Presented in relation to the exhibition Leigh Ledare: The Plot — Ruttenberg
Contemporary Photography Series.
Sponsors The Ruttenberg
Contemporary Photography Series is generously supported by the David C. and Sarajean Ruttenberg Arts Foundation.
«DEANA LAWSON: Ruttenberg
Contemporary Photography Series» @ The Art Institute of Chicago Chicago New York - based photographer Deanna Lawson is featured in the first installment of the biennial Ruttenberg
Contemporary Photography Series.
Not exact matches
Genre: Arts &
Photography, Literature & Fiction,
Contemporary Fiction, Nonfiction, Professional & Technical, Architecture, Romance,
Contemporary,
Series, Women's Fiction, New Adult & College, Classics, Women's Size: 335 pages Free eBook download for Kindle from 22 April 2018 onward PDT / PST
In this
photography project that began in 2013, the Big Apple is presented in a
series of haunting and cinematic images as seen in the nighttime facades and storefronts of buildings that boast neon marquees and signage, eerily preserved in all of their nostalgic and kitschy glory, to undeniably sleek and
contemporary exteriors with more daring architectural design.
Brielmaier is the author of «Re-Position / Re-Present: Notes on
Contemporary Photography of the Maghreb» (NAZAR: Photographs from the Arab World, Noorderlicht, The Fries Museum, The Netherlands, 2004) and Hector Acebes: Portraits in Africa 1948 - 1953 (University of Washington Press, 2004) and has written and lectured on international art and photography for PARKETT Series with Contemporary Artists, Aperture Magazine, Nka: Journal for Contemporary African Art, The Solomon R. Guggenheim Museum, The Brooklyn Art Museum, The Studio Museum in Harlem, NYC School of the Visual Arts, Atlanta College of Art Gallery, Harvard University, Howard University, New York University, Essence magazine and the NYC Department of Cultur
Photography of the Maghreb» (NAZAR: Photographs from the Arab World, Noorderlicht, The Fries Museum, The Netherlands, 2004) and Hector Acebes: Portraits in Africa 1948 - 1953 (University of Washington Press, 2004) and has written and lectured on international art and
photography for PARKETT Series with Contemporary Artists, Aperture Magazine, Nka: Journal for Contemporary African Art, The Solomon R. Guggenheim Museum, The Brooklyn Art Museum, The Studio Museum in Harlem, NYC School of the Visual Arts, Atlanta College of Art Gallery, Harvard University, Howard University, New York University, Essence magazine and the NYC Department of Cultur
photography for PARKETT
Series with
Contemporary Artists, Aperture Magazine, Nka: Journal for
Contemporary African Art, The Solomon R. Guggenheim Museum, The Brooklyn Art Museum, The Studio Museum in Harlem, NYC School of the Visual Arts, Atlanta College of Art Gallery, Harvard University, Howard University, New York University, Essence magazine and the NYC Department of Cultural Affairs.
The exhibition also includes an installation by Matthew Barney; animations by Jim Campbell, John Gerrard, and Takeshi Murata; and video works by Rivane Neuenschwander and Cao Guimarães, and Nicole Miller; as well as
contemporary photography, including a large - scale work by Jeff Wall and a
series by Cindy Sherman.
Opening in OMCA's Gallery of California Art, the exhibition is the fourth in an ongoing
series exploring
contemporary topics in California through
photography.
Just this past year, we welcomed the addition of Ayn Foundation with a captivating
series of crosses from the iconic Austrian painter Arnulf Rainer; The International Center of
Photography (ICP) at Mana opened its gallery on our 6th floor; we launched the Mana Urban Arts Project with Shepard Fairey's largest mural to date; Mana Wine began offering interactive wine tastings and events; our Chicago location participated in the first Chicago Architecture Biennial with a presentation of Richard Meier's process and vision; during Miami Art Week, our Wynwood location hosted a blockbuster program of exhibitions; and Mana
Contemporary was named one of the Top 10 Private Museums in the U.S. by Artnet News.
