Sentences with phrase «contemporary sculpture center»

Travel - Japan Correspondence: Contemporary Sculpture Center, Tokyo September 22, 1979 - March 9,1980 1978 April - 1980 April

Travel - Japan Correspondence: Contemporary Sculpture Center, Tokyo September 22, 1979 - March 9,1980 — RESTRICTED 1978 April - 1980 April

Not exact matches

The sculpture appeared in a 2003 exhibition at the P.S. 1 Contemporary Art Center in Long Island City, N.Y.

His paintings, sculptures, and works on paper have been the subject of numerous exhibitions: The Stedelijk Museum, Amsterdam, 1982; Tate Gallery, London, 1982; Whitechapel Gallery, London, 1987; Kunsthalle Düsseldorf, Düsseldorf, 1987; Centre Georges Pompidou, Paris, 1987; Whitney Museum of American Art, New York, 1987; San Francisco Museum of Modern Art, San Francisco, 1987; Museum of Fine Arts, Houston, 1987; Musée d'Art Contemporain, Nîmes, 1989; Staatliche Graphische Sammlung, Munich, 1989; Palais des Beaux - Arts, Brussels, 1989; Fruitmarket Gallery, Edinburgh, 1989; Museum of Contemporary Art, Chicago, 1989; Museo de Arte Contemporáneo, Monterrey, 1994; Fundació Joan Miró, Barcelona, 1995; Galleria d'Arte Moderna di Bologna, Bologna, 1996; Schirn Kunsthalle, Frankfurt / Main, 2004; Museo Nacional Centro de Arte Reina Sofía, Madrid, 2004; Rotonda della Besana, Milan, 2007; Tabakalera, Donostia - San Sebastián, 2007; Museo di Capodimonte, Naples, 2009; The Art Gallery of Ontario, Toronto, 2010; Museo Correr, Piazza San Marco, Venice, 2011; J.F. Willumsens Museum, Frederikssund, 2013; The Brant Foundation Art Study Center, Greenwich, 2013; Dallas Contemporary, Dallas, 2014; Gagosian Gallery, New York, 2014; Dairy Art Centre, London, 2014; Museu de Arte de São Paulo, São Paulo, 2014, NSU Art Museum Fort Lauderdale, Fort Lauderdale, 2014; University of Michigan Museum of Art, Ann Arbor, 2015; Almine Rech Gallery, Paris, 2015; Vito Schnabel Gallery, St. Moritz, 2016; Blum & Poe, LA, 2016; and Aspen Art Museum, Aspen, 2016.

His art, a combination of painting, sculpture and performance, has been displayed throughout the United States and the Las Vegas community, including the Contemporary Arts Center, Trifecta Gallery and the Donna Beam Gallery of Fine Art.

His numerous honors include the Skowhegan Medal for Sculpture (1993), the Lifetime Achievement Award in Contemporary Sculpture by the International Sculpture Center, Washington, D.C. (1993), The National Arts Club Award, New York (1997), the Distinction in Sculpture Honor from the Sculpture Center, New York (1999), and a Doctor of Fine Arts, honoris causa, from the College for Creative Studies, Detroit (2010).

2005 Situation Comedy: Humor in Recent Art, Curated by Dominic Malone, The Contemporary Museum Honolulu, HI; Chicago Cultural Center, Chicago, IL; Winnipeg Art Gallery Winnipeg, Manitoba, Canada Make It Now New Sculpture In New York, Sculpture Center, New York, NY EVA, curated by Dan Cameron, Limerick City Gallery of Art, Limerick, Ireland Will Boys Be Boys?

Anthony Allen, Associate Director, Paula Cooper Natalie Bell, Assistant Curator, New Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual Art, Brown University Marina Chao, Assistant Curator, International Center of Photography Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Corcoran, Curator of Photographs and Prints, Museum of the City of New York Lisa Dent, Director of Resources & Award Programs, Creative Capital Kareem Estefan, Independent Art Critic and Editor - at - large, Creative Time Reports Hitomi Iwasaki, Director of Exhibitions and Curator, Queens Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney Gallery Heather Reyes, Exhibitions and Collection Manager, The Bronx Museum of the Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum

1999 AC Project Room, New York, N.Y. Staff USA Gallery «Goldberg, Kamitaki, Beckett» New York, N.Y. Galerie Albrecht Minimal.Emotional» (Goldberg, Hofmann, Mills, Su) Munich, Germany Parsons School of Design Galleries «Drawing in The Present Tense» curated by Roger Shepherd and George Negroponte (catalogue) New York, N.Y. Zeitgeist «Monotypes» (Glenn Goldberg, Will Berry) Nashville, TN 1998 Hill Gallery Birmingham, MI 20th Century Art L.I.C., N.Y. 1997 20th Century Art L.I.C., N.Y. Galerie Albrecht Munich, Germany Rose Art Museum «Works From The Collection» Waltham, MA 1996 Knoedler & Co., New York, N.Y. Hill Gallery, Birmingham, MI 1995 Hill Gallery, Birmingham, MI The Work Space «Wacko» New York, N.Y. Galerie Albrecht «Gosewitz / Goldberg» Munich, Germany Edward Hopper House «Goldberg / Wiley» (videotape) Nyack, N.Y. 1994 Hill Gallery Birmingham, MI The Academy of Arts & Letters «46th Annual Academy Purchase Exhibition» New York, N.Y. Baxter Gallery of Art «Intimate Observation» curated by Jennifer Gross Portland, ME Castle Gallery «Toys / Art / Us» curated by Lori Friedman New Rochelle, N.Y. 1993 New York Studio School «Formative Past: Present Form» New York, N.Y. Galerie Albrecht «Baechler, Goldberg, Hofer, Roiter» Munich, Germany Robert Morrison Gallery «Goldberg, Humphrey, Koorland» New York, N.Y Castelli Gallery «Drawings: Foundation of Contemporary Performance Arts» New York, N.Y. 1992 Germans Van Eyck Gallery «Play Between Fear And Desire» curated by Jennifer Gross New York, N.Y. Rosenthal Fine Art «Glenn Goldberg - Josef Ramaseder» Chicago, IL Angles Gallery «Numbers» Santa Monica, CA David Beitzel Gallery «Paper Houses» New York, N.Y. Betsy Senior Gallery «Goldberg, Mangold, Row, T. Winters» New York, N.Y. Galerie Theuretzbacher «Against The Grain» (catalogue) Vienna, Austria 1991 Bellas Artes Gallery «Masterworks of Contemporary Painting, Sculpture and Drawing: The 1930's to the 1990's» Santa Fe, New Mexico Hill Gallery Birmingham, MI Museum of Contemporary Art «The Scott Spiegel Collection» Los Angeles, CA 1990 Wetterling Gallery (catalogue) Stockholm, Sweden Madison Art Center «Intimate Inventions / Gestural Abstractions» Madison, WI.

