Sentences with phrase «courtesy kamel mennour»
Double projection, color, sound © the artist / DACS, London and courtesy kamel mennour, Paris / London
https://aperture.org/
100 light boxes, electric cables © the artist / DACS, London and courtesy kamel mennour, Paris / London
Installation of 10 light boxes © the artist / DACS, London and courtesy kamel mennour, Paris / London
Zineb Sedira, Self Portraits or The Virgin Mary, 2000 © the artist / DACS, London and courtesy kamel mennour, Paris / London
Courtesy kamel mennour, Paris and Johan König, Berlin
Not exact matches
Courtesy of the artist and Galerie Lelong, kamel mennour, Galerie Thomas Schulte.
Courtesy of the artist and Goodman Gallery, Galería Oliva Arauna, kamel mennour, Galerie Lelong, Galerie Thomas Schulte, Museum of Contemporary Art, Chicago, Philadelphia Museum of Art.
Courtesy the artist and kamel mennour, Paris; © ADAGP Huang Yong Ping
Courtesy of the Artist, Silex Films, and kamel mennour, Paris.
As would be expected, several gallerists show work by artists currently in the spotlight — from Alicja Kwade, wreathed in glory after the Venice Biennale (kamel mennour), to the Unfinished Installation by Ilya and Emilia Kabakov, courtesy of Sprovieri.
Courtesy the artist, kamel mennour, Paris and Chert, Berlin.
Camille Henrot, Derelitta, 2016, bronze, aluminum, iron, 23.62 x 98.43 x 4,64 inches (60 x 250 x 121 cm), photo: Daniele Molajoli, © ADAGP, Paris 2017, courtesy of the artist, Fondazione Memmo (Rome) and kamel mennour (Paris / London); König Galerie (Berlin); Metro Pictures (New York).
If Wishes Were Horses, Kunsthalle Wien 2017, Photo: Jorit Aust: Camille Henrot, Wait What; I Say; Tuesday, 2017, Courtesy König Galerie, Berlin; kamel mennour, Paris / London; Metro Pictures, New York
If Wishes Were Horses, Kunsthalle Wien 2017, Photo: Jorit Aust: Camille Henrot, Tug of War, 2017, Courtesy König Galerie, Berlin; kamel mennour, Paris / London; Metro Pictures, New York
Exhibition view: «Authentic / Ex-Centric: Africa In and Out Africa», 49th Venice Biennale, 2001 © Zineb Sedira / DACS, London © Photo: Zineb Sedira Courtesy the artist and kamel mennour, Paris
Camille Henrot, Tuesday, 2017, Image Research, Courtesy the artist; kamel mennour, Paris / London; König Galerie, Berlin; Metro Pictures, New York
Hayal Pozanti, A Lifetime of Likes, 2014, 25 ″, Jessica Silverman Gallery Wood & Harrison, Board, 1993, 3» 02», Carroll / Fletcher Alex Rodri» guez, Nocturno 2, 2013, 3» 59», Casas Riegner Hayal Pozanti, IP Overlords, 2014, 12 ″, Jessica Silverman Gallery Mark Leckey, Pearl Vision, 2012, 3» 10», Gavin Brown's enterprise, Cabinet, Galerie Buchholz Wood & Harrison, Headstand, 1995, 1» 02», Carroll / Fletcher Brian Bress, The Portrait Room, 2006, 4» 10», Cherry and Martin Hayal Pozanti, Mobile Blinders, 2014, 15 ″, Jessica Silverman Gallery Elizabeth Price, The Tent, 2012, 12 ′, MOT International Rachel Rose, A Minute Ago, 2014, 8» 43», Courtesy of the artist Hayal Pozanti, Virtual Diaspora, 2014, 22 ″, Jessica Silverman Gallery Camille Henrot, Coupe» / De» cale», 2010, 5» 20», Metro Pictures, kamel mennour Wood & Harrison, Device, 1996, 2» 45», Carroll / Fletcher Tomislav Gotovac, Feeling 7, 2000, 4» 06», Alexander Gray Associates, galerie frank elbaz
Camille Henrot, Stills from Grosse Fatigue, 2013 Video installation (color, sound) Courtesy the artist, Silex Films and kamel mennour, Paris at Long Vue House and Gardens for Prospect.3: Notes for Now, a Project of Prospect New Orleans, October 25, 2014 — January 25, 2015
Courtesy: the artist and kamel mennour, Paris / London; © Latifa Echakhch