Now Anne Truitt and Mary
Corse make it harder than ever to disentangle the stories.
Not exact matches
Doesn't
make him less of a person of
corse.
Fiadone is a traditional corsican dessert (you know, this beautiful island between France and Italy called
Corse)
made with a regional cheese brocciu, considered as a true emblem of Corsica.
I thought it
made sense to take part in the French round, especially since I've always loved racing on Tarmac, although I'm not familiar with the current route of the Tour de
Corse.»
Strictly limited to eight models the V12 Vantage S Spitfire 80
makes its excellence clear with unique Q by Aston Martin styling to match original Spitfire aircraft celebrating 80 years of this magnificent aircraft and Great British Engineering Seats In Kestral Tan stitched in Raven Black
Corse Thread Dashboard In Pure Black Alcantara Stitched in Kestral Tan
Corse Thread Carpets & Steering Wheel In Pure Black Exposed Satin Carbon Fibre Door cards with «Release» Graphic Door Armrest Pad Assembly in Kestral Tan Door Armrest Pull Strap In Red Webbing with «Remove Before Flight» print Interior Door Pull Finished In Satin Black Anodised Handbrake Grip In Spitfire Red Anodised Centre Rotary Switch With RAF roundel And «Spitfire 80» etching Rear Cabin Finisher — Aluminium Strip — Hole Punched to match strut behind pilot's head in Spitfire (part
made by Aircraft Restoration Company Duxford) Tread Plates And C - Struts finished in «Cockpit Green» As Well As Under Bonnet Struts Spitfire 80 Logo Embroided Into Headrests Sat Nav «Splash Screen» With Spitfire 80 Logo Printed Leather Headlining Of Duxford Aerodro
The improvements
made to the Lamborghini Huracán Super Trofeo are not limited to its aerodynamics but also include safety features: one of the main priorities for Lamborghini Squadra
Corse during the development of its competition vehicles.
Lamborghini Squadra
Corse, the motorsport department of Automobili Lamborghini, is unveiling the new Huracán Super Trofeo EVO,
making its world debut at an exclusive event in Sant» Agata Bolognese and announces its new partnership with the famous Swiss luxury watchmaker Roger Dubuis.
«IMSA is proud of the role it has played in helping Lamborghini and Squadra
Corse build the Lamborghini Super Trofeo North America series into a premier one -
make series on this continent,» said IMSA President Scott Atherton.
Lamborghini Squadra
Corse is unveiling the new Huracán Super Trofeo EVO, ready to
make its world debut.The new racecar raises the already high standards of the previous model with entirely redesigned aerodynamics.
When one of the Super Trofeo or GT3 cars enters the assembly process a team of specialized Squadra
Corse engineers will be following that car through the various stations during the build to
make sure it is race ready.
Milner then jumped aboard the sole factory Corvette and emerged directly ahead of the AF
Corse Ferrari; unbelievably, the pair were nose - to - tail after 18 hours of racing, but Milner soaked up the unrelenting pressure and eventually
made a break for it at the head of GTE Pro.
At the rear we find a very aggressive, race inspired rear wing in clear carbon fiber... it looks like a Murciélago Super Veloce rear wing with vertical fins added on either side... on the side of this Gallardo we found a TriColore stripe design that reminds us of the final Gallardo evolution
made, the LP570 - 4 Squadra
Corse.
SMP Racing's Davide Rigon was second - quickest in the No. 72 AF
Corse - run Ferrari 488 GT3 while Franck Perera
made it two Lamborghinis in the top three for Grasser Racing Team.
As you
make your merry way down to earth from orbit, a covenant mega ship conveniently decides to jump into hyperspace right above the city, this in turn causes a slip space rupture and knocks the whole squad of ODST's right off of
corse.
The glowing white monochromatic objects
made by Mary
Corse, for example, which resemble pieces of a spaceship stage set, predate Apple's minimalist designs by several decades.
Lehmann Maupin has gathered primarily new works by three Californian women spanning two generations,
making for a booth featuring monochromatic paintings by the Light & Space Movement artist Mary
Corse, labor - and identity - focused sculptures from Liza Lou, and a spread of photographs examining American life and landscape by Catherine Opie.
Although
Corse, who is still
making work today, is often lumped together with artists of the 1960s Light and Space movement — Larry Bell, Doug Wheeler, John McCracken — she didn't know those artists at the time, and wasn't even aware of their work.
In this battle of establishing the superiority of one's signature style, Mary
Corse has
made paintings that resolve a multitude of pictorial conundrums.
Corse, who got her MFA from Chouinard Art Institute (now CalArts) in 1968, began
making art in the Los Angeles area a few years before then, and has stayed put ever since, working with light and primarily white and black monochromes the whole time.
The exhibition will then take two paths, tracking
Corse's move from painting «White Light» works in grids towards the «Inner Band» works she began
making in the 1990s — a band which illuminates or recedes, depending on the viewer's vantage point.
Corse has been fixated with imbuing art with light since she was a student in the 1960s, a quest that has caused her to study quantum physics as well as pioneer new forms and media in art -
making.
While downtown, do not miss the paintings by Mary
Corse, which contain subtle reflective surfaces that seem to change with every move you
make in front of the canvas.
Perhaps that is why the subtly angled Rem Koolhaas - designed gallery
makes the ideal frame for
Corse's paintings.
Corse has been effecting her magic since the 1960s, when she started out
making shaped white or black canvases but also worked in fluorescent light, hiding their generators in the wall, so each piece seemed to hover weightlessly in space.
An exhibition of
Corse's work titled Then and Now
made its debut at the Kayne Griffin Corcoran last September, and this year she will have significant shows in New York, at both the Dia: Beacon and the Whitney Museum of American Art.
Textures only become clear up close and
Corse uses the same reflective material that is used to
make road markings.