Sentences with phrase «craft artists exhibition»

Noted exhibitions include a solo show at the University of North Carolina at Wilmington, as well as the Biennial Best of Tennessee Craft Artists exhibition at the Hunter Museum of American Art in Chattanooga.

The James Renwick Alliance is proud to announce the 8th Annual JRA Day, a craft artist exhibition and sale featuring more than 35 artists in jewelry, glass, ceramics, textiles, wood, photography, paper, and mixed media, Saturday, December 5, at the Woman's Club of Chevy Chase.

Not exact matches

You can stroll along the lovely, flag - stoned streets of this seafaring town, visit the beautifully refurbished Pier Arts Centre with exhibitions by local and international artists, and / or explore the craft shops selling local knitwear, pottery and artwork.

We are especially interested in this exhibition on artists creating new business models, an open house at City Hall, a talk on craft, and a tour of public art in Lynn.

Jewelry maker Lisa Strehl was the only Oak Brook artist to exhibit at the recent invitational crafts exhibition and sale at Oakbrook Center.

In this series, Claire Curneen discusses her solo exhibition: Passages» at «Craft in the Bay» Cardiff with the artist and writer Dr. Natasha Mayo.

Exhibition: MPAartfest 2017, a one - day juried fine art and craft show and sale featuring the work of more than 50 local and regional visual artists.

An all female exhibition showcases artists working with traditional craft media such as ceramics, yarn, clay or wood in current and contemporary ways.

LOS ANGELES — The Craft & Folk Art Museum (CAFAM) presents Paperworks, an exhibition that examines the range of work by fifteen contemporary artists with strong ties to Los Angeles who use paper as their primary medium.

In his uncorruptedness of feeling and his bedrock commitment to the history and craft of painting, Porter was a deeply, invigoratingly serious artist, as the latest exhibition of his paintings and prints, at Hirschl & Adler Galleries, makes clear.

We view this space as a temporal solo exhibition, with each large work staying on the wall for at least 6 months, before being painted over and recommissioned for the next show.The site specific installation pushes the artists craft and practice to create something beyond their normal scale — the wall being 20 foot long and 14 foot high.

DEADLINE: June 8, 2018 Exhibition: MPAartfest 2018, a one - day juried fine art and craft show and sale featuring the work of more than 35 local and regional visual artists.

Four grant - supported exhibitions focus on individual artists, including the established artist Andrea Fraser, whose new performance and publication will premiere at the Hammer Museum, and emerging artist Indira Allegra, whose first solo museum exhibition, «No Space Without Tension,» will open at the Craft and Folk Art Museum in September 2019.

ArtNight is 18th Street Art Center's biannual signature event that includes exhibition openings, open studios with local and international resident artists, live bands, food trucks, and an artist - run open - air craft market.

Recent exhibitions he has curated include Deviance Begins At Home, a queer group exhibit in his own apartment, and World Of Queercraft, an examination of gender identity by textile and craft artists.

Trashformations, a national traveling exhibition from the Fuller Craft Museum in Boston featured the work of 106 dumpster - diving artists who took New England thrift to a new extreme, and the attendance - shattering LEGO exhibit, The Art of the Brick, spotlighted the work of internationally - know LEGO artist Nathan Sawaya.

Mike Kelley Foundation Grants Ten Los Angeles nonprofits received grants from the Mike Kelley Foundation for the Arts, including the Underground Museum (to support videos and performances by Rodney McMillian, $ 45,000), Craft & Folk Art Museum (to present the first institutional solo show of Oakland - based artist Indira Allegra, $ 25,000), and the Museum of Latin American Art (to fund an exhibition documenting the history of printmaking in the Americas, $ 40,000).

Presented in conjunction with CraftNOW — a citywide exhibition examining the fluid boundaries that exist around art, design and craft — this show considers how contemporary revivals of sewing, weaving and embroidery reflect the continuing feminist interest in historical technique and play a crucial role in helping these artists understand the past while addressing identity in the present and future.

Currently, Tawney is featured in a number of notable museum exhibitions including Between Land and Sea: Artists of the Coenties Slip at the Menil Collection in Houston, TX; Beyond Craft at the Tate Modern in London, England; Making Space: Women Artists and Postwar Abstraction at The Museum of Modern Art in New York, NY; and Thread Lines at the Kentucky Museum of Art and Craft in Louisville, KY..

This May, our picks of NYC museum exhibitions highlight a wide range of mediums and materials with artists working in assemblage, painting, mixed media, quilts and other crafts, and installations.

Later this month, she'll participate in a show that opens on May 20 in Tokyo: a craft exhibition of eight international artists at the Embassy of Sweden.

Vikram has guest curated exhibitions for the Craft and Folk Art Museum, Shulamit Nazarian Gallery, Mills College Art Museum, ProArts Gallery, and the DeYoung Museum Artist Studio, and held curatorial positions at UC Berkeley Department of Art Practice, Headlands Center for the Arts, Aicon Gallery, and Richmond Art Center.

