Sentences with phrase «costume design mark»
Malevich's set and costume designs mark his first experiments with total abstraction.
https://www.apollo-magazine.com/ Not exact matches
Directed by David Yates; written by Steve Kloves, based on the novel by J. K. Rowling; director of photography, Eduardo Serra; edited by Mark Day; music by Alexandre Desplat; production design by Stuart Craig; costumes by Jany Temime; produced by David Heyman, David Barron and Ms. Rowling; released by Warner Brothers Pictures.
Directed by Robert Schwentke; written by Brian Duffield, Akiva Goldsman and Mark Bomback, based on the novel by Veronica Roth; director of photography, Florian Ballhaus; edited by Nancy Richardson and Stuart Levy; music by Josep Trapanese; production design by Alec Hammond; costumes by Louise Mingenbach; produced by Douglas Wick, Lucy Fisher and Pouya Shahbazian; released by Summit Entertainment.
A kind of low - level trickster god of indie cinema himself, Waititi lets his film go a little crazy: He's outfitted it with garish colors and costumes and set designs, some not - entirely - perfect special effects, and a synthesized Mark Mothersbaugh score that sounds like it was lifted from an early period Jean - Claude Van Damme flick.
BEST COSTUME DESIGN Renée April — Blade Runner 2049 Mark Bridges — Phantom Thread - Winner Jacqueline Durran — Beauty and the Beast Lindy Hemming — Wonder Woman Luis Sequeira — The Shape of Water
Best costume design Milena Canonero — The Grand Budapest Hotel Mark Bridges — Inherent Vice Colleen Atwood — Into the Woods Anna B Sheppard and Jane Clive — Maleficent Jacqueline Durran — Mr. Turner
Helen Mirren seemed a great bet in the lead actress race and of course design heads Sandy Powell (costumes) and Mark Friedberg (production design) were going to be in the conversation.
Yesterday Ryan Reynolds took to Twitter to mark the fact that the Deadpool movie would arrive in cinemas in a year's time by teasing the costume design for the Merc with the Mouth, and now tonight we have some casting news on the X-Men spin - off.
In a night free of upsets, some of my own favorite outcomes were entirely expected, whether it was «Call Me by Your Name» earning its screenwriter, 89 - year - old industry veteran James Ivory, his long - overdue first Oscar, or Mark Bridges winning costume design for his astute work on «Phantom Thread» (plus a jet ski for giving the night's shortest speech).
Peter Rogness» art design and Mark Friedberg's production design are simply splendid and the lavish costumes by Sandy Powell change throughout the film to suit the seasonal changes in the plot.
Moderated by Tim Gray, the honorees were Paul D. Austerberry, production design, The Shape of Water; Mark Bridges, costume design, Phantom Thread; Alexandre Desplat, music score, The Shape of Water; Morrison, cinematography, Mudbound; John Nelson, visual effects, Blade Runner 2049; Tatiana Riegel, editor, I, Tonya; Julian Slater, sound mixing, Baby Driver; Arjen Tuiten, makeup, Wonder; and Matthew Wood, sound editing, Star Wars: The Last Jedi.
Tags 2015 oscars 87th academy awards american sniper benedict cumberbatch bennett miller best actor best actress best adapted screenplay best animated feature best art direction best cinematography best costume design best director best documentary feature best film editing best foreign language film best makeup & hairstyling Best Original Score best original screenplay Best Original Song best picture best production design best sound editing best sound mixing best supporting actress best visual effect birdman birdman or (the unexpected virtue of ignorance) boyhood bradley cooper citizenfour eddie redmayne edward norton emma stone ethan hawke felicity jones finding vivian maier foxcatcher Ida into the woods j.k. simmons julianne moore last days of vietnam laura dern maleficent marion cotillard mark ruffalo meryl streep michael keaton morten tyldum mr. turner nightcrawler One Night oscar noms oscars reese witherspoon robert duvall rosamund pike selma steve carell still alice the grand budapest hotel the imitation game the salt of the earth the theory of everything Two Days Unbroken virunga whiplash wild
• Mark Bridges wins his second Oscar for best costumes for his period - perfect, Charles James - inspired designs for fashion flick «The Phantom Thread,» to no one's surprise.