Popović is an MFA graduate of Academy of Fine Arts, Zagreb, Croatia and has been awarded a number of distinguished grants and awards including the Art Omi Residency Program at Omi International Arts Center, Ghent, New York, USA (2017); ArtsLink Residency Program at Portland Institute for Contemporary Art, Portland, Oregon, USA (2006); 36th Split Salon Prize, Croatian Art Society, Split, Croatia (2009); Annual Young Artist Prize, Croatian Art Society, Zagreb, Croatia (2006); Filip Trade Contemporary Art Collection Prize, Zagreb, Croatia (2005); Cité Internationale des Arts Residency Studio Program at Cité Internationale des Arts, Paris, France (2005); Grand Prix of the 8th Triennial of Croatian Sculpture, Zagreb, Croatia (2003).

Acknowledging her lifetime contributions, the International Sculpture Center is presenting Saar with a Contemporary Sculpture Award at an April 18, 2018, gala in New York City.

许多国际性的艺术收藏都拥有艺术家的作品 ， 包括芝加哥艺术学院 （ Art Institute of Chicago ） 、 纽约布鲁克林美术馆 （ Brooklyn Museum ） 、 华盛顿特区的科克伦美术馆 （ Corcoran Gallery of Art ） 、 底特律艺术学院 （ The Detroit Institute of Arts ） 、 旧金山笛洋美术馆 （ de Young Museum ） 、 洛杉矶盖蒂博物馆 （ The J. Paul Getty Museum ） 、 威尼斯佩吉 · 古根海姆艺术收藏馆 、 纽约索罗门 · R · 古根海姆博物馆 、 华盛顿特区史密森尼博物馆下辖的赫希洪博物馆和雕塑园 （ Hirshhorn Museum and Sculpture Garden ） 、 印第安纳波利斯艺术博物馆 、 洛杉矶县立艺术博物馆 （ Los Angeles County Museum of Art ） 、 纽约大都会艺术博物馆 、 洛杉矶现代艺术博物馆 （ Museum of Contemporary Art ） 、 波士顿美术馆 （ Museum of Fine Arts ） 、 休斯顿美术馆 、 纽约MoMA 、 华盛顿的国家美术馆 （ National Gallery of Art ） 、 费城艺术博物馆 、 华盛顿菲利普收藏馆 、 史密森尼美国艺术博物馆 、 特拉维夫艺术博物馆 （ Tel Aviv Museum of Art ） 、 明尼阿波利斯的沃克艺术中心 （ Walker Art Center ） 以及纽约的惠特尼美国艺术博物馆 。

