Sentences with phrase «creation of images on»

Painting — Creation of images on a flat surface using acrylic, botanical, gouache, oil, tempera, or watercolor paint media.

Not exact matches

On many of the deepest issues of human life» the meaning of sex, the dignity of the family, the creation of human beings» Jews and Christians stand together against the secular image of man.

«He is the image of the invisible God, the first - born of all creation, for in him all things were created, in heaven and on earth: everything visible and everything invisible.»

Dramatizing the trauma of expulsion from Paradise, Maine sometimes employs the cadences of the Old Testament («The sun rises and sets and does not change») and sometimes the concise, allusive conjunction of high and low that characterizes modern prose (as in the Babel image, or when Eve reflects on their vicissitudes «ever since their departure from the Garden to fight their way through this deathtrap called Creation»).

Although her decision was based solely on personal preference, she said it makes sense that when a woman learns to embrace her natural hair texture, she also learns to embrace herself as a creation in the image of God.

He is the image of the invisible God, the first - born of all creation; for in him all things were created, in heaven and on earth, visible and invisible... all things were created through him and for him.

Surely, however, the basic affirmation of Christian theism, founded (once we have got behind the images in which often it was phrased) on the biblical witness to the faithfulness and consistency of God and to his unfailing maintenance of the creation in being, is that all things at all times and in all places are present to God, that he is always at work in them, that he constantly energizes through them, that he never ceases to move in the creation towards the accomplishment of his holy will and the revelation of his holy purpose.

For in the first account, humankind is created in perfect equality, the final act of creation: on the sixth day «God created man in the image of himself,... male and female he created them» (Gen. 1:27).

Furthermore, this theology rests on a conception of the image of God in the Creation that makes of it a concrete resemblance: «the image of God» is the materiality of visible humanity.

The world comes into being through the Word, the Word which is «the image of the invisible God, the firstborn of all creation; for in him all things were created, in heaven and on earth, visible and invisible.»

Getting more hits, and concert tours, often did depend on the celebrity - friendly - manners and publicity - work that labels like Motown emphasized, but still, pop - music celebrity always remained somewhat different from the image - drenched Hollywood method of star - creation, which especially in the early days tended to be far more about the star's type - cast and sex - appeal possibilities than acting talents.

Soul and Image of God In an article for Qatar's top selling English daily newspaper, The Gulf Times, Abdul rehman al - Sheha, author of Misconception on Human Rights in Islam, wrote: «The human soul is given, since its creation, to recognise the existence of its Creator, who has also created this Universe which demonstrates the greatness of its Creator.»

The consequence of these reflections is the full recognition that to have been created in God's image means, for human beings, that we are created in the image of God as Love.134 That has all - encompassing implications for the way in which we are invited to exercise power in our relationships with one another and with all of creation on our home planet.

He is the image of the invisible God, the first - born of all creation; for in him all things were created, in heaven and on earth, visible and invisible, whether thrones or dominions or principalities or authorities — all things were created through him and for him.

Recreate one of the Lindt inspired projects -LCB- could be a recipe or craft -RCB- that incorporates Lindt products on Lindt's Pinterest page and email Lindt and include the image or link to your creation, along with the subject line: #Pin4Autism Donation.

Martin has collected these images in a new book, Hyper Nature, which he says in the foreword «provides the viewer a new perception of biodiversity that shines light on the most humble and prolific of nature's creations.»

The creation of the first artistic images is usually credited to early Europeans, who some 33,000 years ago began carving vulvas and animals on rock and ivory in France and Germany.

Scientists have historically focused on how external factors like magazines and fashion models affect the creation of an accurate body image.

Have a look to my last post on MG Luxury News: Louis Vuitton Fondation: An amazing architectonic creation of Frank Gehry, it's recent opening and future impact on the brand's image!

All of these images are used in the creation of fictitious profiles on this site.

Spare parts management: software for the creation of spare parts catalogue, sales catalogue, electronic parts catalogs and spare parts, consultation over These images, posted on a Russian dating site, provide a bizarre snapshot into the worlds of the people looking for love - and in some cases a weird and

There are two kinds of Lego builders: those who follow instructions on the package, build a perfectly erected kit that looks exactly like the image on the box, before putting the creation on the shelf to never be moved again; then there are those content to dig into the middle of a pile of mismatched bricks and construct a conglomeration born from their own imagination before destroying it in a heap of acrylic destruction.

In Aronofsky's Noah, we are given a brief recap of the creation of Man in God's image, Adam and Eve's temptation, Cain's wickedness spreading throughout the world, and Seth's descendants holding on to the glimmer of hope of their creators vision.

Also new this week: Creation (Lionsgate) with Paul Bettany as Charles Darwin struggling to finish his defining work on evolution, The Crazies (2010)(Anchor Bay), a remake of George Romero's low - budget bio-horror classic, the would - be franchise launching young adult fantasy Percy Jackson & The Olympians: The Lightning Thief (Fox), Don McKay (Image) with Thomas Haden Church, The Eclipse (Magnolia) with Ciaran Hinds, the documentary It Came From Kuchar (IndiePix) and Linus Philips» Bass Ackwards (New Video).

