She is coeditor of
The Contemporary Visual Studies Reader, forthcoming from Routledge this fall.
Not exact matches
Select Group Exhibitions 2017 Monarchs: Brown and Native
Contemporary Artists in the Path of the Butterfly, Bemis Center for Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum,
Contemporary Artists in the Path of the Butterfly, Bemis Center for
Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum,
Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in
contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum,
contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of
Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum,
Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy
Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum,
Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional
Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional
Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for
Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum,
Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight
Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of
Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum,
Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe, NM
She has been an Associate Professor in
Visual and Critical
Studies at the California College of the Arts and is a senior correspondent and producer for the weekly
contemporary art podcast Bad at Sports.
2012 Daniel Belasco, Henry J. Leir Associate Curator, The Jewish Museum Heather Darcy Bhandari, Director, Mixed Greens Gallery Jennifer Blessing, Senior Curator of Photography, Guggenheim Museum Kristen Chappa, Curatorial Associate, SculptureCenter Elizabeth Ferrer, Director of
Contemporary Art, BRIC Arts Media Elizabeth Houston, Director, Hous Projects Ryan Inouye, Curatorial Associate, New Museum Lesley Johnstone, Curator, Musée d'Art Contemporain de Montréal Nina Katchadourian, Curator, Drawing Center Jonathan David Katz, Curator and Director of the Doctoral Program in
Visual Culture
Studies at State University of New York at Buffalo John Massier,
Visual Arts Curator, Hallwalls Gallery, Buffalo Sara Reisman, Director, Percent for Art and Independent Curator Sara Jo Romero, Director, Schroeder Romero & Shredder Gallery Gregory Volk, Contributing Writer, Art in America Megan Holly Witko, Director, Andrea Meislin Gallery
Tags: California, Center for Maine
Contemporary Art, Cincinnati Art Museum, Concept Center for
Visual Studies, Don Voisine, Gregory Lind Gallery, Joel and Lila Harnett Museum of Art, Maine, Maine College of Art, McKenzie Fine Art, Metaphor
Contemporary Art, P.S. 1
Contemporary Art Center, Peabody Essex Museum, Portland School of Art, PP Projects, RMIT University, University of Richmond
Rituals Since 1851», Triennale di Milano, Italy (2015); «
Visual Deception II: Into the Future», The Bunkamura Museum of Art, Shibuya - ku, Japan; touring to Hyogo Prefectural Museum of Art, Kobe, Japan; Nagoya City Art Museum, Nagoya, Japan (2015); «Room by Room: Monographic Presentations from the Faulconer and Rachofsky Collections», The Warehouse, Dallas, Texas, USA (2014); «
Study from the Human Body», Stephen Friedman Gallery, London, England (2014); «Seismic Shifts», The National Academy Museum, Manhattan, New York, USA (2013); «Lifelike», Museum of
Contemporary Art San Diego, San Diego, USA (2013); «Invisible Art: About the Unseen, 1957 - 2012», The Hayward Gallery, London, England (2012); «Paper», Musée d'Art Moderne et d'Art Contemporain, Nice, France (2012); «All that Glisters», Stephen Friedman Gallery, London, England (2011); «Floor Corner Wall», Fort Worth
Contemporary Arts, Fort Worth, Texas, USA (2010); and «Chasing Napoleon», Palais de Tokyo, Paris, France (2009).
Contemporary Practices Ceramics Fiber and Material
Studies Liberal Arts
Visual Communication Design
Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial
Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for
Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial
Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial
Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial
Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the
Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of
Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of
Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of
Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for
Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.