Ackland Art Museum, Chapel Hill, North Carolina Addison Gallery of American Art, Andover, Massachusetts Albright — Knox Art Gallery, Buffalo, New York Allen Memorial Art Museum at Oberlin College, Oberlin, Ohio The Art Institute of Chicago Berardo Museum - Collection of Modern and Contemporary Art, Lisbon, Portugal Birmingham Museum of Art, Alabama Blanton Museum of Art at the University of Texas, Austin, Texas Boca Raton Museum of Art, Boca Raton, Florida Brooklyn Museum, Brooklyn, New York Butler Institute of American Art, Youngstown, Ohio Carnegie Museum of Art, Pittsburgh Fondation Cartier pour l'Art Contemporain, Paris, France Castellani Art Museum, Niagara University, Lewiston, New York Cleveland Museum of Art, Ohio Colby College Museum of Art, Waterville, Maine Cranbrook Art Museum, Bloomfield Hills, Michigan Crystal Bridges Museum of American Art Currier Museum of Art, Manchester, New Hampshire Dallas Museum of Art, Texas The Dayton Art Institute, Dayton, Ohio Denver Art Museum, Colorado Des Moines Art Center, Des Moines, Iowa Detroit Institute of Arts, Detroit, Michigan The Empire State Plaza Art Collection, Albany Fonds National d'Art Contemporain, Puteaux, France Fonds Régional d'Art Contemporain - Haute - Normandie, Sotteville - lès - Rouen, France Fonds Régional d'Art Contemporain - Provence - Alpes - Côte d'Azur, Marseille, France Foundation de 11 Lijnen, Oudenburg, Belgium Georgia Museum of Art, University of Georgia, Athens J. Paul Getty Trust, Los Angeles, California Haggerty Museum of Art at Marquette University, Milwaukee, Wisconsin Hammer Museum, University of California, Los Angeles Harvard Art Museums, Fogg Museum, Cambridge, Massachusetts Hirshhorn Museum and Sculpture Garden, Washington, DC Hofstra University Museum, Hempstead, New York Hood Museum of Art, Dartmouth College, Hanover, New Hampshire Indianapolis Museum of Art, Indiana Iwaki City Art Museum, Japan Kemper Museum of Contemporary Art, Kansas City, Missouri The Art Museum at the University of Kentucky, Lexington, Kentucky LAAC - Lieu d'Art et Action Contemporaine de Dunkerque, Dunkerque, France Linda Pace Foundation, San Antonio, Texas Los Angeles County Museum of Art, Los Angeles, California LVMH Moet Hennessy Louis Vuitton Foundation, Paris, France Fondation Maeght, Saint - Paul, France The McNay Art Museum, San Antonio, Texas Magasin 3 Stockholm Konsthall, Sweden The Metropolitan Museum of Art, New York Milwaukee Art Museum, Milwaukee, Wisconsin Minnesota Museum of American Art, Saint Paul, Minnesota Modern Art Museum of Fort Worth, Fort Worth, Texas Musée de l'Hospice Saint - Roch, Issoudun, France Musée des Beaux - Arts de Caen, Caen, France Musée des Beaux - Arts de Montréal, Canada Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France Museum of Contemporary Art, Jacksonville, Florida Museum of Fine Arts, Boston, Massachusetts The Museum of Fine Arts, Houston, Texas The Museum of Modern Art, New York National Gallery of Art, Washington, DC National Gallery of Australia, Canberra National Gallery of Victoria, Melbourne, Australia National Museum of Women in the Arts, Washington, DC Osaka City Art Museum of Modern Art, Japan Peggy Guggenheim Collection, Venice, Italy Philadelphia Museum of Art, Philadelphia, Pennsylvania The Phillips Collection, Washington, DC Rhode Island School of Design Museum of Art, Providence Saint Louis Art Museum, Missouri Samsung Museum, Seoul, South Korea San Francisco Museum of Modern Art, San Francisco, California Seattle Art Museum, Seattle, Washington Shizuoka Prefectural Museum of Art, Shizuoka — shi, Japan Smart Museum of Art at the University of Chicago, Illinois Smith College Museum of Art, Northampton, Massachusetts Smithsonian American Art Museum, Washington, DC The Solomon R. Guggenheim Museum, New York The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, New York Stanford University, Anderson Collection, Palo Alto, California The Tate Gallery, London, England Ulrich Museum of Art, Wichita State University, Wichita, Kansas Ulster Museum, Belfast, Northern Ireland University of California, Berkeley Art Museum, Berkeley University of Iowa Museum of Art, Iowa City (work is currently on loan to Figge Art Musem) University of Michigan Museum of Art, Ann Arbor Vancouver Art Gallery, Vancouver, British Columbia, Canada Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York University of Virginia Art Museum, Charlottesville Walker Art Center, Minneapolis, Minnesota Weatherspoon Art Museum, University of North Carolina at Greensboro Whitney Museum of American Art, New York Williams College Museum of Art, Williamstown, Massachusetts Worcester Art Museum, Worcester, Massachusetts Yale University Art Gallery, New Haven, Connecticut

LARA FAVARETTO Born 1973 (Treviso, Italy) Lives and works in Torino, Italy EDUCATION 1994 - 1999 Accademia di Belle Arti di Brera, Milano, Italy 1998 Advanced Course in Visual Arts, Visiting Professor Hacmilton Fulton, Fondazione Antonio Ratti, Como, Italy Scholarship at Kingston University, London, UK SOLO EXHIBITIONS 2019 Castello di Rivoli Museo d'Arte Contemporanea (forthcoming) Aspen Art Museum (forthcoming) 2018 «SUCKING MUD» Galleria Franco Noero, Piazza Carignano, Turin, Italy 2017 «Absolutely Nothing», Nottingham Contemporary, Nottingham, UK 2015 «Good Luck», MAXXI, Rome, Italy «Lara Favaretto: Collected Works», Rennie Collection, Vancouver, Canada «REDEFINE», Galleria Franco Noero, Turin, Italy 2013 «The 2013 Carnegie International», Carnegie Museum of Art, Pittsburgh, USA 2012 «Just Knocked Out», Sharjah Art Foundation, Sharjah, UAE and MOMA PS1, New York, USA 2009 «Absolutely no Donations» Tramway, Glasgow, UK SELECTED GROUP EXHIBITIONS 2018 «Reichtum: Schwarz ist Gold / Black is Gold», Lehmbruck Museum, Duisburg, Germany «Sexy and Cool», Kunsthalle Tübingen, Tübingen, Germany «Playtime», Peabody Essex Museum, Salem, USA «Stories of Almost Everyone», Hammer Museum, Los Angeles, USA 2017 «I am you, you are too», Walker Art Center, Minneapolis, USA «A Poet * hical Wager», MOCA Cleveland, USA Skulptur Projekte Münster, Münster and Marl, Germany 2016 Liverpool Biennial 2016, Liverpool, UK 2015 «The Event Sculpture», The Henry Moore Foundation, Leeds, UK 2014 «Manifesta 10», The State Hermitage Museum, Saint Petersburg, Russia «Infinte Jest», Schrin Kunsthalle, Frankfurt, Germany 2013 «The 2013 Carnegie International», Carnegie Museum of Art, Pittsburgh, USA 2012 «When Attitudes Became Form Become Attitudes», CCA Wattis Institute for Contemporary Arts, San Francisco, USA «dOCUMENTA (13)», Kassel, Germany and Kabul, Afghanistan 2011 12th International Istanbul Biennial, cur.