ELIGIBILITY Craft Hilton Head 2018, 6th National Juried Fine Art Craft Guild Exhibition is open to all artists over 18 years of age, submitting entries of 2D and 3D fine art crafts in sculpture, basketry, glass, fiber sculpture and wall hangings (including paper), metal works, works in clay, handmade artist books, jewelry, weaving, wood, and assemblage.

Works by the three artists in the exhibition utilize materials traditionally associated with crafting rather than the traditionally recognized artistic fields of painting, sculpture etc..

Artists niv Acosta, Juliana Huxtable, and Aslı Çavuşoğlu were given production and research residencies; collective K - Hole crafted an ad campaign for the biennial, «Extended Release»; Antoine Catala's updated peace sign has been commissioned as a GIF and will be shown as a sculpture in the galleries; and artsy talk - show host / animator Casey Jane Ellison will shoot a new video in the exhibition.

The CraftTexas series, which is hugely popular with visitors, provides artists the unique opportunity to have their work seen by three established jurors and included in an exhibition that seeks to broaden the understanding of contemporary craft.

Thanks to developments in conceptual art in the 1970s, wherein artists, in the lineage of Joseph Kosuth, attempted to distill the artwork into the presentation of words and ideas rather than crafted objects — not to mention the recent vogue for archival ephemera as exhibition material — artists, curators, and museumgoers are well - acclimated to seeing pieces of text on display in museum galleries.

Vikram has guest - curated exhibitions for the Craft and Folk Art Museum, Shulamit Nazarian Gallery, Mills College Art Museum, ProArts Gallery, and the DeYoung Museum Artist Studio, and held curatorial positions at UC Berkeley Department of Art Practice, Headlands Center for the Arts, Aicon Gallery, and Richmond Art Center, and in the studio of artists Claes Oldenburg and Coosje van Bruggen.

From finely crafted furniture to fine oil paintings, this exhibition is an eclectic mix of work from the Noyes Museum's Signature Artists, a group pre-selected by a jury of regional arts professionals.

16 October: Anarchy & Beauty: William Morris at National Portrait Gallery — This exhibition explores the life and artistic career of the great Victorian artist, founder of the Arts and Crafts movement.

The exhibition attempts to blur the distinction between art and craft that is relevant today as many fine artists adopt craft forms and techniques and craft artists produce non-functional works of art.

Our guests are Hollywood gallerist Michael Kohn, who walks us through the retrospective exhibition «Wallace Berman — American Aleph,» on view at Kohn Gallery through June 25, 2016, and the artist's son, the author and publisher Tosh Berman, talking about his father's craft and character, and his importance in the mid-century West Coast cultural scene.

Chris Natrop's hand - cut paper forest at the Craft & Folk Art Museum is part of the exhibition «Paperworks,» which features sculptures, collages and large - scale installations by 15 contemporary artists working in unusual ways with paper.

As artist David Reed points out in his superbly crafted essay that accompanies Hammersley's posthumous solo exhibition at Ameringer McEnery Yohe in West Chelsea, two other artists were missing from the San Francisco show who should have been included: Helen Lundeberg and June Harwood.

Presented in partnership with The National Centre for Craft & Design, this exhibition examines the diverse work of established and emerging glass artists working in Britain today.

The «Paperworks» exhibition at the Craft and Folk Art Museum features sculptures, collages and large - scale installations by 15 contemporary artists working with paper in unusual ways.

In resulting solo exhibitions at Providence College Galleries, they each present thesis projects that highlight the dynamic ways in which today's artists experiment with materials and content, conduct in - depth cultural research, and craft new visual experiences.

The exhibition will bring together a group of artists who deal with these kinds of dilemmas as praxis and will produce a collaborative project integrating different techniques — design, visual art, craft — , into one cohesive ambient.