2008 Law and
Visual Resistance: Perspectives on
Contemporary Art and Politics, South Asian Bar Association, NY Impossible Archives, Kevorkian Center for middle Eestern
Studies, New York University riDYKEulous: The Odds Are Against Us, PS1MOMA, NY Gelman Studio Lecture, Columbia University, NY «
Visual Ignition», Visiting Artist Lecture, American University, Washington, DC California College of Arts, Visiting Artist Lecture, San Francisco, CA
Art Institute of Chicago, Chicago, IL California Museum of Photography, University of California, Riverside, CA Colorado Mountain College, Breckenridge, CO The Detroit Institute of Arts, Detroit, MI Free Library of Philadelphia, Philadelphia, PA Haggerty Museum of Art, Marquette University, Milwaukee, WI Illinois State Museum, Springfield, IL James A. Michener Art Museum, Doylestown, PA Madison Art Center, Madison, WI The Metropolitan Museum of Art, New York, NY The Milwaukee Art Museum, Milwaukee, WI Museum of
Contemporary Photography, Chicago, IL Philadelphia Museum of Art, Philadelphia, PA The Pinhole Resource, San Lorenzo, NM Research Center,
Visual Studies Workshop, Rochester, NY Woodmere Art Museum, Philadelphia, PA
2012 African American Art in the 20th Century, Smithsonian American Art Museum, Washington, DC Successions: Prints by African American Artists from the Jean & Robert Steele Collection, David C. Driskell Center at the University of Maryland, College Park, MD Blues for Smoke, The Museum of
Contemporary Art, Los Angeles, CA; Whitney Museum of American Art, New York, NY; Wexner Center for the Arts, The Ohio State University, Columbus, OH After Tanner: African American Artists since 1940, Pennsylvania Academy of Fine Arts, Philadelphia, PA... On Paper, Michael Rosenfeld Gallery LLC, New York, NY African American Art Since 1950: Perspectives from The David C. Driskell Center, organized by Smithsonian Institute of Traveling Exhibition Services (SITES), The David C. Driskell Center for the
Study of the
Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Susquehanna Art Museum, Harrisburg, PA; Polk Museum of Art, Lakeland, FL; Figge Art Museum, Davenport, IA; The Harvey B. Gantt Center for African - American Arts + Culture, Charlotte, NC; Taft Museum of Art, Cincinnati, OH INsite / INchelsea, Michael Rosenfeld Gallery LLC, New York, NY
Athena Papadopoulos attended the University of British Columbia for her undergraduate
studies in
Visual Arts and
Contemporary Art Theory and graduated from the MFA Fine art programme at Goldsmiths, University of London in 2013.
Her research is situated at the intersection of literary
studies,
studies of
contemporary visual arts and aesthetics, and the
study of leftist political and social movements, bringing together
contemporary U.S. Latino / a and Latin American cultural production within a hemispheric framework.
Carmen Winant, Assistant Professor of
Visual Studies and
Contemporary Art History, has had solo exhibitions at Skibum MacArthur in Los Angeles and Fortnight Institute in New York, respectively titled Pictures of Women Working and Who Says Pain is Erotic?.
Tarek Abou El Fetouh (curator) John Akomfrah (artist and filmmaker) Rheim Alkadhi (artist) Noora Al Mualla (Curator of Modern Arab Art, Sharjah Art Foundation) Monira Al Qadiri (artist) Hoor Al Qasimi (Director, Sharjah Art Foundation) Saira Ansari (Researcher, Sharjah Art Foundation) Rasheed Araeen (artist) Marwa Arsanios (artist) Mohammad Ali Atassi (Director, Bidayyat) Sarnath Banerjee (artist, writer and graphic novelist) Daniel Blanga Gubbay (Researcher and Curator, Aleppo.eu) Yaminay Chaudhri (artist and Co-founder, Tentative Collective) Ali Cherri (artist) Manuel de Rivero (Co-founder, Supersudaca) Manthia Diawara (University Professor and Director, Institute of African American Affairs, New York University) Mona El Mousfy (Founder and Managing Director, SpaceContinuum) Shilpa Gupta (artist) Ayesha Hameed (artist and Lecturer,
Visual Cultures, Goldsmiths College) Dale Harding (artist) Salah Hassan (Goldwin Smith Professor and Director, Institute for Comparative Modernities, Cornell University) Mohamed Ahmed Ibrahim (artist) Saba Innab (artist and architect) Eungie Joo (Curator of
Contemporary Art, San Francisco Museum of Modern Art) Butheina Kazim (Co-founder, Cinema Akil) Maha Maamoun (artist) Ahmed Mater (artist) Almagul Menlibayeva (artist) Sally Mizrachi (Co-founder, lugar a dudas) Naeem Mohaiemen (artist) Paribartana Mohanty (artist) Aram Moshayedi (Curator, Hammer Museum) Hania Mroué (Founder and Director, Metropolis Art Cinema) Neo Muyanga (composer and musician) Zeynep Öz (curator) Claudia Pagès (artist) Sharmini Pereira (Founder and Director, Raking Leaves) Filipa Ramos (Co-curator, Vdrome) Uzma Rizvi (Associate Professor, Anthropology and Urban
Studies, Pratt Institute) Abir Saksouk (Architect, Public Works) Larissa Sansour (artist) Mario Santanilla (artist) Zineb Sedira (artist) Wael Shawky (artist) Reem Shilleh (Co-founder, Subversive Film) Martine Syms (artist) Yoshiharu Tsukamoto (Co-founder, Atelier Bow - Wow) Alper Turan (Co-founder, DAS Art Project) Deepak Unnikrishnan (writer) Antonio Vega Macotela (artist) Hajra Waheed (artist) Ala Younis (artist and curator)
The Archives at the Center for Curatorial
Studies at Bard College serve as the institutional repository for the Center, and the Hessel Museum of Art and as a collecting repository which actively acquires, preserves, and provides access to a wide range of primary materials documenting the history of the
contemporary visual arts and the institutions and practices of exhibition - making since the 1960s.
