Sentences with phrase «courtesy galleria»

Installation view «City of Queen Anne's Lace» at Wasserman Projects, José Yaque works courtesy Galleria Continua, Alejandro Campins works courtesy Sean Kelly Gallery NY, Image by P.D. Rearick.
Collection of the artist, (courtesy Galleria Laveronica)
Yael Bartana, Pioneers of the Jewish Renaissance Movement in Poland, 2011, tirage photographique couleur, 80 x 120 cm, Courtesy Galleria Raffaella Cortese
Image courtesy Galleria Continua, San Gimignano / Beijing / Les Moulins / Havana.
Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Havana)
Portrait, Frieze New York, 2014 Artwork: Eddie Peake Going To The Shops (Gif), 2014 Photo: Sebastiano Pellion di Persano Courtesy Galleria Lorcan O'Neill
Courtesy Galleria Fonti, Naples
COURTESY GALLERIA LORCAN O'NEILL
Collection of the artist; courtesy Galleria Laveronica, Modica.
Forte di Belvedere, Florence, Italy, 2015 Photograph by Pietro Savorelli Courtesy Galleria Continua and White Cube © The artist.
Forte di Belvedere, Florence, Italy, 2015 Photograph by Antony Gormley Courtesy Galleria Continua and White Cube © The artist.
All images courtesy Galleria Varsi.
244 x 1800 x 1400 cm Photo: Daniel Moulinet; Courtesy Galleria Continua, San Gimignano, Italy
Courtesy Galleria Continua, San Gimignano / Beijing / Les Moulins / Havana
95 x 70 x 190 cm Photo: Ela Bialkowska; Courtesy Galleria Continua, San Gimignano, Italy
Photo: Daniel Moulinet; Courtesy Galleria Continua, San Gimignano, Italy
Courtesy Galleria Martini & Ronchetti, Genoa, and the New Orleans Museum of Art.
Produced and commissioned by the 57th Venice Biennale of Art, Italian Pavilion, courtesy Galleria Laveronica, exhibition view courtesy Roberto Marossi

