Sentences with phrase «contemporary gallery built»

The Chimento Contemporary gallery built a downtown space just for the work, which stretched out runs for 50 feet, folded in a corner at the center.

Not exact matches

The Audain family has donated in excess of $ 100 million through the Audain Foundation, including significant contributions to the University of Victoria, Presentation House Gallery's new building fund, Simon Fraser University's School for the Contemporary Arts, various arts - related endeavours at the University of British Columbia, the National Gallery of Canada, the Gordon Smith Gallery of Canadian Art, the Emily Carr University of Art + Design's new building fund, the Vancouver Art Gallery, and much more.

The Ikon is an internationally - acclaimed contemporary art gallery housed in a neo-gothic school building.

In Houston, they built the Menil Collection, the Rothko Chapel, the Byzantine Fresco Chapel, the Cy Twombly Gallery, and underwrote the Contemporary Arts Museum.

But these 5 South African buildings are worth adding to your list of must - sees, when in the country... The Zeitz - Mocaa gallery, Cape Town Cape Town's huge contemporary...

Discover the creative side of this village as you shop for contemporary works by Cambria and Central Coast artists at The Vault Gallery, a historic bank building.

Housed within an impressive Neoclassical building, the gallery has been welcoming visitors for over 140 years and showcases a variety of works, classic and contemporary.

A 10 - minute walk from National Gallery of Victoria, this all - apartment hotel set in a striking contemporary building is also 13 minutes» walk from Sea Life Melbourne Aquarium and 1.3 km from Melbourne Convention and Exhibition Centre.

The George Caleb Bingham Gallery is a contemporary art gallery located in the Fine Arts Building, within the Department Gallery is a contemporary art gallery located in the Fine Arts Building, within the Department gallery located in the Fine Arts Building, within the Department of Art.

For ten years he worked at the London Institute, now the University of the Arts in London, where he was responsible for developing the London Institute Gallery where he built an exhibition programme showcasing the work of outstanding students alongside leading contemporary artists, designers and photographers including Julian Opie, Richard Deacon, Nicola Hicks, Mike Leigh and Tom Hunter.

Most commentators agree that the speed of contemporary arts investment / change within China is unlike anything we have ever witnessed — the building of vast futuristic culture castles across China, the scale of growth in the commercial gallery sector and the growing numbers studying art and design — suggest that an ongoing cultural engagement between Greater Manchester and China during this present period of growth is essential.

The former Ward's printing warehouse and distinctive Grade II listed building at 39 High Bridge Street is home to the Project Space — a stunning top - floor gallery, 33 artists» studios and the BxNU Institute of Contemporary Art.

The South London Gallery (SLG) building blends award - winning contemporary architecture with the Victorian elegance of a Grade II listed building located at the heart of Camberwell and Peckham.

g Count at the Walter De Maria Building, New York (2014); Psychic Slayer at the Herning Museum of Contemporary Art, Denmark (2015); Shake the Elbow at the Albright - Knox Art Gallery, Buffalo (2015); and Oil Painting at the Dallas Contemporary (2016).

2008 The B - Sides, Curated by Edwin Ramoran, Aljira Center for Contemporary Art, Newark, NJ Transformers, Curated by Derrick Adams, MICA, Baltimore, MD Summer Mixtape Sessions Volume One, Curated by Herb Tam and Lauren Rosati, Exit Art Gallery, New York, NY It's Not Easy, Exit Art Gallery, New York, NY Build A Fire, Plexus Art Gallery, Louisville, KY

It is a vast building on several storeys, and it contains more contemporary art than many medium - sized galleries.

Traveled to Fondation Deutsch, Lausanne, Switzerland (September 17 — November 8); Musée Bab Rouah, Rabat, Morocco (December 11, 1992 — January 31, 1993; Casablanca, Morocco (February — March 1993); Fondation FISA, Séville, Spain (April — May 1993); Italy (summer 1993); Museum Sankt, Saint - Ingbert, Germany (September 19 — November 21, 1993); and Paris (December 1993 — January 1994) Painting, Self Evident: Evolutions in Abstraction, concurrently at Halsey Gallery, College of Charleston; The Meddin Building; and the Gibbes Museum of Art, Charleston, South Carolina (May 21 — June 28) Summer group exhibition, Ginny Williams Gallery, Denver (May 14 — June 30) From America's Studio: Twelve Contemporary Masters — Works by Alumni of the School of the Art Institute of Chicago / One Hundred Twenty - fifth Anniversary Celebration, Art Institute of Chicago (May 10 — June 14) 15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara University, New York

It was therefore able to build international reputations for contemporary artists in - house and the gallery began to attract artists of the standing of Francis Bacon, one of the first to sign an exclusive contract with Marlborough in 1958.