Her specialty is African - American and modern and
contemporary African art history /
visual culture and gender
studies.
The graduate program at the Center for Curatorial
Studies at Bard College provides practical training and experience in a museum setting and an intensive course of
study in the history of the
contemporary visual arts, the institutions and practices of exhibition making, and the theory and criticism of the
visual arts in the modern period.
The graduate program at the Center for Curatorial
Studies at Bard College (CCS Bard) is an intensive course of
study in the history of the
contemporary visual arts, the institutions and practices of exhibition - making, and the theory and criticism of the
visual arts since the 1960s.
The exhibition is co-curated by Jonathan David Katz, Director,
Visual Studies Doctoral Program at the University at Buffalo (The State University of New York), and Rock Hushka, Chief Curator and Curator of
Contemporary and Northwest Art at Tacoma Art Museum.
2012 Blues for Smoke, Museum of
Contemporary Art, Los Angeles, CA; Whitney Museum of American Art, New York, NY; Wexner Center for the Arts, The Ohio State University, Columbus, OH Narrative of African American Art and Identity, The David C. Driskell Center for the
Study of the
Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD Convergence: Jazz, Films and the
Visual Arts, The David C. Driskell Center for the
Study of the
Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Museum of Art, Bates College, Lewiston, MA African American Art Since 1950: Perspectives from The David C. Driskell Center, organized by Smithsonian Institute of Traveling Exhibition Services (SITES), The David C. Driskell Center for the
Study of the
Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Susquehanna Art Museum, Harrisburg, PA; Polk Museum of Art, Lakeland, FL; Figge Art Museum, Davenport, IA; The Harvey B. Gantt Center for African - American Arts + Culture, Charlotte, NC; Taft Museum of Art, Cincinnati, OH Magical Visions: Ten
Contemporary African American Artists, University Museums, University of Delaware, Newark, DE
The mission of the Center's graduate program is to provide practical training and experience in a museum setting and an intensive course of
study in the history of the
contemporary visual arts, the institutions and practices of exhibition making, and the theory and criticism of the
visual arts.
2012 African American Art in the 20th Century, Smithsonian American Art Museum, Washington, DC After Tanner: African American Artists since 1940, Pennsylvania Academy of Fine Arts, Philadelphia, PA To be a Lady: Forty - five Women in the Arts, 1285 Avenue of the Americas Art Gallery, New York, NY Blues for Smoke, The Museum of
Contemporary Art, Los Angeles, CA; Whitney Museum of American Art, New York, NY African American Art Since 1950: Perspectives from The David C. Driskell Center, organized by Smithsonian Institute of Traveling Exhibition Services (SITES), The David C. Driskell Center for the
Study of the
Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Susquehanna Art Museum, Harrisburg, PA; Polk Museum of Art, Lakeland, FL; Figge Art Museum, Davenport, IA; The Harvey B. Gantt Center for African - American Arts + Culture, Charlotte, NC; Taft Museum of Art, Cincinnati, OH INsite / INchelsea: The Inaugural Exhibition, Michael Rosenfeld Gallery LLC, New York, NY
Her writing has appeared in several publications including catalogue essays for the Museum of Modern Art, the Center for Advanced
Study in the
Visual Arts (National Gallery of Art, Washington DC), and El Museo del Barrio, Nka: Journal of
Contemporary African Art, Art Nexus, Review, the journal of the Americas Society, NYFA Quarterly, BOMB and American Art.
An internationally renowned
visual artist who has been showing in major museums of modern and
contemporary art, and a distinguished thinker, Bracha L. Ettinger is also one of the world's leading theorists in the realm of art and philosophy of aesthetics, ethics, sexual difference and French psychoanalysis and feminism, whose writings have influenced film and literary thinking, queer
studies,
contemporary aesthetics and ethics, and art history.
She holds a BA from Columbia University, where she
studied Anthropology and
Visual Arts, an MPhil in Anthropology and Historical
Studies from The New School for Social Research, and a PhD in Environmental Psychology from the City University of New York, where she completed her doctoral dissertation on urban interventionism and critical archival practices in
contemporary Russian art.