Not exact matches

Federal law prohibits discrimination on the basis of race, color, religion, sex, handicap, familial status or national origin in the sale, rental or financing of housing.This listing is courtesy of Galleria International Realty Updated 12/8/2017 7:30 AM
Courtesy the artist and Galleria Franco Noero, Turin.
Image courtesy the artist and Galleria Continua, Photo by Rémi Lavalle via Bass Museum
All images courtesy of Galleria Varsi.
Courtesy the artist and Galleria Continua, San Gimignano, Beijing, Les Moulins, and Habana.
Courtesy Archivio Ugo Mulas, Milan — Galleria Lia Rumma, Milan / Naples
ROBERTO PUGLIESE A Voice in the Desert, 2012 Steel, speakers, aluminum cables, audio wire, computer, custom software 10 x 10 x 26 feet Commissioned by Ballroom Marfa Courtesy of the artist and Galleria Studio la Città Photography © Fredrik Nilsen
Lara Favaretto, Platone (Platoon)(2005 - 2012), Compressed air tanks, pressure regulators, timers, electrovalves, whistles, and plastic cables, dimensions variable, courtesy the artist and Galleria Franco Noero, Turin.
Courtesy the artist; Galleria Continua, San Gimignano, Beijing, Les Moulins, and Havana; and Lehmann Maupin, New York and Hong Kong.
Image courtesy the artist; Galleria Continua, San Gimignano, Beijing, Les Moulins, and Havana; and Lehmann Maupin, New York and Hong Kong.
Courtesy the artist and Galleria Continua, San Gimignano, Beijing, Les Moulins, and Havana © 2017 Nari Ward
Featured image: Mona Hatoum — Turbulence (Black), 2014, Courtesy of the artist and Galleria Continua, San Gimignano, photo by Everton Ballardin All images copyright Mona Hatoum
Van Gogh's Ear is courtesy the artists and the K11 Art Foundation, Galerie Perrotin, Galleria Massimo De Carlo, and Victoria Miro Gallery
Courtesy of the artist and Galleria Continua)
Image: Mathilde Rosier Find Circumstances in the Antechamber (2010) Installation view at Musée Jeu de Paume, Paris Courtesy Galerie Kadel Willborn and Galleria Raffaella Cortese
Courtesy of the artists and Galleria Continua, San Gimignano, Beijing, and Les Moulins.
Image: Michelangelo Pistoletto The Cubic Meter of Infinity in a Mirroring Cube 1966 — 2007 Mirror, neon lights, plaster 500 x 500 x 500 cm Courtesy of Galleria Continua, San Gimignano / Beijing / Le Moulin Photograph: Oak Taylor - Smith © 2011 Michelangelo Pistoletto 12th July 2011 — 17th September 2011 A new exhibition by leading Italian artist Michelangelo -LSB-...]
Courtesy the artist and 303 Gallery, New York; Galleria Franco Noero, Turin; Matt's Gallery, London; and neugerriemschneider, Berlin.
Microphones, mixer, amplifier, echo box, loudspeakers, concrete blocks with ball bearing, Collection of the artist, Courtesy of Galleria Lia Rumma Milano / Napoli, Photo: Sebastiano Pellion; Senza titolo, 1968.
Galleria Continua exhibited massive mushroom sculptures, light installations, and live birds in cages, all courtesy of Carsten Höller.
Michelangelo Pistoletto, Exhibition View, 2017 Luhring Augustine © Michelangelo Pistoletto; Courtesy of the artist, Luhring Augustine, New York, Galleria Christian Stein, Milan, and Simon Lee Gallery, London / Hong Kong.
COURTESY THE ARTIST, GALLERIA FRANCO NOERO, TORINO, AND LUHRING AUGUSTINE, NEW YORK
Michelangelo Pistoletto, Color and Light, 2016, juta, mirror, gilded wood, 8 elements -180 x 120 cm each, Courtesy of the Artist and GALLERIA CONTINUA
Image courtesy of the artist and Galleria Continua.
Image courtesy of the artist and GALLERIA CONTINUA.
Marina Abramović and Ulay IMPONDERABILIA Performance 90 minutes Galleria Communale d'Arte Moderna, Bologna 1977 Copyright Giovanna dal Magro Courtesy of The Marina Abramović Archives
Rachel Whiteread Due Porte 2016 Resin 2470 x 1240 x 80 mm Galleria Lorcan & Neill, Rome Photograph courtesy of Galleria Lorcan & Neill, Rome © Rachel Whiteread
Nari WardSun Splashed, Listri Libreria, 2013 Chromogenic color print 83 7/8 x 63 inches (213 × 160 cm) Photographed by Lee Jaffe Courtesy the artist and Galleria Continua, San Gimignano, Beijing, Les Moulins, and Havana © 2017 Nari Ward
Courtesy of GALLERIA CONTINUA, San Gimignano Beijing Le Moulin © Bildrecht, Vienna, 2013.
Image courtesy the artist and Galleria Franco Noero, Torino.
Courtesy the artist and Galleria Continua, San Gimignano, Beijing, Les Moulins, and Havana.
Featured images: Thomas Ruff — Substract 33 II, 2007, via Galleria Lia Rumma; Joel Meyerowitz — Red Interior, Provincetown, 1977; Stephen Shore — West 9th Avenue, Amarillo, Texas, October 2, 1974; William Eggleston — Untitled (Photograph of Child on Bureau), Sumner, MS, 1970 [From Dust Bells 2], all via Edwynn Houk Gallery; Philip - Lorca diCorcia — Mario, 1978, courtesy the artist and David Zwirner, New York; Nickolas Muray — Christmas Cakes and Cookies, ca. 1935, © Nickolas Muray Archives.
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