Sentences with phrase «contemporary photo art»

Not exact matches

Mostly it's updated with vintage photos of styles I think you'll find inspirational, but there's also a peppering of contemporary fashion, more style quotes, video, music, and art sprinkled here and there.

ALASKA QUARTERLY REVIEW http://www.uaa.alaska.edu/aqr/guidelines.cfm Alaska Quarterly Review is a literary journal devoted to contemporary literary art, publishing fiction, short plays, poetry, photo essays, and literary non-fiction in traditional and experimental styles.

The Shadow Catcher is such a «novel» - combining two parallel storylines, one historical fiction, one contemporary; plus a dollop of autobiography, art criticism (supported by 30 interleaved photos) and travelogue.

Alaska Quarterly Review is a literary journal devoted to contemporary literary art, publishing fiction, short plays, poetry, photo essays, and literary non-fiction in traditional and experimental styles.

The 30 - minute, eleven - vignette, no - photos, no - recordings multimedia spectacular resonates with similarities to contemporary art and entertainment culture.

SPECTRUM Miami spectrum-miami.com Last year's SPECTRUM Miami was wildly popular — both for the array of extraordinary contemporary art and the live entertainment, which ranged from a DJ and dancing to a photo shoot with the Miami City Ballet and famed photographer Jordan Matter.

Exhibition photos courtesy of Amber Bernard, Fredrik Brauer, and Halsey Institute of Contemporary Art, Charleston.

Guido Nussbaum Heim Welt 2 (2005) Installation view at P.S. 1, 2006 Photo by Matthew Septimus Courtesy P.S. 1 Contemporary Art Center

Images: James Turrell, Raemar Pink White, 1969, Shallow Space, Collection of Art & Research, Las Vegas, Installation view at Griffin Contemporary, Santa Monica, CA, 2004, © James Turrell, Photo by Robert Wedemeyer, courtesy Kayne Griffin Corcoran, Los Angeles; James Turrell, Breathing Light, 2013, LED light into space, Los Angeles County Museum of Art, purchased with funds provided by Kayne Griffin Corcoran and the Kayne Foundation, M. 2013.1, © James Turrell, Photo © Florian Holzherr.

1986 Perfect Vehicles, Cash / Newhouse, New York, USA Plaster Surrogates, Guttenbergstrasse 62, Stuttgart, Germany Investigations 1986: Allan McCollum, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, USA (Brochure with essay by Andrea Fraser) Perfect Vehicles, Kuhlenschmidt / Simon Gallery, Los Angeles, USA Perpetual Photos, Diane Brown Gallery, New York, USA Perfect Vehicles, Rhona Hoffman Gallery, Chicago, USA

Group exhibits include Tang Museum, NY (2016), The Louisiana Museum of Modern Art, Denmark (2016), The Metropolitan Museum of New York (2015), Knoxville Museum of Art, TN (2015), Bronx Museum of the Arts (2011), the Hudson Valley Center for Contemporary Art, Peekskill, NY, The Prague Biennial (2009) and the New York Photo Festival (2008).

When the four works were brought together in a group show at the New Museum of Contemporary Art in New York in 1985, Abigail Solomon - Godeau wrote that Williams's «insistence on site - specificity, both in a geographic sense (the city represented by the tourism photo is changed to represent whatever city the work is exhibited in) and in an institutional sense (the work is conceived to call attention to the museological «frame») militates against the neutralization of the works» politics by the art institution that houses it.&raqArt in New York in 1985, Abigail Solomon - Godeau wrote that Williams's «insistence on site - specificity, both in a geographic sense (the city represented by the tourism photo is changed to represent whatever city the work is exhibited in) and in an institutional sense (the work is conceived to call attention to the museological «frame») militates against the neutralization of the works» politics by the art institution that houses it.&raqart institution that houses it.»

Photo Courtesy of Walter Otero Contemporary Art.

One of the world's most prestigious annual photography events, The Photography Show is the longest - running and foremost exhibition dedicated to the photographic medium, offering a wide range of museum - quality work, including contemporary, modern, and 19th - century photographs as well as photo - based art, video, and new media.