Our Fall Critical
Studies and Humanities Fellow is Alpesh Kantilal Patel, an Assistant Professor in
Contemporary Art and Theory and Director of the MFA program in the
Visual Arts at Florida International University (FIU) in Miami.
Schenkelberg received a BA in art history at the College of Wooster, OH, and an MFA at the School of
Visual Arts, NY, with additional
studies at SAIC at Oxbow, MI, Pont Aven School of Contemporary Art, France, and the Institute of European Studies,
studies at SAIC at Oxbow, MI, Pont Aven School of
Contemporary Art, France, and the Institute of European
Studies,
Studies, Vienna.
Butler has also
studied at the School of
Visual Arts, New York, and has completed residencies at Acre (2014), The Bemis Center for
Contemporary Art (2008), The MacDowell Colony (2004), and The Ucross Foundation (2000), among others.
2012 LA Raw: Abject Expressionism in Los Angeles, 1945 - 1980: From Rico Lebrun to Paul McCarthy, Pasadena Museum of California Art, Pasadena, CA African American Art Since 1950: Perspectives from The David C. Driskell Center, organized by Smithsonian Institute of Traveling Exhibition Services (SITES), The David C. Driskell Center for the
Study of the
Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Susquehanna Art Museum, Harrisburg, PA; Polk Museum of Art, Lakeland, FL; Figge Art Museum, Davenport, IA; The Harvey B. Gantt Center for African - American Arts + Culture, Charlotte, NC; Taft Museum of Art, Cincinnati, OH Breaking in Two: Provocative Visions of Motherhood, Santa Monica Art Center, Santa Monica, CA Against the Grain: Wood in
Contemporary Art, Craft and Design, Museum of Arts and Design, New York, NY; Mint Museum of Art, Charlotte, NC; Museum of Art in Fort Lauderdale, FL Successions: Prints by African American Artists from the Jean & Robert Steele Collection, David C. Driskell Center at the University of Maryland, College Park, MD Regarding Warhol: Fifty Artists, Fifty Years, The Metropolitan Museum of Art New York, NY From Nothing to SOMEthing: Assemblage, Collage and Sculpture, Tobey C. Moss Gallery, Los Angeles, CA To be a Lady: Forty - five Women in the Arts, 1285 Avenue of the Americas Art Gallery, New York, NY Full Spectrum: Prints from the Brandywine Workshop, Philadelphia Museum of Art, Philadelphia, PA African American Art Since 1950: Perspectives from the David C. Driskell Center, David C. Driskell Center at the University of Maryland, College Park, MD African American Visions: Selections from the Samella Lewis Collection, Ruth Chandler Williamson Gallery, Scripps College, Claremont, CA Baila Con Duende: Group Art Exhibition, Watts Towers Art Center, Watts, CA We the People, Robert Rauschenberg Project Space, New York, NY The Female Gaze: Women Artists Making Their World, Pennsylvania Academy of the Fine Arts, Philadelphia, PA INsite / INchelsea: The Inaugural Exhibition, Michael Rosenfeld Gallery LLC, New York, NY
The exhibition is co-curated by Jonathan David Katz, director,
Visual Studies Doctoral Program at the University at Buffalo (The State University of New York) and Rock Hushka, chief curator and curator of
contemporary and Northwest art at Tacoma Art Museum.
Selected Grants: American Academy in Rome, Rome Prize Fellowship in
Visual Arts; John Simon Guggenheim Fellowship; Joan Mitchell Foundation Grant; Foundation for
Contemporary Arts Grant; Radcliffe Institute for Advanced
Study Fellowship; Louis Comfort Tiffany Foundation.
Janet Kraynak is Associate Professor of
Contemporary Art History at the New School in New York, where she holds a joint appointment in the School of Art and Design History and Theory at Parsons, and the
Visual Studies program, Department of Arts, Eugene Lang College.
Contemporary visual language
studies provide handling and creation of mediums that itself originates a new generation of art.
For Commonwealth and Council, Porras - Kim
studies the formal vocabulary of objects found in Jalisco and offers parallels from our
contemporary visual lexicon.