COSTUME DESIGN THE ARTIST Mark Bridges HUGO Sandy Powell JANE EYRE Michael O'Connor MY WEEK WITH MARILYN Jill Taylor TINKER TAILOR SOLDIER SPY Jacqueline Durran
BEST SUPPORTING ACTOR: Sam Rockwell, «Three Billboards outside Ebbing, Missouri» BEST MAKEUP AND HAIRSTYLING: «Darkest Hour» (Kazuhiro Tsuji, David Malinowski, Lucy Sibbick) BEST COSTUME DESIGN: «Phantom Thread» (Mark Bridges) BEST DOCUMENTARY FEATURE: «Icarus» (Bryan Fogel, Dan Cogan) BEST SOUND EDITING: «Dunkirk» (Richard King, Alex Gibson) BEST SOUND MIXING: «Dunkirk» (Gregg Landaker, Gary A. Rizzo and Mark Weingarten) BEST PRODUCTION DESIGN: «The Shape of Water» (Paul D. Austerberry, Jeffrey A. Melvin, Shane Vieau) BEST FOREIGN LANGUAGE FILM: «A Fantastic Woman» from Chile BEST SUPPORTING ACTRESS: Allison Janney, «I, Tonya» BEST ANIMATED SHORT FILM: «Dear Basketball» (Kobe Bryant, Glen Keane) BEST ANIMATED FEATURE FILM: «Coco» (Lee Unkrich, Darla K. Anderson) BEST VISUAL EFFECTS: «Blade Runner 2049» (John Nelson, Gerd Nefzer, Paul Lambert and Richard R. Hoover) BEST FILM EDITING: «Dunkirk» (Lee Smith) BEST DOCUMENTARY SHORT: «Heaven Is a Traffic Jam on the 405» (Frank Stiefel) BEST LIVE ACTION SHORT: «The Silent Child» (Chris Overton, Rachel Shenton) BEST ADAPTED SCREENPLAY: «Call Me by Your Name» (James Ivory) BEST ORIGINAL SCREENPLAY: «Get Out» (Jordan Peele) BEST CINEMATOGRAPHY: «Blade Runner 2049» (Roger Deakins) BEST ORIGINAL SCORE: «The Shape of Water» (Alexandre Desplat) BEST ORIGINAL SONG: «Remember Me» from «Coco» BEST DIRECTING: Guillermo del Toro, «The Shape of Water» BEST ACTOR: Gary Oldman, «Darkest Hour» BEST ACTRESS: Frances McDormand, «Three Billboards outside Ebbing, Missouri» BEST PICTURE: «The Shape of Water» (Fox Searchlight Pictures)
His camera not only magnificently captures the richness of the production design and incredible costumes (designed by Mark Bridges), but has a special eye for his performers» subtleties, the withering barbs and the emotional wounds they leave behind.
The real high marks for me in this movie are the set and costume designs.
Achievement in costume design • The Grand Budapest Hotel Milena Canonero • Inherent Vice Mark Bridges • Into the Woods Colleen Atwood • Maleficent Anna B. Sheppard and Jane Clive • Mr. Turner Jacqueline Durran
In addition to a superb art direction (courtesy of long - time Anderson collaborator Ruth de Jong and David Crank) and exuberant costume design (Mark Bridges), it's the acting that makes Inherent Vice such a joy to behold, as the pleasure the thespians took in working with Anderson and inhabiting their characters is contagious.
Mark Bridges takes the costume design for The Artist at the 84th Academy Awards and it would take a real grump to begrudge him that honour.
The production design by David Crank and costume design by Mark Bridges are impeccable in capturing 1970s styles, though the movie never presents the time period on a grand scale.
TECHNICAL ACHIEVEMENT AWARD» 71, Chris Wyatt, editing Birdman, Emmanuel Lubezki, cinematography Dawn of the Planet of the Apes, Joe Letteri, visual effects The Grand Budapest Hotel, Adam Stockhausen, production design Inherent Vice, Mark Bridges, costumes Leviathan, Mikhail Krichman, cinematography Mr Turner, Dick Pope, cinematography A Most Violent Year, Kasia Walicka - Maimone, costumes Under the Skin, Mica Levi, score Whiplash, Tom Cross, editing
Directed by Jon Favreau; written by Roberto Orci, Alex Kurtzman, Damon Lindelof, Mark Fergus and Hawk Ostby, based on a screen story by Mr. Fergus, Mr. Ostby and Steve Oedekerk and the graphic novel by Scott Mitchell Rosenberg; director of photography, Matthew Libatique; edited by Dan Lebental and Jim May; music by Harry Gregson - Williams; production design by Scott Chambliss; costumes by Mary Zophres; produced by Brian Grazer, Ron Howard, Mr. Kurtzman, Mr. Orci and Mr. Rosenberg; released by Universal Pictures / DreamWorks Pictures (United States) and Paramount Pictures (Britain).