Work from this
series was recently included in The Edge of Vision: Abstraction in
Contemporary Photography May - July 2009 at Aperture Gallery, NYC.
Category ART,
PHOTOGRAPHY · Tags As Far As I Could Get, Dorothée Perret, John Divola, LACMA, Los Angeles County Museum of Art, Marius Engh, MoCA LA, Museum of
Contemporary Art LA, Pomona College Museum of Art, Santa Barbara Museum of Art, Under the Big Black Sun, Zuma
Series
Located in the center of Vienna, it features artists working in various media, from painting, sculpture, drawing,
photography and installations to a
series dedicated to
contemporary video works.
Among a selection of work that deals with the practice of image making — looking closely at color, pattern, texture, and materials — photographer Matt Lipps combines personal history with the history of
photography in his collaged «Library of Photography» series; Sean Raspet fuses the optical with the tactile in wall - mounted lenticular lenses; and cyanotypes by Barbara Kasten, produced in 1974, offer some of the contemporary photographer's earl
photography in his collaged «Library of
Photography» series; Sean Raspet fuses the optical with the tactile in wall - mounted lenticular lenses; and cyanotypes by Barbara Kasten, produced in 1974, offer some of the contemporary photographer's earl
Photography»
series; Sean Raspet fuses the optical with the tactile in wall - mounted lenticular lenses; and cyanotypes by Barbara Kasten, produced in 1974, offer some of the
contemporary photographer's earliest works.
The Museum of Modern Art in New York is currently presenting New
Photography 2009, this year's installment of a series that began in 1985 with the aim of exhibiting the most compelling recent work in the field of contemporary p
Photography 2009, this year's installment of a
series that began in 1985 with the aim of exhibiting the most compelling recent work in the field of
contemporary photographyphotography.
Inaugurating our new space will be Kris Graves: The Testament Project, a riveting
photography series that skillfully chronicles the artist's motivation to capture a «re-conception of the
contemporary black experience.»
Focusing on a triptych from the New Europe
series is the celebrated American writer Carol Squiers, Senior Editor at American Photo magazine and editor of The Critical Image: Essays on
Contemporary Photography.
Chosen for their innovative handling of photo - based media, Curtis Mann, John Opera, and Stacia Yeapnis — three emerging artists selected for volume 2 of the Midwestern Photographers Publication Project
series — are featured in solo shows at the Museum of
Contemporary Photography.
[31] Yasumasa Morimura's digitally manipulated photographs, such as the Self Portrait As Art History
series, have been exhibited widely, including solo shows at the Museum of
Contemporary Art, Chicago (1992), the Cartier Foundation for
Contemporary Art, Jouy - en - Josas, France (1993), the Hara Art Museum, Hara, Japan (1994), and the Yokohama Museum of Art, Yokohama, Japan (1996), and the Centre for
Contemporary Photography, Melbourne (1996).
The
Photography Department launched its fall 2016 lecture series on September 15 with a talk by David Campany, curator of the critically acclaimed exhibition a Handful of Dust, which is on view in the Pratt Photography Gallery after being shown at Le Bal, a contemporary photography museu
Photography Department launched its fall 2016 lecture
series on September 15 with a talk by David Campany, curator of the critically acclaimed exhibition a Handful of Dust, which is on view in the Pratt
Photography Gallery after being shown at Le Bal, a contemporary photography museu
Photography Gallery after being shown at Le Bal, a
contemporary photography museu
photography museum in Paris.
Girlfriends collective, the curatorial project focusing on all girl independent publications in the
photography field, presented some days ago their latest
series of fanzines, books and magazines, along with a selection of limited edition prints, at the Printed Matter's annual LA Art Book Fair that was held at The Geffen
Contemporary at MOCA.
FOTOFILMIC / / SOLO EXHIBITION AWARDS are a
series of juried international calls and publications for emerging and mid» career film and analogue photographers ready to break new ground and take their most accomplished work to
contemporary photography industry's public eye!