2017 Abstract / Not Abstract, Moore Building, Miami, FL The Trick Brain, Curated by Massimiliano Gioni, Aishti Foundation, Beirut, Lebanon Trip of the Tongue, Simon Lee Gallery, Hong Kong, China Living Apart Together: Recent Acquisitions from the Hammer Contemporary Collection, Hammer Museum, Los Angeles, CA Horror Vacui, or The Annihilation of Space, Misako & Rosen, Tokyo, Japan Whitney Biennial 2017, Whitney Museum of American Art, New York, NY Third Space / Shifting Conversations About Contemporary Art, Birmingham Museum of Art, Birmingham, AL

Established in 2011, MARC STRAUS is a contemporary art gallery in the Lower East Side of New York, occupying a fully reconstructed four - story historical building on Grand Street.

1958 1958 Pittsburgh Bicentennial International Exhibition of Contemporary Painting and Sculpture, Museum of Art, Carnegie Institute, Pittsburgh (December 5, 1958 — February 8, 1959) A propos du baroque: Jean Degottex, Marcelle Ferron, Sam Francis, Simon Hantaï, Shirley Jaffe, Marcelle Loubchansky, Joan Mitchell, Judit Reigl, Jean - Paul Riopelle, Galerie Kléber, Paris (November — December) Some Contemporary Works of Art, Cleveland Museum of Art, Ohio (November 11 - December 31) American Symbolic Realists: Fifteen American Artists, Palazzo Collicola, Festival dei Due Mondi, Spoleto, Italy (June 8 — 29) 18th Annual Exhibition of the Society for Contemporary Art, Art Institute of Chicago (May 8 — June 8) The Museum and Its Friends: Twentieth - Century American Art from Collections of the Friends of the Whitney Museum, Whitney Museum of American Art, New York (April 30 — June 15) American Artists of Younger Reputation, New York Art Foundation, Rome (opened April 14) The Evocative Eye, Signa Gallery, East Hampton, New York (July 5 - 24) The International Art of a New Era: Informel and Gutai, Osaka Festival, Osaka, Japan (September 2 — 7) Action Painting, Dallas Museum of Contemporary Arts (March 5 — April 13) Abstract Impressionism, The Art Galleries, Portland Building, University of Nottingham, England (February 19 — March 19).

Defined by the vibrancy of its host city, Sydney Contemporary provides commercial galleries with a dynamic platform to showcase the work of emerging and established artists, enabling local and visiting audiences to build on their existing knowledge, and develop their international art collections.

Formed from an 18th - century house and two new, purpose - built exhibition spaces, it offers an intriguing mix of intimate domestic rooms, stripped down but full of period detail, alongside contemporary galleries — a union of old and new that echoes the dynamic of its location on the border between the East End and the City of London.

The more traditional buildings in the courtyard are now, predictably, packed with smaller galleries as well, including Side by Side, 401 Contemporary and the art consultancy GoArt!

In partnership with Phong Bui and the Brooklyn Rail's Rail Curatorial Projects, Mana Contemporary will open two large group exhibitions, Artists Need to Create on the Same Scale That Society Has the Capacity to Destroy, Part I and OCCUPY MANA: 1/2 = 1/2, PART I, installed in the Glass Gallery and throughout Mana's main building (respectively).

Contemporary artist Jarrod Beck will create a large - scale drawing installation in the front gallery at M E N, incorporating charcoal and packing tape, underscoring the artist's interest in material impressions, memory and the human relationship to environments both natural and built.

Saturday was marked by migrating crowds of various sizes that moved from building to building, from floor to floor taking in exhibitions at small make - shift art collective show spaces, artist studios and some more clearly identified art galleries like the Fuchs Project and Robert Henry Contemporary.

1985 Special Exhibition Series 1... from 1960s, Tokyo Gallery, Tokyo, Japan The 10th Anniversary of Museum Opening, Contemporary Sculpture in Japan, Wood Kanagawa Prefectural Gallery, Japan Locus of Contemporary Prints; Post-war Prints by 43 Artists, Fukushima Prefectural Museum of Art, Japan Conceptual Art, Kamakura Gallery, Kanagawa, Japan Self - Portrait Today, The Museum of Modern Art, Saitama, Japan 10th Anniversary of New Building 40 Years of Japanese Contemporary Art, Tokyo Metropolitan Art Museum, Japan Imaginary Monuments Vision, Dream, Image, Kaneko Art Gallery, Tokyo, JapanWith Contemporary Art - Anniversary of Gallery's Opening Soh Gallery, Tokyo, japan Group Show of Mitsuo Kano, Jiro Takamatsu, and Koichi Tanigawa, Galerie Humanite, Tokyo, Japan Yamamura Collection Research Meeting, The National Museum of Art, Osaka, Japan

NGA to Renovate — In (so far) unrelated news, the National Gallery has also announced a $ 30 million renovation to their East Building — which houses the museum's Modern and contemporary art collection — with galleries to begin closing in July in preparation for the planned construction, which will add a rooftop sculpture garden and more than 12,000 square feet of exhibition space.