The winner of the Jet Ski was Mark Bridges, who won an Oscar for his work designing costumes for the movie «Phantom Thread.»
BEST COSTUME DESIGN «Beauty and the Beast» (Jacqueline Durran) «The Greatest Showman» (Ellen Mirojnick) «Phantom Thread» (Mark Bridges) «Murder on the Orient Express» (Alexander Byrne) «The Shape of Water» (Luis Sequiera)
The filmmaking here is luscious, Anderson's camera (he is the uncredited cinematographer) panning, tracking, and swooping as it showcases Mark Tildesley's gorgeous production design and Mark Bridges's glorious costumes while Jonny Greenwood's score — featuring harps, piano, and flutes that serve as a constant presence throughout the film — accompanies the action.
Sets and costume design, Mark Thompson; lighting, Bruno Poet; projection design, Jeff Sugg; sound, Nevin Steinberg; musical supervision, arrangements and additional music, Nicholas Skilbeck; wigs, hair and make - up, Campbell Young Associates; fight direction, Kate Waters.
Mark Bridges was also justly rewarded for his costume design on Phantom Thread — but for me this is another point of niggling exasperation with this year's awards.
Finally, Mark Bridges remembers his time working with Richard Hunung and what he learned about the craft of costume design:
Dirk Diggler (Mark Wahlberg) and Amber Waves (Julianne Moore) are two of the film's most interesting characters in terms of costume, especially how their outfits seem at times to be simpatico, although, as we discover with exclusive insight from Mark Bridges himself, this was not intentional: «Fifteen years after designing the film you mention something to me I never noticed!»
TECHNICAL ACHIEVEMENT AWARD American Hustle — Judy Becker, production design Behind The Candelabra — Howard Cummings, production design Filth — Mark Eckersley, editing Frances Ha — Sam Levy, cinematography Gravity — Tim Webber, visual effects The Hunger Games: Catching Fire — Trish Summerville, costumes Inside Llewyn Davis — T Bone Burnett, music Stoker — Kurt Swanson & Bart Mueller, costumes 12 Years A Slave — Sean Bobbitt, cinematography Upstream Colour — Johnny Marshall, sound design
Silver Bear for Outstanding Artistic Contribution (in the categories camera, editing, music score, costume or set design — Mark Lee Ping - Bing for the camera in Crosscurrent, directed by Yang Chao
Fun fact: Mark Bridges has designed the costumes on every Paul Thomas Anderson joint since «Hard Eight.»
Mark Bridges won his second Oscar for costume design for the couture gowns of «Phantom Thread,» in which Daniel Day - Lewis plays a perfectionist tailor in midcentury London.
Mark Bridges wins the 2018 Academy Award for costume design for «Phantom Thread.»
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Set to Stravinsky's eponymous score, Scherzo Fantastique is choreographed by Justin Peck with scenic design by Jules de Balincourt, costumes by Reid Bartelme and Harriet Jung, and lighting by Mark Stanley.
Mimi has worked with Douglas Dunn and Dancers since 1979, designing sets and costumes for over 25 different dances, including Antipodes at St. Mark's Church, NYC,» Feb 2, 3, 4, 2017.
He designed the set and costumes for several opera and ballet productions including most recently Layla and Majnun performed by the Mark Morris Dance company in 2016.
Mark Fell's «Southfirst» installation on show at 12.30 pm at Frieze London 2017; costume design by Isabella Carreras.
Performance images of Mark Morris Dance Group performing Layla and Majnun (2016) with costumes and set designed by Howard Hodgkin, Cal Performances, Berkeley, 2016.
Now, the pop - surrealist artist Mark Ryden has designed the backdrops, props and costumes for Alexei Ratmansky's «Whipped Cream,» which will have its New York premiere with American Ballet Theater at the Metropolitan Opera House on Monday, May 22.