Sentences with phrase «contemporary engages the public»

ABOUT ATLANTA CONTEMPORARY Atlanta Contemporary engages the public through the creation, presentation and advancement of contemporary art.

Not exact matches

McGill - Queen's University Press is a scholarly publisher of books that engage in public debate, current events, politics, contemporary thought, and the arts.»

Brooks warns contemporary Christians that when we try to engage in public life, we are perceived as prosecuting a «culture war,» one that has «alienated large parts of three generations» of Americans, turning «a rich, complex, and beautiful faith into a public obsession with sex.»

Building on its mission of engaging the public with contemporary art and supporting the revitalization of American downtowns, 21c has rehabilitated the historic Gray & Dudley Building in Downtown Nashville near Printer's Alley.

The series is part of APF's Works on Whatever (WOW) series: a unique collection of everyday items designed by artists with sales supporting APF's non-profit mission to engage the public and expand the audience for contemporary art.

The off - site public program engages the city's long legacy with public art, including IN / SITU Outside, siting works by major contemporary artists throughout Chicago Park District locations for up to one year, and OVERRIDE A Billboard Project, presenting a curated selection of digital art on the citywide network.

The curatorial team, led by Paul M. Farber and Ken Lum, works closely with artists from Philadelphia and around the world to channel historical memory into civically - engaged contemporary public works.

CPI's Public Interface: LaTableRonde format brings together 30 participants (some invited, some not) to engage in a public discussion concerning contemporary cultural condiPublic Interface: LaTableRonde format brings together 30 participants (some invited, some not) to engage in a public discussion concerning contemporary cultural condipublic discussion concerning contemporary cultural conditions.

The Ulrich and the students of the Concepts in Creative Industries: Curation and Installation of do it course at the WSU School of Art, Design and Creative Industries will present realized artworks, ongoing performances, take home instructions, and the opportunity for the public to engage in the creation of contemporary art.

The conversation will engage contemporary artists Titus Kaphar, Karyn Olivier, and Dan Borelli in an animated conversation that will touch on recent debates about the preservation of monuments of historic figures and the tactics taken by the panelist artists to reclaim public space.

We focus on new commissions, giving the opportunity to artists to engage with the public space through our city and community projects, such as opening up closed gardens within the center of Athens to house public art exhibitions and bridge our formidable cultural heritage with contemporary art initiatives.

thru 3/11; New Pictures thru 3/3; Etc. / MoMA PS1 / 22 - 25 Jackson / Long Island City Donut Muffin curated by J. Duffett & T. Gonzales / Dorsky Curatorial Programs / 11 - 03 45th Ave., Long Island City / thru 3/10 How Much Do I Owe You / No Longer Empty @ The Clock Tower / 29 - 27 41st Ave., Long Island City / thru 3/13 Nancy Dwyer; Visual Conversations / Fisher Landau Center for Art / 38 - 27 30th Long Island City, Queens / thru 4/7 Emerging Artist Fellowship / Socrates Sculpture Park / 32 - 01 Vernon Blvd. / LIC / thru 3/31 Process and Progress: Engaging in Community Change / Bronx River Art Center / 305 E 140 / The Bronx / thru 5/30 Joan Semmel / Bronx Museum / 1040 Grand Concourse, The Bronx / thru 6/9 Contemporary Cartographies / Lehman College / Bedford Park Blvd West, The Bronx / 2/5 thru 5/11 Reception 3/18 Vital Signs: Dean Dempsey; Susan Fenton, Amy Jenkins; Lorie Novak; Dread Scott / Pelham / 155 Fifth Ave. / Pelham / thru 3/30 OTHER: Walter De Maria / The Broken Kilometer / DIA / 393 West Broadway / ongoing Walter De Maria / The New York Earth Room / DIA / 141 Wooster / ongoing A. Ruppersberg; R. Artschwager; El Anatsui; V. Overton; S. Finch; T. Houseago; Lilliput (group) / High Line Park Leo Villareal / Madison Square Park / thru 2/15 Sandra Gibson & Luis Recoder / Madison Square Park / thru 4/5 Opening 3/1 Monika Sosnowska / Public Art Fund / Doris C. Freeman Plaza: 5th Avenue @ 60th / thru 2/17 Mark di Suvero / Brooklyn Bridge Park Pier 1 / ongoing Oscar Tuazon / Public Art Fund / Brooklyn Bridge Park / thru 4/26 SELECTED EVENTS: Monday, 2/4, 6:30 PM / David Diao on Barnett Newman / DIA / 535 W 22 — floor 5 / $ Tuesday, 2/5, 6:30 PM / Donald Baechler on his work / New York Studio School / 8 W 8 / FREE Tuesday, 2/5, 7 PM / Vitaly Komar on his work / SVA / Amphitheater / 209 E 23 / FREE Tuesday, 2/5, 8 PM / Trenton Doyle Hancock on his work / Columbia / Prentis Hall / 632 W 125 / FREE Wednesday, 2/6, 6:30 PM / Rebecca Rabinow on Matisse / New York Studio School / 8 W 8 / FREE Wednesday, 2/6, 7 PM / Mierle Laderman Ukeles on her work / The New School Kellen Auditorium / 66 Fifth Avenue / FREE Thursday, 2/7, 6:30 PM / Christopher K. Ho reads, with curators Sara Reisman & Herb Tam / MOCA / 215 Centre / RSVP / FREE Friday, 2/8, 9 AM / Performa: Black Surrealism film program / NYU Einstein Aud.