Recent exhibitions and performances include Jordan Schnitzer Museum of Art, Eugene, OR; Socrates Sculpture Park, New York, NY; MoMA PS1 Contemporary Art Center, New York, NY; and the Knockdown Center, Queens, NY.

«Pose and Sculpture,» curated by Daniel Baumann, Casey Kaplan, New York, NY, June 30 — August 4, 2006 «Two or Three or Something: Maria Lassnig, Liz Larner,» Kunsthaus Graz, February 4 — May 7, 2006 «Whitney Biennial 2006: Day for Night,» Whitney Museum of American Art, New York, NY, March 2 - May 28, 2006 «Gone Formalism,» Institute of Contemporary Art at the University of Pennsylvania, Pittsburg, January 21 — March 26, 2006 2005 «Extreme Abstraction,» curated by Louis Grachos and Claire Schneider, Albright Knox Art Gallery, Buffalo, NY, July 15 — October 2, 2005, catalogue «The The,» curated by Stuart Shave, Modern Art, London, July 8 — August 7, 2005 «The Meeting,» curated by Kathryn Andrews, Center for the Arts of Eagle Rock, Los Angeles, CA, May 27 — July 2, 2005 2004 «Showdown,» curated by Kimberli Meyer and Fritz Haeg, Schindler House, Los Angeles, October 22 — 23, 2004 «Full House,» curated by David Pagel, East Gallery, Claremont Graduate University, Claremont, CA, August 16 - September 10, 2004 «100 Artist See God,» curated by John Baldessari and Meg Cranston, The Jewish Museum San Francisco, March 7 — June 27, 2004; Laguna Art Museum, Laguna Beach, CA, July 25 — October 3, 2004; Institute of Contemporary Art, London, England, November 19, 2004 — January 9, 2005; Contemporary Art Center of Virginia, Virginia Beach, Virginia, June 9 — September 4, 2005, catalogue «The Thought that Counts,» curated by Jason Meadows, Sister Gallery, Los Angeles, CA 2003 «Inaugural Exhibition,» Regen Projects, Los Angeles, CA, January 25 - March 8 «Within Hours We Would Be in the Middle of Nowhere,» 303 Gallery, New York, NY, July 19 — August 29, 2003 neugerriemschneider, Berlin, Germany «Popstraction,» curated by Paola Antonelli, curator of Architecture and Design at MOMA and independent curator and writer, Eungie Joo, Deitch Projects, New York, NY, catalogue «Imagination: Perception in Art,» curated by Peter Pakesch and Martin Prinzhorn, Kunsthaus Graz, Graz, Austria, October 25, 2003 — January 18, 2004, catalogue Tanya Bonakdar Gallery, New York, NY, November 20, 2003 — January 10, 2004 2002

Recent exhibitions include the Santiago de Compostello, Spain, the Weatherspoon Art Museum, Greensboro, NC, the Institute of Contemporary Art, Cleveland, OH, the Miami Art Museum, FL, the Institute of Contemporary Art, Boston, the Kempner Museum of Contemporary Art, Kansas City, Site Santa Fe, New Mexico, the Fabric Workshop and Museum, Philadelphia, the Center for Curatorial Studies, Bard College, NY, P.S. 1 Contemporary Art Center, Long Island City, NY, the Whitney Museum, NY, MASS MoCA, North Adams, Mass., the Worchester Museum of Art, Worchester, MA, the Portland Institute for Contemporary Art, Portland, OR, the Museum of Modern Art, NY, the San Francisco Museum of Art, CA, the Hirschhorn Museum and Sculpture Garden, Washington, DC, the Virginia Museum of Fine Arts, Richmond, VA, the Centre d ¹ Art Contemporain, Geneva, Switzerland, the Bellevue Art Museum, Bellevue, WA, and the Museum of Contemporary Art, Los Angeles, among many others.

She received her MFA from Columbia University and has exhibited her work at the Museum of Contemporary Art, Los Angeles (MOCA); Sculpture Center, New York; Night Gallery, Los Angeles; CANADA, New York; Cardi Black Box, Milan; Loyal Gallery, Stockholm; and Galerie Crevecoeur, Paris; among others.

Nonas» solo and two - person exhibitions include Cross Cuts: Richard Nonas and Joel Shapiro at the Knockdown Center, Queens, NY (2014); The Raw Edge: Vière et les Moyennes Montagnes, Digne - les - Bains, France (2012); Shoots Good Not Straight, Musée d'art de Saint - Etienne, France (2010); Smoke, OMI, Ghent, NY (2009); Musée d'Art Moderne et Contemporain, Geneva, Switzerland (1998); Hip and Spine (Stone Chair Setting), Josephine F. Ford Sculpture Garden in collaboration with the Detroit Institute of Arts, MI (1997, permanent); Museum of Contemporary Art Stockade, Los Angeles, CA (1993); Lucifer Landing (Real Snake in an Imaginary Garden), Cranbrook Art Museum, Bloomfield Hills, MI (1989, permanent); Lund Museum of Art, Lund, Sweden (1988, permanent); and Viewpoints: Richard Nonas, Walker Art Center, Minneapolis, MN (1978).

