Sentences with phrase «corse -lsb-»

Featured Artists Peter Alexander, Larry Bell, Ron Cooper, Mary Corse, Robert Irwin, Craig Kauffman, John McCracken, Bruce Nauman, Eric Orr, Helen Pashgian, James Turrell, De Wain Valentine, Doug Wheeler

In May, it will unveil Dorothea Rockburne's mathematically driven, room - encompassing installations from the late 1960s and early»70s as well as four recently acquired works by Mary Corse, a pioneer of light - based art in the 1960s and one of the only women associated with California's Light and Space movement.

Tags: Bruce Nauman, California, Craig Kauffman, De Wain Valentine, Doug Wheeler, Eric Orr, Getty, Helen Pashgian, James Turrell, John McCracken, Larry Bell, Mary Corse, MCASD Downtown, MCASD La Jolla, Peter Alexander, Robert Irwin, Robin Clark, Ron Cooper

The properties of glass are explored in Larry Bell's glass cubes and in paintings by Mary Corse which are embedded with tiny glass microbeads.

Many of those featured artists have contributed personal statements reflecting on the work, its meaning and the social scene that surrounded it, including Lynda Benglis, Mel Bochner, Roy Colmer, Mary Corse, David Diao and Peter Young, Guy Goodwin, Harmony Hammond, Mary Heilmann, Cesar Paternosto, Howardena Pindell, Dorothea Rockburne, Carolee Schneemann, Alan Shields, Joan Snyder, Franz Erhard Walther and Jack Whitten, as well as one curator and one critic, Marcia Tucker and Robert Pincus - Witten.

Quint Contemporary Art presents an exhibition of the work of Peter Alexander, Mary Corse, and Robert Irwin.

Quint Contemporary Art is very pleased to announce an exhibition of new works by Peter Alexander, Mary Corse, and Robert Irwin.

Corse was barely of voting age, although the California label of «light and space» has stuck to her ever since.

First gaining recognition in the mid-1960s, Corse is widely recognised for her innovative painting technique using materials which both capture and

FANTASY & ISLAND An exhibition about «somewhere only we know» FRAC Corse Corte, Corsica Curated by Celenk Bafra, Adnan Yildiz and Anne Alessandri With (among others): Can Altay, Asli Cavusoglu, Leyla Gediz, Liam Gillick, Dan Graham, Gabriel Orozco, Christodoulos Panayiotou, Gael Peltier, David Raffini March 5 — March 31 2010

Now Corse offers not just painting and theater, but displacement.

Her work has been the subject of numerous solo exhibitions including Institut d'art contemporain, Villeurbanne / Rhône - Alpes (2017); Nasher Sculpture Center, Dallas (2016); Wellcome Collection, London (2015); S.M.A.K., Ghent (2015); FRAC Corse, Corte (2013); Beppu Project, Beppu, Japan (2012); WIELS, Brussels (2009); Musée d'Orsay, Paris (2003); CCA Wattis Institute, San Francisco (2003); Kunsthalle, Bern (2003); and Ikon Gallery, Birmingham (2002).

Corse's new paintings are a surfeit of white.

Now shows of Anne Truitt and Mary Corse evoke those old visions of East and West Coast well beyond urban centers alone.

Then again, Corse alone uses hard edges and industrial materials, and the artifice becomes obvious once one gets the point.

Now Anne Truitt and Mary Corse make it harder than ever to disentangle the stories.

Although Corse, who is still making work today, is often lumped together with artists of the 1960s Light and Space movement — Larry Bell, Doug Wheeler, John McCracken — she didn't know those artists at the time, and wasn't even aware of their work.

The work in question is a fetching white monochrome from 2011 by Mary Corse, a foundational figure in the male - dominated Light and Space movement started in 1960s Los Angeles.

Lehmann Maupin has gathered primarily new works by three Californian women spanning two generations, making for a booth featuring monochromatic paintings by the Light & Space Movement artist Mary Corse, labor - and identity - focused sculptures from Liza Lou, and a spread of photographs examining American life and landscape by Catherine Opie.

In a report by Bloomberg, Yamamoto said he and his wife feared the $ 350,000 monochrome by Corse that they purchased from L.A. gallery Kayne Griffin Corocoran's Armory Show offerings «would go away» if he didn't purchase it immediately, noting that «Normally, we'd put it on reserve, come here, see it and then buy it.»

Painting - represented by Wheeler, Bell, Irwin and Mary Corse - plays a minor but irreplaceable role in «Phenomenal» as a sort of mediator between the East and West Coast impulses that informed minimalist sensibility across a generation at the turn of the»70s.

And Corse wasn't the only overlooked lady from the mid 20th century getting snapped up at the show.

During the 1960s and 1970s, a loosely affiliated group of Los Angeles artists — including Larry Bell, Mary Corse, Robert Irwin, James Turrell, and Doug Wheeler — more intrigued by questions of perception than by the crafting of discrete objects, embraced light as their primary medium.

To start, Corse was born in Berkeley, California, and lived in Los Angeles after studying at UC Santa Barbara and the Chouinard Art Institute (now CalArts).

, Yamamoto said he and his wife feared the $ 350,000 monochrome by Corse that they purchased from L.A. gallery Kayne Griffin Corocoran's Armory Show offerings «would go away» if he didn't purchase it immediately, noting that «Normally, we'd put it on reserve, come here, see it and then buy it.»

Corse has dedicated the decades since to quietly yet steadily establishing a unique practice at the crossroads of Abstract Expressionism and American Minimalism.