Situated in the heart of the downtown Arts District, the fair offers collectors, arts professional, and the public the opportunity to engage with a rich selection of modern and contemporary artworks by leading national and international galleries.

Working in collaboration with public funding from the Mayor's Office, academic research funding from the University of Chicago, and private funding from property re-development companies, Gates has quickly catapulted his socially engaged practice into contemporary art superstardom.

BOLT Residency is a highly competitive, juried, one - year artist studio residency program offering emerging and established artists the opportunity to engage the Chicago arts community and its public in critical dialogue about contemporary art.

What makes this exhibition special is that it provides our clients and the public the opportunity to closely engage in contemporary artists» creation process.

Dead Lands engages with identity conflicts and their manifestation in contemporary work; the exhibition and its public programming will open this conversation to an international audience, focusing on artistic practices that uncover identity shaped through land, both concrete and imagined.

Independent curator and always - engaging speaker Patterson Sims will discuss the role of public sculpture in contemporary society — how it brings us together and apart.

From their first days working in the studios of the former PS160, AAI's founding artists strove to nurture, support, and exhibit the work of underrepresented and emerging artists and curators, and invite the public to directly engage with contemporary art.

The San Francisco Art Institute invites the public to engage with global leaders of contemporary art and culture through lectures and exhibitions during spring 2014.

Open Studios offers the public access to innovative contemporary art practices from across the globe — seen for the first time together in New York City — providing an exceptional opportunity to engage with the production, process and archives of artists working with a diverse range of mediums, approaches and concepts.

The BOLT Residency is a highly competitive, juried, one - year studio residency program offering contemporary emerging artists the opportunity to engage the Chicago arts community and its public in critical dialogue about contemporary art.

Accompanied by an extensive education programme and regular artists «residencies, Hauser & Wirth Somerset shares contemporary art with new audiences and aims to engage the public with art, the countryside and the local community.

As the organization matured, this philosophy was advanced by nurturing, supporting, and exhibiting the work of underrepresented and emerging artists and curators and by welcoming the public to directly engage with contemporary visual arts in the Lower East Side.

She also co-curated the exhibition Fatal Love: South Asian American Contemporary Art Now, as well as coordinated two editions of Corona Plaza: Center of Everywhere, which commissioned eight artists to develop public art works that engage local residents on issues of neighborhood history and identity as well as tensions around its various transformations.

We held an informative and lively discussion with our colleagues from Europe and the U.S.A about how to create exciting new displays, exhibitions and public programmes to engage audiences by involving contemporary artists and also via digital platforms.

With 5 studio buildings in Santa Monica, 18th Street provides a hub for contemporary art through two program areas that reflect its mission: 1) A Residency Program that fosters inter-cultural collaboration and dialogue and 2) A Public Events and Presenting Program that focuses on engaging the public and revealing the art - making process to them through exhibitions, events, publications and other opportunPublic Events and Presenting Program that focuses on engaging the public and revealing the art - making process to them through exhibitions, events, publications and other opportunpublic and revealing the art - making process to them through exhibitions, events, publications and other opportunities.

In recent years, Pace has continuously expanded the possibilities for its role in the contemporary art ecosystem, engaging in collaborations with cultural institutions around the world, establishing the Pace Art + Technology new media center, and the Future \ Pace public art brand in a demonstration of the organization's focus on the future.

Modern Mondays is a weekly program that brings contemporary, innovative film and moving - image works to the public and provides a forum for viewers to engage in dialogue and debate with contemporary filmmakers and artists.

Her appointment comes as DIA is sharpening the focus on its contemporary art collection, including developing new projects and public programming to better engage the community.

What / Why: «Rosebud revived an underutilized property in the heart of Waltham, engaging the public with contemporary art through a series of free video exhibitions.

In addition to broadly engaging with subjects such as the dystopian character of the contemporary city, the consequences of industrialization, or the lack of cultural and public spaces, this group of artworks also leads us to explore and question the role that an institution, such as Fundación / Colección Jumex, can potentially play in its immediate surrounding, in this case, Ecatepec.»

Utilizing Contemporary Art Visual AIDS uses the power of art as a catalyst to engage public response, dialogue and scholarship around HIV / AIDS through presenting contemporary art exhibitions, artist projects, public events and pContemporary Art Visual AIDS uses the power of art as a catalyst to engage public response, dialogue and scholarship around HIV / AIDS through presenting contemporary art exhibitions, artist projects, public events and pcontemporary art exhibitions, artist projects, public events and publications.

BOLT Residency is a highly competitive, juried, one - year artist studio residency program offering contemporary emerging artists the opportunity to engage the Chicago arts community and its public in critical dialogue about contemporary art.