Traveled to: Renwick Gallery, National Collection of Fine Arts, Smithsonian Institute, Washington, D.C.; Cooper - Hewitt Museum, New York, 1979 - 1980 «Art from Corporate Collections,» Union Carbide Corporation Gallery, New York, May 9 - 30 «Selections from the Collection of Mr. and Mrs. Eugene Schwartz,» Knoedler Gallery, October 31 - November 28 «Color Abstractions: Selections from the Museum of Fine Arts, Boston,» Federal Reserve Bank Display Area, November 2 - January 31, 1980 1980 «L'Amerique aux Independents,» 91e Exposition, Societe des Artistes, Grand Palais, Paris, March 13 - April 13 «The Washington Color School Revisited: The Sixties,» Fendrick Gallery, Washington, D.C., September 9 - October 4 «Washington Color Painters,» Milwaukee Art Center, September 1 - December 1981 «Paintings from the United States from the Museums of Washington, D.C.,» Institute of Fine Arts, Mexico City, November 18, 1980 - January 4 1982 «A Private Vision: Contemporary Art from the Graham Gund Collection,» Museum of Fine Arts, Boston, February 7 - April 4 «Papermaking U.S.A.: History, Process, Art,» American Craft Museum, New York, May 20 - September 26 «Out of the South: An Exhibition of Work by Artists Born in the South,» Heath Gallery, Atlanta, Georgia, October 1982 1983 «Early Works by Contemporary Masters: Caro, Francis, Frankenthaler, Gottlieb, Held, Louis, Noland, Olitski,» Andre Emmerich Gallery, New York, September 6 - October 8 «Tapestries: Contemporary Masters,» Malcolm Brown Gallery, Shaker Heights, Ohio, October 21 - November 30; New York, February 25 - March 7 «American Post-War Purism,» Marilyn Pearl Gallery, New York, May 31 «Recent Paintings by Kenneth Noland and Darby Bannard,» Douglas Drake Gallery, Kansas City, Missouri, June 1 - 30 «Arte Contemporaneo Norteamericans, Collection David Mirvish,» American Embassy in Madrid, January 1985 «Recent Acquisitions,» Museum of Modern Art, New York, February 16 - March 17 «Grand Compositions: Selections from the Collection of David Mirvish,» The Fort Worth Art Museum, Texas, May 1 «Contemporary Monotypes,» Edith C. Blum Art Institute, Bard College, Annandale - on - Hudson, May 8 - July 10 «Selections from the William J. Hokin Collection,» Museum of Contemporary Art, Chicago, April 20 - June 16 «American Abstract Painting,» Margo Leavin Gallery, Los Angeles, California, June 19 - August 24

Presented in conjunction with CraftNow, a citywide exhibition devoted to expanding the boundaries of craft, art, and design, «Narrative Horizons» is a group show by three female artists who use craft techniques — or, depending on your perspective, craft artists who employ contemporary - art strategies.

Opening Reception: Friday, July 18, 5 - 9 pm Join Norte Maar and Jay Craft Center the opening of the exhibition with friends, artists, and patrons.

Following the success of the inaugural competition last year, aspex seeks emerging artists, designers and makers working in all media for its open submission exhibition CRAFT EMERGENCY.

Showcasing 60 years of Missoni designs alongside the paintings of leading European artists such as Sonia Delaunay, Lucio Fontana and Gino Severini, the exhibition celebrates the famous family - run fashion house and its commitment to materials, craft techniques and cutting - edge design.

The content and colors of the artist's latest Lehman Maupin solo exhibition come across as a combination of Kenny Scharf and David LaChapelle meets the arts and crafts movement.

The selectors are: Annabelle Campbell, Head of Exhibitions & Collections, Crafts Council; Dr Outi Remes, Director, New Ashgate Gallery; Sophie Woodrow, artist and Joanne Bushnell, Director, aspex.

This exhibition, the first mid-career survey of Pepe's work, examines how the artist often plays with feminist and craft traditions to counter patriarchal notions of recognized or accepted forms of art making.

Davis» record as an artist and a curator is equally illustrious, including exhibitions at Studio Museum of Harlem, American Craft Museum, Renwick Gallery, Maryland Institute College of Art, Savannah College of Art and Design, Anacostia Museum, National Museum of Art of Senegal West Africa, United States Embassy Accra, Ghana and Museum fur Angewandte Kunst (Museum of Applied Arts, Frankfurt, Germany.

Wilke has also participated in a large number of significant group exhibitions including the forthcoming exhibition Virginia Woolf: an exhibition based on her writing, Tate St Ives (2018); Delirious: Art at the Limits of Reason, 1950 - 1980, Met Breuer, New York (2017); Body Talk, Rose Art Museum, Waltham (2017); Feminist Avant - Garde of the 1970s, ZKM, Karlsruhe (2017), travelling to Stavanger Art Museum, Norway and The Brno House of Arts, Brno (2018); I Remember Not Remembering, Scottsdale Museum of Contemporary Art (2017); The Beguiling Siren is Thy Crest, Museum of Modern Art in Warsaw (2017); Performing for the Camera, Tate Modern, London (2016); Revolution in the Making: Abstract Sculpture by Women, 1947 - 2016, Hauser & Wirth & Schimmel, Los Angeles (2016); Americana: Formalizing Craft, Perez Art Museum, Miami (2013); Aquatopia: The Imaginary of the Ocean Deep, Nottingham Contemporary (2013); Human Nature, Los Angeles County Museum of Art (2012); Naked Before the Camera, Metropolitan Museum of Art, New York (2012); Elles: Women Artists from the Centre Pompidou, Seattle Art Museum (2012); The Body as Protest, Albertina Museum, Vienna (2012); Ourselves, Australian Centre for Contemporary Art, Melbourne (2012); The Original Copy: Photography of Sculpture, 1839 to Today, MoMA, New York and elles@centrepompidou, Centre Pompidou, Paris (2010).

The first large - scale project undertaken by the Michener in response to its expanded focus on collecting and presenting regional studio crafts, this exhibition explores the sculpted - bronze art furniture of the Bucks County, Pennsylvania artist (1931 — 87).

The work of 22 artists, spanning four generations, was presented in an exhibition that examined clay's appeal and craft.