is a comprehensive exploration of the impact of Francis Bacon and Henry Moore on
contemporary figurative art.
His work occupies a unique place within the practice of
contemporary photography, employing anachronistic production techniques, borrowing from the aesthetics of the finest
figurative painters of the 19th and 20th centuries, and drawing upon the longstanding
tradition of vanitas imagery.
Simultaneously classical and
contemporary in scope, it contains roughly 300 images, how - to diagrams, and information about
figurative art movements of the past as well as profiles of some of the greatest practitioners working today... featuring examples of Zeller's own work and also some of his best
contemporary peers, who collectively bring the
figurative tradition forward into a new era.»
The exhibition's theme is closely tied to the Academy's mission of promoting and preserving the
tradition of
figurative art within the
contemporary art world.
Rarely do these commissions make any kind of larger statement about American art, but last fall, when Barack Obama selected Kehinde Wiley — a
figurative painter who deploys the techniques, poses and patterns of the grand
tradition of Baroque European paintings to portray
contemporary black and brown men he finds on the street — to paint his official portrait for the Smithsonian, it at least reflected the Obamas» well - developed connections to the world of culture.
The fact he maintained a commitment to the
figurative tradition to some degree [1] makes this painter truly stand out from the rest of his famous
contemporaries who opted for the pure abstraction style.
The exhibition also connects thematically with the NYAA's mission to promote and preserve the
tradition of
figurative art within the context of the
contemporary art world.
She creates a personal and
contemporary fiction within her works, bringing to light issues of race and representation throughout the history of traditional
figurative painting: «My work is a form of tribute, analysis and intervention: tribute out of sincere admiration for the
figurative tradition; analysis, by making something vast,» the role of race in the history of
figurative painting «comprehensible to both myself and to my viewers; and intervention, by positioning a woman - of - color as primary picture - maker, in whose hands the
figurative tradition is refashioned.»
Selectively and imaginatively revisiting old master techniques and concepts, artists today are again exploring the
figurative tradition as a viable way of approaching
contemporary life.
The exhibition is being described as a meeting of
tradition and innovation, connoisseurship and humour, offering a comprehensive exploration of the impact of Francis Bacon and Henry Moore on
contemporary figurative art.
The Smart Museum's
contemporary collection reflects the rich diversity of these approaches while emphasizing several central threads in recent art: the persistence of
figurative traditions, the emergence of conceptual art, and artwork that explores the pressing social issues of our time.
Administered entirely by its artist members, the mission of the gallery has evolved from an advocacy of the
figurative tradition to a broader and more eclectic interpretation of
contemporary painting, printmaking and sculpture.
The options include still life, landscape,
figurative and abstraction pulling from
traditions that include Abstract Expressionism, Realism,
contemporary abstraction,
contemporary Impressionism and more.
A solo exhibition of recent work titled «Altered Images» The work in this exhibition fits into the
figurative tradition but is influenced by
contemporary ideas related to Post Modernism.
By positioning a woman - of - color as primary picture - maker in whose hands the
figurative tradition is refashioned, I knit my
contemporary concerns, personal and painterly, into the centuries old conversation of representation.
With her classically formal clay and bronze sculptures, London - based Rebecca Warren positions herself within the predominantly male
figurative tradition, which includes Degas and Rodin, while maintaining the
contemporary stance of questioning her predecessors» authority.
Nicole Eisenman is an artist who is expanding the critical and expressive capacity of the Western
figurative tradition through works that engage
contemporary social issues and phenomena.
Drawing parallels to the themes of the exhibition, Gander employs the
traditions of
figurative sculpture to create a
contemporary conceptual artwork.
In contrast, Pollock's
contemporary De Kooning became famous for his gestural
figurative painting, a
tradition later pursued by neo-expressionist artists during the late 1970s and early 1980s
Unlike several of his avant - garde
contemporaries, Bayrle rejected non-representational painting; instead, he took up and advanced the
tradition of
figurative painting.
Strongly influenced by the
figurative miniature
tradition of the Mughal Empire, the Pakistani - born artist Khalid, takes the
tradition one step further and contemplates on
contemporary issues such as the female figure, or say, the global politics and the uncertainty surrounding us, as apparent in her previous works.
«Akunyili Crosby's paintings speak to a
figurative tradition in American painting that is a strength of the Smithsonian American Art Museum's collection,» said Joanna Marsh, The James Dicke Curator of
Contemporary Art.