Through producing and presenting visual arts projects, exhibitions, publications, and public forums, Visual AIDS is the only contemporary arts organization fully engaged in creating dialogue and scholarship around HIV / AIDS today - while preserving a visual record of the work of HIV + artists and supporting the creation of new artwork.

Suitable candidates will be not - for - profit projects concerning contemporary art practice and proposing a high amount of critically engaging public activity throughout the year.

Whether it is identifying new dynamics between art and the public realm, maintaining novel strategies based on contemporary art production and dissemination, or exploring uncharted framework and territory by engaging with artists, SGA is a vital part of Shanghai's cultural community and a catalyst for new experiences.

Her interests include African American and international contemporary art, with a particular focus on socially engaged practices in all media, site - specific projects, and public interventions.

ABOUT HOUSE OF TREES House of Trees is an arts collective working to expand the public appreciation and understanding of contemporary art through the production of murals, performances, installations, and other high - visibility publicly engaged artworks.

A group of innovative contemporary artists will captivate and engage residents and visitors in downtown New Rochelle throughout the summer with installations, performances and pop - up exhibitions that will meet people in storefronts and public spaces, including the Library Green at the heart of the district.

Esparza has performed in a variety of spaces ranging from community engaged places such as AIDS Project Los Angeles to galleries including Los Angeles Contemporary Exhibitions, Highways Performance Space, REDCAT, Human Resources, SOMArts, and, most recently, public sites throughout the city of LA.

Saxelby's practice engages with issues of public social space, collective ritual behavior and notions of sacred space in both ancient and contemporary cultures.

Each activity is designed to present the works of the artists and to engage them in dialogue with the general public and the specialized field of contemporary art.

The artists have an opportunity to actively engage with the migros museum's collection, to address aspects of current discourse and, ultimately, to present works from the collection to the public, as a counterpoint to their own contemporary works.

The Contemporary wants to engage with the non-arts-educated general public, but refreshingly gives the general public credit for not being stupid.

This is accomplished by providing accessible and engaging public exhibitions of local, national and international artists, maintaining a comprehensive web site that hosts our archives and digital projects, sustaining a critical dialogue of contemporary art through publications and bilingual brochures for each exhibition, and by providing a link to current art related resources to artists and the public via our Resource Room.

His work critically engages trends in computing, manufacturing, and urban design, investigating contemporary tensions between waged and leisure time; the self and the social media public; and the virtual world and its complex material infrastructures.

Continuing a century - long heritage of making and collaboration with leading international contemporary artists, the Studio weavers are dedicated to producing extraordinary and engaging works of art by commission from private and public collectors from across the globe In 1946, the Studios were incorporated as The Edinburgh Tapestry Company.

As well as contributing to Art Radar, his writing on art and media can be found in Art Galleries Magazine (Asia), Art Monthly, Public, The British Art Journal, Engage Journal, Journal of Contemporary Chinese Art, and online on The Guardian, New Statesman and Randian.

Projects that engage the city as subject, including The Barnes Foundation's Person of the Crowd: The Contemporary Art of Flânerie, capturing city life through a contemporary exhibition and installations in unexpected locations; curator Brian Phillips» Rowhouse Workshop, surveying the physical and social histories embedded in Philadelphia row homes; Philadelphia Mural Arts Program's Monument Lab: A Citywide Public Art and History Exhibition with public artworks created by artists such as Ai Weiwei and Zoe Strauss; and Philadelphia Assembled, a museum installation and off - site interactive art experiences reimagining the city, presented by the Philadelphia Museum of Art and artist Jeanne vContemporary Art of Flânerie, capturing city life through a contemporary exhibition and installations in unexpected locations; curator Brian Phillips» Rowhouse Workshop, surveying the physical and social histories embedded in Philadelphia row homes; Philadelphia Mural Arts Program's Monument Lab: A Citywide Public Art and History Exhibition with public artworks created by artists such as Ai Weiwei and Zoe Strauss; and Philadelphia Assembled, a museum installation and off - site interactive art experiences reimagining the city, presented by the Philadelphia Museum of Art and artist Jeanne vcontemporary exhibition and installations in unexpected locations; curator Brian Phillips» Rowhouse Workshop, surveying the physical and social histories embedded in Philadelphia row homes; Philadelphia Mural Arts Program's Monument Lab: A Citywide Public Art and History Exhibition with public artworks created by artists such as Ai Weiwei and Zoe Strauss; and Philadelphia Assembled, a museum installation and off - site interactive art experiences reimagining the city, presented by the Philadelphia Museum of Art and artist Jeanne van HeePublic Art and History Exhibition with public artworks created by artists such as Ai Weiwei and Zoe Strauss; and Philadelphia Assembled, a museum installation and off - site interactive art experiences reimagining the city, presented by the Philadelphia Museum of Art and artist Jeanne van Heepublic artworks created by artists such as Ai Weiwei and Zoe Strauss; and Philadelphia Assembled, a museum installation and off - site interactive art experiences reimagining the city, presented by the Philadelphia Museum of Art and artist Jeanne van Heeswijk;