Sentences with phrase «corse shows»
Respresenting Italian racing The Gallardo Squadra Corse shows its ultimate racing performance even in its exterior design — clearly attesting its committment to its Italian homeland.
http://www.motor-prime.com/ Not exact matches
Lamborghini has shown the Super Trofeo race - inspired Gallardo LP 570 - 4 Squadra Corse at the Frankfurt motor show.
With about 70 of the top Corse Clienti racers as they're referred to in attendance, the Finali Mondiale may be the most relevant venue to show off the new race - focused Ferrari F12tdf.
Lamborghini has revealed the race - inspired LP 570 - 4 Squadra Corse at the Frankfurt motor show.
Lamborghini revealed the V10 - powered Gallardo Squadra Corse at the Frankfurt motor show on Tuesday.
One such example is the LP 570 - 4 Squadra Corse presented at the Frankfurt Motor Show in September.
AF Corse and Luxury Racing will be fast, after the Ferraris showed good form at the test, and you can never overlook the Porsches.
Unveiled in 2008 Paris Auto Show, [108] the 500 Abarth Assetto Corse is a limited production model (49 cars), designed by the Fiat Group Automobiles Style Centre and produced by a team of Abarth Engineers and Designers.
Updated 09/09/2013: Lamborghini unveiled the new Gallardo LP 570 - 4 Squadra Corse at the 2013 Frankfurt Motor Show and this was the perfect moment to also bring some new images.
The new Gallardo LP570 - 4 Squadra Corse will be showcased in the Frankfurt Motor Show later this year (September 2013).
From the distorted images shown in the mirrors, visitors catch a glimpse of Mary Corse's painting behind them across the gallery space.
Almine Rech Gallery - Grosvenor Hill is pleased to present «Plastic Show», a selection of works by seminal California artists from the Light and Space movement: Mary Corse (b. 1945), Robert Irwin (b. 1928), Craig Kauffman (1932 — 2010), John McCracken (1934 — 2011), and DeWain Valentine (b. 1936)-- five artists who, through a series of individual explorations, went on to investigate the broad potential that plastics (i.e., synthetically produced resins) could yield.
Blake has shown work by such local figures as Mary Corse, Larry Bell, John McCracken, and Helen Pashgian.
The exhibition will add an important development to an already rich history of exhibitions that over the years have shown Corse, Irwin, McCracken, Valentine, and Kauffman together, as well as with some of their peers.
For her first major solo show in the UK, Mary Corse presents new and historically significant work at her inaugural exhibition at Lisson Gallery, London.
, Yamamoto said he and his wife feared the $ 350,000 monochrome by Corse that they purchased from L.A. gallery Kayne Griffin Corocoran's Armory Show offerings «would go away» if he didn't purchase it immediately, noting that «Normally, we'd put it on reserve, come here, see it and then buy it.»
And Corse wasn't the only overlooked lady from the mid 20th century getting snapped up at the show.
In a report by Bloomberg, Yamamoto said he and his wife feared the $ 350,000 monochrome by Corse that they purchased from L.A. gallery Kayne Griffin Corocoran's Armory Show offerings «would go away» if he didn't purchase it immediately, noting that «Normally, we'd put it on reserve, come here, see it and then buy it.»
Now shows of Anne Truitt and Mary Corse evoke those old visions of East and West Coast well beyond urban centers alone.
The show includes works by established figures Joseph Beuys, Mary Corse, Eric Fischl, Anselm Kiefer, Bruce Nauman, Gerhard Richter, Ai Weiwei, Jane and Louise Wilson, and David Wojnarowicz alongside works by others who deserve to be better known, such as Naoya Hatakeyama, Dodo Jin Ming, Dora Longo Bahia, and Serban Savu.
Dorothea Rockburne (85) and Mary Corse (72) also will get significant solo shows.
Organised at Almine Rech Gallery by the artist DeWain Valentine, «Plastic Show» is presenting a series of works by five Californian artists (Mary Corse (b. 1945), Robert Irwin (b. 1928), Craig Kauffman (1932 — 2010), John McCracken (1934 — 2011), and DeWain Valentine (b. 1936)-RRB- who have been investigating the potential of plastic (synthetically produced resins) in art:» Known for their pioneering work with various synthetic resins and synthetic polymers during the 1960s and «70s, these artists are today recognized not only for their active roles in the development of plastics as a newly discovered medium in art, but also for their sophisticated techniques and at times even quasi-acrobatic prowess required to shape them into the seamless, translucent, luscious volumes.»
Despite a stellar career landing in major survey shows and institutional collections, Mary Corse's successful breakthroughs are only acknowledged on the periphery of greatness.
«I am absolutely not a landscape painter,» Corse told A.i.A. at the show.
«It is kind of confounding that we were not aware of her work,» says Jessica Morgan, the director of Dia, which recently acquired four major paintings by Corse that will go on show as part of a long - term installation of her work at Dia: Beacon this month.
«She was not only overlooked in America but completely unknown in Europe,» says Alex Logsdail, executive director of Lisson Gallery, which is currently showing new and old work by Corse in London (until 23 June).
Among them, White Cube is showing a selection of work by Cerith Wyn Evans, including the debut of a new installation titled Mantra (2016), which sees the light from two Murano glass chandeliers choreographed to a score by the artist; Kayne Griffin Corcoran is putting minimalists Mary Corse and James Turrell in conversation; and Pace will present a monumental levitating block of concrete by Studio Drift in its otherwise bare booth.
For Californian artist Mary Corse, who is the subject of two major New York exhibitions and several international gallery shows this year, the recent recognition «is great.
Her independent personality, physical isolation and stalwart adherence to her own ideas took Corse out of the mainstream art world for a while, but the Lehmann Maupin show represents a recent revival of interest in her work.
An exhibition of Corse's work titled Then and Now made its debut at the Kayne Griffin Corcoran last September, and this year she will have significant shows in New York, at both the Dia: Beacon and the Whitney Museum of American Art.
For The Armory Show 2017, Kayne Griffin Corcoran presents a selection of Corse's iconic white paintings along with rarely exhibited works on paper.
Returning to the materials used in the earlier series of Black Light Paintings, Corse is showing an epic 19 - foot painting as well as an additional 10 new corresponding paintings.
«The Painting's Not Really on the Wall»: Mary Corse on 50 Years of Her Elusive, Seductive Art, and Shows in Los Angeles and New York
The exhibition also shows one historic work by Corse, Black Light Painting (1975), which uses the same materials as the new works to demonstrate the consistency of her style.
The Light and Space artist Mary Corse does not consider her work to be complete until it is experienced by a viewer — and a visit to her solo exhibition of recent work at Lehmann Maupin (until 7 October) shows why.
Mitigating this near - perfection — just a bit — is the questionably chosen hue of a bloody red (Ms. Corse's blue and yellow are more primary), and a dozen works in the show when half that would have given her paintings needed meditative space.