«Armin Smailovic — Der neue Mensch», part of the «Forum» exhibition
series of
contemporary photography, Fotomuseum in the Münchner Stadtmuseum, 2005
«Elias Hassos — Paradigma», part of the «Forum» exhibition
series of
contemporary photography, Fotomuseum in the Münchner Stadtmuseum, 2005
Published annually since 2006, in collaboration with Fundación Telefónica, La Fabrica's Conversations with Photographers
series pairs up leading lights in
contemporary photography and the visual arts with international curators and fellow artists.
In 1999, she acted as artistic director of the Mois de la Photo à Montréal and organized a
series of exhibitions, as well as a publication entitled Le Souci du document (Concern for the document) that examined the «attitudes» in
contemporary documentary
photography.
«Zooming into Focus:
Contemporary Photography and video from the Haudenschild Collection» exhibitions in US, China and Mexico included a schedule of Symposia, artist residency programs, commissioned works and a
series of lectures, performance, video dialogues and screenings in US, China and Mexico.
In 2006, Veleko's portrait
series, Beauty is in the Eye of the Beholder (2003 — 2006), was included inSnap Judgments: New Positions in
Contemporary African
Photography, held at the International Center of
Photography (ICP) in New York.
A
series of five shows, featuring works ranging from 400 - year - old bronzes and ivories from Benin to
contemporary textiles, street
photography and architecture, portray the artistic diversity of sub-Saharan Africa.
With «Private Public Relations», the Sammlung Moderne Kunst is continuing its exhibition
series «
Photography Today» on innovative trends in contemporary photography, which it kicked o
Photography Today» on innovative trends in
contemporary photography, which it kicked o
photography, which it kicked off in 2016.
This article forms part of an interview
series with the winners of POPCAP ’14 prize for
contemporary African
photography.
This event is part of the Whitechapel Gallery's talk
series Prix Pictet Conversations on
Photography, which provides a platform for leading
contemporary photographers from around the world to discuss and present their practice.
2008 You Complete Me, Western Bridge, Seattle, USA TRANSactions:
Contemporary Latin American and Latino Art, Sheldon Memorial Art Gallery, Lincoln, USA (travelled to Weatherspoon Art Museum, Greensboro; The High Museum of Art, Atlanta) HeartQuake, Museum on the Seam, Jerusalem, Israel That Was Then... This Is Now, P.S. 1
Contemporary Art Center, Long Island, USA Die lucky Bush, MuHKA Museum voor Hedendaagse Kunst Antwerpen, Belgium MATRIX / REDUX, Berkeley Art Museum and Pacific Film Archive BAM / PFA, Berkeley, USA Risky Business Art, Kunstpanorama, Lucerne, Switzerland Aurum: L'or dans l'art contemporain, Centre PasquArt, Biel Worlds on Video, Palazzo Strozzi, Florence Africa On: Beecroft, Jaar, Kentridge, Galleria Lia Rumma, Milan Arte ≠ Vida: Actions by Artists of the Americas, 1960 — 2000, El Museodel Barrio, New York Pictures in
Series, Fisher Landau Center for Art, Long Island City, New York Framing and Being Unframed: The Uses of Documentary
Photography, Ezraand Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, USA
Recent projects include Mapping: Memory and Motion in
Contemporary Art; Vanishing Boundaries, a joint US / Lithuania
photography exhibition; Taken for Looks, a food - inspired exhibition; Breaking Bread, a Cuba / Russia / US exhibition, and an ongoing
series for the American Center for Physics.
The Museum acquired two works from Huang's 2008
series «The Four Seasons» following the popular 2013 exhibition Rising Dragon:
Contemporary Chinese
Photography.
In conjunction with the 30th anniversary of MoMA's New
Photography series — and its current edition, Ocean of Images: New
Photography 2015 — this forum focuses on discourses and changes in
contemporary photo - based culture since 1985, New
Photography's inaugural year.
Works like the large
series of 3D acrylic - and - Masonite paintings of trees shadowed by their own grids follow Georges Seurat and Roy Lichtenstein's investigation of the role of the dot in painting, and prefigure the binary codes of
contemporary digital
photography.