Even more effectively than in Frankenstein, Whale adapts the shadowy darkness of the silent German Expressionist classics to the early sound era, a time when most Hollywood directors had seemingly forgotten everything that had been learned about the creation of mood, atmosphere and meaning through image over the prior 20 years in the struggle to capture the novelty of actors actually talking (By 1932, this phase of film was thankfully on it's way out, thanks to Whale, Howard Hawks (Scarface) and Busby Berkeley).

(3) Easy Book Creation converts image data to digital books with ease The new «Rack2 - filer Smart» and «Easy Book Creation» features can automatically create a virtual book based on the front cover, back cover and spine of the original.

(c) Easy Book Creation converts image data to digital books with ease The new «Rack2 - filer Smart» and «Easy Book Creation» features can automatically create a virtual book based on the front cover, back cover and spine of the original.

Behind the flashy images on the laptop screens, the real power behind School of One is in its brawny «back end» systems, which enable the creation of real - time, hourly reports of students» progress and shortfalls.

Images of the Year The very best photographs to grace evo's pages in 2011, with words on their creation from the snappers responsible

Posting renderings of the forthcoming Flying Huntsman Soft Top on the Bradford based tuner and coachbuilder's Facebook account, Kahn hasn't released any more details on its Land Rover Defender - based creation but it appears from the images it will have an electric folding rear hood.

The second part builds on the first by presenting an in - depth treatment of touchup, enhancement, compositing, rendering, and image creation for the web.

This was already one of my favorite apps for content creation on the iPad, as it makes it really easy to create ebooks for the iPad that can include images, videos and audio recordings.

FlightDeck provides a list of important and interesting information about your EPUB file to help you and your team delve deeper into your eBook creation, including data on external links, embedded fonts, image dimensions, and more.

On the SNES, Steve is most well known for being heavily involved in the creation of Donkey Kong Country and the advanced Silicon Graphics 3D images that were so breathtaking at the time.

Just as Blake was rigorous in his determination to use the new science of anatomy to represent his vision of creation, so Latham insists on the taut, muscular equations that modern scientific methods require, along with images that are perfectly consistent with the historic progression for advanced thinking in modern art, whether it be those made by Vincent Van Gogh, Kazimir Malevich, Marcel Duchamp, Jackson Pollock, or one made by Willem de Kooning and erased by Robert Rauschenberg.

The development of laser technology in 1962 enabled the creation of holograms that displayed three - dimensional images on a two - dimensional surface.

He will pay particular attention to how this process played into the creation of his most recent project, A Trilogy of Burials, a series of abstract paintings, photographs, and multimedia images that are intended as a meditation on how different cultures have addressed mortality, a subject we often have a hard time discussing in Western society.

His reflections result in the creation of sculptures constructed by chance and derived by rapid drawn images which will also be on display.

With an emphasis on community and accessibility, this show exposes the viewer to several lines of perspective revolving around the creation of an image.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

During the Great Depression, it traveled American in a 13 - city tour, influencing the recreation of the image on the national post stamp in 1934 and the creation of an 8 - foot - tall bronze statue in Ashland, PA..

Emphasis is placed on individual development of writing skills including the creation of professional documents such as resumes, artist statements, web presence and image portfolios.

The artist was famous for the creation of landscape images, which, due to their highly expressionistic quality, existed on the edge of abstract landscapes art.

In quiet, highly concentrated images, the film gives us a fly - on - the - wall perspective of a very personal, tension - filled process of artistic creation.

As the Art Fund launches its Moving Image Fund to support the creation and acquisition of works on film, video and other «time - based» digital formats, Oliver Bennett explores this most mutable of art forms.

Further up on the upper level of the gallery hall, very colorful creations of pure joy are conveyed with the «film images» by Peter Doig that were made for his movie theater in Trinidad.

EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!

The artist used Spain's tragic social and political conflict as a starting point for the creation of what has become his hallmark, a dramatic series of images relying consistently on the contrast of ovals and rectangles and black and white.

This display focuses on Ian Hamilton Finlay's recourse to a neo-classical idiom and his creation of sculptures that, by their conjunction of word and image, play with an emblematic use of reference and metaphor whose adopted form is most often that of the idyll.

Jesse Darling «s materialisation of software's influence as owner and objectifier in Photoshop 1 (Healing Brush, Clone Stamp, Paint Bucket)(2013) confuses the point where the body ends and the image begins, while Harm van den Dorpel «s «Untitled assemblage (selfie)» (2013) mimics the cyclical nature of identity creation and curation within its sphere of digital prints on perspex while still dangling within, and being dwarfed by the concrete structures surrounding it.