«Impulse, Reason, Sense, Conflict; Abstract Art from the Ella Fontanals - Cisneros Collection,» Cisneros Fontanals Art Foundation, Miami, FL, December 3, 2014 — March 29, 2015; catalogue «The Other Side - Mirrors and Reflections in Contemporary Art,» Belvedere, Vienna, Austria, June 18 — October 12, 2014; travels to Museum of Modern Art Carinthia, Klagenfurt, Austria, November 27, 2014 — March 1, 2015 «CalArts Art Benefit & Auction,» Paula Cooper Gallery and Metro Pictures, New York, NY, April 5 — 19, 2014 2013 «Damage Control: Art and Destruction Since 1950,» curated by Kerry Brougher and Russell Ferguson, Hirshhorn Museum and Sculpture Garden, Washington, D.C., October 24, 2013 — May 26, 2014; traveled to Mudam, Luxemburg City, Luxembourg, July 12 — October 12, 2014; Kunsthaus Graz, Graz, Austria, November 14, 2014 — February 22, 2015 «Room to Live: Recent Acquisitions and Works from the Collection,» Museum of Contemporary Art, Los Angeles, CA, October 5, 2013 — January 12, 2014 «Nasher XChange,» various sites throughout Dallas, TX, presented by the Nasher Sculpture Center, Dallas, TX, October 19, 2013 — February 16, 2014 «For the Time Being: Hidden Behind Plaster,» Staatliche Kunsthalle Baden - Baden, Baden - Baden, Germany, July 20 — October 27, 2013; catalogue «Endless Bummer II: Still Bummin»,» curated by Jan Tumlir, Malborough Gallery Chelsea, New York, NY, May 11 — June 29, 2013 «Speak, Memory,» Miriam and Ira D. Wallach Art Gallery, Columbia University, New York, NY, May 1 — June 8, 2013 «Made in Space,» curated by Peter Harkawik and Laura Owens, Night Gallery, Los Angeles, CA, March 16 — April 15; traveled to Gavin Brown's Enterprise, New York, NY, July 11 — August 10, 2013 «Selections from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, March 3, 2013 — January 27, 2014.

In 2008, Dior presented «Dior and the Chinese Artists,» an ambitious exhibition at the Ullens Center for Contemporary Art, in Beijing, featuring specially commissioned works by 20 artists, among them Liu, who made a series of abstract sculptures based on a Dior dress pattern from 1948.

Traveled to Worcester Art Museum, Worcester, Massachusetts (October 3 — November 25); Grey Art Gallery, New York University, New York (January 15 — February 23, 1985); Contemporary Arts Center, Cincinnati (March 14 — April 27, 1985); Albright - Knox Art Gallery, Buffalo (September 14 — November 3, 1985) and Archer M. Huntington Art Gallery, University of Texas at Austin (January 12 — February 23, 1986) Sur Invitation, Musée des Arts Décoratifs, Paris (June 6 — September 17) Olympic Arts Festival Los Angeles 1984, Newport Harbor Art Museum, Newport Harbor, California (June 1 — September 9) Selections from the Permanent Collection: Paintings and Sculpture, Museum of Modern Art, New York (opened May 17) Three Painters, Three Decades: Lee Krasner — Joan Mitchell — Pat Steir, Harcus Gallery, Boston (May 5 — June 20) XXIX Salon de Montrouge, Art Contemporain, Peinture — Sculpture — Dessin, Montrouge, France (May 2 — June 3) Aspects de la Peinture Contemporaine (1945 — 1983), Musée d'art moderne de Troyes, France (April 29 — June 18) Vent «anni d'arte in Francia, 1960 — 1980, Association Française d'Action Artistique, Galleria comunale d'arte moderna di Bologna (March — April) Master Drawings: 1928 — 1984, Janie C. Lee Gallery, Houston (March 7 — April) La Part des Femmes dans l'Art Contemporain, Galerie Municipale, Vitry - sur - Seine, France (March) American Women Artists, Part I: 20th Century Pioneers, Sidney Janis Gallery, New York (January12 — February 4)

Recent group exhibitions include Fiber: Sculpture 1960 — Present, which was held at the Institute of Contemporary Art, Boston and traveled to the Wexner Center for the Arts, Columbus, OH and the Des Moines Art Center, Des Moines, IA (2014 — 2015).

Williams received her MFA in Sculpture from the Rhode Island School of Design and has shown nationally and abroad, including ACRE Projects, The Wassaic Project, The Delaware Contemporary, Washington Project for the Arts, Grizzly Grizzly, and Lawrence University's Wriston Art Center, with reviews in the New York Times, Village Voice, Huffington Post and the Washington Post.

Traveled to Contemporary Arts Center, Cincinnati and Taft Museum, Cincinnati (September 12 — October 26) Our Land, Our Sky, Our Water: An Exhibition of American and Canadian Art, Expo»74 (Spokane International Exhibition), Spokane, Washington (May 4 — November 3) Woman's Work: American Art 1974, Museum of the Philadelphia Civic Center, Philadelphia (April 27 — May 26) 15th Exhibition: Contemporary American Painting and Sculpture 1974, Krannert Art Museum, University of Illinois at Urbana - Champaign (March 10 — April 21) Works by Women from the Ciba - Geigy Collection, Kresge Art Center Gallery, Michigan State University, East Lansing (March 2 — 24).