Including: «Bell / Irwin / Wheeler,» Tate Gallery, London, England (1970); «Fractured Light — Partial Scrim — Eye Level,» Museum of Modern Art, New York (1970 - 1971); «Black Line Room Division + Extended Forms,» Whitney Museum of American Art, New York (1977/2013); «48 Shadow Planes,» Old Post Office, Washington DC (1983); «Two Running Violet V Forms,» Stuart Collection, UCSD, California (1983); «Ascending,» Musee d' Art Moderne deVille Paris, France (1994); «Double Diamond,» Musée d'Art Contemporain, Lyon, France (1997 - 1998); «1º 2º 3º 4º,» Museum of Contemporary Art San Diego (1997); «The Central Garden,» J Paul Getty, Los Angeles (1998); «Architecture and Grounds,» DIA Art Foundation, Beacon, New York (2003); «Primaries and Secondaries,» Museum of Contemporary Art San Diego (2007 - 2008); «Black on White,» J. Paul Getty Museum, Los Angeles (2011 - 2012); «Niagara,» Albright - Knox Art Gallery, Buffalo, NY (2012); «Hedge Wedge,» San Diego Federal Courthouse Building, San Diego (2012); «Double Blind,» Vienna Secession, Vienna (2013); «Miracle Mile,» Los Angeles County Museum of Art, Los Angeles (2013); «Primordial Palm Garden,» Los Angeles County Museum of Art (2010 - 2013).

Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY

2002 Projections, Miami Loves Design, Miami, FL Drawing Conclusions, Buena Vista Building, curated by Nina Arias, Miami, FL Optic Nerve IV, Museum of Contemporary Art, North Miami, FL A Thousand Hounds: a Walk with the Dogs, Norton Museum of Art, FL No Show, Frederic Snitzer Gallery, curated by Robert Chambers, Miami, FL L'Autoritralto Gallery Sesto Senso, curated by Stefano Pasquini, Bologna, Italy

All MFA and Post-Baccalaureate students are provided a private studio in the Samuel M.V. Hamilton Building and have access to the galleries of PAFA's renowned collection of historic and contemporary American art.

Since 2005 the gallery opened a new space to represent and exhibit solely international established artists as well as emerging talents, to advise and and build local and international private and corporate art collections, focusing on contemporary photography, painting and sculpture.

With the opening of a massive building next week, Mass MoCA will have more gallery space than any contemporary art museum in the country.

SELECTED GROUP EXHIBITIONS 2014 — Building Stories — Kohler Arts Center — Sheboygan, Wi 2014 — Fearless — La Esquina Gallery — Kansas City, Mo 2014 — London Art Fair — Beers Contemporary — London, UK 2013 — Imperfect Symmetry — A+D Gallery — Columbia College — Chicago, Il 2013 — CAFKA Biennial 2013 — Waterloo / Kitchener — Ontario, Canada 2012 — Plural Zone — School of the Art Institute of Chicago — Columbus Building — Chicago, Il 2012 — Somewhere Else — Urban Institute of Contemporary Art — Grand Rapids, Mi 2012 — Evanston and Vicinity Biennial — Evanston, Il 2012 — Improbable Objects — What It Is — Chicago, Il 2011 — Experience is Never Unattached: Sullivan Galleries — Chicago, Il 2011 — P.O.D.S. Project: Lexington Art League — Lexington, Ky 2011 — The Value is Present: Inn Gallery — Ox Bow School of Art — Saugatuck, Mi 2011 — Union League Civic and Arts Finalist Exhibition: Union League Club — Chicago, Il 2011 - Weddings / Proms / Corporate Events — Zhou B Art Center — Chicago, Il 2011 — NEXT: The Invitational Exhibition of Emerging Art — Chicago, Il 2011 — MFA Thesis Exhibition: Sullivan Galleries — Chicago, Il 2010 — Alphabetization: Noble and Superior Projects — Chicago, Il 2010 — Uncommon Territories: Heaven Gallery — Chicago, Il 2010 — Usefullness: Sharp Exhibition Space — Chicago, Il 2009 — Learning Modern: Sullivan Galleries - Chicago, Il 2009 — Descours — AIA New Orleans — New Orleans, La 2009 — LeFlash: Castleberry Hill — Atlanta, Ga 2008 — Adventures in Mysticism: Athens Institute for Contemporary Art — Athens, Ga

NCA Gallery G.R. N'Namdi Gallery North End Studios Pewabic Pottery The Pioneer Building J Rainey Gallery Re: View Gallery Contemporary Fine Art Russell Industrial Center Cave Gallery Detroit Center for Contemporary Photography Funhouse Gallery Michigan Hot Glass Motor City Movie House & Studios org Contemporary Russell Gallery The Scarab Club Sherwood Forest Art StArt Gallery Studio Couture Detroit Sherry Washington Gallery Whitdel Arts work • detroit Charles H. Wright Museum of African American History

MASS MoCA opens its newly renovated Building 6 this Sunday, giving the North Adams Campus — catch this - more gallery space than any other contemporary art museum in the country.