Christian Marclay Gestures, 1999 Courtesy of DHC / ART Foundation of Contemporary Art Photo: Richard - Max TrembART Foundation of Contemporary Art Photo: Richard - Max TrembArt Photo: Richard - Max Tremblay

Her work as an artist has been featured internationally at many art galleries, museums and festivals, including The Metropolitan Museum of Art, Getty Images Gallery, Museum of Contemporary Art San Diego, French Embassy Cultural Center, Art Basel Miami, Cannes Film Festival and the International Festival Photo Mode to name a fart galleries, museums and festivals, including The Metropolitan Museum of Art, Getty Images Gallery, Museum of Contemporary Art San Diego, French Embassy Cultural Center, Art Basel Miami, Cannes Film Festival and the International Festival Photo Mode to name a fArt, Getty Images Gallery, Museum of Contemporary Art San Diego, French Embassy Cultural Center, Art Basel Miami, Cannes Film Festival and the International Festival Photo Mode to name a fArt San Diego, French Embassy Cultural Center, Art Basel Miami, Cannes Film Festival and the International Festival Photo Mode to name a fArt Basel Miami, Cannes Film Festival and the International Festival Photo Mode to name a few.

In this excerpt from Phaidon's Defining Contemporary Art, the curator and art historian Bice Curiger describes the formal and conceptual elegance of the artist's seminal 2007 photo seriArt, the curator and art historian Bice Curiger describes the formal and conceptual elegance of the artist's seminal 2007 photo seriart historian Bice Curiger describes the formal and conceptual elegance of the artist's seminal 2007 photo series.

Seph Rodney, Editor at Hyperallergic Roderick Schrock, Director at EyeBeam Arden Sherman, Curator and Director at Hunter East Harlem Gallery Nathalie Arglés, Executive Director at Residency Unlimited Katie Fuller, Independent Curator Max Durón, Photo Editor at ArtNews Ysabel Pinyol, Curatorial Director MANA Contemporary Joey Lico, Curator and Director at The Cultivist Elisabeth Larison, Program Director at APEX Art Larry Ossei - Mensah, Independent Curator Amara Antilla, Assistant Curator at the Guggenheim Anne Barlow, Director, Art in General Laura Welzenbach, Program Manager, Eyebeam Dexter Wimberly, Independent Curator Alex Jovanovich, Associate Editor, Artforum.com Benjamin Sutton, Writer, Hyperallergic Brian Droitcour, Associate Editor and Online Editor, Art in America Nat Trotman, Curator, Performance and Media, Solomon R. Guggenheim Museum, New York Helga Christoffersen, Assistant Curator, New Museum Sharon Matt Atkins, Vice Director, Exhibitions and Collections, Brooklyn Museum Christopher Y. Lew, Associate Curator, Whitney Museum of American Art Rujeko Hockley, Assistant Curator of Contemporary Art, Brooklyn Museum Joeonna Bellorado - Samuels, Director, Jack Shainman Gallery

Yervant Gianikian and Angela Ricci Lucchi Frammenti Elettrici (2002 - 2004) Installation view at P.S. 1, 2006 Photo by Matthew Septimus Courtesy P.S. 1 Contemporary Art Center

Photos and / or videos taken at the Contemporary Arts Museum Houston (CAMH) and associated events may be published in print or posted online for download, in online photo albums, on photo / video sharing sites such as Flickr and YouTube, and on social media sites such as Facebook, Twitter, Tumblr, Instagram, etc..

Christian Marclay Video Quartet, 2002 Courtesy of DHC / ART Foundation of Contemporary Art Photo: Richard - Max TrembART Foundation of Contemporary Art Photo: Richard - Max TrembArt Photo: Richard - Max Tremblay

Moscow, 2018 Photo: Yuri Palmin © Garage Museum of Contemporary Art

2011 Museum of Contemporary Art, Chicago, Illinois Creative Time / Whitney Museum of American Art, New York, New York The Cooper Union, New York, New York Cornell University, Ithaca, New York School of Visual Arts (MFA Photo and Video Department), New York, New York Cranbrook Academy of Art, Bloomfield Hills, Michigan

Beds in History and Contemporary Art focuses on the historical as well as iconographic significance of the depiction of the bed and will include and juxtapose paintings, sculptures, drawings, photos, and video works spanning from old masters to present - day artists, subdivided into themes and arranged according to visual associations.