Produced in conjunction with her inaugural solo exhibition at Kayne Griffin Corcoran, Mary Corse is the first major catalogue on an artist whose visibility has unfairly lagged far behind her importance and influence.

Despite her now - frequent association with California's Light and Space movement, Corse evolved independent of the region's dominant personalities, philosophies, and scenes.

Mary Corse (b. 1945) earned acclaim in the 1960s for producing pieces ranging from shaped - canvas paintings to ingenious light works.

Recent group exhibitions include: 11th Baltic Triennial of International Art, Tallin; Performa11, New York (both 2011); «Transient Spaces — The Tourist Syndrome», Neue Gesellschaft für Bildende Kunst, Berlin; «Fantasy & Island», FRAC Corse, Corsica (both 2010); «This Place You See Has No Size At All», Kadist Art Foundation, Paris, and «Everyday Challengers», Hisk, Gent, (both 2009).

Lehmann Maupin's program also includes Ashley Bickerton, Billy Childish, Mary Corse, Teresita Fernández, Gilbert & George, Lee Bul, Liza Lou, Tony Oursler, Robin Rhode, Tim Rollins and K.O.S., Jennifer Steinkamp, Nari Ward, and Erwin Wurm, all major contributors to an international art dialogue.

Lehmann Maupin's program also includes Stefano Arienti, Ashley Bickerton, Ross Bleckner, Billy Childish, Mary Corse, Teresita Fernández, Gilbert & George, Lee Bul, Jun Nguyen - Hatsushiba, Tony Oursler, Robin Rhode, Tim Rollins and K.O.S., Rei Sato, Jennifer Steinkamp, Suling Wang, Nari Ward, Erwin Wurm, and Mario Ybarra, Jr..

A selection of a new series of paintings, The DNA Series, is a return to the black acrylic squares Corse began exploring in the early 1970s.

The Cold Room (1968/2017) is an immersive experience that took Corse almost five decades to fully conceptualize and complete.

Then and Now at Kayne Griffin Corcoran is thoughtfully curated to trace the critical turning points in Corse's 50 - year exploration of minimalist reductions that expand the field of aesthetic awareness through inter-active artworks that we experience by moving around them.

This isolation and dedication paid off, with Corse's works now found in numerous permanent collections, including in New York's Solomon R. Guggenheim Museum and the J. Paul Getty Museum, as well as in Houston's Menil Collection and the Los Angeles County Museum of Art.

Indeed, Corse has upcoming exhibitions at Dia: Beacon and the Whitney Museum of American Art in May 2018.

For her first major solo show in the UK, Mary Corse presents new and historically significant work at her inaugural exhibition at Lisson Gallery, London.

Obsessively engaging with light and perception, Corse's paintings embody rather than merely represent light, experimenting with the concept of subjective experience in new and innovative ways.

The exhibition at Lisson Gallery London coincides with two major presentations of the artist's work in the United States: Corse's first solo museum survey this June at the Whitney Museum of American Art, and a long - term installation at Dia: Beacon with recently acquired works, opening in May.

Nam June Paik goes to town for Gagosian, while Mary Corse with Kayne Griffin Corcoran flattens Josef Albers by aligning her mammoth rectangles with a painting's edge.

From lightboxes to painting embedded with materials that refract light, Corse combines a philosophical quest for the portrayal of the infinite with a highly skilled methodical and scientific rigour.

Try mapping Minimalism, with Anne Truitt and Mary Corse on the coasts, Michael Snow and Kay Rosen in the «central regions.»

Mary Corse has returned to the spotlight over the past few months, thanks in part to several exhibitions about the creative hotbed that was Los Angeles in the 1960s.

The exhibition will add an important development to an already rich history of exhibitions that over the years have shown Corse, Irwin, McCracken, Valentine, and Kauffman together, as well as with some of their peers.

Corse uses a mostly monochromatic palette that contains deep blacks, pure whites and varied grays.

Her works have been compared to those of other light artists such as Mary Corse, James Turrell, and Craig Kauffman.

Blake has shown work by such local figures as Mary Corse, Larry Bell, John McCracken, and Helen Pashgian.

A member of the Light and Space movement since the late 1960's, alongside artists such as Robert Irwin, James Turrell, Mary Corse, Helen Pashgian, DeWain Valentine, Peter Alexander and Larry Bell, Laddie John Dill remains committed to exploration and experimentation.

Deborah Salt, selected by Mary Corse Part - time Suite, selected by Hyunjin Kim Aaron Fowler, selected by Amanda Hunt Max Hooper Schneider, by Jonathan Griffin Cédric Nové - Josserand, selected by Sarkis Kelly Akashi, selected by Andrew Berardini Anne Speier, selected by Helen Sumpter Loretta Fahrenholz, selected by Omer Fast Ana Mazzei, selected by Kiki Mazzucchelli Zahoor ul Akhlaq, selected by Rashid Rana Ann Hirsch, selected by Karen Archey Janet Biggs, selected by Lynn Hershman Leeson Tao Hui, selected by Aimee Lin Nguyen Phuong Linh, selected by Arlette Quỳnh - Anh Trần Gerard Ortín, selected by Daniel Steegmann - Mangrané Hannah Black, selected by Heather Phillipson Julia Weist, selected by Orit Gat Maria Taniguchi, selected by Lauren Cornell Kyun - Chome, selected by Ushiro Ryuta Juliana Huxtable, selected by Lynn Hershman Leeson Em «kal Eyongakpa, selected by Bonaventure Soh Bejeng Ndikung