Selected public collections include the Albright Knox Art Gallery, Buffalo, NY; Baltimore Museum of Art, Baltimore, MD; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; The Miami Art Museum, Miami, FL; Museum of Contemporary Art, Chicago, IL; The Museum of Contemporary Art, Los Angeles, CA; The Museum of Modern Art, New York, NY; Philadelphia Museum of Art, Philadelphia, PA; The Saint Louis Art Museum, St. Louis, MO; San Francisco Museum of Modern Art, San Francisco, CA; Studio Museum Harlem, New York, NY; Walker Art Center, Minneapolis, MN; and the Whitney Museum of American Art, New York, NY.

2013 Art Public: Only One Like You, curated by Nicolas Baume, Art Basel Miami Beach, Miami Beach, FL Pataphysics (A Theoretical Exhibition), Sean Kelly Gallery, New York, NY Body is Present, Berrie Center for Performing and Visual Arts, Ramapo College, NJ Hold on Her, (performance), Cleveland Museum of Art, Cleveland, OH All Good Things, SOMA Arts, San Francisco, CA Remainder, curated by Lauren Ross, Philbrook Museum of Art, Tulsa, Oklahoma The Lobby Project, City Center, New York, NY Sisyphus: Heroism of the Absurd, Arte Actual, Quito, Ecuador If Color, then also Dimension; If Flatness, then Texture, etc., LMCC at Governor's Island, New York, NY Object Focus: The Bowl, Museum of Contemporary Craft, Portland, OR Paint Things: Beyond the Stretcher, Decordova Sculpture Park and Museum, Lincoln, MA In Praise of Chance and Failure, Family Business, New York, NY There Is No Place Like Home, Paul Robeson Galleries, Rutgers, Newark, NJ Only as Signal Show, Southern Exposure, San Francisco, CA No Sun Without Shadow, Lu Magnus, New York, NY Unfolding Tales: Selections from the Contemporary Collection, Brooklyn Museum, Brooklyn, NY

He received the 1993 Skowhegan Medal for Sculpture from the Skowhegan School of Painting and Sculpture (Maine), and in the same year was honored with a Lifetime Achievement Award in Contemporary Sculpture from the International Sculpture Center (Washington, DC).

«The Artist's Garden» 81, 83, 88, 91 1995 Rome Art and Community Center, Rome, NY 1993 Galerie Elca London, Montreal, Quebec 86, 87, 89 1991 Salander O'Reilly Galleries, New York 81, 82, 83, 84, 86, 89 1990 Jaffee Baker Gallery, Boca Raton, FL 1989 Kathleen Laverty Gallery, Edmonton, Alberta 1987 Gallery 99, Bay Harbor Island, FL 80, 81, 86 1987 871 Fine Arts, San Francisco CA 1986 Munson Williams Proctor Institute, Utica, NY 1983 Lincoln Center Gallery, New York, NY «Sculpture and Drawings» 1983 The Hett Gallery, Edmonton, Alberta 81 1981 The Edmonton Art Gallery, Alberta 1981 Meredith Long & Co., Houston, TX 78, 79 1980 Meredith Long Contemporary, New York, NY 78, 79 1977 Tibor de Nagy Gallery, New York, NY 71, 73, 74, 76 1976 Watson / de Nagy Gallery & Co., Houston, TX 75, 74 1973 Everson Museum of Art, Syracuse, NY

Process and Materials, 1960 - 1990,» Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA «Artificial Nature,» curated by Jeffrey Deitch, Deste Foundation for Art, The House of Cyprus, Athens, Greece «Stendahl Syndrome: The Cure,» Andrea Rosen Gallery, New York, NY «Mind Over Matter: Concept and Object,» Whitney Museum of American Art, New York, NY, October 3 — January 6, 1991 Galerie Sophia Ungers, Cologne, Germany, with L.C. Armstrong, Gretchen Faust, Eva Hesse, Rebecca Horn, Robin Kahn, Jutta Koether, Patty Martori, and Rosemarie Trockel «Liz Larner, Rosemarie Trockel, Meg Webster,» Stuart Regen Gallery, Los Angeles, CA 1989 «Whitney Biennial 1989,» Whitney Museum of American Art, New York, NY «The Desire of the Museum,» Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, NY Galerie Ryszard Varisella, Frankfurt, Germany «David Cabrera, Larry Johnson, Liz Larner,» 303 Gallery, New York, NY «Archaeology II,» Roy Boyd Gallery, Los Angeles, CA «Specific Metaphysics,» organized by Pat McCoy, Sandra Gering Gallery, New York, NY 1988 «Nayland Blake, Liz Larner, Richard Morrison, Charles Ray,» 303 Gallery, New York, NY «A Drawing Show,» curated by Jerry Saltz, Cable Gallery, New York, NY «Re: Placement,» L.A.C.E., Los Angeles, CA «Life Like,» curated by Marvin Heiferman, Lorence Monk Gallery, New York, NY Stadtmuseum, Graz, Austria, curated by Peter Pakesch; represented the U.S. along with Jennifer Bolande, Jon Kessler, Mike Kelley DAG, Los Angeles, CA 1987 «Room 9,» Tropicana Hotel, Los Angeles, CA «Nothing Sacred,» Margo Leavin Gallery, Los Angeles, CA «1987 Annuale,» L.A.C.E., Los Angeles, CA Jeffrey Linden Gallery, Los Angeles, CA; curated by John Baldessari «Reworks: Recent Sculpture,» New Langton Arts, San Francisco, CA «L.A. Hot and Cool,» M.I.T. Visual Arts Center, Cambridge, MA

Simone Leigh has exhibited work at Sculpture Center and the Kitchen in New York City; the Contemporary Arts Museum in Houston; the Fowler Museum at UCLA in Los Angeles; the Andy Warhol Museum in Pittsburgh; the Kunsthalle Wien in Vienna; L'appartement 22 in Rabbat, Morocco; and the AVA gallery in Cape town, South Africa.