2011 It Ain't Fair: Materialism, OHWOW, Miami, FL Ball Game, Dunn and Brown Contemporary, Dallas, TX Wall Space, Philadelphia Photo Arts Center, Philadelphia, PA

2014 The Freedom Principle: Experiments in Art and Music, 1965 to Now, Museum of Contemporary Art, Chicago, IL Amerika, David Castillo Gallery, Miami, FL Camera as Release, JP Morgan Chase Collection at Paris Photo, Paris, France The Moment.

Photo courtesy Museum of Contemporary Art, Los Angeles

Negative Space (STScI - PRC2012 - 10a), 2013 Photographic mural 126 x 590 inches / 320 x 1498 CM Exterior view, Yaletown - Roundhouse Station, Vancouver, Canada Presented by Contemporary Art Gallery, Vancouver Photo: SITE Photography

The Varieties of Experience, 2008 16 mm film, color, silent 8:00 minutes Installation view, The Possibility of an Island Museum of Contemporary Art, Miami, USA Photo: Steven Brooke

This is Not a Photo Show was organized by the artist Kimberly Aubuchon for Blue Star Contemporary Art and Unit B Gallery in San Antonio.

Mail, 2013 Gallery mail accumulates unopened during run of exhibition Dimensions variable Installation view, Mungo Thomson: Time, People, Money, Crickets Contemporary Art Gallery Vancouver, 2015 Photo: Scott Massey

, 2013 Enamel on low - iron mirror, poplar and anodized aluminum 74 x 56 x 2.5 inches / 188 x 142 x 6.5 CM Installation view, Mungo Thomson: Time, People, Money, Crickets Contemporary Art Gallery, Vancouver, Canada, 2015 Photo: Scott Massey

The Swordsman, 2006 Artist's book, 54 pages 3.25 x 6 inches / 8.5 x 15.5 CM Commissioned by Extra City Center for Contemporary Art, Antwerp Published by John Connelly Presents, New York Photo: Shane Rivera

Installation view, Mungo Thomson: Time, People, Money, Crickets Contemporary Art Gallery, Vancouver, Canada, 2015 Photo: Scott Massey

Crickets, 2012 - 13 HD Video with surround sound 17:25 minutes Installation view, Mungo Thomson: Time, People, Money, Crickets Contemporary Art Gallery, Vancouver, Canada, 2015 Photo: Scott Massey

Installation view of URS FISCHER at MOCA Grand Avenue and The Geffen Contemporary at MOCA, April 21 — August 19, 2013, photo by Stefan Altenburger, © Urs Fischer, Courtesy of the artist and The Museum of Contemporary Art, Los Angeles

Employment opportunities offered to our recent BFA grads include working as an artist's assistant, starting their own design / build firm, art handling and preparing, development assistant at the Rothko Chapel, web design, display design and installation, curating exhibitions, assisting with commercial photo and film shoots, interning at the Contemporary Arts Museum, Houston, and teaching, just to name a few.

Image: Installation view of Doug Aitken: Electric Earth, September 10, 2016 — January 15, 2017 at The Geffen Contemporary at MOCA, courtesy of The Museum of Contemporary Art, Los Angeles, photo by Joshua White

The Photographer and the Artist Around 1970, Museum of Modern Art, Warsaw, Poland, 2011; Gwenn Thomas / Birgit Hein, I was a male Yvonne De Carlo, MUSAC (Museo de Arte Contemporáneo de Castilla y León), Spain, 2011; Photo +, Blue Star Contemporary Art Center, San Antonio, TX, 2007.

October 20, 1980 (Carl Sagan), 2012 Enamel on low - iron mirror, poplar and anodized aluminum 74 x 56 x 2.5 inches / 188 x 142 x 6.5 CM Installation view, Mungo Thomson: Time, People, Money, Crickets Contemporary Art Gallery, Vancouver, Canada, 2015 Photo: Scott Massey

