Sentences with phrase «creative time chief»

Initially curated by Creative Time chief curator Nato Thompson, Living As Form (The Nomadic Version) is a traveling show that explores twenty years of socially and politically engaged art, from community building to activism projects.

Presented in conjunction with the exhibition Strange Currencies, The Galleries at Moore host a conversation between Mexico City - based artist and activist Minerva Cuevas and Creative Time Chief Curator Nato Thompson about the effects of socially engaged art practices.

Associate Art Editor Kara Rooney sat down with the Creative Time Reports team — Anne Pasternak, Creative Time Chief Curator Nato Thompson, and CTR's Editorial Director Laura Raicovich — to learn more about the aims of this unique project as well as its initial development.

Join Creative Time on December 1 for a special screening event at IFC Center in New York City with Creative Time Chief Curator

By convening a national task force of artists, cultural leaders, and city officials, led by Creative Time Chief Curator Nato Thompson, the OACCE will begin a yearlong discovery process to investigate how city government can engage a broad spectrum of communities in civic dialogue through large - scale temporary public art.

Not exact matches

For those who may be nervous about the market highs, Peter Mallouk, president and chief investment officer of Creative Planning, noted that «an all - time high by itself is nothing to be scared about.»

Tamara Mellon, Co-founder and Chief Creative Officer, Tamara Mellon Brand Interviewer: Pattie Sellers, Executive Director, Fortune MPW Summits and Live Content, Time Inc..

• Rotten Tomatoes Jude Law has nabbed the male lead of Captain Marvel opposite Brie Larson • Los Angeles Times John Lasseter, Disney / Pixar's long time chief creative officer, is taking a leave of absence from Disney after complaints of inappropriate behavior with female employees • Playbill what are the plays that Broadway revives the most often?

«At DreamWorks Animation, our creative ambition has never been greater and the release schedule we're unveiling today is designed to give our movies the time and resources they need to realize their full potential so each one can become a true event for our audiences,» said Jeffrey Katzenberg, Chief Executive Officer of DreamWorks Animation.

Marek Reichman, Aston Martin EVP and Chief Creative Officer, says that the AMR brand was a logical next step after the» sold - out» success of limited edition sporting versions like the Vantage GT8 and Vantage GT12: «Each time we have pushed the boundaries and done something extreme, the customers have loved the cars.

Because of the nature of your commitment to writing excellence, you are forced to wear multiple hats to achieve success: You are creative thinkers, You have to visualise your plots and storylines, You have to Market your ideas, You need to sell your titles, You act as PR people to promote your books, You are negotiator - in - chief when it comes to bargaining for a contract or a deal, And when you do find time... you are also Writer - in - chief!

Jennie Nash is a book coach and the Chief Creative Officer of AuthorAccelerator.com, a coaching program that gives writers weekly personalized feedback at the start of your book, during the writing of it, and when it's time to pitch.

Eric Nofsinger, Chief Creative Officer at High Voltage, says the game's style of fighting is geared more like Bushido Blade or Fight Night, meaning that well timed and strategic attacks are going to trump out ridiculous combos and super moves.

Together with Chief Creative Officer and the Producer, the Lead Game Designer holds the crucial role of delivering fantastic game experiences on time and within budget.

Together with the Chief Creative Officer, Lead Designer and the Producer, Game Designers holds a crucial role of owning and delivering fantastic game experiences on time and within budget.

«As long - time fans of the entire Jurassic series we're thrilled to be putting players in charge of their own Jurassic World,» said Frontier's Chief Creative Officer, Jonny Watts.

Speaker: E. Daniel Arey (Chief Creative Officer, VisionArey Entertainment) Date / Time: Friday (March 27, 2009) 4:00 pm — 5:00 pm Location (room): Room 2022, West Hall

Created by Burnie Burns, the current Chief Creative Officer for Rooster Teeth, the series was created using Halo: Combat Evolved's multiplayer mode and some well timed voice over work by Burnie and other members of the Rooster Teeth team.

Anthony Allen, Associate Director, Paula Cooper Natalie Bell, Assistant Curator, New Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual Art, Brown University Marina Chao, Assistant Curator, International Center of Photography Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Corcoran, Curator of Photographs and Prints, Museum of the City of New York Lisa Dent, Director of Resources & Award Programs, Creative Capital Kareem Estefan, Independent Art Critic and Editor - at - large, Creative Time Reports Hitomi Iwasaki, Director of Exhibitions and Curator, Queens Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney Gallery Heather Reyes, Exhibitions and Collection Manager, The Bronx Museum of the Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum

Amy Goodman interviewed Anne Pasternak and Nato Thompson, chief curator of Creative Time, about the organization's democracy - centric summit at the Venice Biennale.

Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum

Studio Visitors 2014 Christopher Allen, Founder, Director of UnionDocs Alexander Benenson, Independent Curator Heather Darcy Bhandari, Director, Mixed Greens Gallery Jennifer Blessing, Senior Curator of Photography, Guggenheim Museum Sherry Dobbin, Director of Public Art, Times Square Alliance Taraneh Fazeli, Education Associate, New Museum of Contemporary Art Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Media Gabriel Florenz, Chief Operations Officer, Pioneer Works Larissa Harris, Curator, Queens Museum Paddy Johnson, Editor, Art Fag City Naima Keith, Assistant Curator, Studio Museum Emily Liebert, Curatorial Assistant, Department of Painting and Sculpture, MoMA Barbara London, Independent Curator / Writer, Former longtime Curator of Media and Performance, MoMA Jennifer McGregor, Director of Arts and Senior Curator, Wave Hill Julie McKim, Director, Kunsthalle Galapagos Magdalena Sawon, Owner / Director, Postmasters Gallery Manon Slome, President and Chief Curator, No Longer Empty Cara Starke, Director of Exhibitions, Creative Time Lumi Tan, Associate Curator, The Kitchen Gregory Volk, Writer, Art in America

Elvira Dyangani Ose is joining Creative Time as senior curator and Nato Thompson, who previously served as chief curator, is being elevated to artistic director.

Anna Harding, the chief executive of Space studios, which provides premises for nearly 800 artists including three Turner prize winners, blamed rising property prices and shrinking studios for dramatically squeezing the time and space available for creative activity.

Artist Nick Cave discusses his breathtaking new book, Nick Cave: Epitome with Nato Thompson, Chief Curator of Creative Time and contributing author.

I spoke with Ruby and Alice Gray Stites — Director of artwithoutwalls, Chief Curator and Director of Art Programming at Louisville's 21c Museum and long - time friend of Creative Capital — about IdeaFestival and Creative Capital's strong ties with Louisville.

Give your heartfelt thanks and well - wishes to deputy director and chief curator Justine Ludwig, as she becomes executive director of New York - based Creative Time in June.

This kind of socially engaged art practice was echoed by Nato Thompson, the chief curator of Creative Time, in his talk at the Atlanta Contemporary Art Center on October 19.

Nato Thompson is chief curator at Creative Time.

Creative Time's former president and artistic director Anne Pasternak and chief curator Nato Thompson have both served as Center panelists.

Nato Thompson is also with us, chief curator of Creative Time and author of the new book, Seeing Power: Socially Engaged Art in the Age of Cultural Production.

We speak with organizers Anne Pasternak, the new president of Brooklyn Museum, and president and artistic director of Creative Time; and Nato Thompson, chief curator of Creative Time and author of the new book, «Seeing Power: Socially Engaged Art in the Age of Cultural Production.»

Nick Cave talks about «Epitome,» his new definitive monograph with Nato Thompson, chief curator of Creative Time who contributes an essay to the book, at the New York Public Library on Sept. 10.

Nato Thompson is chief curator at Creative Time, which has commissioned and presented ambitious public art projects with thousands of artists throughout New York City, across the country, around the world.

Nato Thompson, chief curator of Creative Time, said the custom - made keys themselves were little sculptures.

Ludwig comes to Creative Time from Dallas Contemporary, where she serves as Deputy Director and Chief Curator.

Ideal Strategies Interactions - Creative Strategies for Business Judith M. Michael Lee Stallard Mission Minded Management Riding On Dragons Strengths - Based Management Talking Story with Say Leadership Coaching The Chief Happiness Officer The Engaging Brand The M.A.P. Just Do It Teshuva Time Is Life ► July (6) Questions for Coaching What Counts the Most?

Writing a resume can be difficult at times, but after consulting this creative chief executive officer resume template and the accompanying tips, you will have no problem writing your own exceptional resume.

«We were surprised by how quickly sentiment is changing about the traditional homebuying process, and it's clear that the real estate industry needs to shift how it markets property,» says Rodrigo Lopez, Neoscape's chief creative officer, «especially to first - time home buyers, who are increasingly urban, savvier and more independent than ever.