American Association of Law Schools Arts Counsel of Texas, Dallas, TX Bronx Museum Brown University School of Art Centre Sociologie de l'Innovation, Ecole des Mines de Paris, France Columbia Law School Columbia University School of the Arts Cour de Cassation, Grand» Chambre, Paris, France Cornell Law School Creative Capital CUNY Graduate Center, Center for the Humanities Dia: Beacon El Paso Museum of Art Fordham Law School Fundación Cisneros, Caracas, Venezuela Georgia State University Harvard University, Department of
Visual & Environmental
Studies International Center of Photography Lower Manhattan Cultural Council, NYC McGill Faculty of Law, Montréal, Canada Museum of
Contemporary Art, Detroit New York Law School NYU School of Law Rhode Island School of Design School of
Visual Arts SUNY, New Paltz SUNY, Oswego Texas A&M School of Law Triple Canopy Universidad de los Andes, Bogotá, Colombia Universidad Torcuato di Tella, Buenos Aires, Argentina University of California - Irvine School of Art Vera List Center for Arts and Politics at The New School Virginia Commonwealth University Yale Law School Yale School of Architecture Yale School of Management
Inquiries Into
Contemporary Sculpture (published by SculptureCenter, 2014) and in Theorizing
Visual Studies (Routledge, 2012).
Every Spring, first - year
Visual Studies students travel as a group to New York City, where they meet with some of the most interesting and active visual artists in the contemporary art world through intimate, on - site v
Visual Studies students travel as a group to New York City, where they meet with some of the most interesting and active
visual artists in the contemporary art world through intimate, on - site v
visual artists in the
contemporary art world through intimate, on - site visits.
«Inherent Vice: a Curatorial Case
Study,» The First Crack: Conservation and Value in
Contemporary Art.
Contemporary Conservation and School of
Visual Arts (SVA), April 29, 2015.
The Low - Residency MFA in
Visual Studies program is pleased to present a lecture by artist Mike Bray in conjunction with his exhibition at Fourteen30
Contemporary
Shlomit Dror earned her MA Degree in Museum
Studies from New York University, concentrating in contemporary visual culture and curatorial s
Studies from New York University, concentrating in
contemporary visual culture and curatorial
studiesstudies.
2007 Giuliana Bruno, Public Intimacy: Architecture and the
Visual Arts (MIT) Sarah Phillips Casteel, Second Arrivals: Landscape and Belonging in
Contemporary Writing of the Americas (New World
Studies)(University of Virginia Press) David Marriott, «Black Narcissus: Isaac Julien», Haunted Life:
Visual Culture and Black Modernity (Rutgers University Press) Greg Thomas, «Isaac Julien: «Darker Sides» and «Snow Queens.»»
He is a professor at the Ontario College of Art and Design University in Toronto, specializing in curatorial
studies, Indigenous
visual history and aesthetics and
contemporary Indigenous art.
1999 Museu de arte Contemporanea de Serralves, Porto Some Negociations, Kunstverein, München, Munich Museum of Art, Santa Monica, California L'ellipse, Index, The Swedish
Contemporary Art Foundation, Stockholm Le Procès du Temps Libre, Wiener Secession, Vienna Motion
Study, a Choreography, Institute of
Visual Arts, Milwaukee, Wisconsin Kunstmuseum, Aarhus
After completing her bachelor's degree in
Visual History, she
studied at the Reina Sofía Museum of
Contemporary Art, specializing in art criticism.
-- Art AIDS America was organized by Tacoma Art Museum in partnership with The Bronx Museum of the Arts, and co-curated by Jonathan David Katz, Director,
Visual Studies Doctoral Program at the University at Buffalo (The State University of New York), and Rock Hushka, Chief Curator and Curator of
Contemporary and Northwest Art at Tacoma Art Museum.
The AS - AP Steering Committee is: David Platzker, AS - AP project director; Linda Earle, executive director, Skowhegan School of Painting and Sculpture; Milan Hughston, chief of library and museum archives, The Museum of Modern Art; Maria Lind, director of the graduate program, Center for Curatorial
Studies; Elizabeth Merena, director,
Visual Arts Program, New York State Council on the Arts; Andrew Perchuk,
Contemporary Programs and Research, Getty Research Institute; Marvin Taylor, faculty, Collections and Research Services, Fales Library, New York University Libraries; Martha Wilson, Franklin Furnace Archives; and revolving participants from the College Art Association.
During the 1980s whilst in New York, she was a regular contributor to Artforum International, co-curated exhibitions of
contemporary Native American art with the artist Jimmie Durham and taught at various times in the School of
Visual Arts, State University of New York at Old Westbury and the Whitney Students» Independent
Study Program.
His research and teaching interests include: aesthetics and migrant subjectivity, art history and
contemporary visual analysis, and the relevance of postcolonial theory for media
studies.
Publications include catalogue essays for the Museum of Modern Art, the Center for Advanced
Study in the
Visual Arts (National Gallery of Art, Washington DC), and El Museo del Barrio, Nka: Journal of
Contemporary African Art, Art Nexus, Review, the journal of the Americas Society, NYFA Quarterly, BOMB and American Art.