This
series is situated alongside other works from this era, by the artist and by his
contemporaries, in media including
photography, film, drawing and paintings.
The
series highlights the vital experiments in
photography and new media undertaken by artists who grapple with making images that address
contemporary culture.
But it is only with the opening of «Barbara Kasten: Stages» at the Institute of
Contemporary Art in Philadelphia that we are able to see all of her major series together — and understand the extent to which she has gone against the grain of contemporary photography, incorporating the craft and t
Contemporary Art in Philadelphia that we are able to see all of her major
series together — and understand the extent to which she has gone against the grain of
contemporary photography, incorporating the craft and t
contemporary photography, incorporating the craft and technological
In October a number of galleries will host a diverse collection of artists» works while a
series of discussions and lectures will bring up relevant critical issues in
contemporary photography.
The third exhibition in the Minneapolis Institute of Arts» new
photography series featuring groundbreaking
contemporary artists presents the innovative work of Los Angeles photographer James Welling.
Maestros de la Fotografía is an exhibition
series showcasing historical, modern and
contemporary photography from cultures around the world.
Future Memories, an incredible
series of works by Michael Tsegaye will be on view at the Walther Collection Museum in Germany in an exhibition titled, Recent Histories:
Contemporary African
Photography and Video Art.
Richard Prince's «New Portraits»
series (2015), in which he appropriates Instagram posts, turning them into large - scale prints, is evidence of the influence viral, online imagery has already had on
contemporary art
photography; and, while we might cringe at the thought of «selfies» and «food porn» someday appearing in MoMA's photographic collection, it is almost imperative that they do.
The
series is on view at the Walther Collection Museum, Neu - Ulm / Burlafingen in an exhibition titled, Recent Histories:
Contemporary African
Photography and Video Art (2017).
2008 Walters Art Museum, Baltimore, MD - ʻPortraits Re / Examined: A Dawoud Bey Projectʼ 2007 • Howard Yezerski Gallery, Boston, Ma — ʻDawoud Bey: Pictures: 1975 - 2005ʼ • Addison Gallery of American Art, Andover, MA — ʻClass Pictures» (Travels to Aperture Gallery, New York, NY;
Contemporary Art Museum, Houston, TX; Weatherspoon Art Museum, Greensboro, NC; Indianapolis Museum of Art, IN;
Contemporary Art Museum, Baltimore, MD; Milwaukee Art Museum, WI; Kresge Art Museum, East Lansing, MI) 2004 • Detroit Institute of Art, Detroit, MI - «Dawoud Bey: Detroit Portraits» • Gorney Bravin + Lee, NY - «Class Pictures» • Revolution, Ferndale, MI - «Dawoud Bey: The Watsonville
Series» 2003 • Smart Museum of Art, Chicago, IL - «Dawoud Bey: The Chicago Project» 2002 • Gorney Bravin + Lee, New York, NY - «Dawoud Bey» • Rhona Hoffman Gallery, Chicago, IL - «Dawoud Bey: New Photographic Work» 2001 • Rena Bransten Gallery, San Francisco, CA - «Dawoud Bey» 1999 • Rhona Hoffman Gallery at Gallery 312, Chicago, IL - «Dawoud Bey: Recent Work» • Parrish Art Museum, Southampton, NY - «Dawoud Bey: The Southampton Project» • Yale University Art Gallery, New Haven, CT - «Portraits of New Haven Teenagers» 1998 • Galerie