CB1 also includes a separate exhibition space across the building's common hall, CB1 - G, which is offered as a temporary lease (30 - or 60 - day only) «pop up» gallery for vetted and professional art dealers (public and private) and independent curators from across the world, covering a multitude of both contemporary and historical art disciplines.

The nonprofit Artists Space was forced to close for several months this past year because of construction in its building, while Jeffrey Deitch, the gallery impresario and former director of the Los Angeles Museum of Contemporary Art, has announced he's returning to the SoHo space where he mounted some epic events, displacing the Swiss Institute at 18 Wooster Street at the end of the summer.

2014 Julie Langsam: Revisiting Paradise, Richard & Dolly Maass Gallery, SUNY Purchase, Purchase, NY (essay / brochure) 2013 Julie Langsam: Now (here), 532 Gallery Thomas Jaeckel, New York, NY 2013 Buildings & Blueprints, Espai 8, Barcelona, Spain 2012 Floor Plan Prototypes, Reykjavik Art Gallery, Reykjavik, Iceland 2008 Of Other Spaces, Frederieke Taylor Gallery, New York, NY (catalogue) 2005 From Here to Modernity, Michael Steinberg Fine Art, New York, NY 2002 Julie Langsam: House Paintings, Cleveland Center for Contemporary Art / MOCA Cleveland, Cleveland, OH 1999 Recent Work, Acme Art Co., Columbus, OH 1997 Julie Langsam, Clementine Gallery, New York, NY 1993 Recent Work, Brownson Art Gallery, Manhattanville College, Purchase, NY 1991 Julie Langsam: Recent Work, Fairleigh Dickinson University, Rutherford, NJ

When the building became a contemporary art museum in 1950, the gallery transitioned from a private to public space.

1993 Les Amis des Musées de Verviers: Aspects de la mouvance construite internationale, Fondation Pro Mesures Art International, Verviers, Belgium (catalogue) Yale Collects Yale, Yale University Art Gallery, New Haven, CT Skowhegan 93, Colby College Museum of Art, Waterville, ME (booklet) Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston, MA Artists» Photographs: A Private View, Blum Helman Gallery, New York Live in Your Head, Hochschule für Angewandte Kunst and Galerie Metropol, Vienna (curated by Robert Nickas, catalogue) The Tradition of Geometric Abstraction in American Art 1930 — 1990, Whitney Museum of American Art, New York 15th Anniversary Group Exhibition, Arthur Roger Gallery, New Orleans, LA Drawing the Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice Looking at Collecting Today, Chateau de Tanlay, Burgundy, France Legend In My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Paris

And the Pulitzer Goes To... — Phillip Kennicott, the Washington Post journalist who pens the paper's column on art and architecture, has been awarded this year's Pulitzer award for criticism based on his articles on the Kevin Roche exhibition at the National Building Museum, photography at the Corocoran Gallery, and representations of the first family in contemporary images, stating that he was «especially happy to win at a time when arts criticism is not doing well.»

The building is open to the public, including two free art galleries featuring contemporary and emerging artists.

The gallery that put Carsten Höller's swirling silver slides on the outside of its building (and inside hosted retrospectives of work by David Shrigley, Tracey Emin and Ana Mendieta among others) will be at the heart of London's contemporary art scene once more.

Other leading contemporary artists to have built upon the historic and the classical to create something wholly new include Jeff Koons at Almine Rech Gallery, and, more recently, Mat Collishaw at Robiland + Voenna, with four mirror works that engage with paintings by Caravaggio in the Galleria Borghesa's permanent collection in Rome.

CWC (Camera Work Contemporary) Gallery occupies a historically charged building designed by the architect Alexander Beer.

With a focus on building critically thinking, historically conscious artistic communities, Butt previously served as Executive Director and Curator of Sàn Art in Ho Chi Minh City, Vietnam; Director of International Programs at Long March Project in Beijing, China; and Assistant Curator of Contemporary Asian Art at Queensland Art Gallery, Brisbane, Australia.

Super Indian will be on view in the level 3 modern and contemporary art galleries in the Hamilton Building Oct. 4, 2015, through Jan. 17, 2016.