She is currently working on projects for the Caribbean Cultural Center African Diaspora Institute, New York City; Grounds for Sculpture, Hamilton, NJ; the Craft and Folk Art Museum, Los Angeles; and the Contemporary Art Center, Cincinnati.

He recently organized the long - term loan and installation of Jim Hodges's seminal sculpture, With Liberty and Justice for All (A Work in Progress) in tandem with the renovation of The Contemporary's downtown location, the Jones Center on Congress Avenue, located a few blocks from the State Capitol building.

Recent institutional exhibitions and in situ paintings include Atoms Outside Eggs, Serralves, Porto, Portugal (2007); Hello Little Butterfly I Love You What's Your Name, ARKEN Museum for Moderne Kunst, Copenhagen (2009); One Floor Up More Highly, MASS MoCA, North Adams, MA (2010); Third Man Begins Digging Through Her Pockets, Museum of Contemporary Art Cleveland, OH (2012); Two younger women come in and pull out a table, De Pont Museum of Contemporary Art, Tilburg, The Netherlands (2013); WUNDERBLOCK, Nasher Sculpture Center, Dallas, TX (2013); Inside the Speaker, Museum Kunstpalast, Düsseldorf (2014); psychylustro, Philadelphia Mural Arts Program (2014); yes no why later, Garage Museum of Contemporary Art, Moscow (2015); Seven Hours, Eight Rooms, Three Trees, Museum Wiesbaden, Germany (2015); Untitled Trumpet, 56th Biennale di Venezia (2015); Museum Frieder Burda, Baden - Baden, Germany (2016); Rockaway!

Group exhibitions include Socrates Sculpture Park, LIC; Halsey McKay, East Hampton; Andrea Rosen, NY; Derek Eller, NY; Bureau, NY, Double Take at Public Art Fund at Metrotech Center, Brooklyn; and Linkage at Museum of Contemporary Art, Detroit.

The Contemporary Austin comprises two locations: the historic Jones Center in downtown Austin, and Laguna Gloria, a unique, fourteen - acre art - in - nature site that includes the landmark Driscoll Villa, the Betty and Edward Marcus Sculpture Park, the Gatehouse Gallery, and the Art School at Laguna Gloria.

Recent solo and major notable museum exhibitions include; «Enlightened Princesses; Caroline, Augusta, Charlotte and the Shaping of the Modern World», Yale Center for British Art, New Haven, Connecticut, USA tours to Kensington Palace, London, UK (2016 - 2017); «Paradise Beyond» Gemeentemuseum Helmond, Netherlands (2016); «Recreating the Pastoral», VISUAL Centre for Contemporary Art, Carlow, Ireland (2016); «End of Empire», Turner Contemporary, Margate, England (2016); «Wilderness into a Garden», Daegu Art Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (2011).

Her work is in many prestigious institutions worldwide including the Brooklyn Museum, New York; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Centre Pompidou, Paris; Hong Kong Museum of Art; Museum of Modern Art, New York; National Art Museum of China, Beijing; National Museum of Australia, Canberra; M + Museum, Hong Kong; Seattle Art Museum; Shanghai Museum of Glass; Sherman Foundation, Sydney; and the Ullens Center for Contemporary Art, Beijing.

Wexford, Ireland, 2018 Foundation for Contemporary Arts Emergency Grant, New York, NY, 2016 Emerging Artist Fellowship 2015, Socrates Sculpture Park, Queens, NY, 2015 The Quarry At Marble House Project, Dorset, VT, 2015 Process Space, Lower Manhattan Cultural Council, New York, NY, 2014 Frans Masereel Centrum, Kasterlee, Belgium, 2014 Workspace, Lower Manhattan Cultural Council, New York, NY, 2012 - 2013 The Banff Centre, A PAPER A DRAWING A MOUNTAIN with Silke Otto - Knapp and Jan Verwoert, Banff, Canada, 2012 Mildred's Lane, Beach Lake, PA, 2011 With funds granted from Parsons, The New School for Design Atlantic Center for the Arts - With Jean - Marc Bustamante — New Smyrna Beach, FL, 2010 With funds granted from the Center and the Joan Mitchel Foundation Vermont Studio Center — Johnson, VT, 2009 Big Cypress National Preserve - Ochopee, FL, 2007 Rocky Mountain National Park - Estes Park, CO, 2006

Group exhibitions include P.S. 1 Contemporary Art Center, New York; Sculpture Center, New York; Santa Monica Museum of Art; Arthouse, Austin; and the Contemporary Art Center, Cincinnati.

He has received awards and fellowships including the Eldon Danhausen Fellowship (2015) and the Edward L. Ryerson Fellowship (2015), the John W. Kurtich Foundation Fellowship (2014) and the International Sculpture Center Outstanding Student Achievement in Contemporary Sculpture Award (2014).

Solo exhibitions of his work have been organized at the Institute of Contemporary Art, Boston (2017); Socrates Sculpture Park, New York (2017); The Barnes Foundation, Philadelphia (2016); Pérez Art Museum Miami (2015); Savannah College of Art and Design Museum of Art, Savannah, GA (2015); Louisiana State University Museum of Art, Baton Rouge, LA (2014); The Fabric Workshop and Museum, Philadelphia (2011); Massachusetts Museum of Contemporary Art, North Adams, MA (2011); Isabella Stewart Gardner Museum, Boston (2002); and Walker Art Center, Minneapolis, MN (2001, 2000).

