Not exact matches
November 18 — 27, 2005 «Independent Cinema» is one of the most slippery
categories in the lexicon of
contemporary film criticism.
The stellar work on Her might just be too understated to take the win, and more
contemporary films aren't usually successful in this
category so American Hustle seems like a long shot as well.
In the top
film categories, The Shape of Water won Period
Film, Logan won
Contemporary Film and Blade Runner 2049 won Fantasy
Film.
In three separate feature
film categories, Period, Fantasy and
Contemporary, nominees include Darkest Hour, The Post, Blade Runner 2049, Wonder Woman, Downsizing and Lady Bird.
His
contemporary efforts bear little resemblance to his earlier
films... and that's not a criticism of either
category, merely an observation of how much he's changed as an artist.
When the Costume Designers» Guild announce their nominees next week, I have no doubt that Mark Bridges» work on «The Fighter» will show up in their
contemporary category — not really the right classification for a
film whose lurid early - 1990s threads are as meticulously era - specific as any of 2010's more lavish period spectacles.
Category ART, CONVERSATION,
FILM, VIDEO · Tags A Series of Utterly Improbable Yet Extraordinary Renditions (jafa), Amira Gad, Arthur Jafa, Cassie da Costa, Dreams are Colder than Death (Jafa),
Film Comment, Helen Molesworth, Los Angeles
Film Forum, Love is the Message The Message is Death (Jafa), MOCA, Saidiya Hartman, Serpentine Sackler Gallery, The Geffen
Contemporary at MOCA
The
Contemporary Arts Museum Houston is alive with the dazzlingly chaotic hum of the late Stan VanDerBeek's
category - defying, utopian hybrids of
film, technology and performance, including one of his «movie murals,» which combine
film excerpts with slide and acetate projections on an epic scale.
In this show, works by 26 international
contemporary artists, spanning two decades, fell into one of two
categories: works of
film and cinema, and works «about»
film and cinema.