From 2013 - 15 she led the multi-part curatorial project Landings presented at Witte de With Center for Contemporary Art, David Roberts Art Foundation, NGBK (as part of the Tagore, Pedagogy and
Contemporary Visual Cultures Network), Stedelijk Museum Amsterdam, and other partner organizations (with Vivian Ziherl).
From 2013 — 15 she led the multi-part curatorial project Landings, with Vivian Ziherl, presented at the Witte de With Center for Contemporary Art, David Roberts Art Foundation, NGBK (as part of the Tagore, Pedagogy, and
Contemporary Visual Cultures network), the Stedelijk Museum Amsterdam, and other partner organizations.
Not exact matches
The members of the Turner Prize 2019 jury are Alessio Antoniolli, Director, Gasworks & Triangle
Network; Elvira Dyangani Ose, Senior Curator at Creative Time and Lecturer in
Visual Cultures at Goldsmiths; Victoria Pomery, Director, Turner
Contemporary, Margate; Charlie Porter, writer.
Comprising programmes from the ICA Artists» Moving Image
Network alongside several additional live events, the festival brings together a cross-section of work that engages with the language of
contemporary visual culture to draw out critical and discursive reflections on its wider social influences.
Her current book project provisionally titled, Pattern Recognition: Durational Conditions of
Contemporary Art, provides a critical analysis of the rise of
network culture within
visual art after 1989.
His interests include
network theory, copyright and aura in the age of digital reproduction, and the unpredictable revisions of historical technologies within
contemporary visual culture and social politics.
In New York, there was last year's New Museum Triennial, «Surround Audience,» whose participants addressed «a society replete with impressions of life, be they
visual, written, or constructed through data,» and «Ocean of Images,» the 2015 iteration of MoMA's «New Photography» showcase, featuring artists who use «
contemporary photo - based
culture, specifically focusing on connectivity, the circulation of images, information
networks, and communication models.»
Ruang MES 56's aim is to «develop
contemporary art discourse and
visual culture, while also optimize art
network in the South East Asia region» through initiatives such as residencies, discussions, exhibitions and projects.
The objectives of curatorial course are aiming to: — promote reflections questioning the role of the curator, and research projects in the field of
contemporary visual culture; — set up working platforms that may enable participants to develop further curatorial works; — proliferate
networking between young creators of the
visual art scene and encourage international circulation of cultural projects.
A «critically engaged» artist is an artist whose practice is relevant to the current discussion and forms of
contemporary visual culture as defined by a wide
network of art world professionals.