Nordenhake, Stockholm, Sweden - «Dawoud Bey» • Queens Museum of Art, Queens, NY - «Dawoud Bey» 1997 • Rhona Hoffman Gallery, Chicago, IL - «Dawoud Bey: Recent Work» • The Light Factory, Charlotte, NC - «Dawoud Bey: Portraits» • Addison Gallery of American Art, Andover, MA - «Dawoud Bey: Recent Photographic Portraits» • Wadsworth Atheneum, Hartford, CT - «Dawoud Bey: Hartford Portraits 1996» («Dawoud Bey / MATRIX 132,» «Dawoud Bey / Amistad Gallery,» «African American Studio Portraits: Dawoud Bey Selects from the Amistad Foundation Collection») 1996 • David Beitzel Gallery, NYC — ʻDawoud Beyʼ • University of Massachusetts Amherst, Fine Arts Center - «Dawoud Bey» • High Museum of Art, Atlanta, GA - «Picturing the South: The Commission Project» • Wexner Center for the Arts, Columbus, OH - «Dawoud Bey: Residency Exhibition» • Rena Bransten Gallery, San Francisco, CA - «Dawoud Bey» 1995 • Walker Art Center, Minneapolis, MN - «Dawoud Bey: Portraits, 1975 - 1995» (Travels to Albright - Knox Gallery, Buffalo, NY; Chicago Cultural Center, Chicago, IL; Virginia Beach Center for the Arts, VA; El Paso Museum, TX; The Newark Museum, NJ, The Jersey City Museum, NJ; Robeson Center Gallery, Newark, NJ; Cleveland Center for
Contemporary Art, OH;
Contemporary Art Museum, St. Louis, MO; The Barbican Centre, London, England)(Catalog) • The Photographer's Gallery, London, England - «Dawoud Bey» 1994 • Cleveland Museum of Art, Cleveland, OH - ʻDawoud Bey Photographs: Portraitsʼ • Olin Art Gallery, Kenyon College, Gambier, OH - «Dawoud Bey» 1993 • The Museum of
Contemporary Photography, Chicago, IL - «Polaroid Portraits» • Stockton State College, Pamona, NJ - «Dawoud Bey: Photographs» • Drew University, Madison, NJ - «Photographs from the Streets» 1992 • Addison Gallery of American Art, Andover, MA - ʻDawoud Bey: Photographic Portraitsʼ • The Rotunda Gallery, Brooklyn, NY - «Dawoud Bey: Photographs» 1991 • Fogg Art Museum, Harvard University, Cambridge, MA - ʻDawoud Beyʼ 1990 • Ledel Gallery, NYC - ʻRecent Photographsʼ (Catalog) 1988 • BACA Downtown Center for the Arts, Brooklyn, NY - ʻBrooklyn Street Portraitsʼ 1986 • Light Work, Syracuse, NY - ʻDawoud Beyʼ • The Midtown Y
Photography Gallery, NYC - ʻPhotographs by Dawoud Beyʼ • Blue Sky Gallery, Portland, OR - ʻDawoud Beyʼ 1984 • Hunter College, Center for Puerto Rican Studies, NYC - ʻPuerto Rico: A Chronicleʼ 1983 • Cinque Gallery, NYC - ʻDawoud Bey: Recent Photographsʼ 1979 • Studio Museum in Harlem, NYC - ʻHarlem, USAʼ
contemporary art
series; Interrogating Manzanar, co-curated with Jason Weems; and finally it'll be the last day to view The Provoke Era: Japanese
Photography from the Collection of SFMOMA.
contemporary art
series, California Museum of
Photography at UCR ARTSblock, March 2014
«Risky Business Art,» Kunstpanorama, Lucerne «Aurum: L'or dans l'art contemporain,» Centre PasquArt, Biel «Worlds on Video,» Palazzo Strozzi, Florence «That Was Then... This Is Now,» P.S. 1
Contemporary Art Center, Long Island City, New York «Africa On: Beecroft, Jaar, Kentridge,» Galleria Lia Rumma, Milan «Arte ≠ Vida: Actions by Artists of the Americas, 1960 — 2000,» El Museo del Barrio, New York «Pictures in
Series,» Fisher Landau Center for Art, Long Island City, New York «Framing and Being Unframed: The Uses of Documentary
Photography,» Ezraand Cecile Zilkha Gallery, Wesleyan University, Middletown, Connecticut
contemporary art
series at the California Museum of
Photography.