The Board of Trustees of the International Sculpture Center has announced the recipients of the 2016 Lifetime Achievement in Contemporary Sculpture Award: Kiki Smith and Bernar Venet.

Established in 1960 as a way to showcase the majestic paintings from the Hudson River School movement, Storm King Art Center has evolved into one of today's leading sculpture parks, with more than 100 contemporary works dotting a dramatic landscape of pastoral hills, breathtaking vistas, and tranquil ponds.

4 pm Talk: The State of Contemporary Art — Texas Moderated by Virginia Rutledge, curator - at - large, The Texas Biennial; Participants: Fairfax Dorn, Executive Director and co-founder, Ballroom Marfa; Jeremy Strick, Director, Nasher Sculpture Center, Dallas; and Amada Cruz, Executive Director, Artpace, San Antonio.

Jarrod Beck has created outdoor sculptures for Socrates Sculpture Park (Astoria, NY), Sara D. Roosevelt Park (NY, NY), Calder Plaza (Grand Rapids, MI) and the Anti-Defamation League (Omaha, NE); installations at the Lever House, Smack Mellon, Wave Hill, Abrons Art Center, South Street Seaport Museum, Bemis Center for Contemporary Art, Instituto Cervantes, Rhode Island School of Design, Stony Brook University, Universidad Central de Venezuela, Cape Cod National Seashore and the Provincetown Art Association and Museum.

Amon Carter Museum, Forth Worth, TX Art, Design & Architecture Museum, University of California, Santa Barbara Arthur S. Goldberg Collection, Snell Library, Northeastern University, Boston, MA Art Institute of Chicago, IL Bates College Museum of Art, Lewiston, ME Boston Public Library, Boston, MA Bowdoin College Museum of Art, Brunswick, ME Brooklyn Museum, Brooklyn, MY City of Springfield Art Museum, Springfield, MO Currier Museum of Art, Manchester, NH Davison Art Center, Wesleyan University, Middletown, CT de Young Museum, San Francisco, CA deCordova Sculpture Park and Museum, Lincoln, MA Grey Art Gallery, New York University, NY Harvard Art Museums, Cambridge, MA Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY Hood Museum of Art, Dartmouth College, Hanover, NH Houghton Library, Harvard University, Cambridge, MA Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, NJ Los Angeles County Museum of Art, CA Mead Art Museum, Amherst College, Amherst, MA Metropolitan Museum of Art, New York, NY MIT List Visual Arts Center, Cambridge, MA Museum of Art, University of New Hampshire, Durham, NH Museum of Fine Arts, Boston, MA Museum of Modern Art, New York, NY National Gallery of Art, Washington, DC Nelson - Atkins Museum of Art, Kansas City, MO Neuberger Museum of Art, Purchase College, SUNY, NY New York Public Library, NY Norton Museum of Art, West Palm Beach, FL Pennsylvania Academy of the Fine Arts, Philadelphia, PA Picker Art Gallery, Colgate University, Hamilton, NY Portland Art Museum, Portland, OR Provincetown Art Association and Museum, MA RISD Museum, Rhode Island School of Design, Providence, RI San Diego Museum of Art, CA San Francisco Museum of Modern Art, CA Sheldon Museum of Art, University of Nebraska - Lincoln, NE Smith College Museum of Art, Northampton, MA Smithsonian American Art Museum, Washington, DC The Detroit Institute of Arts Museum, MI UC Berkeley Art Museum, CA University Museum of Contemporary Art at UMASS Amherst, MA University of Iowa Museum of Art, Iowa City, IA University of Michigan Museum of Art, Ann Arbor, MI University of Museum of Art, Bangor, ME University of New Mexico Art Museum, Albuquerque, NM University of South Florida Contemporary Art Museum, Tampa, FL Whitney Museum of American Art, New York, NY Yale University Art Gallery, New Haven, CT

Wahler currently serves as Founding Director of the Chalet Society in Paris; Artistic Advisor for De Appel Arts Center, Amsterdam and CI Contemporary Istanbul; and Founding Director of Transformer Sculpture Park, Melides, Portugal.

Major solo exhibitions include «Bruce Nauman: Inside Out» Museo Nacional Centro de Arte Reina Sofía (1993 - 94, traveled to Walker Art Center, Minneapolis; Museum of Contemporary Art, Los Angeles; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; and Museum of Modern Art, New York, through 1995); «Bruce Nauman: Mapping the Studio I (Fat Chance John Cage),» Dia Center for the Arts, New York (2002); «Mapping the Studio,» Museum für Gegenwartskunst, Basel (2002); «Bruce Nauman: Theaters of Experience,» Deutsche Guggenheim, Berlin (2003); «Bruce Nauman: Raw Materials» Unilever Commission, Tate Modern Turbine Hall (2005); «A Rose Has No Teeth: Bruce Nauman in the 1960s,» UC Berkeley Art Museum and Pacific Film Archive, Berkeley, CA (2007); «Notations / Bruce Nauman: Days and Giorni,» Biennale di Venezia (2009, traveled to Philadelphia Museum of Art; and Museum of Modern Art, New York (through 2010); «Bruce Nauman: Dream Passage,» Hamburger Bahnhof, Berlin (2010); and «Bruce Nauman's Words on Paper,» Art Gallery of Ontario (2014).

Her work has been exhibited in numerous national and international institutions, including Artspace (New Haven, CT), DIVA International Video Art Fair (Miami, FL), City of Nanjing Art Center for Painting and Sculptures (China), CAMAC Centre D'art (France), Media Art Festival at the Armenian Center for Contemporary Experimental Art (Armenia).