Recent exhibitions include: «Clear Water on Both Sides of the Glass» at CCA Andratx, a contemporary art gallery in Spain; «7 Films, One Photo and a Silver Nose» at Gl Holtegaard, a modern and contemporary art gallery in Denmark; «Kabinet,» a social critique of the classic Dickens» story A Christmas Carol, at Secession in Vienna, Austria; and «Voynich Botanical Studies» featured at Andersen's Contemporary at Art Basel in contemporary art gallery in Spain; «7 Films, One Photo and a Silver Nose» at Gl Holtegaard, a modern and contemporary art gallery in Denmark; «Kabinet,» a social critique of the classic Dickens» story A Christmas Carol, at Secession in Vienna, Austria; and «Voynich Botanical Studies» featured at Andersen's Contemporary at Art Basel in Miami Beaart gallery in Spain; «7 Films, One Photo and a Silver Nose» at Gl Holtegaard, a modern and contemporary art gallery in Denmark; «Kabinet,» a social critique of the classic Dickens» story A Christmas Carol, at Secession in Vienna, Austria; and «Voynich Botanical Studies» featured at Andersen's Contemporary at Art Basel in contemporary art gallery in Denmark; «Kabinet,» a social critique of the classic Dickens» story A Christmas Carol, at Secession in Vienna, Austria; and «Voynich Botanical Studies» featured at Andersen's Contemporary at Art Basel in Miami Beaart gallery in Denmark; «Kabinet,» a social critique of the classic Dickens» story A Christmas Carol, at Secession in Vienna, Austria; and «Voynich Botanical Studies» featured at Andersen's Contemporary at Art Basel in Contemporary at Art Basel in Miami BeaArt Basel in Miami Beach.

Commissioned and coproduced by Berlin Biennale for Contemporary Art With the support of Mondriaan Fund; Kraupa - Tuskany Zeidler, Berlin, Photo: Timo Ohler

Truth in today's surreal landscape By Ashley Jonas Photo: «Silver Lake Operations # 1» by Edward Burtynsky at DAI The third and final installment of the Dayton Art Institute's Year of the Classical Elements explores the theme of the sublime in contemporary landscape photography with Ravaged Sublime: Landscape Photography in the 21st Century, which opened -LSB-...]

Untitled (Margo Leavin Gallery, 1970 ---RRB-, 2009 Super-16mm film, color, silent 5:11 minutes Installation view, Mungo Thomson: Time, People, Money, Crickets Contemporary Art Gallery, Vancouver, Canada, 2015 Photo: Scott Massey

Throckmorton Fine Art is pleased to present its first exhibition by the widely acclaimed contemporary French photo - artist, William Ropp, (b. 1960 Ghent ---RRB-.

Void and Observer, 2013 Nickel - plated silver and copper - plated silver Dimensions variable Installation view, Mungo Thomson: Time, People, Money, Crickets Contemporary Art Gallery, Vancouver, Canada, 2015 Photo: Scott Massey

June 14, 2004 (Ronald Reagan 1911 - 2004), 2012 Enamel on low - iron mirror, poplar and anodized aluminum 74 x 56 x 2.5 inches / 188 x 142 x 6.5 CM Installation view, Mungo Thomson: Time, People, Money, Crickets Contemporary Art Gallery, Vancouver, Canada, 2015 Photo: Scott Massey

Her work has been exhibited internationally at many art galleries, museums and festivals, including The Metropolitan Museum of Art, Getty Images Gallery, San Diego Museum of Contemporary Art, French Embassy Cultural Center, Art Basel Miami, Cannes Film Festival and the International Festival Photo Mode to name a fart galleries, museums and festivals, including The Metropolitan Museum of Art, Getty Images Gallery, San Diego Museum of Contemporary Art, French Embassy Cultural Center, Art Basel Miami, Cannes Film Festival and the International Festival Photo Mode to name a fArt, Getty Images Gallery, San Diego Museum of Contemporary Art, French Embassy Cultural Center, Art Basel Miami, Cannes Film Festival and the International Festival Photo Mode to name a fArt, French Embassy Cultural Center, Art Basel Miami, Cannes Film Festival and the International Festival Photo Mode to name a fArt Basel Miami, Cannes Film Festival and the International Festival Photo Mode to name a few.

Photo: Tim Lanterman / Scottsdale Museum of Contemporary Art; Courtesy the artist and Roberts Projects, Los Angeles, California; © Betye Saar

Currently it has something of an academic reputation, and is overshadowed in the contemporary art world by the more trenchant, politically edged photo - painting associated with Gerhard Richter and Luc Tuymans.