Sentences with phrase «creative exchange which»

Not exact matches

It's also an example of the creative lengths to which blockchain companies are going in order to stay in - bounds of a threatened crackdown by the U.S. Securities or Exchange Commission on initial coin offerings, or ICOs.

Employees benefit from a creative exchange of information with peers and management, which promotes independent thinking and affords unique opportunities for motivated individuals.

I like how you illustrated how Rose can be creative with both her kicks and punches, which was more than just flash and served to land the final strike following an exchange between both fighters, but it also created space for Rose to work and reset.

This is an eco-friendly creative arts activity during which participants use The Scrap Exchange's fascinating collection of materials to create anything they can imagine.

They had in place a hybrid publishing agreement with some of their authors that offered creative terms — usually in which the author paid for some or all of their production and print costs in exchange for higher royalty rates.

To short Bitcoin, you will either need to get creative or join an exchange which allows you to do so.

These drawings offer the most lucid historical evidence of creative exchange in the show — a window into the ways in which artists often experimented together without regard for authorial control.

The Deluge Group is creating a mobile sculpture trailer, which serves as a place of production and vehicle for the exhibition and sale of a wide range of art objects, trash constructions and objects of social parody, and other creative forms of exchange.

Early in 1940 we managed to find a small house and for the next three years... I was not able to carve at all... the only sculptures I carried out were some small plaster maquettes for the second «sculpture with colour», and it was not until 1943, when we moved to another house, that I was able to carve this idea... In St Ives I was fortunate enough to have constant contact with artists and writers and craftsmen who lived there, Ben Nicholson my husband, Naum Gabo, Bernard Leach, Adrian Stokes, and there was a steady stream of visitors from London who came for a few days rest, and who contributed in a great measure to the important exchange of ideas and stimulus to creative activity... It was during this time that I gradually discovered the remarkable pagan landscape which lies between St Ives, Penzance and Land's End; a landscape which still has a very deep effect on me, developing all my ideas about the relationship of the human figure in landscape - sculpture in landscape and the essential quality of light in relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this time.

The Armory Show thus began an important two - way exchange of artists and creative ideas, which contributed directly to the emergence of New York as a major centre of world art.